Par DUCKETT RICHARD / LOANE C.. Team Woodwind is designed for everyone who wants to learn to play woodwind. This method: presents a flexible course which can be tailored to suit each student is ideal for individual, group or class tuition contains plenty of carefully graded music in a wide variety of styles encourages ensemble playing with varied repertoire for mixed wind group and integrates with ensemble music in Team Strings, Team Brass, Team Recorder and Team Percussion offers more than 40 pieces which can be played in unison between flute and clarinet contains over 50 well-known titles selected from the worlds of pop, jazz and the shows, as well as traditional and folk material provides imaginative piano accompaniments for selected pieces and chord symbols where appropriate develops instrument-related aural skills, improvisation and composition offers helpful notes for the teacher, together with clear ensemble scores. / Niveau : Facile / Méthode / Saxophone Ténor

Par DELAGE JEAN-LOUIS. La collection Welcome to, c'est de la musique de films, de la musique classique, de la variété, du jazz... le meilleur de la musique, spécialement adapté pour chaque instrument dans une tonalité simple avec des play-back d'une grande musicalité pour s'entraîner et même un tempo de travail ralenti pour plus de confort d'apprentissage./ Recueil / Saxophone en Sib

Twenty great saxophone solos from the musicals with two accompanying CDs featuring demos and full 'soundalike' backing tracks. A classic selection of showtunes ranging from West End hits by Jorome Kern and Lionel Bart to the golden years of stage musicals by Lloyd Webber and amp - Rice and Ulvaeus and amp - Anderson. Here's your chance to stand in the spotlight and play some of the all-time greatest numbers from the musicals! Learn to play these solos specially arranged for alto saxophone. Hear how they should sound on the demo CD, then play along with the full backing tracks to show off your new skills! Be the star - learn the solos - then take your place centre stage! / Saxophone Alto

The Beatles catalogue has, over the years, been transposed, transcribed and translated for just about every musical purpose imaginable. However, many have not been arranged for Saxophonists before. This book contains 72 Beatles favourites arranged for Saxophone, many for the first time. Included are songs from right across the band's highly varied career, and all are suitable for both B-flat and E-flat instruments. / Saxophone

Par DE HAAN JACOB. Der Serienname First Class spricht für sich: Einerseits sind die Werke in dieser Serie für das erste Zusammenspiel geschrieben, andererseits sind sie bei aller Einfachkeit doch sehr gut komponiert, also einfach 'Klasse'! Die Serie First Class bietet durch ihr spezielles Konzept unendlich Möglichkeiten des Zusammenspiels. Die Art und Weise der Instrumentierung ermöglicht, mit zwei oder mehreren gleichen, aber auch mit unterschiedlichen Instrumenten zusammenzuspielen. Nach Belieben kann das Ensemble durch Schlaginstrumente ergänzt werden. Das Prinzip ist sehr einfach: Man schaut, welche Instrumente zur Verfügung stehen und sucht danach die Stimmenhefte aus derdazugehörigen Liste aus. First Class On Tour - Jacob de Haan First Class - On Tour wurde, wie bereits First Class - In Concert, von Jacob de Haan komponiert. Die Musik entführt ihr Publikum diesmal in so unterschiedliche Länder wie Amerika, Ägypten, Portugal, Dänemark, Zimbabwe, USA, Türkei, Brasilien, Griechenland und viele mehr. Die kurze Einleitung, das Willkommen, kann mit jedem dieser Stücke kombiniert werden oder als erster Satz einer selbst zusammengesetzten Suite fungieren. / Niveau : 1.5 / Répertoire / Saxophone

Par DE HAAN JACOB. Der Serienname First Class spricht für sich: Einerseits sind die Werke in dieser Serie für das erste Zusammenspiel geschrieben, andererseits sind sie bei aller Einfachkeit doch sehr gut komponiert, also einfach 'Klasse'! Die Serie First Class bietet durch ihr spezielles Konzept unendlich Möglichkeiten des Zusammenspiels. Die Art und Weise der Instrumentierung ermöglicht, mit zwei oder mehreren gleichen, aber auch mit unterschiedlichen Instrumenten zusammenzuspielen. Nach Belieben kann das Ensemble durch Schlaginstrumente ergänzt werden. Das Prinzip ist sehr einfach: Man schaut, welche Instrumente zur Verfügung stehen und sucht danach die Stimmenhefte aus derdazugehörigen Liste aus. First Class On Tour - Jacob de Haan First Class - On Tour wurde, wie bereits First Class - In Concert, von Jacob de Haan komponiert. Die Musik entführt ihr Publikum diesmal in so unterschiedliche Länder wie Amerika, Ägypten, Portugal, Dänemark, Zimbabwe, USA, Türkei, Brasilien, Griechenland und viele mehr. Die kurze Einleitung, das Willkommen, kann mit jedem dieser Stücke kombiniert werden oder als erster Satz einer selbst zusammengesetzten Suite fungieren. / Niveau : 1.5 / Répertoire / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

Twenty-two classic songs, specially arranged for E flat and B flat saxophones, with chord symbols and lyrics. / Saxophone

Détails du produit d'occasion : Petite trace de café dans un des coins. Le produit n'est pas abimé, les partitions sont lisibles.1 seul produit disponibleDescriptif valable uniquement pour le modèle vendu neuf.In the last few years several publications have been devoted to advanced playing techniques for wind instruments in contemporary music. Despite this, players have continued to request a more comprehensive resource with a better systematic approach, using practical examples from the repertoire.Following the enormous success of books on oboe and flute techniques, which have quickly become standard reference works, two renowned authors have written a further volume in the series, now for saxophone. The book is intended for both performers and composers and therefore it was natural that two experts came together to work on it ? the saxophonist Marcus Weiss and the composer Giorgio Netti . The most important playing, fingering and technical possibilities in sound for soprano, alto, tenor and baritone saxophone are systematically explained. These techniques are illustrated with the help of appropriate examples and practice instructions, and at the same time any special notational features are explained. Links to sound clips on the internet specially compiled for this book enable players to compare their own results with Marcus Weiss?s recording.The book is an essential, practical performing tool for interpreters, teachers and composers.- Comprehensive, systematic description of all important playing techniques for contemporary music on the saxophone- Clear explanation of special tonal effects and practice tips to try out- With internet links to all important sound excerpts- Tried and tested on all common makes of soprano, alto, tenor and baritone saxophones- Text in two languages (Ger/Eng) / Saxophone / Barenreiter

This second volume follows up on the success of the original volume of solos transcribed exactly from recordings by the Bird with 60 more of Parker's best. Songs include: Bird Feathers ? Bird of Paradise ? Body and Soul ? Cherokee (Indian Love Song) ? Cool Blues ? Crazeology ? Drifting on a Reed ? Embraceable You ? Groovin' High ? I'll Remember April ? Love for Sale ? My Old Flame ? A Night in Tunisia ? On a Slow Boat to China ? Quasimodo ? 'Round Midnight ? Salt Peanuts ? Sweet Georgia Brown ? Tiny's Tempo ? What Is This Thing Called Love? ? and more. Includes preface by book transcriber Charles ?Doc? Stewart. Bird Feathers Bird Of Paradise Bird's Nest Body And Soul Bongo Beep Bongo Bop Carvin' The Bird Cheers Cherokee (Indian Love Song) Confirmation Cool Blues Crazeology Dexterity Dizzy Atmosphere Drifting On A Reed East Of The Sun (And West Of The Moon) Easy To Love (You'd Be So Easy To Love) Embraceable You Groovin' High Hallelujah Hot House I Get A Kick Out Of You I Remember You I'll Remember April I've Found A New Baby (I Found A New Baby) I've Got You Under My Skin Indiana (Back Home Again In Indiana) Klactoveededstene Little Willie Leaps Liza (All The Clouds'll Roll Away) Love For Sale Lover Mango Mangue Meandering Move My Heart Belongs To Daddy My Heart Tells Me My Old Flame A Night In Tunisia Oh, Lady Be Good! On A Slow Boat To China Out Of Nowhere Quasimodo Repetition Rock Salt a/k/a Rocker 'Round Midnight Salt Peanuts Sippin' At Bells The Song Is You The Squirrel Star Eyes Stupendous Swedish Schnapps Sweet Georgia Brown They Didn't Believe Me This Time The Dream's On Me Tiny's Tempo Visa Wee (Allen's Alley) What Is This Thing Called Love? / Instrument en sib / Hal Leonard

This second volume follows up on the success of the original volume of solos transcribed exactly from recordings by the Bird with 60 more of Parker's best. Songs include: Bird Feathers · Bird of Paradise · Body and Soul · Cherokee (Indian Love Song) · Cool Blues · Crazeology · Drifting on a Reed · Embraceable You · Groovin' High · I'll Remember April · Love for Sale · My Old Flame · A Night in Tunisia · On a Slow Boat to China · Quasimodo · 'Round Midnight · Salt Peanuts · Sweet Georgia Brown · Tiny's Tempo · What Is This Thing Called Love? · and more. Includes preface by book transcriber Charles Doc Stewart. Bird Feathers Bird Of Paradise Bird's Nest Body And Soul Bongo Beep Bongo Bop Carvin' The Bird Cheers Cherokee (Indian Love Song) Confirmation Cool Blues Crazeology Dexterity Dizzy Atmosphere Drifting On A Reed East Of The Sun (And West Of The Moon) Easy To Love (You'd Be So Easy To Love) Embraceable You Groovin' High Hallelujah Hot House I Get A Kick Out Of You I Remember You I'll Remember April I've Found A New Baby (I Found A New Baby) I've Got You Under My Skin Indiana (Back Home Again In Indiana) Klactoveededstene Little Willie Leaps Liza (All The Clouds'll Roll Away) Love For Sale Lover Mango Mangue Meandering Move My Heart Belongs To Daddy My Heart Tells Me My Old Flame A Night In Tunisia Oh, Lady Be Good! On A Slow Boat To China Out Of Nowhere Quasimodo Repetition Rock Salt a/k/a Rocker 'Round Midnight Salt Peanuts Sippin' At Bells The Song Is You The Squirrel Star Eyes Stupendous Swedish Schnapps Sweet Georgia Brown They Didn't Believe Me This Time The Dream's On Me Tiny's Tempo Visa Wee (Allen's Alley) What Is This Thing Called Love? / Instrument en mib / Hal Leonard

Popular and well-loved classical themes. Includes 'Bolero' (Ravel), 'Nimrod' (Elgar) and 'Radetzky March' (Strauss), plus many famous symphonies. / Saxophone

Référence unique par son ISBN 9780769294100 cette partition musique n'est autre que Favorite Wedding Classics For Alto Sax Solos, Duets & Trios W/Po Acc. qui a été composée pour Saxophone. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Warner Bros.Publications . La référence catalogue de cette oeuvre est F3228ASX. / Saxophone / Partition

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Evocations 1969. As with his other wind compositions, Evocations for Solo Saxophone was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and wenton to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Evocations is in four movements; 1) Peruvian, 2) Nigerian, 3) Cambodian. and 4) Scotsman. This Tomasi piece is suitable for advanced saxophonists, providing an exciting, alternative addition to the instrument's repertoire./ Répertoire / Saxophone en Mib