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Gluck
VIOLIN - FIDDLE
Orchestra
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Sinfonias / Individual Instrumental Pieces (GLUCK CHRISTOPH WILLIBALD)
Orchestra
[Sheet music]
Barenreiter
Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willi...
(+)
Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willibald Gluck dedicated his artistic life almost entirely to the composition of works for the opera stage, he also produced a number of instrumental works which have been somewhat marginalized until recently. This volume of the 'Gluck Complete Edition” (GGA) is the first to present 17 symphonies attributed to Gluck in a historical-critical edition - furthermore, the volume includes a new version of one of the trio sonatas published in 1961 as part of the GGA. Current research indicates that no reliable information about the genesis of the respective works exists for any of the symphonies attributed to Gluck. This is due to a lack of both autograph sources and reliable data pertaining to the history and first performances of these works. It is assumed that some of the existing symphonies might in fact be the lost overtures of Gluck's earlier operas. Others were possibly written to be performed in private or public concerts. The greatest challenge for the editors of this volume was posed by the question of authenticity and authorship of the works presented here. As no autographs exist for any of the symphonies bearing Gluck's name, the only indicators of authorship are attributions in the copies of score and parts, either original or added at a later time. The reliability of these attributions for individual works largely depends on the respective state of source material, meaning available sources as well as the condition of the respective copy. A thorough authenticity analysis concluded Gluck's authorship as valid in the case of 13 symphonies, while in the case of four other symphonies, diverging attributions lead to the acceptance of open authorship. As a result, this volume includes all compositions for which, according to the most current research, Gluck's authorship has not been refuted. In the case of two symphonies, one concerto for flute, and six trio sonatas published in 1961 as part of the GGA, Gluck's authorship has been disproven - detailed explanations are included in the volume's Foreword (Ger). The Foreword also discusses the individual instrumental works attributed to Gluck by various encyclopedias. In addition to the detailed Foreword, the volume includes facsimiles of representative source excerpts. The Critical Commentary (Ger) analyzes the state of sources and includes extensive information on editorial principles and performance practice./ Répertoire / Orchestre
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Cythère Assiégée (GLUCK CHRISTOPH WILLIBALD)
Orchestra
[Score]
Barenreiter
Couverture Rigide. Par GLUCK CHRISTOPH WILLIBALD. For his Paris 'Cythère assié...
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Couverture Rigide. Par GLUCK CHRISTOPH WILLIBALD. For his Paris 'Cythère assiégée?, Gluck drew on his eponymous opéra comique from 1759, transforming it into an opéra-ballet. The libretto which was expanded by Charles Simon Favart was adapted: Gluck added recitative passages, reworked individual sections and also added his own compositions, modifying them in parts. By March 1775, the compositional work had progressed sufficiently for Gluck to leave behind a copy of the score as he departed from Paris. However, he was unable to supervise rehearsals or be present at the premiere (1 August 1775) or any of the subsequent 21 performances. Due to these particular circumstances, three versions of the work are to be distinguished: the original version, the performed version and the printed version. This edition of 'Cythère assiégée? contains the original version of the main part and is printed here for the first time. The reconstruction which was necessary in order to determine the original form of this opera draws on all orchestral parts, the printed score and with regard to a large gap in Act III, pages were taken from the score copy. The four-part appendix includes the changes made to this score copy, sections that deviate from the printed score as well as the final version of Act III, also from the printed score. The last part of the appendix also presents a Divertissement in six movements by Berton, which is only available as a rare contemporary set of printed parts. The Foreword offers detailed information regarding the work's genesis, subject matter, preparations for performance and print, premiere, reception, and this edition. Selected pages from significant musical sources, the libretto of the premiere performance, and images illuminating the performance context, have been added as facsimiles./ Répertoire / Conducteur
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Overture To Alceste (GLUCK CHRISTOPH WILLIBALD)
Orchestra
[Sheet music]
Lienau
Score. Par GLUCK CHRISTOPH WILLIBALD. / Répertoire / Orchestre
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Overture To Orpheus Und Euridice (GLUCK CHRISTOPH WILLIBALD)
Orchestra
[Sheet music]
Lienau
Score. Par GLUCK CHRISTOPH WILLIBALD. / Répertoire / Orchestre
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Don Juan -Semiramis (GLUCK CHRISTOPH WILLIBALD)
Orchestra
[Score]
Barenreiter
2 ballet pantomimes by Gasparo Angiolini. Par GLUCK CHRISTOPH WILLIBALD. 2 Balle...
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2 ballet pantomimes by Gasparo Angiolini. Par GLUCK CHRISTOPH WILLIBALD. 2 Ballet Pantomimes By Gasparo Angiolini/ Répertoire / Orchestre
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Kleine Sinfonieschule
Orchestra
[Sheet music]
Lienau
Werke von Dittersdorf, Gluck, Haydn, Stamitz. 3 : Werke Von Dittersdorf, Gluck, ...
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Werke von Dittersdorf, Gluck, Haydn, Stamitz. 3 : Werke Von Dittersdorf, Gluck, Haydn, Stamitz Partitur/ Répertoire / Orchestre
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Kleine Sinfonieschule
Orchestra
[Sheet music]
Lienau
Werke von Abel, Gluck, Schmitt, Stamitz. 2: Werke Von Abel, Gluck, Schmitt, Stam...
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Werke von Abel, Gluck, Schmitt, Stamitz. 2: Werke Von Abel, Gluck, Schmitt, Stamitz Partitur/ Répertoire / Orchestre
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Kleine Sinfonieschule
Orchestra
[Sheet music]
Lienau
Werke von Abel, Boccherini, Gluck, Schmitt. 1 : Werke Von Abel, Boccherini, Gluc...
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Werke von Abel, Boccherini, Gluck, Schmitt. 1 : Werke Von Abel, Boccherini, Gluck, Schmitt Partitur/ Répertoire / Orchestre
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Georg Friedrich Händel: Radamisto Wwv 12 B: Voice
Orchestra
[Sheet music]
Barenreiter
OpEra comique in three acts. By Christoph Willibald von Gluck. Edited by Harald ...
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OpEra comique in three acts. By Christoph Willibald von Gluck. Edited by Harald Heckmann. Arranged by Elisabeth Heckmann. Text: Louis H Dancourt. For Soprano Solo (4) Tenor Solo (3) Bass Solo (3) Speaker (2) Orchestra. Piano Reduction/Vocal Score; Urtext Edition (paperbound). Duration 120'. Published by Baerenreiter-Ausgaben (German import). (BA2280 90) ISBN M006419524.
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Zoroastre - RCT 62 A-B Symphonies (RAMEAU JEAN-PHILIPPE)
Orchestra
[Score]
Barenreiter
Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the...
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Par RAMEAU JEAN-PHILIPPE. Richer than ever – Rameau’s “Zoroastre” in the version of 1756. Opera in five acts. Rameau’s revised version of his opera “Zoroastre”, which could be heard and seen between 20 January 1756 and 26 March 1757 at the Académie royale de musique, was favourably received. Also from today’s point of view the work profits dramaturgically from many of the changes and seems altogether richer and more tightly woven than the original of 1749. The subject matter of the libretto, derived from Ancient Persian sources, is timeless: the struggle between good and bad. The good is embodied by the religious reformer Zoroastre, a representative of the supreme light being Orosmade. He is opposed by the ambitious magician Abramane who serves Ariman, the spirit of the dark. The opera includes some of Rameau’s most ecstatic and spiritual musical numbers, such as the episode of sun worship in Act 3 with the sublime „Hymne à la Lumière“, which, for unknown reasons, was not integrated in the revision of 1756. It is therefore included in Appendix 3 of this Bärenreiter edition. Incidentally, with “Zoroastre” the prologue, wh ich had been customary since the beginnings of French opera in the 1670s, was abandoned. Instead Rameau was the first to introduce an overture which set the scene for the entire drama and thereby anticipated Gluck’s opera reform by many years. Here we present the instrumental numbers for concert performance. - Based on the first scholarly-critical edition, published as part of “Opera Omnia Rameau” - Instrumental numbers in order of performance, but also grouped by key in the list of contents, enabling them to be combined freely into orchestral suites - Published with performance material on hire / Date parution : 2022-11-08/ Répertoire / Orchestre
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Georg Friedrich Händel: Rodelinda Regina de' Longobardi HWV 19: Mixed Choir:
Deutsch
Orchestra
[Sheet music]
Barenreiter
Dramma per musica in thre acts-Rodelinda Regina de' Longobardi HWV 19; Opera in...
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Dramma per musica in thre acts-Rodelinda Regina de' Longobardi HWV 19; Opera in three acts. After Giulio Cesare and Tamerlano Rodelinda is the third masterly opera that Handel composed between December 1723 and January 1725. The words were written by Nicola Haym the author of many other Handel librettos. The first performance took place at the King’s Theatre in the Haymarket London on 13 February 1725. Rodelinda thrives entirely on the ethical supremacy of conjugal love and thus prefigures the great operas by Gluck and Beethoven on the same subject. The plot is taken from the history of the Lombard royalty. Oskar Hagen’s revival of Rodelinda in 1920 ushered in the modern Handel operamovement. The work forms the climax to a series of dramatic masterpieces that includes Handel’s most significant operas. Handel returned to Rodelinda on two occasions in December 1725 and in May 1731. Many far-reaching changes were necessary owing to the different skills of the new singers. For example Handel wrote three new arias and a duet for the first revival. Yet the changes he made for this performance doubtless to accommodate the needs and wishes of the singers also improve the work’s dramatic substance. Our vocal score is based on the Urtext of the full score published in the Halle Handel Edition (II/16) and reproduces the various alternative readings and versions in an appendix. Urtext of the Halle Handel Edition.U47 Full score (BA4064) & vocal score (BA4064-90) available for sale. Performance material (BA4064-72) available for hire
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Christoph Willibald Gluck: Ifigenia In Aulide Ouverture (Altmann): Orchestra:
Orchestra
Eulenburg
Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musikth...
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Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.
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Christoph Willibald Gluck: Ballet Music: Orchestra: Full Score
Orchestra
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Ballet Music
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Divertissement Aus Der Oper Iphigenie In Aulis
Orchestra
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Iphigenie En Aulide. Ouvertüre
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Iphigenie En Aulide. Ouvertüre
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Sinfonia In Re
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Alceste
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Orchestra
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Don Juan
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Schott
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Orfeo Ed Euridice
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Divertissement Aus Der Oper Iphigenie In Aulis
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Divertissement Aus Der Oper Iphigenie In Aulis
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Iphigenia In Aulis
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Divertissement Aus Der Oper Iphigenie In Aulis
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Divertissement Aus Der Oper Iphigenie In Aulis
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Doblinger
/ Orchestre
5.20 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
On order
Similar items
Details
Details
Iphigenie En Aulide. Ouvertüre
Orchestra
Breitkopf & Härtel
/ Orchestre
6.20 EUR - Sold by LMI-partitions
(Seller in french langage)
Pre-shipment lead time:
On order
Similar items
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