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Al
VIOLIN - FIDDLE
String Quartet: 2 violins, viola, cello
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String quartet no. 1 (2015) (FREEMAN ALEX)
String Quartet: 2 violins, viola, cello
Fennica Gehrman
Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet ...
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Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. The open strings punctuated with pizzicato unisons that begin the single-movement work call to mind something crystalline and shimmering, which is immediately infused with tumbling lyrical lines in something of a rapid caccia technique throughout. The middle of the work becomes more suspended in slower material loosely based on a technique of prolation canon, comprises layers of free, expressive, lyrical, and even elegiac music moving at different speeds. As the work concludes, the materials converge in a rhythmically pulsating stasis and an almost chorale-like statement. Duration: c. 13' This product includes the score and the parts (A4 sized). American-Finnish composer Alex Freeman (b.1972) has established himself among the foremost composers of choral music in Finland. A dedicated citizen of his musical community, a teacher, and a choral singer himself, he composes music that reflects an appreciation for a wide range of aesthetics and a passion for communicating with listeners and performers. In his choral works, in particular, we find music that aims to be sonorous, melodic, and resonant, but is always crafted to carefully avoid the cliches that can burden conventional tonality. His instrumental works run the gamut: a cantata with orchestra based on poetry of Whitman; a significant body of solo piano works that reveal deep roots in everything from austere absolute music to soaring elegaic rhetoric (see Albany Records, Inner Voice); his chamber work Blueshift (Navona Records), which is a kind of paean to Reich and Adams in miniature; open-ended modular works, like various iterations of his Slow All Clocks for electronic media, solo clarinet, and mixed choirs of kanteles; and, recently, some new directions in microtonal music. / Date parution : 2022-05-31/ Répertoire / Quatuor à Cordes
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Ballads of Britain: String Quartet: Instrumental Album
String Quartet: 2 violins, viola, cello
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Intermediate/advanced
Spartan Press
A selection of folk ballads from England Ireland Scotland and Wales.A ballad ...
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A selection of folk ballads from England Ireland Scotland and Wales.A ballad is the blending of words the beauty of melody tone rhythm and expression. They reflect the history of a people their legends religion love and work. British ballads are renouned for their verse melodic construction and for the enormous range of expression.1 The Lass of Richmond Hill is a poem by Leonard McNally a barrister about a lass who became his wife in 1787. The music is by James Hook (1746 1827).2 Sally in our Alley. The words are by Henry Carey who also wrote the original music but this was replaced by the tune we now know an English traditionalmelody in 1790.3 Caller Herrin'. The poem is by Lady Nairne (1766 1845). Nathaniel Gow the famous Scottish violinist wrote the music in 1798 as a harpsichord piece combining the traditional Edinburgh fish wives cry Caller Herrin' with the bells of St Andrew's Church Edinburgh.4 Men of Harlech. The music is traditionally Welsh and the ballad probably originated from North Wales where the native princes had ruled the longest.5 David of the White Rock (Dafydd y Garres Wen). Sir Walter Scott (1771-1832) wrote the words to this ballad The Dying Bard. David Owen the Welsh bard of the ballad composed the tune on his death-bed on awakening from a trance in which be believed himself to have heard the tune in heaven.6 Oft in the Stilly Night. The words describe an old man's memories of the smiles the tears of boyhood years. The eyes that shone now dimmed and gone and how oft in the stilly night he remembers other days. The ballad is by the Irish poet Thomas Moore (1779 1852) who set the words to a traditional air.7- The Meeting of the Waters. Written by Thomas Moore music Irish traditional.The Meeting of the Waters is the confluence of the rivers Avonmore and Avonberg in a beautiful valley near Avoca County Wicklow.8 Oh! Charlie is my Darlin'. The
6.95 GBP - Sold by Musicroom UK
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D. Mcconnell: Knees Up! String Quartet: String Quartet: Instrumental Album
String Quartet: 2 violins, viola, cello
[Score and Parts]
Spartan Press
The Victorian Hall has its origins in the 17th century and evidence is found in ...
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The Victorian Hall has its origins in the 17th century and evidence is found in the records of Samuel Pepys in which he describes a visit to a Musick House in Greenwich where he enjoyed the entertainment they had to offer. Admission to these Musick Houses was free. You paid for the food and drink and if the musicians impressed then you gave them a tip. Gradually these halls evolved and each musical item would be introduced by a individual known as the Chairman. He dressed flamboyantly and usually sat at a table with his back to the stage and elaborated with exuberant language the merits and personality of the performers. He was an entertainer in his own right and hisrole continued through to Victorian Music Halls of the 19th and early 20th centuries.By this time there were many Music Halls with names such as The Palace Tivoli Hippodrome and Empire and were found in many towns and cities throughout the country. Many of the songs had catchy tunes instantly appealing to the audience who would whistle and hum them in the following weeks and indeed are instantly recognisable today. The words reflected the lives of the Victorian families in their day to day experiences and as such promote the culture of The Music Hall Age. The cover design is based on a painting by Lindsey Goodbun.
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Movie String Quartets For Festivals Weddings And All Occasions
String Quartet: 2 violins, viola, cello
Alfred Publishing
A collection of movie hits wonderfully arranged for intermediate and advanced le...
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A collection of movie hits wonderfully arranged for intermediate and advanced level string quartets. Perfect for high school, university, and professional quartets! The optional bass parts also allow for use in the high school, university or community orchestra. Just the thing to read through at wedding receptions, parties, and other events. / Quatuor A Cordes
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Annees De Pelerinage: Italie (BAKER CLAUDE)
String Quartet: 2 violins, viola, cello
[Score and Parts]
Hal Leonard
Italie for String Quartet Score and Parts. Par BAKER CLAUDE. Annees de pelerinag...
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Italie for String Quartet Score and Parts. Par BAKER CLAUDE. Annees de pelerinage: Italie (Years of Pilgrimage: Italy) derives its title from the set of three suites for piano by Franz Liszt in which he musically portrays the strongest sensations and most lively impressions created by his travels to Italy and Switzerland during the period 1835-39. In this composition, each of the four movements explores a particular Italian city or region through, in part, the eyes of other composers who (like Liszt) were inspired to write works based on their own sojourns in the country. There are references, both literal and oblique, to music by Berlioz, Tchaikovsky and Liszt (with a sly wink from Paganini). Serious and playful elements combine in thepiece, with the two inner movements (II. Venezia e Napoli and III. Firenze) providing light-hearted foils to the more somber outer movements (I. Roma and IV. Abruzzo). Annees de pelerinage: Italie (Years of Pilgrimage: Italy) derives its title from the set of three suites for piano by Franz Liszt in which he musically portrays the strongest sensations and most lively impressions created by his travels to Italy and Switzerland during the period 1835-39. In this composition, each of the four movements explores a particular Italian city or region through, in part, the eyes of other composers who (like Liszt) were inspired to write works based on their own sojourns in the country. There are references, both literal and oblique, to music by Berlioz, Tchaikovsky and Liszt (with a sly wink from Paganini). Serious and playful elements combine in thepiece, with the two inner movements (II. Venezia e Napoli and III. Firenze) providing light-hearted foils to the more somber outer movements (I. Roma and IV. Abruzzo). / Date parution : 2019-05-27/ Répertoire / Quatuor à Cordes
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Eduardo Toldra: Vista al Mar: String Quartet: Parts
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String Quartet: 2 violins, viola, cello
[Sheet music]
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Intermediate
Unión Musical Ediciones
Eduardo Toldra (1895-1962) was a forefront figure of Catalan music and an all-ro...
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Eduardo Toldra (1895-1962) was a forefront figure of Catalan music and an all-round complete artist - he was a composer a violinist and a conductor. His emblematic work Vistas Al Mar is a masterpiece for strings. A noteworthy feature of the work is the transparent luminosity of the outer movements and the contemplative nocturne second movement which depicts a warm calm atmosphere and must be one of the high points of this composer's output.This is the set of parts for this work.
38.50 GBP - Sold by Musicroom UK
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Eduardo Toldra: Vista al Mar: String Quartet: Score
Español
String Quartet: 2 violins, viola, cello
[Sheet music]
-
Intermediate
Unión Musical Ediciones
Eduardo Toldra (1895-1962) was a forefront figure of Catalan music and an all-ro...
(+)
Eduardo Toldra (1895-1962) was a forefront figure of Catalan music and an all-round complete artist - he was a composer a violinist and a conductor. His emblematic work Vistas Al Mar is a masterpiece for strings. A noteworthy feature of the work is the transparent luminosity of the outer movements and the contemplative nocturne second movement which depicts a warm calm atmosphere and must be one of the high points of this composer's output.This is the score for this work.
21.99 GBP - Sold by Musicroom UK
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String Quartet No. 6 (JALBERT PIERRE)
String Quartet: 2 violins, viola, cello
[Score and Parts]
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Advanced
Schott
Canticle. Par JALBERT PIERRE. Canticle (String Quartet No. 6) was commissioned b...
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Canticle. Par JALBERT PIERRE. Canticle (String Quartet No. 6) was commissioned by the Chiara String Quartet. It consists of seven movements, highly contrasting in character, with movements I and VII serving as similar bookends to the overall arch of the work. The piece opens with the quartet members striking various crotales, producing bell sounds that eventually blend with the string quartet – evoking the title, Canticle. The faster, pulse-oriented music requires the players to use glass rods on their instruments and at one point quickly moves back and forth between alternating rhythmic subdivisions, producing extremely rapid metric modulations. The last movement blends the string quartet with the bowing of the crotales to produce an ethereal, other-worldly finale to the canticle. Pierre Jalbert / Niveau : Avancé / Répertoire / Quatuor à Cordes
130.70 EUR - Sold by LMI-partitions
(Seller in french langage)
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Strauss Johann - Best Of Strauss Waltzes - Second Viola
String Quartet: 2 violins, viola, cello
[Solo Part]
Alfred Publishing
Paul Paradise has selected and edited 26 beautiful Strauss waltzes specifically ...
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Paul Paradise has selected and edited 26 beautiful Strauss waltzes specifically for string quartet or string orchestra. The pieces were chosen to provide each player with a meaningful part, and have been assembled according to level of difficulty and edited with contemporary fingerings and bowings. Contents are: Tales from the Vienna Woods, Op. 325 -- Waltz No. 1, 2, 3, 4, 5 * Artist's Life, Op. 316 -- Waltz No. 1, 2, 3, 4, 5 * Wine, Woman, and Song, Op. 333 -- Waltz No. 1, 2, 3, 4 * Viennese Blood, Op. 354 -- Waltz No. 1, 2, 3, 4, Coda * Emperor Waltz, Op. 437 -- Waltz No. 1, 2, 3, 4.
10.50 EUR - Sold by Woodbrass
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Wolfgang Amadeus Mozart: Mozart S Choral Favourites: String Quartet:
String Quartet: 2 violins, viola, cello
Spartan Press
Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem...
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Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem.During the year 1771 when Mozart was 15 years old he and his father Leopold were touring Italy which was at that time the most formidable citadel of the music world. In the following four years the young Mozart was received at the homes and villas of Italy's aristocracy. He met the most famous musicians of the time including Niccolo Piccinni operatic rival to Gluck and Padre Martini from whom he was to benefit from studies in counterpoint. He also met many noted male soprano singers and for one the celebrated Venanzio Rauzzini he wrote in 1773 the motet Exsultate Jubilate from whichcomes the well known Alleluia.At the end of his life only 19 years later in Vienna 1791 Mozart was very ill and working on a number of massive works such as the operas The Magic Flute and Titus also the Requiem. Titus was completed in 18 nerve-shattering days as it had to be performed in Prague in September 1791. At its premiere it was a complete flop. This affected the now overworked almost penniless composer's spirit and he returned to Vienna suffering from mental and physical exhaustion. Rest was denied him. The Magic Flute had to be finished for its premier on September 30th 1791. The task of the Requiem still faced him. In this weakened state Mozart thought that he was in fact writing his own requiem reading evil omens into the commissioning of the work. He thought someone had calculated the precise time of his death and was thus troubled with sombre thoughts. He completed the first two of the twelve parts. The next six parts were in an unfinished state and his manuscript ceased at the Lacrimosa. Süssmayer who was working closely with Mozart at the time was given the task of finishing the Requiem.Ave Verum Corpus is also one of his final works. It is a setting of an anonymous hymn written as a motet for Anton Stoll the choirmaster at Baden in June 1791.Mozart was a composer of great genius who
10.95 GBP - Sold by Musicroom UK
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