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You've Selected:
Christmas
VIOLIN - FIDDLE
Soli, Mixted choir and accompaniment
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soli, Choeur, Percussions, FlÃ… (1)
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Flûte Traversière Et Flûte (1)
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Cor en Mib (1)
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Choeur d'Enfants (SMezA) avec … (1)
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Flûtes A Bec Avec Choeur (Mez… (1)
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2 Voix et Piano (1)
Chanson (1)
SOP/ORG/SATB::Soprano, Organ, … (1)
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2 Trompettes, 3 Trombones Et O… (1)
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Violon II (1)
Flûte A Bec Et Cordes Piano A… (1)
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Voix Basse Et Orgue (1)
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12 Violoncelles (1)
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3 Clarinettes Et Piano (Orgue)… (1)
2 Trompettes, Cor, Trombone Et… (1)
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Guitare Tablatures Flatpick et… (1)
Trombone et Basse Continue (1)
Clarinette, Trompette Et Tromb… (1)
Lyrics only (1)
3 Guitares ou plus (1)
2 Euphoniums Et Piano (Orgue) (1)
Solistes (S/A), Choeur Mixte (… (1)
Choral SSA (1)
Voix Solo ou Voix à L'Unisson… (1)
Instruments en Do / C (1)
2 Flûtes A Bec Alto (Flûte A… (1)
2 Ou 3 Trompettes (1)
2 Trompettes, 2 Trombones Et T… (1)
3 Trompettes Et Trombone (1)
3 Trompettes, Trombone Et Orgu… (1)
SATB et Orchestre (1)
Gemischter Chor (SATB), Strei… (1)
2 Clarinets, Piano (1)
A Cappella (1)
Choeur SSATB (1)
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1 Ou 2 Flûte(s) A Bec Soprano… (1)
Woodwind Quartet (1)
Flûte Traversière, Trompette… (1)
2 Instruments En Clé De Fa (B… (1)
3 Parties Mixtes, 2 Violons Et… (1)
2 Ukuleles (1)
Trompette (2), Cor, Trombone E… (1)
1 Ou 2 Flûte(s) A Bec Et Pian… (1)
Baryton Solo et ChÅ“ur SSAATTB… (1)
Clarinette (1)
Choral Soprano solo, SATB, Key… (1)
Parties Solo (Voix Elevées de… (1)
Harmonium (1)
Mezzo-Soprano, 1 Ã 3 Part Cho… (1)
2 Trompettes, Trombone Et Pian… (1)
2 Hautbois Et Piano (Orgue) (1)
Ensemble De Flûtes A Bec (AA/… (1)
Saxophone Alto Et Percussions (1)
Parties Solo, Choeur Et Orches… (1)
Saxophone Alto, Trompette Et P… (1)
Trombone Et Piano Ou Orgue (1)
Soprano Saxophone (1)
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Ssa Et Piano (1)
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Libretto (1)
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Flûte A Bec Soprano Et Flûte… (1)
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Camille Saint-Saëns: Christmas Oratorio: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Schirmer
Saint-Saëns's Christmas Oratorio (or Oratorio de Noël) was written in 1858 whe...
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Saint-Saëns's Christmas Oratorio (or Oratorio de Noël) was written in 1858 when he was just 23. This piece was originally scored for five Vocal Soloists Chorus Harp String Quartet and Organ; this the vocal score contains a piano reduction.The Christmas Oratorio opens with a Prelude subtitled 'In the style of Sebastian Bach' harkening back to Bach's Christmas Oratorio. This opening prelude sets the scene for the Christmas story: its lilting pastoral quality creates images of the shepherds tending their flocks in the fields. In the remaining movements the vocal soloists take turns representing different characters such as the narrator ofthe story or as the angel who announces the birth of the baby Jesus while the chorus represents a multitude of angels singing to the glory of the Lord. The final movement of the piece which follows the model of old French Christmas songs is a virtual hymn of praise of all creation in the presence of God.The English version of the text is by N.H. Dole.
6.50 GBP - Sold by Musicroom UK
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Christopher Norton: Micromusicals - A Christmas Carol: Mixed Choir: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Boosey and Hawkes
Raising the curtain on Christopher Norton’s Micromusicals – exciting...
(+)
Raising the curtain on Christopher Norton’s Micromusicals – exciting and accessible musicals for schools based on popular classroom teaching topics from the creator of the internationally-acclaimed Microjazz series. Designed for children aged 6-12 each production lasts around 30 minutes and can be learned rehearsed and performed in as little as 2 days.Stage a real class act with this comprehensive and flexible resource:* Succinct casting and direction suggestions * Optional props list with a wealth of additional downloadable resources * Straightforward and catchy songs with complete demonstration and backing tracks on an accompanying CD * Voice and piano scoreswith guitar chords * A wide range of flexible easy band and orchestral parts available to download which can be played in conjunction with the backing tracks or as part of an independent live orchestral or band * Photocopiable lyric sheets (also available as downloads for printing or projection) * Wide-ranging cross-curricular teaching and classroom activity suggestions * A customisable poster to publicise performances A Christmas Carol is an English literary classic written by Charles Dickens and was first published in December 1843. The popular novella is studied at Key Stage 2 and 3 as part of the National Curriculum in England as well as at schools and colleges elsewhere in the UK and around the world. In this new Micromusical adaption the abridged story is told through drama and song.TestimonialsThe micro-musicals have enriched our curriculum and have enabled the topics taught in class to come alive. Through the micro-musicals the children have gained a deeper and broader understanding of the curriculum and have developed a bank of rich language which has supported their writing outcomes. The micro-musicals have provided an excellent opportunity to teach music through all areas of the curriculum and we have been able to use music as a platform to learn history science geography and literature. They have been a good value for money and a valuable resource.-Bronwen Chalmers Head Teacher Davies Lane Primary School
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Christmas Oratorio, Part II (BACH JOHANN SEBASTIAN)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN...
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Und es waren Hirten in derselbigen Gegend - BWV 248.2. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment? Can this work with such a festive and colorfully orchestrated piece? This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ. Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed and the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue
31.44 EUR - Sold by LMI-partitions
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Christmas Oratorio, Part III (BACH JOHANN SEBASTIAN)
Soli, Mixted choir and accompaniment
[Score]
Carus Verlag
Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JO...
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Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment? Can this work with such a festive and colorfully orchestrated piece? This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ.Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed, but the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue
28.92 EUR - Sold by LMI-partitions
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Marc-Antoine Charpentier: Messe de Minuit pour Noël (Christmas Mass): SATB:
Soli, Mixted choir and accompaniment
[Sheet music]
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier?s best-known composition after the Te Deum H 146. The special appeal of this ?Mass for the Midnight Service on Christmas Eve? lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier?s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups ? one group of two sopranos and two groups each comprising alto tenor and bass ? which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier?s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score
24.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Weihnachts-Oratorium BWV 248: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Part]
Barenreiter
Bach’s Christmas Oratorio composed in 1734 narrates the story of the bi...
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Bach’s Christmas Oratorio composed in 1734 narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period.Like the St. Matthew and St. John Passions the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December 6 January) allowing the wondrous story of the Gospel to gradually unfold.- Fullscore and performance material (BA5014) vocal score (BA5014-90) and study score (TP85) available for sale.- Urtext of the New Bach Edition.
40.50 GBP - Sold by Musicroom UK
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Georg Philipp Telemann: Gelobet Seist Du Jesu Christ: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Cantata for the Second Day of Christmas-Telemann composed ?Gelobet Seist Du Jes...
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Cantata for the Second Day of Christmas-Telemann composed ?Gelobet Seist Du Jesu Christ? (TvWV 1:612) for his cantata cycle of 1710 11. Although scored without Brass Instruments or Timpani the brilliant festive mood of the second day of Christmas prevails.The opening chorale and the final chorus form a frame for the four solo arias of the main section (ATB). Here too the choral numbers may be and usually are taken one to a part. The vocal score appears with a singing translation in English and suggested alternatives for the German text.- Urtext based on the latest findings of scholarship.- Straightforward and easy-to-play Piano reduction.- Duration:approx. 15 minutes.- Singing translation in English.- Full score (BA7676) and performance material (BA7676) available for sale.
4.00 GBP - Sold by Musicroom UK
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Georg Philipp Telemann: Gelobet Seist Du Jesu Christ: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Cantata for the Second Day of Christmas-Telemann composed ?Gelobet Seist Du Jes...
(+)
Cantata for the Second Day of Christmas-Telemann composed ?Gelobet Seist Du Jesu Christ? (TvWV 1:612) for his cantata cycle of 1710 11. Although scored without Brass Instruments or Timpani the brilliant festive mood of the second day of Christmas prevails.The opening chorale and the final chorus form a frame for the four solo arias of the main section (ATB). Here too the choral numbers may be and usually are taken one to a part. The vocal score appears with a singing translation in English and suggested alternatives for the German text.- Urtext based on the latest findings of scholarship.- Straightforward and easy-to-play Piano reduction.- Duration:approx. 15 minutes.- Singing translation in English.- Full score (BA7676) and performance material (BA7676) available for sale.
5.50 GBP - Sold by Musicroom UK
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Michael Bojesen Dy Plambeck: Det Kimer Nu: SATB: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
-
Intermediate
Wilhelm Hansen
Det Kimer Nu is a Christmas Cantata for Soprano and Baritone Solo Boy's Choir ...
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Det Kimer Nu is a Christmas Cantata for Soprano and Baritone Solo Boy's Choir Mixed Choir and Orchestra by Michael Bojesen with lyrics by Dy Plambeck.
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Johann Sebastian Bach: Cantata BWV 91 Gelobet Seist Du Jesu Christ: Mixed
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet...
(+)
Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
7.50 GBP - Sold by Musicroom UK
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Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
9.00 GBP - Sold by Musicroom UK
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Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
9.00 GBP - Sold by Musicroom UK
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Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
9.00 GBP - Sold by Musicroom UK
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Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
9.00 GBP - Sold by Musicroom UK
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Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
9.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Ascension Oratorio BWV 11: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
Urtext edition-Vocal score and performance material available for sale.Lavishly ...
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Urtext edition-Vocal score and performance material available for sale.Lavishly scored oratorio of a festive nature.Based on the New Bach Edition.Bilingual foreword by Andreas Glöckner (Ger/Eng).Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems. As in other works which were composed during this same year (e.g. the Christmas Oratorio) Bach reveals a special fondness for colourful orchestration with two Flutes two Oboes threeTrumpets Timpani and Strings creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the New Bach Edition.
10.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Ascension Oratorio BWV 11: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Vocal score and performance material available for sale.Lavishly scored oratorio...
(+)
Vocal score and performance material available for sale.Lavishly scored oratorio of a festive nature.Based on the New Bach Edition.Bilingual foreword by Andreas Glöckner (Ger/Eng).Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems. As in other works which were composed during this same year (e.g. the Christmas Oratorio) Bach reveals a special fondness for colourful orchestration with two Flutes two Oboes threeTrumpets Timpani and Strings creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the New Bach Edition.
4.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Ascension Oratorio BWV 11: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Vocal score and performance material available for sale.Lavishly scored oratorio...
(+)
Vocal score and performance material available for sale.Lavishly scored oratorio of a festive nature.Based on the New Bach Edition.Bilingual foreword by Andreas Glöckner (Ger/Eng).Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems. As in other works which were composed during this same year (e.g. the Christmas Oratorio) Bach reveals a special fondness for colourful orchestration with two Flutes two Oboes threeTrumpets Timpani and Strings creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the New Bach Edition.
4.50 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Ascension Oratorio BWV 11: Mixed Choir: Instrument Pack
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Vocal score and performance material available for sale.Lavishly scored oratorio...
(+)
Vocal score and performance material available for sale.Lavishly scored oratorio of a festive nature.Based on the New Bach Edition.Bilingual foreword by Andreas Glöckner (Ger/Eng).Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems. As in other works which were composed during this same year (e.g. the Christmas Oratorio) Bach reveals a special fondness for colourful orchestration with two Flutes two Oboes threeTrumpets Timpani and Strings creating a splendid Baroque sound with a strikingly festive character.This edition is based on the thoroughly researched musical text from the New Bach Edition.
16.50 GBP - Sold by Musicroom UK
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