Paperback full score.The New Bach Edition (NBA) volume of J. S. Bach?s Mass in B Minor BWV 232 has been the definitive edition for generations of singers and musicians. However the Bach Archive Leipzig in conjunction with Bärenreiter are constantly striving to bring new discoveries of editorial research to the fore. It is precisely for this reason that a new revised edition of the Mass in B Minor will now appear. The Urtext performing edition is based on the first volume of the new 15 volume series New Bach Edition-Revised (NBA rev).

Lutheran Mass 3-Mass G minor BWV 235 'Lutheran Mass No.3'for Alto solo Tenor solo Bass solo mixed choir (SATB) and orchestraOften overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts. Urtext of the New Bach EditionFull score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale

Der Friede sei mit dir BWV 158Cantata for Easter TuesdayThe cantata Der Friede sei mit dir is one of those works of Bach’s which present the most problems. Neither the author of the text nor the history of the work’s composition is known to us; and to judge by appearances the version that has come down to us is but a fragment compounded of a number of once disparate elements and gives little indication of the work’s original form.Yet the movements that have come down to us are of such uncommon musical interest that we would not want to be deprived of them just because they may be incomplete. The modesty of its requirements is at least in partresponsible for the comparatively wide popularity enjoyed by this cantata.- Urtext of the New Bach Edition- Full score & performance material (BA10158) vocal score (BA10158-90) available for sale

Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourful orchestration, with two flutes, two oboes, three trumpets, timpani and strings, creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the 'New Bach Edition?.- Lavishly scored oratorio of a festive nature- Based on the 'New Bach Edition?- Bilingual foreword by Andreas Glöckner (Ger/Eng) / Orchestre

Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale

In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly critical criteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research. For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as thesurviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye. This is the Organ part for J. S. Bach's Mass In B Minor.

Composer : Bach, Johann Sebastian Edition : Study score, Urtext Editor : Rifkin, Joshua Separate Parts available on demand

Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment? Can this work with such a festive and colorfully orchestrated piece? This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ.Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed, but the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue

Meine Seel erhebt den Herren - Kantate BWV 10 (Klavierauszug) Kantate zum Fest Mariae HeimsuchungMit seiner Kantate ?Meine Seel erhebt den Herren' zum Fest Mariae Heimsuchung (2. Juli) legt Bach eine Magnificat-Vertonung der etwas anderen Art vor: die Textvorlage in deutscher Sprache kombiniert Bibeltext und freie Umdichtung, Grundlage ist hierbei der Lobgesang der Maria (Magnificat) aus dem Lukasevangelium. Der 9. Psalmton fungiert als Choralmelodie und bildet ein wiederkehrendes musikalisches Thema.Mit einer relativ kleinen Besetzung aus Trompete (kann notfalls entfallen), zwei Oboen, Streichern und Basso continuo, dazu vier Solisten und Chor gelingt Bach eine festlich anmutende Musik von etwa 20-25 Minuten Dauer.Die praktische Urtext-Edition basiert auf der ?Neuen Bach-Ausgabe'.- Auf Grundlage der ?Neuen Bach-Ausgabe'- Aufführungsdauer: 20-25 Minuten / Violon II

Par BACH JOHANN SEBASTIAN. How practical: This choral masterpiece is now appearing in a handy and affordable soft-cover score to complement the substantial linen-bound complete edition volume. The tried-and-tested musical text remains unchanged, whilst the Foreword has been revised and supplemented by an English translation./ Répertoire / Solistes, Choeur et Orchestre

Kantate Zum 22. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : G-Dur - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 115/ Répertoire / Solistes SATB, Choeur SATB, (Cto), Flûte Traversiè

Kantate Zum 17. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : g-Moll - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 114/ Répertoire / Solistes SATB, Choeur SATB, (Cto), Flûte Traversiè

Kantate Zum 17. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : g-Moll - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 114/ Répertoire / Solistes SATB, Choeur SATB, (Cto), Flûte Traversiè

Kantate Zum 17. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : g-Moll - Horn, Paul (Arr.) - Lunn, Jean (Trad.) - BWV 114/ Répertoire / Solistes SATB, Choeur SATB, (Cto), Flûte Traversiè