Jazz Piano Solos Series Volume 24: John Coltrane dispose de 20 sélections des plus grands airs de 'Trane' dans les accords de piano solo avec symboles d'accord.Jazz Piano Solos Series Volume 24: John Coltrane a été organisé pour les pianistes de niveau intermédiaire et comprend la chanson tels que All or Nothing at All, Central Park West, Giant Steps, Lush Life, My Favorite Things, Song Flute Syeeda et plus. / Piano

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Concerto for piano and orchestra. Par MOZART WOLFGANG AMADEUS. Piano Concerto No. 25 in C major K. 503. Piano Solo, Flute, Oboe (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum, Strings. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. TheStudy Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Piano

for Piano and Orchestra. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 22 E-flat major K. 482. Piano Solo, Flute, Clarinet (in B-flat) (2), Bassoon (2), Horn (2), Clarin trumpet (2), Kettledrum, Violin (2), Viola (2), Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scores are distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Piano

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Musicals' Features all the big hits from the West End and Broadway shows. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these idiomatic arrangements will boost players' confidence and are ideal pieces for performance. Contents: Fame (Fame); Food Glorious Food (Oliver); If I Were A Rich Man (Fiddler On The Roof); Over The Rainbow (Wizard Of Oz); Send In The Clowns (A Little Night Music); Singin' In The Rain (Singin' In The Rain); Tomorrow (Annie)

Cette mélodie délicieuse de 208 cantate était à l'origine a marqué pour voix solo, deux flutes et continue. Le sujet pastoral était joué par les flûte en tiers et sixièmes et c'est cette mélodie qui a été fidèlement conservée dans cet arrangement pour piano solo. / Piano / Partition

Series: Simply Series Category: Piano Collection Format: Book Instrument: Piano Level: Easy Piano Simply Classical is a collection of arias, rondos, sonatina movements, string quartet movements, symphonic themes, and other famous works from the Classical period of music history. These selections have been carefully arranged by Mary K. Sallee for Easy Piano, making them accessible to pianists of all ages. Phrase markings, articulations, fingering, pedaling and dynamics have been included to aid with interpretation, and a large print size makes the notation easy to read. Titles: Ludwig van Beethoven: Ecossaise, from The Ruins of Athens * Für Elise * German Dance, from Twelve German Dances, WoO 13 * Minuet in G Major * Moonlight Sonata * Ode to Joy, from Symphony No. 9 * Rondo a capriccio (“Rage over a Lost Penny”) * Theme from the “Pastoral” Symphony * Turkish March, from The Ruins of Athens * Variations on a Theme from the “Eroica” Symphony Muzio Clementi: Sonatina No. 1 (Allegro), from Six Sonatinas, Op. 36 * Sonatina No. 1 (Andante), from Six Sonatinas, Op. 36 Franz Joseph Haydn: Gypsy Rondo * Theme from the Cello Concerto in D Major * Theme from the “Kaiser” String Quartet * Theme from the “London” Symphony * Theme from the “Surprise” Symphony Wolfgang Amadeus Mozart: Ein Mädchen oder Weibchen, from The Magic Flute * Eine kleine Nachtmusik (Allegro) * Là ci darem la mano, from Don Giovanni * Laudate Dominum, from Vesperae solennes de confessore * Menuetto, from Don Giovanni * Rondo alla Turca, from Sonata No. 11, K. 331

Description J.S. Bach: Collected Transcriptions Collected piano transcriptions by great composers and pianists of classic Bach pieces. Songlist Aria (Cantata No. 36) [Bauer, Harold] Chaconne (Sonata For Violin No.4) [Brahms, Johannes] [Busoni, Ferruccio] Die Seele Ruht In Jesu Handen (Cantata No.127) [Bauer, Harold] Durch Adams Fall Ist Ganz Verderbt [Busoni, Ferruccio] Fantasy And Fugue In G Minor [Liszt, Franz] Gavotte (Sonata For Violin No.2) [Saint-Saens, Camille] Ich Ruf Zu Dir, Herr [Busoni, Ferruccio] In Dir Ist Freude [Busoni, Ferruccio] Jesus Bleibet Meine Freude (Cantata No. 147) [Kempff, Wilhelm] Komm Susser Tod [Bauer, Harold] Nun Freut Euch, Lieben Christen [Busoni, Ferruccio] Prelude (Partita In E Major For Violin) [Rachmaninov, Sergei] Prelude And Fugue In A Minor [Liszt, Franz] Prelude And Fugue In C Major [Liszt, Franz] Prelude And Fugue In D Major [Busoni, Ferruccio] Prelude And Fugue In E Flat Major (St. Anne's) [Busoni, Ferruccio] Prelude And Fugue In E Minor [Liszt, Franz] Prelude To The Ratswahl Cantata [Kempff, Wilhelm] Presto After J.S. Bach [Brahms, Johannes] Siciliano From Flute Sonata No.2 [Kempff, Wilhelm] Toccata And Fugue In C Major [Busoni, Ferruccio] Toccata And Fugue In D Minor [Busoni, Ferruccio] Wachet Auf Ruft Uns Die Stimme [Busoni, Ferruccio] [Kempff, Wilhelm]

The SUZUKI METHOD of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human behavior. Students are taught using the mother-tongue approach. Suzuki Piano School materials include: Piano Books (Vol. 1-7) * Cassettes (performed by Meiko Miyazawa, Vol. 1-4) * William Aide Performs Suzuki Piano School (Cassettes & Compact Discs, Vol. 1-7) * Haruko Kataoka Performs Suzuki Piano School (Cassettes & Compact Discs, Vol. 1-3) * Valery Lloyd-Watts Performs Suzuki Piano School (Cassettes and Compact Discs Vol. 1-7). Suzuki Method Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.

Now you can play as featured soloist on eight specially recorded Jazz arrangements! 'Take the Lead' is an integrated series for piano, flute, clarinet, alto sax, tenor sax, trumpet and violin. In edition all the songs are at the same concert pitch, so all the instruments can play together. Each song is carefully slelected and edited, chord symbols are at concert pitch for use by piano or guitar. The CD contains full backing tracks, professionaly arranged and recorded and full demonstration recordings help in learning the songs. / Rép International / Date parution : 2005-05-27/ Recueil / Piano

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Suzuki Viola School materials include: Viola Parts (Vol. 1-7) * Piano Accompaniments (Vol. 1-7) * Cassettes (Vol. 1-7 performed by Bill Preucil). Suzuki Method® Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.

The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Suzuki Viola School materials include: Viola Parts (Vol. 1-7) * Piano Accompaniments (Vol. 1-7) * Cassettes (Vol. 1-7 performed by Bill Preucil). Suzuki Method® Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.

12 outstanding arrangements for the beginning jazz ensemble written by experienced educational arrangers and composers. A variety of styles and tempos are included: swing, ballads, rock, pop, holiday, Latin and a great warm-up chart titled Loosen Up. This collection of charts is written for full instrumentation of 5 saxophones, 3 trumpets, 3 trombones, and 4 rhythm, but designed to sound full and complete with reduced instrumentation of just nine players - 2 Alto Saxes, Tenor Sax, 2 Trumpets, Trombone, Piano, Bass and Drums. Optional parts are available for C Flute, Tuba (doubles Bass part), Horn in F (doubles 1st Trombone), and Baritone Horn T.C. (doubles 1st Trombone). Rhythm section parts offer suggestions for voicings and rhythms and guitar chord frames are included to assist young guitarists. Solos are written out for improvised sections and there is plenty of full sounding ensemble. Conductor's book includes a full length CD recording. Titles are: Chattanooga Choo Choo * El Gato Gordo * James Bond Theme * A Jazzy Merry Christmas * The Judge * Li'l Darlin' * Loosen Up * One O'Clock Jump * Over the Rainbow * Peter Gunn Theme * The Pink Panther * Rock This Town.

Par HENRY VIII. Thirty-Five Compositions By King Henry VIII is a unique collection, containing King Henry VIII’s complete secular works. These works consist of part-songs and instrumental consorts, and have been transcribed and edited by John Stevens. The collection is a mixture of instrumental pieces and pieces for vocal ensemble, mostly in three parts, with about half-a-dozen in four. Seventeen of the pieces are instrumental, though it is perfectly possible (and historically accurate) to play the vocal pieces on instruments if preferred. In the instrumental pieces no instruments are stipulated. The top staff is treble, the second is written in the trebleclef but sounds an octave lower, as for vocal tenor, and the lowest line is a for a bass clef melody instrument. Either flute or recorder would work well for the top line in most of these pieces, which usually go no lower than around middle C. The bassoon could play either the second or third line. And the line left over could be played on keyboard. This is not harmonic music however. There are no chords, nor would it be easy of idiomatic for the keyboard player to vamp or otherwise extemporise harmonies. The pieces are printed in score, so two players might share one copy, but two copies would be ideal if the keyboard player is also taking part, and three of course if the players want to practise separately./ Recueil / Piano