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VIOLIN - FIDDLE
Medium voice, Piano
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4 Clarinettes en Sib et Clarin… (18)
Hautbois Solo (18)
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3 Trompettes et Fanfare (18)
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William Bolcom: Ancient Cabaret: Vocal and Piano: Vocal Album
Medium voice, Piano
[Sheet music]
Edward B. Marks Music Company
Medium Voice and Piano-Medium Voice and Piano. This collection of 5 art songs co...
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Medium Voice and Piano-Medium Voice and Piano. This collection of 5 art songs comes from Ancient Greek poetry. The music was written by William Bolcom and the poems were translated into English by Arnold Weinstein. Songs: On a Statue of a Runner · Unlucky Eutichus · An Encaustic Painting · Timomarchus's Picture of Medea in Rome · Praxiteles' Aphrodite.
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Henry Purcell: Four Songs: Vocal: Vocal Album
Medium voice, Piano
Faber Music Limited
Thomas Adès made these four Purcell realisations for medium voice and piano f...
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Thomas Adès made these four Purcell realisations for medium voice and piano for recitals with the countertenor Iestyn Davies in 2012 and 2017. Four Songs is comprised of two of Purcellâ??s Tempest songs â??Come Unto these Yellow Sandsâ?? and â??Full Fathom Fiveâ?? alongside the much-loved â??An Evening Hymnâ?? and â??By Beauteous Softnessâ??. The whole collection lasts around 12 minutes. Adès described Purcellâ??s manner of setting English text as â??magnificentâ?? remarking that â??the way that emotion the rhythm of the words is rendered into music is incomparably natural and powerful.â?? All of these qualities are brought to the fore in these realisations which should prove an invaluableaddition to the repertoire.
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Frank Bridge: 3 Songs: Medium Voice: Vocal Album
Medium voice, Piano
[Sheet music]
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Intermediate/advanced
Thames Publishing
Frank Bridge’s Three Songs for Medium Voice Viola and Piano is the secon...
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Frank Bridge’s Three Songs for Medium Voice Viola and Piano is the second volume in a 30-volume series by The Frank Bridge Trust in association with Thames Publishing celebrating the works of Frank Bridge. This publication features the songs Far far from each other Where is it that our soul doth go? and Music when soft voices die and includes the score for Viola separately making the collaboration of the three musicians easier. The songs can be and often are performed together as a cycle but also work as short individual pieces. The first performance of the three songs in December 1908 marked a rareoccurrence as Frank Bridge played the Piano part himself. Far far from each other is the most ambitious of the three pieces for all three musicians. The words are excerpts from Matthew Arnold’s ‘Empedocles on Etna and Other Poems Parting’.Where is it that our soul doth go? is the shortest of the three songs and the words are a translation of the last stanza of Heinrich Heine’s Clarisse translated by K. F. Kroeker.While the first two songs are original settings Bridge first wrote Music when soft voices die for High Voice Piano and Cello in 1903. The present version was transcribed in 1907. Music when soft voices die the short poem providing the words for this piece is one of the most influential and well-known of Shelley’s works.Watch Three Songs performed by Rebecca Ringle (Mezzo-Soprano) Luke Fleming (Viola) and Roger Steptoe (Piano):
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Madeleine Dring: Seven Songs For Medium Voice: Medium Voice: Vocal Album
Medium voice, Piano
Thames Publishing
Seven Songs For Medium Voice-Madeleine Dring (1923-1977) was an English composer...
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Seven Songs For Medium Voice-Madeleine Dring (1923-1977) was an English composer and actress. She studied Violin Voice and Composition at the Royal College of Music where her teachers included Ralph Vaughan Williams Herbert Howells and Gordon Jacob. Her Vocal works were collected and posthumously published by Thames in the 1990s. Seven Songs for Medium Voice was published in 1993 as Dring Volume 4. It is a wonderful collection of songs with various compositional dates all scored for Medium Voice and Piano accompaniment.
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Edward Elgar: An Elgar Song Album - Medium Voice And Piano: Medium Voice: Mixed
Medium voice, Piano
Novello & Co Ltd.
Elgar was pre-eminently the composer of large forms. Complex lengthy developmen...
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Elgar was pre-eminently the composer of large forms. Complex lengthy development of musical ideas was for him a measure of genius. His songs with the exception of the orchestral cycle Sea Pictures were not often the vehicles for his most striking ideas. Paradoxically he was also bedevilled by a fine literally taste. He once told a friend that he felt it better to set the best second-rate poetry to music for the most immortal verse is music already. Some of his songs are therefore settings of poets now all but forgotten such as Arthur Salmon and Gilbert Parker: to their verse his music might make a vital addition. Elgar's songs offer authentic Edwardianreflections which we can value now in their own terms. These songs are full of echoes of a master's thoughts - and especially in the songs written for the stage - flashes of his genius.
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Mario Castelnuovo-Tedesco: Vocalise-Étude: Medium Voice: Vocal Work
Medium voice, Piano
Leduc, Alphonse
Born into a family that had lived in Florence since the expulsion of the Jews fr...
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Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492 Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue. It was only when he discovered Schelemo a rhapsody for cello and orchestra written in 1916 by Ernest Bloch that he began to understand what “Jewish music” could be. In the mid-1920s the young composer found a collection of prayers set to music among his maternal grandfather’s papers. Something clicked and from then on Jewish tradition would become a source of inspiration for Castelnuovo-Tedesco. In 1928 two years after publishing theDances of King David he wrote this Vocalise-Étude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich who wanted to include it in the Répertoire moderne de Vocalises-Études published by Leduc. The piece became so popular that several instrumental adaptations were soon created published under the title Chant hébraïque (for violin and piano: AL17 713; for cello and piano: AL 17196). Divided into three sections this wordless melody opens with a “sad and impassioned” chant that appears to grieve the tragic fate of the Jewish people. A folk dance follows in which a “lively and stubborn” movement has great panache. The third section returns to the initial poignant theme before briefly reiterating the dance motif allowing the piece to conclude on a hopeful note. The composer himself would adopt this proactive stance refusing to yield to resignation when fleeing Mussolini’s anti-Semitic laws he decided to emigrate in 1939 to the United States a land of refuge to which he would remain faithful until his death some thirty years later.
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Gabriel Fauré: Le Chanson D'Éve For Voice And Piano: Medium Voice: Score
Medium voice, Piano
[Sheet music]
Heugel
Being such a prolific composer particularly for Vocal and Piano works Gabriel ...
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Being such a prolific composer particularly for Vocal and Piano works Gabriel Fauré's music is always addressed with high expectations. His Le Chanson D'Éve for Voice and Piano accompaniment is no exception. Fauré (1845-1924) began receiving high quality musical instruction from age 10 at the Niedermeyer School. He eventually became a piano pupil of Camille Saint-Saëns. Fauré's career saw him succeed Théodore Dubois as organist at the Church of Madeleine in Paris and become professor of composition at the Paris Conservatoire all the while composing sublime works. His song cycle Le ChansonD'Éve was composed between 1906 - 1910. As Fauré's longest song cycle Le Chanson D'Éve is made up of ten melodies based on poetry by Charles Van Lerberghe. With Fauré's music remaining hugely popular to this day Le Chanson D'Éve is a favourite for the vocal repertoire.
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Lord Be My Shepherd (High Voice): Mixed Choir: Vocal Album
Medium voice, Piano
[Sheet music + CD]
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Intermediate/advanced
H.T. FitzSimons Company
A collection of arias for Medium-High Voices setting sacred texts to the great ...
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A collection of arias for Medium-High Voices setting sacred texts to the great operatic arias of Puccini Mozart Wagner Purcell and others.The Fred Bock Institute Of Music has assembled this sumptuous anthology of devout and moving settings offering a solemn and musically rich repertoire for the Medium-High Voice with Piano.A CD is included featuring demonstration performances and accompaniment tracks for each piece.
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26 Italian Songs and Arias: Medium Voice: Vocal Album
Italiano
Medium voice, Piano
Alfred Publishing
Arranged for Medium-Low Voice with Piano accompaniment. Most of the arias in thi...
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Arranged for Medium-Low Voice with Piano accompaniment. Most of the arias in this collection were written in the 1600s and 1700s by composers who were intent on expressing their feelings and entertaining their listeners. They wrote for the present and didn't write many instructions for their performers as they would always be present when their music was performed. However the success of their music transcended their lifetimes and over the years editions have become nothing like their original forms. This edition seeks to return to the composers' original intentions and produce an authoritative and faithful re-production of their works.Includes an accompanying CDof professionally recorded backing tracks.
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Twentieth Century Art Songs for Recital and Study: Medium Voice: Score
Medium voice, Piano
Schirmer
20th Century Art Songs is a collection of contemporary art songs suitable for b...
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20th Century Art Songs is a collection of contemporary art songs suitable for both Recital and Study. It contains 27 works by 21 composers including Samuel Barber Leonard Bernstein Arthur Bliss Paul Creston Charles T. Griffes and more. The songs are arranged for medium Voice and Piano.20th Century Art Songs is the perfect volume for any singer looking to develop their range of art songs or for anyone interested in 20th Century Music.
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Georg Friedrich Händel: Come and Trip It In A Minor: Medium Voice: Instrumental
Medium voice, Piano
[Sheet music]
Edwin Ashdown
Henry Purcell (1659-1695) held numerous appointments at the Royal Court and West...
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Henry Purcell (1659-1695) held numerous appointments at the Royal Court and Westminster Abbey and is considered by many to be the greatest ever English-born composer. His prolific work covered all fields: orchestral ecclesiastical operatic theatrical incidental and chamber music were all enriched by his output. Come And Trip It is an aria from the 1740 work L'Allegro il Penseroso ed il Moderato (HWV 55) based on a poem by John Milton. It is a graceful movement in the Minuet style often referred to as a 'Dance Song'. It has been arranged for Medium Voice and Piano by Mary Carmichael.
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Donald Swann: The Songs Of Donald Swann - Volume 2: Medium Voice: Vocal Album
Medium voice, Piano
[Sheet music]
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Intermediate
Thames Publishing
Six Poetic Songs-Donald Swann is best known as one half of the comic duo Flander...
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Six Poetic Songs-Donald Swann is best known as one half of the comic duo Flanders and Swann who dominated the West End and Broadway stages in the late 1950s and 1960s. Though less recognised he was also a leading exponent of the lyric song having reinterpreted the English art-song tradition exemplified by Parry Quilter Warlock and others in his own distinctive and exotic way. This second volume of his songs for Medium Voice and Piano features a range of styles and moods that fit with the diversity of the poems he has set and demonstrate his sensitivity to the setting of texts to music. These Practical Versions of Swann’s ever evolving songs are a wonderful insight into thecomposer’s ability and justify his place in the canon of English song.
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Leonard Bernstein: Take Care Of This House - Medium Voice & Piano: Medium Voice:
Medium voice, Piano
Boosey and Hawkes
A song from Bernstein's 1976 musical 1600 Pennsylvania Avenue arranged for med...
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A song from Bernstein's 1976 musical 1600 Pennsylvania Avenue arranged for medium voice and piano. Text by Alan Jay Lerner.
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The Boosey Voice Coach: Medium Voice: Vocal Tutor
Medium voice, Piano
[Vocal Score]
Boosey and Hawkes
Singing in English-The Boosey Voice Coach is an entirely new concept in vocal tr...
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Singing in English-The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual and not filled with off-putting diagrams this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language. In each volume of the series works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length starting with the words ('Text' - including a literal translation as appropriate) moving to general advice about how the song might be approached ('Notes') and thenaddressing the technical difficulties the music presents ('Skills'). Expressed in clear language Mary King's approach is direct practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.Singing in English: Even for native speakers the English language presents singers with particular difficulties. How do you manage diphthongs for example? How do you make consonants clear without spoiling the vocal line? How do you make sense of the story-telling in a strophic folksong? These issues and more are covered in this book which contains songs with texts in the English language from Britain and elsewhere.
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Franz Schubert: Lieder Volume 6: Voice: Vocal Album
Medium voice, Piano
Barenreiter
Mittlere Stimme / Medium Voice-Based on the New Schubert Edition.Newly engraved ...
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Mittlere Stimme / Medium Voice-Based on the New Schubert Edition.Newly engraved clearly presented musical layout.Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger).Includes English translations of lieder texts by Richard Wigmore.The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With Nachtgesang (D 119) and Trost in Tränen (D120) Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe.Schubert during this periodan assistant teacher at his father?s school orientated himself towards the so-called Berliner Liederschule particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.Also available:High Voice & Piano BA 9106Low Voice & Piano BA 9146
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Joseph Concone: 50 Lessons Op. 9: Medium Voice: Vocal Tutor
Medium voice, Piano
Hal Leonard
Schirmer Library of Classics Volume 242-Fifty lessons for medium voice. Vol.242 ...
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Schirmer Library of Classics Volume 242-Fifty lessons for medium voice. Vol.242 Schirmer's Library of Musical Classics. The purpose of these lessons is 'To place and fix the voice accurately' 'To develop taste while singing broad elegant and rhythmical melodies'.
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Henri Duparc: Henri Duparc: Complete Songs (Medium/Low Voice): Medium Voice:
Medium voice, Piano
[Sheet music]
Peters
Sämtliche Lieder (mittlere/tiefe Singstimme und Klavier)-This is the first ever...
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Sämtliche Lieder (mittlere/tiefe Singstimme und Klavier)-This is the first ever complete critical edition of Duparc's songs. Edited by Roger Nichols the elegantly presented music is supported by a fully comprehensive Critical Commentary which illuminates as never before the compositional stages of these beautiful songs. Roger Nichols' international reputation as a leading authority on French music makes this edition essential for all singers who perform study or teach these melodies. Contains: Chanson triste; Soupir; Romance de Mignon; Serenade; Le galop; Au pays ou se fait la guerre; L'invitation au voyage; La vague et la cloche; La fuite; Elegie; Extase; Le manoir de Rosemonde; Serenade florentine;Phyidyle; Lamento; Testament; La vie anterieure
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Aaron Copland: Art Songs And Arias - Low/Medium Voice: Medium Voice: Vocal Album
Medium voice, Piano
[Sheet music]
Boosey and Hawkes
It would be difficult to overestimate the influence of Copland's music on Americ...
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It would be difficult to overestimate the influence of Copland's music on American music of the 20th and 21st centuries. His songs and arias provide a concise tour of his stylistic journey and most of the songs are available in this remarkable volume.Includes: 9 songs (including 4 early songs); the complete 12 settings of Emily Dickinson's poems; 3 arias. The songs have been transposed down either a major or minor third; the original key is retained for the Emily Dickinson settings and the arias.
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Reynaldo Hahn: 40 Mélodies Vol 2: 20 Melodies: Medium Voice: Vocal Album
Medium voice, Piano
Heugel
20 Melodies Voix Moyenne Et Piano-As Proust liked to remind us Reynaldo Hahn (1...
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20 Melodies Voix Moyenne Et Piano-As Proust liked to remind us Reynaldo Hahn (1875-1947) had a clear voice that was really appreciated in Paris at the time: he believed Hahn’s mouth was a genius music instrument that was letting the most beautiful sad yet warm voice out when he was singing. Following the first volume written in 1986 Melodies Volume 2 comprises twenty exciting songs for Voice with Piano Accompaniment composed by Reynaldo Hahn. These twenty melodies are: Quand la nuit n'est pas étoilée – Cantique - La Délaissée - La chère blessure – Théone - Le souvenir d'voir Cante-Quand je fus pris au pavillon - Chanson au bord de la fontaine - Sur l'eau – Fumée - Le printemps - Dans la nuit - Les fontaines - A Chloris - Le rossignol des lilas - A nos morts ignorés - Ma jeunesse - Le plus beau présent - Puisque j'ai mis ma lèvre - La douce paix
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Italian Art Songs of the Romantic Era: Vocal: Vocal Album
Medium voice, Piano
[Sheet music + CD]
Alfred Publishing
This volume offers a sampling of fourteen great vocal works from the Romantic er...
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This volume offers a sampling of fourteen great vocal works from the Romantic era for Medium and Low voice that have long been out of the common consciousness but not been entirely forgotten! Rossini and Donizetti among others wrote songs for everybody from prima donnas to amateurs each with an impressive sensitivity and depth. Editor and mezzo-soprano Patricia Atkins Chiti has drawn from her personal collection of songs many of which have been out of print for more than a century. Italian Art Songs of the Romantic Era contains fourteen fabulous songs a detailed foreword that introduces the Romantic era and the Romanze providing an excellentway for young singers to learn the style of major composers. There is carefully edited text and music an extensive background to each composer and each song translations and even phonetic pronunciation guides for Italian.
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Reynaldo Hahn: Si Mes Vers Avaient Des Ailes: Voice: Vocal Work
Français
Medium voice, Piano
Leduc, Alphonse
Having been considered as a 'fashionable' and 'cliché' composer of his day Hah...
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Having been considered as a 'fashionable' and 'cliché' composer of his day Hahn's compositions are possibly not as well-known as they ought to be. If My Verses Had Wings! for Voice & Piano however is one of many compositions that shatter these prejudices held representing the engaging diversity of the composer's music. Venezuelan-born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes Lavignac Dubois and Massenet before becoming a prolific and versatile composer himself writing works for all genres. For Hahn music was amagical art and his compositions often contain expressions of his otherwise hidden emotions and moods. If My Verses Had Wings! is based on the poetry of Victor Hugo. Moreover this edition of Hahn's If My Verses Had Wings! contrains transcriptions in three different keys making it versatile to a range of voices. Hahn's If My Verses Had Wings! contains a variety of different features making for a pleasant and evocative work for singers and pianists.
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Chanson D'Eve (FAURE GABRIEL)
Medium voice, Piano
[Sheet music]
Heugel
Par FAURE GABRIEL. Being such a prolific composer, particularly for Vocal and Pi...
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Par FAURE GABRIEL. Being such a prolific composer, particularly for Vocal and Piano works, Gabriel Fauré 's music is always addressed with high expectations. His Le Chanson D'Éve for Voice and Piano accompaniment is no exception. Fauré (1845-1924) began receiving high quality musical instruction from age 10 at the Niedermeyer School. He eventually became a piano pupil of Camille Saint-Saëns. Fauré 's career saw him succeed Théodore Dubois as organist at the Church of Madeleine in Paris and become professor of composition at the Paris Conservatoire, all the while composing sublime works. His song cycle Le ChansonD'Éve was composed between 1906 - 1910. As Fauré 's longest song cycle, Le Chanson D'Éve is made up of ten melodies based on poetry by Charles Van Lerberghe. With Fauré 's music remaining hugely popular to this day, Le Chanson D'Éve is a favourite for the vocal repertoire./ Répertoire / Voix Moyenne et Piano
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Geoffrey Bush: Eight Songs For Medium Voice & Piano: Voice: Mixed Songbook
Medium voice, Piano
Novello & Co Ltd.
It could be argued that Geoffrey Bush's most characteristic music is for voices:...
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It could be argued that Geoffrey Bush's most characteristic music is for voices: stage-works choral pieces and solo songs. With a natural affinity for a wide range of texts (from Chaucer to Stevie Smith via Jonson Wilde and Virginia Woolf) - his music always serves to embellish and illuminate the given word.
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STRAUSS - ACHT GEDICHTE OP. 10 - CHANT ET PIANO
Medium voice, Piano
G. Henle
Compositeur : Richard Strauss
Éditeur : Annette Oppermann
Groupe d\'I...
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Compositeur : Richard Strauss
Éditeur : Annette Oppermann
Groupe d\'Instruments : Chant
Instrumentation : Medium Voice and Piano
Type de produi : Vocal Score
Collection : Henle Urtext Editions
Difficulté : INTERMEDIATE
Language : D
Année d\'édition : 2022
Édition musicale : G. Henle Verlag
GenreView Description : Profane / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / HENLE VERLAG
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Reynaldo Hahn: If My Songs Were Only Winged: Medium Voice: Single Sheet
Medium voice, Piano
[Sheet music]
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Intermediate
Edwin Ashdown
Si Mes Vers Avaient Des Ailes!-Pas de description disponible. Contacter info@mus...
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Si Mes Vers Avaient Des Ailes!-Pas de description disponible. Contacter info@musicroom.com pour plus d'informations
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Bonnardot Jacqueline - Les Plaisirs Du Chant Vol.1 - Voix Moyenne Ou Grave, Piano
Français
Medium voice, Piano
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Intermediate
Lemoine, Henry
Partition pour voix moyennes ou graves et piano Collection : Bonnardot Jacqueli...
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Partition pour voix moyennes ou graves et piano Collection : Bonnardot Jacqueline Nombre de pages : 43 Niveau : 3 Cette édition s'adresse aux chanteurs mais également à tous les musiciens qui aiment le chant et veulent avoir facilement un large éventail de musique convenant à des voix peu exercées (formation musicale, par exemple). Tous les morceaux ont été choisis non seulement pour leur qualités musicales, mais aussi pour leur efficacité pédagogique, favorisant ainsi le bon développement des jeunes voix. Les morceux de chaque recueil sont choisis pour un niveau donné, et conviennent à des voix moyennes ou graves, qui chanteront avec profit ces pièces ne sollicitant pas leur aigu, mais ne nécessitant jamais un grave ou un médium appuyé. Nous avons recherché à respecter scrupuleusement le texte original des morceaux choisis. C'est ainsi que nous avons retranscrit les signes de mesure et les ornements originaux, sans les adapter à l'usage de XIXème siècle, laissant aux musiciens la liberté de les interpréter avec goût. Il est possible , bien sûr, de faire travailler certaines pièces en vocalises, si la langue pose des problèmes, ou comme travail préliminaire pour installer le legato. Contenu : Bach: Bist du bei mir - Berlioz: Villanelle - Brahms: Der gang zum liebchen - Bodin de Boismortier: Quand le silence et le mystère - Franck: Lied - Frescobaldi: Se l'aura spira - Haendel: Ch'io mai vi possa - Lambert: Ombre de mon amant - Lully: Plainte italienne - Monteverdi: Si dolce è'l tormento - Morley: It was a lover and his lasse - Purcell: Mystery (The fairy queen) - Scarlatti: Canzonetta - Schubert: Seligkeit - Schumann: Erstes grün - Stradella: Cosi, amor, mi fair languir - Stradella: Se nel ben
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The Boosey Voice Coach
Medium voice, Piano
Boosey and Hawkes
The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-...
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The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context, such as musical theatre or oratorio. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text' - including a literal translation as appropriate), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.German can seem like an awkward language to sing in - there are just too many consonants! How do you get your tongue around them? And there are lots of regional differences in accent: is there a 'correct' pronunciation? What exactly is an Umlaut? These issues and more are covered in this book, which contains settings from some of the masters of song-writing in the German language. / Voix Moyenne Et Piano
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