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VIOLIN - FIDDLE
String Orchestra
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Henry Purcell: Music Midsummer 2 Full Sc: String Orchestra: Score
String Orchestra
Barenreiter
In completion of the first part (Hortus Musicus 50 now out of print) this second...
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In completion of the first part (Hortus Musicus 50 now out of print) this second part to the 'Music To The Midsummer Night's Dream' contains all the remaining four-part instrumental pieces from Henry Purcell's opera 'The Fairy Queen' (1692). Similar to the pieces in the first part the composer wrote them for performance by Strings but they can also be played by Wind Instruments only (in particular wood-wind) or with string and wind instruments mixed and also with one or several instruments to a part. The pieces were put in such an order that they again present a small self-contained suite.The titles to the several numbers which arepartly mentioned more exactly in this book indicate their place in the above named opera by Purcell. They elucidate at the same time the character of the various pieces. Thus No.1 Air (Second Music) is originally a (second) introductory piece of music for the opera which still precedes the actual Overture. No.2 Jig No.5 Air and No.8 Air are instrumental postludes to the first fourth and second acts of the opera respectively whereas No.4 'Dance for the Followers of Night' No.6 'Dance for the Green Men' and No.7 'Monkeys' Dance' present a motley picture of the operatic construction which provided a great number of allegoric persons and figures. From a purely musical point of view this second part too of the 'Music To The Midsummer Night's Dream' contains gems of old instrumental music. May this present book help to gain new friends for the noble art of the great Old-English composer.
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Aus Holbergs Zeit Op. 40 (GRIEG EDVARD)
String Orchestra
[Score]
Barenreiter
Par GRIEG EDVARD. Grieg Holberg Suite (From Holberg\'s Time) Op.40 (Full Score) ...
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Par GRIEG EDVARD. Grieg Holberg Suite (From Holberg\'s Time) Op.40 (Full Score) Suite in the Olden Style for String Orchestra To celebrate the 200th birthday of the playwright Ludvig Holberg (1684-1754), a statue was erected in his honour in 1884. Edvard Grieg, who, like Holberg, was born in Bergen, was commissioned to write an open-air cantata for the ceremony. But he also refers to Holberg in his instrumental music. The result was a ?powdered wig piece? (as Grieg wrote to his publisher) that hearkens back to Holberg?s era ? a historicising suite of baroque dances for piano, ranging from an exhilarating prelude and several dance numbers to a Bachian ?air? and an impetuous ?rigaudon?. Later Grieg arranged his ?Suite in the Olden Style? for string orchestra. This version became one of his most popular compositions. For our new scholarly-critical edition Christoph Rinne-Schroeder has meticulously examined the original print and compared it with previously neglected performance material annotated by Grieg himself. - New Urtext edition of this popular work for string orchestra - Based on previously neglected sources by Grieg himself - String parts in a practical large format (25.5 cm x 32.5 cm) / Date parution : 2022-07-30/ Répertoire / Orchestre à Cordes
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Chaconne (Junior String Orchestra)
String Orchestra
[Sheet music]
EMB (Editio Musica Budapest)
for junior string orchestra or two violins and violoncello or violin, viola and ...
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for junior string orchestra or two violins and violoncello or violin, viola and violoncello. Par KOCSAR MIKLOS. Kocsár composed the Chaconne for three-part string ensemble in 1996. Originally a popular Baroque musical form, the chaconne is characterized by a set of ground-bass variations. In Kocsár's piece the 23-bar theme is followed by nine variations of diverse characters. The composition lasts about nine minutes and is rounded off with a recapitulation of the theme and a coda. The Chaconne can be performed by junior string orchestras consisting of either two violins and a cello or a violin, a viola, and a cello (with or without double bass), or by string trios consisting of two violins and violoncello or a violin, a viola and a cello. The edition includes a full score and one part for each instrument. If the work is performed by a string orchestra the parts may be copied as required for the number of musicians./ Répertoire / Orchestre à Cordes
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Boomwhacker Christmas, A (S/O)
String Orchestra
Alfred Publishing
Imagine four soloists playing eight Boomwhackers on the heads of eight brave aud...
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Imagine four soloists playing eight Boomwhackers on the heads of eight brave audience members while being accompanied by string orchestra. That's the scenario of this hilarious show-stopper. Your audience will love hearing 'Jingle Bells,' 'Good King Wenceslas,' and 'Deck the Halls' like never before. Used by the composer with his own orchestra and guest teachers, this simple yet highly effective novelty number never fails! Complete staging instructions are included. (2:00) Correlates to String Explorer Book 1, Unit 13. / Orchestre A Cordes
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Per Nørgård: String Quartet No.1 - 'Quartetto Breve': String Ensemble: Score
String Orchestra
Wilhelm Hansen
String Quartet No.1 - 'Quartetto Breve' (1952) by Per Nørgård.Programme note:...
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String Quartet No.1 - 'Quartetto Breve' (1952) by Per Nørgård.Programme note: The spectrum of sound the gesticulation – in short the very nature of the strings – has always had a central place in my output demonstrated by the numbers of string quartets concertos with string soloist chamber and solo works. The interest dates back to my school years when I was fortunate to be able to compose for a cello-playing schoolmate and to accompany him on the piano. I discovered then the innumerable nuances of sound and playing varieties offered by just one bow four strings andfive fingers.. My first string quartet – Quartetto Breve – has a firm root in the Nordic tradition and is strongly inspired by Jean Sibelius (1865-1957) and my teacher Vagn Holmboe (1909-96). Per Nørgård (1998)
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Antonio Vivaldi: Concerto G Minor RV 531: String Ensemble: Miniature Score
String Orchestra
Eulenburg
The genre of the violoncello concerto was born in 17th-century Italy. Thanks to ...
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The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678–1741) there exists today not only a wealth of magnificent violin concertos but also quite a number of cello concertos to whose development he contributed considerably.More than two dozen of his concertos are dedicated to the violoncello including the probably most famous double concerto: the 'Concerto for Two Violoncellos String Orchestra and Basso continuo in G minor (RV 531)' written after 1770. The sonorous work with its playful outer movements and expressive largo is published in this critical new edition on the basis of thesources.
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Whitney Houston: How Will I Know: String Ensemble: Score & Parts
String Orchestra
Hal Leonard
With its infectious dance beat and melodic hooks Whitney Houstons #1 super hit ...
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With its infectious dance beat and melodic hooks Whitney Houstons #1 super hit from the 80s is a terrific up-tempo pop number for string orchestra. Careful use of syncopation and skilled scoring will give your student playersconfidence to performat their very best.
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Alexander Zemlinsky: Streichquartett Nr. 2 Opus 15: String Ensemble: Parts
String Orchestra
G. Henle
String Quartet no. 2 op. 15-Alexander Zemlinsky?s music was long unjustly oversh...
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String Quartet no. 2 op. 15-Alexander Zemlinsky?s music was long unjustly overshadowed by what was regarded as the more progressive? Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schönberg he never did take the latter?s radical step into dodecaphony. At the same time he composed works that were no less original or fully fledged. Composed between 1913 and 1915 his Second String Quartet in particular pushed the contemporaneous understanding of form and tonality to its limits. With just one movement but spanning over 1 200 measures this multi-faceted work numbers among the most significant contributions to the genre of the time and has long merited acritical new edition. The Urtext edition by G. Henle Publishers corrects many errors and inaccuracies in the first edition that came to light after careful comparison with the autograph sources in Vienna and Washington. For the first time too the metronome markings that survive only in one of Zemlinsky?s letters have been incorporated. Editorial work was kindly supported by the Alexander Zemlinsky Endowment Fund in Vienna.
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Alexander Zemlinsky: Streichquartett Nr. 2 Opus 15: String Ensemble: Study Score
String Orchestra
[Study Score / Miniature]
G. Henle
String Quartet no. 2 op. 15-Alexander Zemlinsky?s music was long unjustly oversh...
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String Quartet no. 2 op. 15-Alexander Zemlinsky?s music was long unjustly overshadowed by what was regarded as the more progressive? Second Viennese School. Although Zemlinsky was close friends with its protagonist Arnold Schönberg he never did take the latter?s radical step into dodecaphony. At the same time he composed works that were no less original or fully fledged. Composed between 1913 and 1915 his Second String Quartet in particular pushed the contemporaneous understanding of form and tonality to its limits. With just one movement but spanning over 1 200 measures this multi-faceted work numbers among the most significant contributions to the genre of the time and has long merited acritical new edition. The Urtext edition by G. Henle Publishers corrects many errors and inaccuracies in the first edition that came to light after careful comparison with the autograph sources in Vienna and Washington. For the first time too the metronome markings that survive only in one of Zemlinsky?s letters have been incorporated. Editorial work was kindly supported by the Alexander Zemlinsky Endowment Fund in Vienna.
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Our America: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
String Pak to Accompany Choir and Band-Here is an inspiring medley of patriotic ...
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String Pak to Accompany Choir and Band-Here is an inspiring medley of patriotic favorites specially written for band and choir. Although ideal as a combined concert number for your entire music department (optional string parts are also available) it has beencarefully arranged to work with band alone. Includes: This Land Is Your Land You're a Grand Old Flag Yankee Doodle Boy and God Bless the U.S.A. (4:00) Optional Choir also available.
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James Curnow: Sagebrush: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
In the style of a lively hoedown here is anªentertaining fast-paced number t...
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In the style of a lively hoedown here is anªentertaining fast-paced number thats fun to perform and will sound greatªwithªstring ensembles. There is plenty of built in contrasts and easy fiddle stylingªto give it a trueAmericana feel. A perfectchange of pace!
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Stephen Bulla: Subway Stomp: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
Grade 2-3 The infectious rhythmic style of Stephen Bulla's creative sleuthly n...
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Grade 2-3 The infectious rhythmic style of Stephen Bulla's creative sleuthly number is a great fit for a pops-type performance and gives your string students a chance to play some jazzy harmonies and effects. Dur: 2:00
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Lloyd Conley: Schottisches: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
This new string work features seven German schottisch melodies combined in a lig...
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This new string work features seven German schottisch melodies combined in a light whimsical program number. Following the familiar rhythmic hop-hop-hop-step pattern Schottisches gives a great opportunity to teach some traditional dance style music.
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James Weeks: Ærc: String Orchestra: Score
String Orchestra
[Sheet music]
University Of York Music Press
James Weeks' Ærc for any number of orchestral string instruments (at least 12)...
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James Weeks' Ærc for any number of orchestral string instruments (at least 12). Composed and published 2016.Duration: 26-30 minutes.Ærc is the Old Engliosh word for ark dervied from the Latin arca a chest. Here it denotes an enclosed space perhaps of refuge or safety certainly of intimacy. As in the ark or Noah the players are paired entering the figurative space of the work two-by-two and creating a dense polyphonic texture (a giant viol consort) from breath-like bow-strokes each pair in rythmic unison before exiting in sequence.
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Robert Longfield: Crosscurrent: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
Crosscurrent has all the elements for success with younger players. Set in E min...
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Crosscurrent has all the elements for success with younger players. Set in E minor with bold melody and lots of rhythmic drive it's a style that students love to play. A cutting edge number to add fun and balance to your string ensemble repertoire. Dur: 2:20
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Yuletide Season: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
John Moss' newest holiday medley again shows why his string writing talent is a ...
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John Moss' newest holiday medley again shows why his string writing talent is a favorite with directors everywhere. This well-crafted piece includes three seasonal favorites in a striking concert number for any holiday program.Includes: Here We Come A-Wassailing Stille Stille Stille and Good King Wenceslas.
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Fiddlers Three: String Orchestra: Score & Parts
String Orchestra
Hal Leonard
Heres a winning recipe that features three violinists staged in front of the or...
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Heres a winning recipe that features three violinists staged in front of the orchestra creating a refreshing musical number thats ideal for school orchestras. The musical style is geared toward young players...a contemporary fiddling stylecombined with sense of adventure.
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James Weeks: Cornish String Music: String Ensemble: Score
String Orchestra
University Of York Music Press
James Weeks' Cornish String Music for any number of orchestral string instrument...
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James Weeks' Cornish String Music for any number of orchestral string instruments (at least 16). Score. Cornish String Music was first performed by participants at the CoMA Summer School High Melton Doncaster on 7th August 2015.
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Cy Coleman Dorothy Fields: Big Spender (from Sweet Charity): String Orchestra:
String Orchestra
Hal Leonard
Easy Pop Specials For Strings-From the Broadway show Sweet Charity comes this ne...
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Easy Pop Specials For Strings-From the Broadway show Sweet Charity comes this new version of the show's most memorable production number. From the famous opening 6-note riff this sassy swing number is a crowd pleaser all the way. Dur: 2:55
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Sadie Harrison: Gulistan-e Nur: String Ensemble: Parts
String Orchestra
[Sheet music]
University Of York Music Press
The Rosegarden Of Light - String Sextet Parts-Gulistan-e Nur: The Rosegarden of ...
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The Rosegarden Of Light - String Sextet Parts-Gulistan-e Nur: The Rosegarden of Light for String Sextet and Youth Ensemble. Instrumentation: Professional String Sextet (2 Vlns 2 Vlas 1 Cello 1 Db). Youth/amateur ensemble (Interludes only): open instrumentation (5 treble alto bass parts (transpositions available) Keyboard). The Three Interludes are supplied separately. The sextet movements/Three Interludes can also be performed separately. I Bahar-e nastaran-bihag (Radio Piece) Interlude 1/ Introduction (Youth ensemble) Sextet Movement 1 (Professional) II - Shirin dokhtar-e maldar (Sweet Nomad Girl)Interlude 2 Sextet Movement 2 III - Watan Jan (Dear Homeland) Interlude 3 Sextet Movement 3 Duration: c.26 mins (complete) / c.16 mins (sextet movements only). On 11 December 2014 several young musicians from the Afghanistan National Institute of Music were performing at the Istiqlal School home to the French Cultural Centre in Kabul. The venue was targeted by a suicide bomber with devastating results leaving a number of students (and ANIM’s founder and Director Dr. Ahmad Sarmast) with severe injuries. Despite these most challenging of circumstances ANIM continues to provide an extraordinary learning environment for all its students regardless of gender ethnicity or social circumstances. They are committed to assuring musical rights rebuilding lives through music training future music educators establishing intercultural dialogue and to reviving and preserving Afghan Music. Gulistan-e Nur: The Rosegarden of Light is dedicated with great admiration to Dr. Ahmad Sarmast and to the students and staff of the Afghanistan National Institute of Music in Kabul particularly remembering those who were injured in the 11 December attack. The work is also dedicated to Kevin Bishop and members of the pioneering ensemble Cuatro Puntos who are dedicated to global co-operation and
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Sadie Harrison: Gulistan-e Nur: String Ensemble: Score
String Orchestra
[Sheet music]
University Of York Music Press
The Rosegarden Of Light - String Sextet Score-Gulistan-e Nur: The Rosegarden of ...
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The Rosegarden Of Light - String Sextet Score-Gulistan-e Nur: The Rosegarden of Light for String Sextet and Youth Ensemble. Instrumentation: Professional String Sextet (2 Vlns 2 Vlas 1 Cello 1 Db). Youth/amateur ensemble (Interludes only): open instrumentation (5 treble alto bass parts (transpositions available) Keyboard). The Three Interludes are supplied separately. The sextet movements/Three Interludes can also be performed separately. I Bahar-e nastaran-bihag (Radio Piece) Interlude 1/ Introduction (Youth ensemble) Sextet Movement 1 (Professional) II - Shirin dokhtar-e maldar (Sweet Nomad Girl)Interlude 2 Sextet Movement 2 III - Watan Jan (Dear Homeland) Interlude 3 Sextet Movement 3 Duration: c.26 mins (complete) / c.16 mins (sextet movements only). On 11 December 2014 several young musicians from the Afghanistan National Institute of Music were performing at the Istiqlal School home to the French Cultural Centre in Kabul. The venue was targeted by a suicide bomber with devastating results leaving a number of students (and ANIM’s founder and Director Dr. Ahmad Sarmast) with severe injuries. Despite these most challenging of circumstances ANIM continues to provide an extraordinary learning environment for all its students regardless of gender ethnicity or social circumstances. They are committed to assuring musical rights rebuilding lives through music training future music educators establishing intercultural dialogue and to reviving and preserving Afghan Music. Gulistan-e Nur: The Rosegarden of Light is dedicated with great admiration to Dr. Ahmad Sarmast and to the students and staff of the Afghanistan National Institute of Music in Kabul particularly remembering those who were injured in the 11 December attack. The work is also dedicated to Kevin Bishop and members of the pioneering ensemble Cuatro Puntos who are dedicated to global co-operation and
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Arthur Smith: Duelin' Fiddles: String Ensemble: Score & Parts
String Orchestra
Hal Leonard
Based on the popular Dueling Banjos this foot stompin' number by Lloyd Conley r...
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Based on the popular Dueling Banjos this foot stompin' number by Lloyd Conley recreates the question-and-answer musical dialogue this time played by your featured violinists staged in front of the orchestra. Here's a greatopportunity for showmanship cleverness and fun for your next concert.
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George A. Speckert: Don't Feed The Animals: String Ensemble: Score and Parts
String Orchestra
[Sheet music]
Barenreiter
12 Pieces for String Ensemble-In this edition George Speckert has depicted an en...
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12 Pieces for String Ensemble-In this edition George Speckert has depicted an entire menagerie of small animals in 12 movements. Framed by an overture and epilogue ten animals/species make an appearance. These easy little character pieces can be played in any order by two violins viola and cello either one or more to a part. It is a fun-to-play collection especially suited for children and invites them to expand on these pieces by adding little tales pictures or scenes.- Easy fun pieces on animals geared towards children- Suitable for smaller and larger recitals- Can be played by a variable number of string players- Score & 5 parts (Violin I II III; Viola [or Violin III];Cello)
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Greensleeves (Mannheim Steamroller): String Ensemble: Score & Parts
String Orchestra
[Score and Parts]
Hal Leonard
The creative spirit of Chip Davis and Mannheim Steamroller have a long tradition...
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The creative spirit of Chip Davis and Mannheim Steamroller have a long tradition of unique holiday settings. This string adaptation from A Fresh Aire Christmas uses a variety of textures countermelodies and approachablestring techniques tobuild emotional intensity throughout this impressive program number. (Grade 3-4)
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James Horner Simon Franglen: I See You (Theme from Avatar): String Ensemble:
String Orchestra
Hal Leonard
From the groundbreaking movie blockbuster Avatar here is the main theme used in...
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From the groundbreaking movie blockbuster Avatar here is the main theme used in the end credits. Robert's skilled writing for school string groups makes an effective dramatic number for a pops-style program.
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Johann Sebastian Bach: Brandenburg Concerto No.6 In B-Flat BWV 1051: String
String Orchestra
[Score]
-
Intermediate
Barenreiter
The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musica...
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The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versions perhaps even alongside the version known today.Full scores study scores and performance material available for salefor all 6 concertos.
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Johann Sebastian Bach: Brandenburg Concerto No.3 In G BWV 1048: String
String Orchestra
[Sheet music]
Barenreiter
Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No....
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Authoritative Urtext edition of Johann Sebastien Bach's Brandenburg Concerto No.3 In G BWV 1048.The six Brandenburg Concertos BWV 1046-1051 prized jewels of the world's musical heritage were written in 1721 during Bach?s appointment in Cöthen.Of the six works Bach originally wrote earlier versions of numbers 1 and 5 which differ not only with regard to articulation but also at times different tones different rhythms instrumentation and of course form.These Urtext publications [BA 5201-BA 5206] taken from the New Bach Edition now give performers the possibility to play these earlier versionsperhaps even along side the version known today.
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