Esprit-Philippe Chedeville's Symphonies. Two easy duets for Recorder. For SS SA or AA.

Second and third movement from the famous Serenade K525 arranged for Recorder Groups with optional Percussion instruments by Albrecht Rosenstengel.Zweiter and dritter Satz aus der beruhmtnen Serenade KV525 fur Blockfloten-Spielgruppen mit Schlaginstrumenten ad lib.

A collection of Old time dances arranged for Soprano and Alto Recorder by Joannes Collette. Included in this volume are examples of the diversity of old dance styles: such as Contredance a 17th century English dance with two queues of dancers opposite each other and Nachtanz a quick jump-dance that follows a slower number to name but two.

Henry Mancini's Moon River arranged by Howard Gannaway for Recorder Trio of Descant Treble and Tenor.

Also suitable for flute or oboe. Sonatas 1-3 of Mancini's 12 sonatas for treble recorder

For Recorder Quartet-This lively traditional hornpipe will be instantly recognised by all through its use as the theme tune to the BBC childrens series 'Blue Peter'.

Edition : score and parts Instrumentation : for 7 (8) Recorder (SATB) and 3 Triangel ad lib.

J. Naudot's 'Babioles' Six Suites For Two Treble Recorders. Also suitable for Flutes Oboes or Violins.

Probably best known as the theme to the BBC Horse of the Year Show this ebullient tune by Mozart remains a firm favourite with musicians and audiences alike. Each set contains a full score and three of each part for Descant Treble and Tenor recorders.

Par LINDE HANS-MARTIN. The four melodramas can be performed either as a suite or individually. The recorder ensemble may be employed solitically or as a group. It would be interesting to perform them by alternating ensemble / solo scoring [e. g. , by assigning high and more difficult parts to soloists and lower, simpler parts to the tutti ensemble]. In addition, it is also possible to combine my compositions with other pieces scored for an ensemble of any size [that is, through the use of older or newer interludes or through improvisations]. These melodramas were composed for the Schola Cantorum Basiliensis as part of a larger commission. They were first performed in Basel on 9. 9. 99 as “Musik fürein Blockflötenfest” [Music for a Recorder Festival]. [Basel, February 2005, Hans-Martin Linde]/ Répertoire / Ensemble de Flûtes à Bec