All ten of Scriabin's Sonatas composed between 1892 and 1913 are reprinted here from the authoritative Russian edition published in 1964. These works abundantly display his technical virtuosity.

Complete Piano Sonatas II-Piano works were at the centre of Alexander Scriabin's compositional output. As an outstanding pianist he began writing mainly miniatures for his instrument in the style of Romantic Piano pieces. But it was also Scriabin who unlike any other composer of his generation contributed to the continuation of the sonata tradition. Particular milestones in his output were Sonatas nos. 4 and 5 of 1903 and 1907 in which we hear forms and harmonies not heard previously. When these works are occasionally given the name 'Poème' Sonatas this indicates that they stem from the time and allude to the compositional context of Scriabin'sdaring Orchestral works 'Le Divin Poème' and 'Le Poème de l´exstase'. The editor Christoph Flamm is an expert in Russian music particularly Piano music. His research for example into Nikolai Medtner and the editions based on these findings are regarded as standard works. For his Bärenreiter edition of Scriabin's Sonata no. 5 Christoph Flamm has drawn on sources which were until recently regarded as lost or could only be consulted with great difficulty. Scriabin's Complete Piano Sonatas will be published in 4 volumes. - Urtext edition based on the latest source research. - With facsimiles which also give information about the rediscovered sources. - Detailed foreword (Ger/Eng) and critical commentary (Eng).

for Pianoforte Solo-Mis à jour le 18.01.19 Alexander Scriabine The Complete Preludes And Etudes Partition - Piano Dover Référence: DP10406 PIANO

Alexander Scriabin (1872-1915) was a Russian composer and pianist. He was one of the most famous musicians within the Russian Empire during his lifetime but remained virtually unheard-of in the West and was quicklyforgotten after his death. His best known works are his 5 symphonies but he also wrote hundreds of Preludes and Etudes.Etude in C Sharp Minor was one of Scriabin’s earliest published works beingthe first of the Trois Morceaux (Three Morsels) that formed his second opus. It is a delicate work which modulates through several connected keys and at a similar level to the Etudes of Chopin. A perfect recital item forany pianist who wants to master a piece by an under-performed composer.

Ce recueil musical constitue un florilège d'études pour piano, à l?attention des pianistes débutants et confirmés, où se côtoient les grandes études des compositeurs célèbres et les ?uvres plus didactiques d'auteurs moins connus.
A travers 101 Études, le pianiste aborde les grandes pages de la littérature pour piano, voyageant ainsi à travers les époques et les styles.
L'ouvrage est complété par un double CD (tapez TP002CD dans notre moteur de recherche) : à son gré le musicien peut y trouver un guide et un supplément indissociable de la partition.

?uvres de : Chopin, Liszt, Thalberg, Moszkovski, Sibelius, Brahms, Nazareth, Scriabin, Debussy, Czerny, Bertini, Burgmüller, Cramer, Gurlitt, Heller, Kadosa, etc.
/ [101 Etudes Pour Piano] / Classique / Feraux, Pierre / Partitions / Carré Collé /

44 Pieces By Rachmaninoff Scriabin Mussorgsky and Others-Nineteenth-century Europe's immersion into Romanticism fostered a 'back to nature' movement in which artists turned toward folk music for inspiration. This collection spotlights the works of important Russian composers who drew upon and popularized folk melodies of their native country. Forty-four stirring pieces reflect the influence of Russia's peasant songs as well as the tonality and rhythms of music from the Russo-Greek Orthodox Church and Tartar culture. Suitable for intermediate-level pianists of all ages this collection features contributions from Michael Glinka hailed a century ago as 'the father of Russian musical art.' Additional contributors includeAlexander Borodin Modest Mussorgsky Nikolas Rimsky-Korsakov Alexander Scriabin Sergei Rachmaninoff and other composers. Reprint of the Carl Fischer New York 1915 edition.

Par HENSELT ADOLPH. The composer and pedagogue Adolph von Henselt (1814?1889) can truly be considered one of the founding fathers of the Russian School of piano playing. He counted among his pupils Nicolai Sergeyvich Zverev, the teacher of Rachmaninoff and Scriabin. Rachmaninoff considered Henselt?s Etudes the equal of those by Liszt and Chopin for their great beauty. Henselt?s music was well-known in his time, and in the repertoire of the greatest virtuosos of the 19th century, including Clara Schumann (who premiered his F minor Concerto with Mendelssohn conducting), Franz Liszt, Hans von Bülow, Vladimir de Pachmann and Alexander Scriabin. The two sets of Etudes Opp. 2 and 5 were composed just before Henselt moved permanently to Russia and each set was originally published as two books of six études. This new Edition Peters Urtext edition collects each set in its own volume, together with, in volume 1, a selection of Henselt?s Exercices préparatoires and, in volume 2, two additional etudes. It is edited by Daniel Grimwood, one of the composer?s most highly regarded interpreters, whose recording of the complete Etudes is available from Edition Peters Sounds. This is the only available modern Urtext edition of these important piano works. / Date parution : 2023-06-01/ Etude / Piano

Complete Piano Sonatas IV-Volume IV of Scriabin?s ?Complete Piano Sonatas? unites Sonata No. 9 op. 68 (nicknamed ?Black Mass? but not by Scriabin) and Sonata No. 10 op. 70. These two works originated virtually at the same time in 1911-13 and 1912-13 respectively.Christoph Flamm has given both sonatas a fundamentally fresh look in this new Urtext edition. Exploiting all the autograph sources including Scriabin?s sketches and drafts he has arrived at surprising new readings. His foreword sheds informative light on the genesis and significance of these pieces; the many variants are documented in detail in the Critical Commentary. The higheditorial standards are complemented by spacious engraving and practical page-turns.- Scholarly-critical Urtext edition including the latest research findings.- All autograph sources consulted including sketches and drafts.- For students pianists and teachers.- Detailed foreword (Ger/Eng) and Critical Commentary (Eng).

PIANO SONATA NO. 4 from the years 1962–1964 is dedicated to the memory of Fiser’s friend, the pianist Antonín Jemelík, who died tragically. As a tribute to their friendship the composer incorporated into the introduction a quotation from their favourite work, Piano Sonata No. 10, Op. 70,by Alexander Scriabin. The tragedy of the death of the composer’s friend pervades the emotionally intense passage of unison octaves which follows the three-bar quotation. From a compositional point of view this work is a masterpiece of the mid-Sixties. Written as one movement, the piece is divided into numerous mutually contrasting segments which themselves are clearly grouped into two sections, exposition and development. The individual themes are introduced in the first section and thematically expanded in the second section. The motif treatment lies almost exclusively in the fragmenting or curtailing of the theme, or in the use of a combination of several themes, for the most part brief and eloquent. This compositional method, together with a clear-cut manner of execution, mainly semitonal melody and sharply contrastive dynamics, lends force and transparency to the piece. Piano Sonata No. 4 was completed in 1964 together with Symphonic Fresco, Concerto da camera for piano and orchestraand Fifteen Prints after Dürer’s Apocalypseand has earned its rightful place alongside them as masterpieces of Fiser’s œuvre. The work was first performed by Pavel Stepán in Prague’s Rudolfinum in 1965. The new setting for this piece is based on the single edition to date (Panton, 1969); only with regard to a few inconsistencies in the score was it necessary to consult the composer’s manuscript (kept at the National Museum – Czech Museum of Music, acquisition number 297/2006). H 7988, ISMN 979-2601-0447-1

Par SCRIABINE ALEXANDER. Le répertoire de piano ne manque vraiment pas de morceaux de bravoure et de virtuosité, mais l?Étude en ré dièse mineur de l?opus 8 de Scriabine occupe à coup sûr l?une des premières places en termes de popularité. On ne pouvait pas imaginer le moindre concert de Horowitz dans lequel, au moment des «bis», cette explosive Étude d?octaves n?aurait pas illuminé le grand piano de concert. «Patetico» est-il indiqué en titre, et c?est bien, en effet, un déchaînement sonore de passions auquel on assiste. Les éditions G. Henle publient en édition séparée le Urtext de cette redoutable étude, avec des doigtés du pianiste mondialement connu Boris Giltburg. Champ libre pour tous les virtuoses et ceux qui rêvent de le devenir! / Date parution : 2022-04-05/ Répertoire / Piano