Brazil has produced some of the most vibrant and exciting guitar music in the instrument's history. In this lesson Rick Udler discusses and demonstrates styles techniques and rhythms of Brazil's great players. This is a uniqueopportunity for guitarists to delve into the beautiful sounds of this musical land. Rick begins by going over chords that are commonly used by Brazilian guitarists. He then teaches the accompaniment to singer/songwriterGilberto Gil's beautiful composition 'A Paz' to illustrate the use of chords with open strings. A step-by-step analysis of Bossa Nova accompaniment in the João Gilberto style follows along with suggestions on how to develop abetter feel for this sophisticated syncopated groove. The solo guitar rendition of the Antonio Carlos Jobim/Newton Mendonça classic 'One Note Samba' will be a welcome addition to many players repertoires with it'srhythmic drive and rich harmony. Samba rhythms are then explored with examples that are sure to enhance one's groove and arsenal of techniques. Rick also gives examples of inner string movement which will prove invaluable to thoselooking for ways to generate more excitement and authenticity in their comping. A sambified version of 'Happy Birthday' demonstrates how to apply these techniques to a familiar tune and make it sound fresh.And to provide an evengreater challenge for all players Rick gives a detailed analysis of his tour de force solo guitar piece 'Amigo Paulo' composed as an homage to his friend guitar legend Paulinho Nogueira (1927-2003). This tune with it's choroinfluences incorporates many of the techniques Rick learned directly from the master and is sure to provide much musical food for thought for players who are looking for innovative new colours and textures to add to their playing.

Night Dance was written between September 1986 and January 1987 to a commission from David Starobin who gave the first performance on 5 April 1987 at the Wigmore Hall London. It is a miniature tone-poem depicting ascene of an old man sitting in a doorway at dusk. He is playing a guitar and begins by plucking the lowest string as though searching for what he wishes to play. As the music gains momentum it gradually moves upwards by meansof the guitar’s open strings and breaks into a dance. Now it is dark and a nightmarish band of dancers passes by the old guitarist. The dance jerky and uneven develops melodically and harmonically the initial material of thepiece. After a climax the dancers move on - the dance music subsides and a nocturne is heard interrupted periodically by the music of the dance in the distance. Maybe this is not geographical distance but the distance oftime perhaps the whole episode has been mere memories. The piece ends musingly with the motive from which it began.

A range of fabulous educational and concert guitar music by the UK's top guitar composers educators and performers.Rush originally started out as a study for the right hand thumb. The piece opens in five with a darting weaving bass melody and harmonic language similar to the Cuban feel of Leo Brouwer's first study. As the piece progresses I played around with some poly-rhythms and syncopations in 3/4 time with a Venezuelan flavour similar to the music of Antonio Lauro.The title Metropolis was created like many of my pieces retrospectively. It was suggested to me by Mark Eden and resonated with much of what I felt the piece conveyed essentially the non-stop hustle and bustle of a musical 'city' where influences combine from many different ages and musical cultures. The initial ideas for the piece came from trying to formulate a study for the left hand where the 4th finger jumps from the first string to the lower bass strings. As is often the case on finishing the piece I now hear many things which although not used consciously have emerged in the music to remind me of music I have listened to or studied in the past.At various points a musical quote taken from the end of the first movement of La Catedral by the Paraguayan guitarist and composer Agustin Barrios Mangore appears which I have syncopated and used as a musical junction with the music taking a different direction each time it appears.Towards the end of the piece the performer combines left hand hammered chords with right hand finger clicks and tamboura creating a visual juggling effect when performed. Something resembling the sound of a siren can then be discerned before the piece moves into the closing E major section. I did most of the work for the final version of this piece in the autumn of 2005 just after the birth of my second daughter!I think the music reflects something of the pace of my life around then!Birds Flew Over The Spire is a short lyrical piece which was also

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

Joe Walsh guitarist in legendary rock group the Eagles is a much respected and inspirational rock 'n' roll musician. In this awesome and practical DVD lesson he takes you through how to set up your guitar for perfect intonation. Far more than a standard tutorial this instructional DVD covers aspects of guitar maintenance and set-up. From stringing your guitar to adjusting the truss rod and cleaning pots and pick-ups. Other contents include using a Slide G and E tunings perfect pitch and creating your own solos.

The Beginner Guitarist has been born out of 20 years of teaching experience. Although specifically designed as a teacher's aid, it can also be used for independent study. Topics like posture, tuning and phrasing are notprescribed, being left to the judgement of the teacher. With the exception of right and left-hand fingering advice, this approach is used throughout the series. The entire series has the goal of being a measured and progressivetutor. Ideas are usually introduced one at a time to avoid overloading the student. Basic right-hand technique is the foundation of the early part of Book One. The ability to strike the string effectively and produce a clear soundis paramount. Left-hand technique is then addressed with notes on the top three strings in first position. Use of the thumb is also covered briefly. Light relief comes in the form of small amounts of glissando and percussive work.Dynamics are then introduced onto a stable base of notes, followed by accidentals (key of G). This all-color book is rounded off with chords and arpeggios, giving the student a chance to 'swap seats' with the teacher and play therole of accompanist. Elsewhere the teacher may accompany the pupil with the suggested chords, either playing the root note or the full voicings as notated. A daily practice session for the completion of Book One, extra repertoireand other helpful information are all available at www.thebeginnerguitarist.com.

Featuring chords and scales for DADGAD Open G and Drop-D tunings. Moveable chords are shown with roots on the 6th 5th and 2nd strings including many alternate voicings. Major minor and pentatonic scales are given for eachtuning with 6th and 5th string roots.

From Alfred Music, the worldwide leader in music education products since 1922, comes Alfred's Teach Yourself to Play Classical Guitar Complete Starter Pack! This complete starter pack includes a high-quality full-size Firebrand? nylon-string acoustic guitar, deluxe accessories including a custom-fit gig bag carrying case, clip-on portable tuner with batteries included, a foot stool, and Alfred's Teach Yourself to Play Classical Guitar (Book, CD, and DVD with TNT 2 software for Mac and PC). High-quality Firebrand? full-size nylon-string acoustic guitar features: * Spruce top with mahogany back and sides for a full, rich tone * Die-cast, chrome tuning machines * Nylon strings * Mahogany neck with rosewood fretboard / Guitare

For 6 & 7 String Guitars-There are numerous publications on the art of flamenco Guitar and on the so-called “gypsy jazz” (the style of Django Reinhardt) Guitar. Associated mainly with the Russian seven-string Guitar the art of the Russian-Romany guitarists is barely known in the west and unfortunately is almost lost in Russia itself. This book is designed to introduce guitarists to this specific gypsy style. Follow along as the masters of Russian Gypsy Guitar lead you through exercises and traditional songs transcribed for both 6 and 7-string Guitars. It includes access to audio files online to help you understand and play each piece with proper timing and inflection.

John Hammond is regarded as one of the most prolific and outstanding solo acoustic blues guitarists on the scene today. His career has spanned more than four decades and he has recorded and appeared on nearly 50 albums. In this in-depth interview taped in 1991 you get an inside glimpse of John's aspirations his style and techniques that distinguish him as a unique and inspiring solo blues guitarist. In four performances John demonstrates and discusses his slide guitar technique finger picking string dampening and his unique use of string effects open tuning and time shifts. He also discusses his vocals and harmonica playing accompanied by 6- or 12-string guitar anddemonstrates in live performances. His intense and seductive harmonica playing creates a mood with riveting vibrato dynamic voicing bending and phrasing. This DVD will keep you riveted to your seat as John reveals his influences aspirations and experience as a solo acoustic blues act. In the accompanying booklet John teaches you licks and phrases from the blues masters both in standard notation and guitar tablature.

Description This very easy to understand, step by step introduction to note reading and guitar solo performance presents basic notes in first position. It features a companion play-along CD and special sections on types of guitars, frequently asked questions, how to string a guitar, musical and guitar terms. •easy to understand, step by step introduction to note reading and guitar solo performance •presents basic notes in first position •companion play-along CD •special sections on types of guitars, frequently asked questions, how to string a guitar, musical and guitar terms Esta introducción fácil de entender, paso a paso a la lectura musical y guitarra solista presenta notas básicas en la primera posición. Incluye un CD de acompañamiento y una sección especial de tipos de guitarras, preguntas frecuentes, como encordar la guitarra y términos guitarrísticos y musicales. •

This very easy to understand step by step introduction to note reading and guitar solo performance presents basic notes in first position. It features a companion play-along CD and special sections on types of guitars frequently asked questions how to string a guitar musical and guitar terms. ?easy to understand step by step introduction to note reading and guitar solo performance ?presents basic notes in first position?companion play-along CD ?special sections on types of guitars frequently asked questions how to string a guitar musical and guitar terms Esta introducción fácil de entender paso a paso a la lecturamusical y guitarra solista presenta notas básicas en la primera posición. Incluye un CD de acompañamiento y una sección especial de tipos de guitarras preguntas frecuentes como encordar la guitarra ytérminos guitarrísticos y musicales. ?

Media Type : Book/CD Set Level : Beginning Musical Genre : All Styles Series : First Lessons Number of pages : 40 A step-by-step, concise, user-friendly guide to learning chords, strumming, and songs. Music is presented in the keys of G, D, E minor and C with a play-along CD. The book also features sections on types of guitars, frequently asked questions, how to string a guitar, and musical and guitar related terminology. Ideal for beginners of any age. - Step-by-step, concise, user-friendly guide to learning chords, strumming, and songs - perfect for beginners of any age. - Music is presented in the keys of G, D, E minor and C. - Features sections on types of guitars, frequently asked questions, how to string a guitar, and musical and guitar-related terminology. - Companion CD included.

Media Type : Book/CD Set Level : Multiple Levels Musical Genre : Jazz Series : Complete Number of pages : 184 This book is complete in the sense that there is something for everyone: beginners, intermediate players and professionals. Along with learning the basics, this book teaches fingerstyle guitar players to play two-string harmonies, accompaniment styles and much more. Alan De Mause has filled the companion CD to capacity with 90 examples of music from his landmark text. The recording features nylon-string guitar throughout in both solo and midi-accompanied settings. A full range of jazz guitar stylings is offered, starting from square one and proceeding through advanced fingerstyle solo material.