Perfect for the student of Jazz. --Michael Brecker ?I encourage the jazz guitar students at the University of North Texas to emulate tenor saxophonists. Greg Fishman's book, Jazz Guitar Etudes, contains idiomatic bebop lines and will be a great tool for any guitar teacher with aspiring jazz guitarists. Thanks, Greg!? Fred Hamilton, professor of jazz guitar, University of North Texas ?These are great solos and etudes! I'm always telling my guitar students to learn lines and phrasing from horn players, and Greg Fishman's book is perfect for this approach. The book is nicely done and very well laid out.? Corey Christiansen Professor of Guitar, Utah State University, Visiting Professor, Indiana University This book is very well put together and very thorough. It gives guitar students the information necessary to obtain a vocabulary based on the bebop tradition, yet ultimately encourages them to improvise on these structures, creating their own lines and ideas. I commend you on meeting this challenge head-on, and for effectively clarifying these concepts in your liner notes. --Steve Cardenas Professor of Guitar, The New School, New York City, member of the Paul Motian Band and Charlie Haden Liberation Music Orchesra. The lines are great, the rhythm section is terrific, and I really love the fact that the student guitarist working out of this book gets to play along with both the guitarist on the CD and with your tenor. This book is incredibly well thought out. Congratulations on a fantastic book! --Jack Peterson, legendary jazz guitar professor (retired) from Berklee and North Texas State Just Jazz Guitar's rave review of Jazz Guitar Etudes by Greg Fishman: Jazz Guitar Etudes is an excellent resource for all guitarists and teachers. After releasing a very popular etudes book for jazz saxophone, Greg Fishman collaborated with guitarist Mike Allemena to do a guitar version of the book. The book includes standard notation and tablature. The studies in the book are great written improvised solos over familiar chord progressions such as the blues, rhythm changes, and standards. The book comes with a CD that features a guitar version, a saxophone version, and a rhythm section version of each etude. In addition, Fishman begins the book with concepts in developing jazz lines such as proper voice leading and sequences. The melodic lines are very well designed phrases using the the bebop language. Guitarists can gain so much by playing and analyzing these etudes --Just Jazz Guitar Magazine Endorsed by Michael Brecker, Dave Liebman, Phil Woods, James Moody, Plas Johnson, Mark Colby, Bob Sheppard, Jerry Coker, Gary Campbell, Tim Price, Gary Keller, Chip McNeil and many other teachers and players around the world, this series of saxophone etude and duet books will immediately help you take your playing to the next level. Click a cover and hear a sample... New book release for Jazz Guitar: Jazz Guitar Etudes book and CD Play-along set is now in stock and shipping! This book features master jazz guitarist Mike Allemana playing twelve bebop style etudes. Also includes Greg Fishman playing each etude on tenor saxophone. This allows the guitarist the choice of playing with Mike (guitar) or Greg (tenor). Book also features tablature with Mike's own fingerings! 52 pages, 8.5 x 11 format, ISBN 978-0-9766153-7-8

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

A Tribute to the Legacy of W. C. Handy. Par SHAIN JON. Award-winning blues songwriter and performer Jon Shain brings us his fingerstyle guitar arrangements of some of the earliest blues and rags ever published. W. C. Handy, known as the \'Father of the Blues\', wrote and arranged for piano and voice and sometimes for full ragtime orchestra. Shain has arranged these compositions to be played on guitar, weaving the timeless vocal melodies and bass lines throughout the pieces. Guitar tablature, standard musical notation, and lyrics are all included, along with historical background on each song. Includes access to online audio. / Date parution : 2022-09-14/ Tablatures / Guitare

(What's The Story) Morning Glory is the second smash album by Mancunian Indie-rockers, Oasis, and continues in the same vein with their blend of 60s pop and British rock. After the success of their debut Defintely, Maybe , this is just as swaggering and confident but more mature, melodic and soulful. Every song from the album is arranged in guitar tablature and includes the huge hits Don't Look Back In Anger, Wonderwall, Champagne Supernova and Roll With It . 12 tracks from this iconic British band at the height of their Brit-pop power, all arranged for guitar and voice with complete guitar tablature and standard notation arrangements. / Guitare Tablatures

A modern unplugged collection ideal for acoustic guitarists, arranged for Voice and Guitar with full vocal line, strumming patterns, riffs and chords. Includes Richard Ashcroft's Break the Night with Colour (Acoustic Version), Corinne Bailey Rae's Put Your Records On , and KT Tunstall's Universe and U (Acoustic Version). / Niveau : Assez Facile / Tablatures / Guitare Tablatures

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

16 authentic transcriptions with notes and tablature from the 2016 album release by Dream Theater of all the guitar parts played by John Petrucci. Includes: Astonishing - A Better Life - Chosen - Dystopian Overture - The Gift of Music - Hymn of a Thousand Voices - A Life Left Behind - Moment of Betrayal - My Last Farewell - A New Beginning - Our New World - The Path That Divides - A Savior in the Square - Three Days - The Walking Shadow - When Your Time Has Come. / Guitare

Par MUSE. Simulation Theory is the eighth studio album by English rock band Muse, released on 9 November 2018. This artist approved songbook contains all songs from the album, arranged for guitar (tab) and voice, plus an 8-page colour section./ Tablatures / Guitare Tablatures

All the songs from the album arranged for voice and guitar with standard notation and tablature. Includes The Wicker Man, Ghost Of The Navigator, Brave New World, Blood Brothers and The Mercenary . / Guitare Tablatures

Express yourself through the beautiful voice of the solo Guitar. Solo Guitar Playing can teach even the person with no previous musical training how to progress from simple single-line melodies to mastery of the guitar as a solo instrument. Fully illustrated with diagrams, photographs, and over 200 musical exercises and repertoire selections, this book offers thorough instruction in every phase of classical guitar playing. Complete coverage of individual skills includes: Basic technique Reading music, memorizing, and ear-training Mastering the fingerboard Building dexterity and speed Developing tone color and musical phrasing Position playing Interpretation Since its first printing in 1968, Frederick Noad's Solo Guitar Playing has been used by countless students and teachers of classical Guitar. The fourth edition features revised and updated exercises and an expanded selection of solo Guitar repertoire gleaned from the best-selling Frederick Noad Guitar Anthology. / Guitare

Par GUNS N'ROSES. Between 1987 and 1995 Guns N Roses were one of the most influential bands in the world! They were at the forefront of the hard rock movement that forced out glam rock at the end of the 80s. With powerful, dynamic tunes fuelled by Slash's fret mastery and Axl's voice, their gritty and volatile on stage presence and performances helped cement them in Rock N Roll history. This awesome Anthology contains 21 of the most rowdy, sleazy hard-rock songs taken from Guns N' Roses' classic Appetite For Destruction, Lies and Use Your Illusion I and II albums. Accurately transcribed from the original recordings, the songs have all been arranged for advanced guitarists in tablature and standard notation, with full lyrics and chord boxes. / Niveau : Elémentaire / Rép International / Tablatures / Guitare Tablatures

The debut album from the latest addition to the Britpop scene which earned the band a Mercury Music Prize nomination in 2000. Includes the hit singles Yellow and Trouble . All the songs from the album arranged for voice and guitar in standard notation and guitar tablature, including lyrics and chord symbols. / Guitare

Includes the cycles Chestnuts, From the Diary of Sally Hemings, Laura Sonnets, Old Addresses, selections from The Hawthorn Tree, and individual songs. With notes on the songs and composer comments. Includes several first editions and first-time transpositions.There are different songlists for the High Voice and Medium/Low Voice editions. / Voix Moyennes