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Vivaldi
VIOLIN - FIDDLE
Piano, Voice
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Violon, Cordes et Basse Contin… (355)
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Flute and Piano (206)
Matériel D'Orchestre (198)
Divers (193)
Violin (143)
Piano, Voice (107)
Parties Orchestrales (104)
Chamber Orchestra (104)
Choral SATB (99)
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Flute (79)
Organ (69)
Guitar (65)
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Edition Critique des oeuvres d… (63)
Orchestra (58)
Cello (54)
Cello, Piano (53)
Soli, Mixted choir and accompa… (50)
Flûte Traversière, Hautbois,… (48)
Bassoon, Piano (duet) (48)
2 Violins (duet) (47)
Orchestra, Violin (43)
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String Orchestra (40)
Musical course - Solfege (39)
Cordes (39)
Bassoon (38)
4 Violons, Cordes et Basse Con… (37)
4 Violons, 2 Altos, Violoncell… (36)
Trumpet, Piano (36)
2 Violons, Cordes et Basse Con… (35)
Concert band (35)
Guitare et Musique de Chambre (34)
Flûte Traversière ou Flûte … (30)
Violoncello, Basso continuo (30)
Flute and String Quartet (29)
Clarinet (29)
Flûte Traversière ou Flûte … (25)
Clarinet and Piano (25)
Piano, Vocal and Guitar (25)
Viola, Piano (25)
Recorder (25)
Flute and Guitar (24)
Flûte à Bec Alto, Cordes et … (24)
Guitar notes and tablatures (24)
Double bass, Piano (duet) (23)
Viola (23)
Violon, Instruments à Cordes … (22)
Violon, Ensembles de Cordes et… (21)
Tuba and Piano (20)
4 Violons, Violoncelle et Cord… (20)
Partition D'Orchestre (20)
2, 3 ou 4 Violons (20)
Orchestre à Cordes et Basse C… (19)
Piano, Guitar (duet) (19)
2 Violins, Piano (18)
2 Guitars (duet) (18)
Marching band (18)
Mandolin (18)
Easy Piano (18)
Solistes SATB, Choeur SATB/SAT… (17)
Trumpet (17)
Choral 3-part (17)
Flûte Traversière, Violon, B… (16)
Flûte Traversière, Instrumen… (16)
Flûte Traversière ou Flûte … (16)
4 Violons, Violoncelle, Cordes… (16)
Alto Saxophone (16)
4 Guitars (Quartet) (15)
Saxophone (15)
Double Bass (15)
Oboe and Orchestra (15)
Conducteur (15)
Brass ensemble (14)
Flûte Traversière, Cordes et… (14)
Violoncelle, Cordes et Basse C… (14)
Basson, Cordes et Basse Contin… (14)
2 Violons, Violoncelle Obligat… (13)
1 ou 2 Hautbois (13)
Trio (13)
Violon, Orchestre à Cordes et… (13)
Brass Quintet: 2 trumpets, hor… (13)
Violon, Cordes et Orgue (13)
Trombone and Piano (13)
Alto, Cordes et Orgue ou Clave… (12)
Flûte-Piccolo, Cordes et Bass… (12)
2 Violons, Violoncelle Obligat… (12)
String Trio: 2 violins, cello (12)
CD (12)
Guitare (12)
Oboe (12)
3 Guitars (trio) (11)
2 Violons, Violoncelle, Cordes… (11)
Mezzo-Soprano voice, Piano (11)
2 Violons Obligatoires, Cordes… (11)
1 Piano, 4 hands (11)
Violon et autres Cordes en Sol… (11)
Divers Ensembles Avec Orchestr… (11)
2 Cellos, Piano (11)
Alto Saxophone and Piano (11)
Flûte à Bec F2, F1, C1 et F (10)
Orchestre à Cordes avec 2 Vio… (10)
Hautbois, Cordes et Basse Cont… (10)
Solo S, Choeur SATB/SATB, 2 Or… (10)
Guitar Ensemble (10)
French horn (10)
Choeur SATB/SATB, 2 Orchestres… (10)
Keyboard (10)
Choral (10)
French Horn and Piano (9)
Orchestre à Cordes avec 4 Vio… (9)
1 ou 2 Flûtes Traversières (9)
2 Mandolines Et Orchestre D'In… (9)
2 SATB Choeur, Cordes Et Orgue… (9)
Violon, Ensembles de Cordes et… (9)
Euphonium, Piano (duet) (9)
2 Trumpets, Keyboard (piano or… (9)
Tenor Saxophone and Piano (9)
Choral 2-part (9)
Soprano voice, Piano (9)
Solistes SSAT, Choeur SATB, 2 … (8)
Flute, Orchestra (8)
Flûte Traversière Hautbois, … (8)
2 Trompettes, Cordes et Basse … (8)
2 Violons, Violoncelle et Orch… (8)
2 Cors et Cordes et Basse Cont… (8)
Solistes SSATBB, Choeur SATB/S… (8)
Treble (Alto) Recorder (8)
Flûte Traversière, Hautbois,… (8)
Violon, Orgue Obligatoire, Cor… (8)
Solistes SSA, Choeur SATB, Hau… (8)
Choral SSAA (8)
Partition D'Orchestre In 16 Po… (8)
Violon et Cordes (8)
String Quintet: 2 violins, vio… (8)
Recorder Quartet (8)
Tuba (8)
:: (7)
2 Flûtes Traversières, Corde… (7)
Divers Ensembles Sans Orchestr… (7)
Partie Séparée (7)
Piano Trio: piano, violin, cel… (7)
3 Recorders (trio) (7)
Voix et Piano Réduction (7)
Piccolo, Piano (7)
Hautbois, 2 Violons, Altos, Vi… (7)
Bass Trombone and Piano (7)
Treble (Alto) Recorder, Basso … (7)
Ensemble Instrumental (7)
Violoncelle, Cordes et Claveci… (7)
Descant (Soprano) Recorder (7)
Flute, Basso continuo (7)
Musique de chambre (7)
Choeur SATB, 2 Violons, Alto e… (6)
Exemplaire Complet (6)
Flute ensemble (6)
Wind ensemble (6)
Guitar, Orchestra (6)
Violon, Orchestre à Cordes et… (6)
Ensemble de Chambre Mixte (6)
Violin, Viola (duet) (6)
Tenor Saxophone (6)
Flûte à Bec F1, 2 Violons et… (6)
Trombone et Piano ou Orgue (6)
Violon Et 2 Orchestres (6)
2 Violons, Orchestre à Cordes… (6)
Cello, Orchestra (6)
Basse En Bb Et Piano (Orgue) (6)
Violon Solo, 2 Cors, 2 Hautboi… (6)
Accordion ensemble (6)
Saxophone ensemble (6)
2 Trumpets (duet) (6)
Recorder, Piano (6)
High voice, Piano (6)
Tenor voice, Piano (6)
Book (5)
Violon, Hautbois et Orchestre (5)
Voice solo (5)
Flautino, 2 Violons, Alto, Cla… (5)
Solo S, Hautbois, 2 Violons, A… (5)
2 Mandolines et Orchestre d'In… (5)
Descent (Soprano) Recorder, Pi… (5)
Violoncelle, Orchestre à Cord… (5)
Flûte Traversière, Violon et… (5)
Saxophone Quartet: 4 saxophone… (5)
Dulcimer (5)
2 Recorders (duet) (5)
Ochestre à Cordes (5)
Ensemble à Cordes (5)
Orchestre (5)
2 Violins and Basso (5)
Piano and Orchestra (5)
Musette (Hurdy Gurdy, Flûte T… (5)
Hautbois, Basson et Orchestre (5)
Mezzo-Soprano voice (5)
Alto, Cordes et Basse Continue… (5)
Contralto, 2 Violons, Alto Et … (5)
Violon, 2 Violons 'Per Eco' et… (5)
Violon, Cordes Et Clavecin (5)
Flûte à Bec Alto ou Flûte T… (5)
2 Violas, Piano (5)
Trombone (5)
C Instruments (5)
2 Flutes (duet) (5)
Soprano et Cordes (5)
Opera (5)
Flûte Traversière, Hautbois,… (4)
Basson et Concert Band ou Harm… (4)
Flûte Traversière Violon, Ba… (4)
Flûte Traversière ou Flûte … (4)
Low voice, Piano (4)
Violon/Instrument à Cordes/Ba… (4)
Flûte Traversière Hautbois e… (4)
Flûte à Bec Soprano ou Flût… (4)
Choral, Orchestra (4)
3 Violons, Orchestre et Clavec… (4)
Orchestre à Cordes, Guitare e… (4)
Flûte Traversière, Hautbois,… (4)
Flûte à Bec Alto et Basse Co… (4)
Mandoline, Cordes et Basse Con… (4)
Flûte, Cordes Et Basse Contin… (4)
Solistes SSMsAA (SATBarB), Cho… (4)
2 Violons, Ensembles de Cordes… (4)
2 Sopranos, Alto, Ténor, Bass… (4)
Alto, Cordes et Orgue (4)
2 Altos, Cordes et Basse Conti… (4)
Hautbois et Basse Continue (4)
Flûte Traversière, Hautbois,… (4)
Flûte à Bec Alto, Hautbois e… (4)
Fac-similé (4)
Euphonium (4)
Violin, Guitar (duet) (4)
Flûte Traversière Violoncell… (4)
Flûte à Bec Alto ou Flûte T… (4)
2 Violons, Violoncelle Ad Libi… (4)
Flûte Traversière, 2 Violons… (4)
Flûte à Bec Alto, Basson et … (4)
Flûte à Bec, Cordes et Basse… (4)
Choeur SATB, Cordes et Orgue o… (4)
Ukulele (4)
Flûte Traversière, 2 Violons… (4)
C Trumpetor et Trompette Sib/C… (4)
Nursery rhyme (4)
Violon, Orchestre à Cordes et… (4)
Piano Quintet: piano, violin, … (4)
Flûte à Bec Alto ou Flûte T… (4)
Recorder, Bass Continuo (4)
Harp (4)
Flûte à Bec Alto ou Flûte T… (4)
Voix et Orchestre (4)
Flûte à Bec Alto ou Flûte T… (4)
Flûte à Bec Alto, 2 Violons … (4)
Violin, Cello (duet) (4)
Organ, Trumpet (duet) (4)
Violon, Orchestre A Cordes Et … (4)
Saxophone Quintet: 5 Saxophone… (4)
Flûte Traversière Cordes et … (4)
2 Mandolines et Guitare (4)
Biography (3)
Tuba Solo (3)
Choeur Mixte (SATB), Cordes et… (3)
2 Cellos (duet) (3)
Flûte A Bec, Cordes Et Basse … (3)
Contralto Et Basse Continue (3)
Basson, Cordes et Clavecin (3)
3 Violons, Orchestre à Cordes… (3)
Instruments A Vent (3)
Alto, Guitare Et Cordes (3)
Brass Quartet: 2 trumpets, hor… (3)
Bass guitar (3)
Violon, Orchestre à Cordes et… (3)
Violin, Violoncello and Double… (3)
Choral TTBB (3)
Parties Supplémentaires (3)
Saxhorn and Piano (3)
Brass Quartet: 4 trombones (3)
Banjo (3)
Soprano voice (3)
High voice (3)
2 Clarinets (duet) (3)
Solistes SATB, Choeur SATB, 2 … (3)
Hautbois, Violon, Orchestre A … (3)
School Ensemble (3)
Descant (Soprano) Recorder, Ba… (3)
Alto, Cordes Et Orgue (Ou Clav… (3)
Recorder Ensemble (3)
String quartet: 4 violins (3)
Voix, Flûte à Bec et Basse C… (3)
2 Violons et Orchestre à Cord… (3)
2 French horns (duet) (3)
Guitare et Instruments Divers (3)
2 Choeurs SATB, Cordes et Orgu… (2)
2 Voix Femmes/Orchestre à Cor… (2)
Harpsichord (2)
Voice and Orchestra (2)
Violoncelle, Orchestre à Cord… (2)
Partition d'Ensemble (2)
Violin ensemble (2)
Basson et Concert Band/Harmoni… (2)
Voix, 2 Violons, Alto Et Basse… (2)
Oboe, Basso continuo (2)
Voice, Guitar (2)
Contreténor et Orchestre à C… (2)
Treble (Alto) Recorder, Piano (2)
Choeur SATB, Cordes Et Orgue (… (2)
Set de Cordes (2)
Piccolo Flûte à Bec ou Flût… (2)
Flute, Oboe, and Cello (2)
Musical Awakening (2)
Violon et Clavier (2)
Ensemble (2)
Tenor (2)
Soli (SSA), gemischter Chor (… (2)
Flöte, Streicher und Basso c… (2)
Violon, Orchestre A Cordes Et … (2)
Orchestre d´Harmonie (2)
Flûte Traversière, Orchestre… (2)
2 Oboes, Piano (2)
Hautbois solo (2)
2 Hautbois et Orchestre (2)
Voix de femme (Soprano ou Mez… (2)
Partie de Mandoline (2)
Bass Clarinet, Piano (2)
Scores (2)
Vocal duet, Piano (2)
Saxophone Soprano ou Clarinett… (2)
Soprano Solo, Cordes Et Basse … (2)
Violon Solo, 2 Cors, 2 Hautboi… (2)
2 Saxophones (duet) (2)
Trompette Solo (2)
Marimba (2)
2 Flûtes Et Orchestre A Corde… (2)
Mandolin, Piano (duet) (2)
2 Trompettes et Orchestre (2)
Medium voice, Piano (2)
Clavier et Piano (2)
Soprano voice, Orchestra (2)
Alto (Partie séparée) (2)
Flûte Traversière, Orchestre… (2)
Flute Trio: 3 flutes (2)
Violon (2), Cordes Et Basse Co… (2)
Violon, Violoncelle Et Basse C… (2)
Octavin Et Piano (Ou Clavecin)… (2)
Clarinet Ensemble (2)
Trompette et Piano ou Orgue (2)
ELECTRONIC KEYBOARD GROUPS (2)
ContreTénor et Cordes (2)
Cordes Et Basse Continue (2)
2 Sopranos, Alto, SATB Choeur,… (2)
Basse (2 Basses) Et Piano (2)
Pocket, Study conductor (2)
5 Trompettes (2)
Choeur Mixte Sans Accompagneme… (2)
Saxophone Alto et Piano ou Org… (2)
2 Violoncelles, Basse Continue… (2)
Harmonica (2)
2 Flûtes à Bec Alto ou Flût… (2)
2 SATB Choeur, Cordes et Orgue… (2)
2 Mandolines (2)
Violon et Instruments à Corde… (2)
Choeur A 4 Voix Mixtes, Violon… (2)
2 Flutes, Piano (2)
Carte Postale (2)
4 Sopranos, 2 Choeurs à 4 Voi… (2)
Accordion (2)
Alto Solo (2)
Orgue Sans Pédale (2)
Solistes:2 Sopranos, Alto, Ten… (1)
Chant et Réduction Piano (1)
2 Sopranos, Alto, Choeur SATB,… (1)
Catalogue des Oeuvres (1)
Orchestre à Cordes et 4 Violo… (1)
Partition D'Etude (1)
Flûte, Violon Et Piano (1)
Violon 2 (1)
Ensemble de Flûtes à Bec (3 … (1)
3 Violons et Piano (1)
Instruments à Cordes (1)
4 Contrebasses (1)
Mixed Ensemble (1)
2 Violes d'Amour et Basse Cont… (1)
4 Violons, 2 Altos, Violoncell… (1)
CLT/ENS::Clarinette/Ensemble d… (1)
1 Ou 2 Mandoline(s) (1)
Livres Education (1)
6 Violoncelles (1)
Percussion (1)
2 Parties Voix Aigües (SS) et… (1)
Opéra Strumentali Di Antonio … (1)
Partie de Violon (1)
Brass Sextet, 3 Trompettes, Co… (1)
Flûte à Bec Solo (1)
Trombone Solo (1)
3 Violons et Orchestre (1)
Basse (1)
3 Saxophones (trio) (1)
Choeur de Femmes et Piano (1)
2 Sopranos Et Contralto, Choeu… (1)
Alto voice, Piano (1)
Hautbois Et Orchestre A Cordes… (1)
Flûte Traversière, Hautbois,… (1)
3 Flûtes A Bec Soprano (1)
2 Trompettes en Do et Piano (1)
Flûte Traversière Et Hautboi… (1)
Violoncelle Ou Contrebasse (1)
2 Violons, 2 Violoncelles, Cor… (1)
3 Violoncelles et Piano ad lib… (1)
2 Accordions (1)
Instrument En Sib (1)
Soprano Et 3 Contraltos, Choeu… (1)
Medium Voice (1)
Violon Solo (1)
2 Sopranos, Alto, Ténor, 2 Ba… (1)
Flute, Bassoon, and Piano (1)
Violon, Cordes, Clavecin et Or… (1)
Chœur Mixte SATB et Clavier (1)
Flûte à Bec, Hautbois, 2 Vio… (1)
Soprano and Alto Soli, Soprano… (1)
Violoncelle ou Contrebasse (Pa… (1)
Piccolo Et Orchestre A Vent (1)
2 Pianos, 4 hands (1)
Violoncelle Et Clavier (1)
Affiche (1)
2 Choeurs SATB sans Accompagne… (1)
Violon, Violoncelle Et Claveci… (1)
4 Pianos Et Cordes (1)
Oeuvres Théâtrales/Oratorios… (1)
All Instruments (1)
2 Violins, 2 Cellos, Strings a… (1)
Soprano et 3 Contralto Soliste… (1)
Trumpet ensemble (1)
Choeur Mixte Et Ensemble (1)
Partition de Poche (1)
Flûte Traversière (Ou Violon… (1)
2 Saxophones Alto (1)
1 ou 2 Violoncelles et Piano (1)
2 Hautbois, Basson et Cordes (1)
Choeurs SATB sans Accompagneme… (1)
4 Trompettes, Cor, 3 Trombones… (1)
Alto ou Violoncelle et Piano (1)
Music Theory (1)
Flûte Traversière ou Violon … (1)
Choral SSATB (1)
2 Recorders, Basso continuo (t… (1)
Flute Quartet: 4 flutes (1)
4 Flûtes Traversières Et Orc… (1)
Choral Unison (1)
4 Violons et Piano (1)
Violon, Flûte Traversière Ba… (1)
Saxophone Alto Solo (1)
2 Sopranos, 2 Choeurs A 4 Voix… (1)
Choeur A 4 Voix Mixtes Et Orch… (1)
VLN/ORCH::Violin, Orchestra (1)
1 ou 2 Xylophones, Timbales, P… (1)
Violoncelle, Orchestre A Corde… (1)
Guitare et Accompagnement Pian… (1)
Vibraphone Et 3 Marimbas (1)
Flûte Traversière ou Plusieu… (1)
Flûte Traversière Et Piano O… (1)
Chorale (1)
2 Flûtes Traversières et Orc… (1)
2 Flûtes A Bec Alto Et Basse … (1)
Flûte Traversière, Hautbois,… (1)
Choeurs (1)
Violoncelle et Accompagnement … (1)
Piano Accompaniment (1)
Violine und Basso continuo, V… (1)
GTR/STR ORCH::Guitar, String O… (1)
Recorder, Violin, Basso contin… (1)
Viola da Gamba (1)
Flûte A Bec Tenor Et Piano (1)
Hautbois et Basse Continue (Fa… (1)
Flûte Traversière ou Hautboi… (1)
Livret Italien Anglais (1)
Flûte Traversières (Hautbois… (1)
Violon 1 (1)
Violoncelle Solo (1)
Violoncelle (Partie Séparée)… (1)
Saxophone Baryton (1)
Accessoire (1)
2 Flûtes Traversières et Bas… (1)
Voix, Instrument(s) Et Basse C… (1)
Clarinette Solo (1)
Soprano, Alto, Voix D'Hommes (1)
Instruments à Vent (1)
2 Trombones (duet) (1)
Instruments Divers dont le Bas… (1)
Flûte à Bec Alto et Basse Co… (1)
Vibraphone et Marimba (1)
Viole d'Amour (1)
Soli/Choeur et Orchestre (1)
ORCH/VLN::Orchestre/Violon (1)
Saxophone en Sib ou Clarinette… (1)
Solistes (SSA), Choeur Mixte (… (1)
Flûte à Bec et Piano (1)
Contralto, 2 Violons, Alto Et … (1)
Trompette et Cordes (1)
String Quartet : 4 violas (1)
8 Ensembles De Cuivres (1)
Guitare ou Luth (1)
Trompette (B) et Piano (1)
Ensemble Mixte (1)
Clarinette Ou Saxophone En Sib… (1)
Violon et Clavecin ou Piano L'… (1)
Voix, Flûte Traversière et B… (1)
Flûte à bec (1)
Instruments En Si Et Ut (1)
Contrebasse (Partie séparée)… (1)
2 Sopranos, 2 Choeurs et 2 Orc… (1)
Flûte Traversière, Violon, B… (1)
Soprano, Violon Unisson, Alto … (1)
Parties Séparées (1)
2 French horns, Piano (1)
Choeur d'Enfants (1)
2 Clarinettes en Sib et Piano (1)
Cor en Mib et Piano ou Orgue (1)
Piccolo et Orchestre à Vent (1)
String Trio: 3 violins (1)
Solo S, (Hautbois), 2 Violons,… (1)
Clarinet Quintet: 5 clarinets (1)
Ténor, 2 Trompettes et Ensemb… (1)
Solistes Et 2 Choeurs A 4 Voix… (1)
Alto, Ténor (2), Basse, Flût… (1)
Saxophone en Mib et Piano (1)
Flûte à Bec Piccolo, 2 Violo… (1)
Soprano (1)
Hautbois, Basson Et Piano (1)
Percussions A Claviers (1)
Piccolo et 4 Flûtes (1)
Solistes et Basse Continue (1)
Cello, Piano Accompaniment (1)
Saxophone and Piano (1)
Soprano, Flûte Traversière E… (1)
2 Choeurs à 4 Voix Mixtes et … (1)
Organ, Mixed Choir and Orchest… (1)
Solistes (Sa), Choeur (SATB) E… (1)
Soprano, Violon Et Basse Conti… (1)
Voix, Flûte Et Basse Continue… (1)
Choeur de Femmes (1)
Soprano Saxophone (1)
Guitare Et Flûte Traversière… (1)
4 Guitares Solo et Ensemble de… (1)
2 Sopranos, 2 Altos, 2 Choeurs… (1)
Violon, 2 Violons 'Per Eco' Et… (1)
Voix Mixtes (1)
Chant (1)
Tenor voice (1)
Cor en Fa Solo (1)
Voix Elevée(s)/Moyenne(s) Et … (1)
Solo et Accompagnement de Cord… (1)
3 Ou 4 Violons Et Piano (1)
Flûte, Hautbois, Alto, Basson… (1)
Violoncelle Et Basse Continue … (1)
VLC/ENS/PFA::Violoncelle/Ensem… (1)
Luth (Ou Guitare), 2 Violons E… (1)
Voix d'Alto Solo, Cordes et Or… (1)
Conducteur d'Orchestre (1)
Solistes, Choeur et Ensemble d… (1)
Flûte à Bec Alto ou Flûte T… (1)
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Orlando furioso, opéra(VIVALDI ANTONIO) (VIVALDI ANTONIO)
Français
Piano, Voice
[Sheet music]
Editions Buissonnieres
Par VIVALDI ANTONIO. / Date parution : 2010-01-06/ Répertoire / Chant et Clavi...
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Par VIVALDI ANTONIO. / Date parution : 2010-01-06/ Répertoire / Chant et Clavier
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Stabat Mater Rv 621 (VIVALDI ANTONIO)
Piano, Voice
[Sheet music]
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Intermediate
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Ed. critica P. Everett - Riduzione per canto e pianoforte di A. Frigé. Par VIVA...
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Ed. critica P. Everett - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. This volume presents the vocal score of Vivaldi's Stabat Mater RV 621 for alto, strings and continuo, based on the critical edition by Paul Everett. Composed for the church of Santa Maria della Pace in Brescia, it was performed, for the first time, on 8 March 1712, for the Seven Sorrows of the Virgin Mary celebration. It is considered as one of the most inspired and celebrated Vivaldian works. Together with the Gloria RV 589 and the Quattro stagioni, it dates from a juvenile period. / Niveau : Intermédiaire / Répertoire / Chant et Piano
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Salve Regina Rv 616, Rv 617, Rv 618 (VIVALDI ANTONIO)
Piano, Voice
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VI...
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Piano
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Antonio Vivaldi: Gloria RV 589: Voice
Piano, Voice
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Ed. Critica M.Talbot - Reduction for voice and piano by Antonio Frigé-The prese...
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Ed. Critica M.Talbot - Reduction for voice and piano by Antonio Frigé-The present reduction derives from the critical edition of the score published in this catalog in 2002 (PR 1362). Although it is not possible to establish with certainty the time and the occasion for which it was composed - between the end of 1716and beginning of 1717 - the Gloria RV 589 is the best known among the works Vivaldi wrote on this subject enough to be considered the Gloria by Vivaldi.The critical edition is based on the only source available the autograph full score now kept at the National University Library of Turin Codex Giordano 32. It restores the famous Vivaldi text based on the revised criteria by the Committee of theCritical Edition. The volume includes a synthetic introduction of the historical context and a choice of the critical Notes to the musical text.
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Antonio Vivaldi: Salve Regina RV 616 RV 617 RV 618: Vocal: Score
Piano, Voice
[Vocal Score]
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Intermediate
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The pre...
(+)
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617 and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments respectively a flute and a pair of oboes whereas the instrumentation of the first is confined to strings disposed in a single coro although a solo violin is employed in three movements. RV 617 preserved in a non-autograph source in Brno belongs to Vivaldi?s first period of sacred music composition at the Pietà (1713-1717) while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores prepared by Antonio Frigé are closely based on those of the Critical Editions by Michael Talbot published in 1998 1990 and 1994.
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Antonio Vivaldi: Dixit Dominus RV 595: Voice
Piano, Voice
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Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The Dixit ...
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Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The Dixit Dominus RV 595 shares a key and some further characteristics with the better-known setting of the same psalm RV 594 but differs from it markedly: first in being scored for an undivided ensemble (i.e. not ?in due cori?): second in belonging to Vivaldi?s first period of sacred music composition around 1715 rather than to a later period. There are stylistic parallels too with Vivaldi?s two Gloria settings RV 588 and RV 589. Three of the eleven movements making up RV 595 use borrowed material which in two instances is taken from movements by unknown composers in Vivaldi?s own collection and in one instance (heavily disguised) from a published madrigal(1705) by Antonio Lotti. The borrowings are absorbed extremely well into the fabric of the setting and do not disrupt its well-unified character. Among the high points of RV 595 are its opening pair of moments ? the first bustling and the second poignantly reflective ? and the fourth movement ?Tecum principium? where two obbligato cellos enter into dialogue with two sopranos. This Dixit Dominus preserved uniquely in Prague ranks among Vivaldi?s finest large-scale sacred vocal compositions. The Introduction and Critical Commentary for this vocal score are based on the Critical Edition by Michael Talbot published in 1993.
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Il Teuzzone RV 736 (VIVALDI ANTONIO)
Piano, Voice
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Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI...
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Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. Par VIVALDI ANTONIO. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed./ Répertoire / Chant et Piano
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Catone In Utica
Piano, Voice
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
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The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano
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Catone In Utica
Piano, Voice
Boosey and Hawkes
The surviving second and third acts of Catone in Utica, one of Metastasio's most...
(+)
The surviving second and third acts of Catone in Utica, one of Metastasio's most dramatic libretti, premiered in Verona in the spring of 1737 in a setting by Vivaldi, contain some of his finest, most mature, and most original arias, and are published here for the first time. They evince a potential dramatic intensity that makes us regret all the more the loss of the first act. Only one aria of Act I can be definitely recovered from a surviving opera, but the rest has now also been successfully reconstructed by Alessandro Ciccolini, whose intimate knowledge of Vivaldi's working methods, combined with brilliant stylistic insight won universal acclaim for his work on Vivaldi's Motezuma and Ercole sul Termodoonte. Ciccolini has also composed cadenzas and da capo variations for all the arias, published here in an appendix.A complete recording under the direction of Alan Curtis is available from Naïve Records(OP30545).Press Quotes:'[For his completion,] Alessandro Ciccolini, who, mindful that Vivaldi frequently adapted vocal music for his instrumental works and vice versa, has composed the missing passages using themes from the concertos as his starting point. His arias dovetail beautifully with Vivaldi's scheme of things...' The Guardian'Ciccolini and Curtis deserve enormous credit for transforming an incomplete obscurity into a coherent and compelling opera.'Gramophone'The opera survives incomplete, but this is a fascinating and apt reconstruction and there is some marvellous stuff here.' BBC Music Magazine / Chant Et Piano
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Vivaldi A. - Orlando Furioso - Chant-piano
Français
Piano, Voice
Editions Buissonnieres
L'œuvre lyrique de Vivaldi reste paradoxalement méconnue : l'extraordinaire su...
(+)
L'œuvre lyrique de Vivaldi reste paradoxalement méconnue : l'extraordinaire succès rencontré par un petit nombre de concertos a éclipsé tout un pan de ses compositions, notament les opéras, auxquels il consacra pourtant l'essentiel de sa carrière. De 1713 à 1741, Vivaldi donna le jour à une œuvre colossale, préservée en grande partie par la Bibliothèque de Turin : plus de 450 compositions manuscrites, en grande partie autographes. Orlando furioso, drame héroïco-magique représenté au Teatro S. Angelo de Venise à l'automne 1727, prend place à l'exacte mi-temps de la carrière lyrique de Vivaldi. Quatorze années plus tôt, au mois de mai 1713, le Prete Rosso présentait à Vicence son premier opéra connu, Ottone in villa. Quatorze années plus tard, il s'éteignait dans l'oubli après avoir vainement tenté de faire représenter à Vienne son ultime opéra, L'Oracolo in Messenia. Grâce au travail remarquable du librettiste, Grazio Braccioli, qui a su conserver de l'œuvre originale d'Arioste son essence poétique et sa dimension humaniste, Vivaldi y fait éclater le schéma conventionnel du dramma per musica, explorant les formes musicales les plus variées, bousculant la hiérarchie classique des personnages et superposant les actions dramatiques, toutes conduites avec une remarquable efficacité. Près de trois siècles après sa création, l'on demeure confondu face à l'extraordinaire richesse musicale et dramatique de l'œuvre, pièce éblouissante où se mêlent toutes les formes existantes du théâtre chanté. La reconstitution de l'opéra a nécessité un important travail préparatoire sur le manuscrit turinois, particulièrement complexe, mêlant des feuillets soigneusement calligraphiés à des feuillets griffonnés à la hâte et comportant de multiples insertions, fragments ou retranchements, ainsi qu'une numérotation irrégulière des scènes. Jacques Manet en a enfin réalisé une version pour clavier très attendue par les chanteurs, mettant ainsi à la portée du plus grand nombre une œuvre dans sa version complète, telle qu'elle fut conçue en 1727 par Vivaldi. Réduction chant et clavier : format A4, 286 pages, sur papier ivoire - Arrangement pour clavier : Jacques Manet - Présentation : Frédéric Delaméa - Traduction en anglais : Elizabeth Szostak-Clerc
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Antonio Vivaldi: Il Teuzzone RV 736: Vocal and Piano: Vocal Score
Piano, Voice
Ricordi
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teu...
(+)
Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte. With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the ?Red Priest? for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer?s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Foà 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin ? Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera?s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi?s opera underwent, an operation that sheds light on the inner workings of Vivaldi?s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed.
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Magnificat Rv 610 / 611 (VIVALDI ANTONIO)
Piano, Voice
[Sheet music]
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Intermediate
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Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVAL...
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Ed. critica M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. This volume presents the vocal score of Vivaldi's Magnificat RV 610/611 for soloists, choir, winds, strings and continuo, based on the critical edition by Michael Talbot. Probably meant for a performance at the Pietà, Vivaldi, after its first 1715 version, returned on it in two occasions at least: at the end of the 1720s and of the 1730s. The Magnificat, in its time, was considered as Vivaldi's most celebrated piece. / Niveau : Intermédiaire / Répertoire / Chant et Piano
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Antonio Vivaldi: Juditha Triumphans Devicta Holofernis Barbarie: Voice: Vocal
Piano, Voice
[Sheet music]
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Riduzione per canto e pianoforte RV 644-Antonio Vivaldi's Juditha Triumphans Dev...
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Riduzione per canto e pianoforte RV 644-Antonio Vivaldi's Juditha Triumphans Devicta Holofernis Barbarie for Voice with Piano accompaniment.
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VIVALDI - VIVALDI ALBUM - SOPRANO - CHANT ET PIANO
Piano, Voice
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L\' Album Vivaldi est une série d\'anthologies d\'airs d\'opéra subdivisées ...
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L\' Album Vivaldi est une série d\'anthologies d\'airs d\'opéra subdivisées par registre vocal, tirées des ?uvres musicales pour le théâtre d\'Antonio Vivaldi qui ont survécu. Ses sources comprennent vingt-quatre drames musicaux, trois sérénades et de nombreuses arias individuelles. Chaque volume est composé de douze pièces qui varient en termes d\'affect et de caractère, illustrant un large éventail de styles et de situations dramatiques. Elles sont classées dans l\'ordre chronologique, de manière à fournir un échantillon optimal de l\'ensemble de la carrière de Vivaldi. / Partitions classique / Vocale - chorale / Voix solo - piano / RICORDI
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Antonio Vivaldi: Tito Manlio RV 738: Voice
Piano, Voice
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Ed. Critica A.Borin - Riduzione Per Canto e Pianoforte-Tito Manlio was performed...
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Ed. Critica A.Borin - Riduzione Per Canto e Pianoforte-Tito Manlio was performed for the fi rst time in Mantua as second work of the Carnival season of winter 1719.Vivaldi set the libretto of La fi da ninfa a dramma per musica in three acts by Scipione Maffei with a view to its use for the inauguration of the new theatre of the Accademia Filarmonica of Verona which took place on 6 January 1732 during theCarnival season elaborate stage sets being provided by Francesco Bibbiena.The critical edition is based on the collation of the two complete manuscripts of the work kept at the National University Library of Turin: the Vivaldi’s autograph and a copy realized by fi ve copyists under the direct control of the composer.
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Antonio Vivaldi: Arie D'Opera per Soprano: Opera: Vocal Score
Piano, Voice
[Sheet music]
Ricordi
Reduction for voice and piano-12 Arias based on the Critical Edition of the Ful...
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Reduction for voice and piano-12 Arias based on the Critical Edition of the Full Scores published by the Istituto Italiano Antonio Vivaldi. Introduction in English and Italian
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La Fida ninfa, opéra, réduction chant et clavier (VIVALDI ANTONIO) (VIVALDI ANTONIO)
Français
Piano, Voice
[Sheet music]
Editions Buissonnieres
Par VIVALDI ANTONIO. L'?uvre lyrique de Vivaldi reste paradoxalement méconnue :...
(+)
Par VIVALDI ANTONIO. L'?uvre lyrique de Vivaldi reste paradoxalement méconnue : l'extraordinaire succès rencontré par un petit nombre de concertos a éclipsé tout un pan de ses compositions, notamment les opéras, auxquels il consacra pourtant l'essentiel de sa carrière. De 1713 à 1741, Vivaldi donna le jour à une ?uvre colossale, préservée en grande partie à la bibliothèque de Turin : plus de 450 compositions manuscrites, pour la majorité autographes. Créé à Vérone en janvier 1732, pour l?inauguration du Teatro Filarmonico,cet opéra est tombé dans l?oubli, malgré la beauté et la virtuosité des arias. La redécouverte du manuscrit, conservé à la bibliothèque de Turin, a permis d?en faire une édition complète, inédite, en 2004. Le matériel d'orchestre, 'urtext', a été préparé à partir de ce manuscrit. Il a été revisé par Jean-Christophe Spinosi, directeur musical de l'ensemble Matheus, et Laurence Paugam (premier violon de l'ensemble) et enregistré par cet ensemble en 2008. Le matériel d'orchestre de l'opéra La fida ninfa est disponible en location et en réduction clavier (consulter le site des Editions Buissonnières), ainsi que les airs, individuellement. / Date parution : 2013-05-02/ Répertoire / Chant et Clavier
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