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VIOLIN - FIDDLE
Violin, Basso continuo
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Antonio Vivaldi: Sonate per violino e basso continuo RV 11 RV 37: Violin
Violin, Basso continuo
Ricordi
Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by M...
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Opere incomplete Ed. critica e ricostruzione di M. Talbot-Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi?s time including those of Vivaldi himself have come down to us in the form of a score employing two staves: one for violin and one for bass. This guarantees that although portions of the work may be missing what survives is textually complete. Exceptionally five of Vivaldi?s violin sonatas are preserved solely in a partbook for violin held by the Diözesanarchiv Graz the complementary part for cello having disappeared. The sonatas appear to date from the period between the Dresden group (1716-1717) and the Manchester set (c. 1726). Three of the sonatas which all have four movements possess partial concordances in other sources with which they share two or three movements but two of them ? RV 11 and RV 37 ? have so far been found only in Graz (with the exception of an incipit for RV 11 found in a contemporary thematic catalogue). This critical edition makes these two works available for study and performance. The bass part is an editorial reconstruction and there is in addition a realization of the continuo by the editor.
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Arcangelo Corelli: Sonatas For Violin & Basso Continuo Op. 5 VII-XII: Violin:
Violin, Basso continuo
Barenreiter
Volume 2-Score with realisation of the basso continuo by Tonelli as well as Core...
(+)
Volume 2-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
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Arcangelo Corelli: Sonatas For Violin And Basso Continuo Op. 5 I-VI: Violin:
Violin, Basso continuo
Barenreiter
Volume 1-Score with realisation of the basso continuo by Tonelli as well as Core...
(+)
Volume 1-Score with realisation of the basso continuo by Tonelli as well as Corelli’s unrealized figured bass line With a separate Urtext violin partWith a separate unrealized figured continuo partIncludes a supplement with violin embellishmentsAppendices in both volumes with source descriptions and critical commentariesPreludes for keyboard instrument by Tonelli in the appendix of volume 2Arcangelo Corelli the violin virtuoso of his time published his Sonatas for Violin and Basso continuo opus V in Rome in 1700. These sonatas are a compendium of violin playing of his time and laid the groundwork for future violin compositions. Over the years the sonatas have been published innearly 100 editions all based on Corelli’s first edition which contains only the solo violin line above an unrealized bass line. Today the sonatas are well known in numerous modern continuo realizations. However a realization from Corelli’s time by Antonio Tonelli also exists and is presented here for the first time in a modern performing edition. This realization is surprising in that it contains full chords sometimes played by both hands. In addition Bärenreiter’s new scholarly-critical edition includes for the first time many violin embellishments. For the most part they have been found in handwritten documents by Tartini Geminiani McGibbon Dubourg and Roger (from a re-print of the sonatas from c. 1710). These embellishments are presented in a separate booklet which players can place alongside Corelli’s original on the music stand. Complementing this Urtext edition are a historical introduction a critical commentary and an appendix containing preludes to the sonatas for keyboard by Tonelli.
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Georg Friedrich Händel: The Complete Sonatas For Violin And Basso Continuo:
Violin, Basso continuo
-
Intermediate/advanced
Faber Music Limited
The Sonatas for Violin and Basso Continuo are among some of Handel's most beauti...
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The Sonatas for Violin and Basso Continuo are among some of Handel's most beautiful writings for the Violin and are a beautiful addition to the repertoire of any advancing violinist. These sonatas are clearly presented with detailed editorial markings and suggestions along with a commentary on each work. This edition has been edited by Terence Best and the Basso Continuo has been realized by Peter Holman.The solo violin and basso continuo parts are also included on separate inserts.
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Schott Violin Library
Violin, Basso continuo
Schott
Separate bass part for performance e.g. with cello accompaniment.Schott Violin L...
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Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some of them can be played in first position throughout, while others require just a few position changes, but the sonatas by Dall'Abaco, Kirchhoff, Vivaldi and Handel require fluent use of the first three positions. The pieces brought together in this book are the best-loved works from the popular series Schott Violin Library (VLB) and other violin repertoire published by Schott. / Violon Et Basse Continue
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Georg Philipp Telemann: Zwei Sonaten - Two Sonatas for Violin and BC: Violin:
Violin, Basso continuo
[Score and Parts]
Barenreiter
Sonata in F major TWV 41:F4 - Sonata in A major TWV 41:A6-These three editions (...
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Sonata in F major TWV 41:F4 - Sonata in A major TWV 41:A6-These three editions (BA 5880 BA 5889 BA 5890) each comprising two solo sonatas with basso continuo are all taken from Telemann’s famous Essercizii musici; a collection of 24 sonatas including 12 solo sonatas and 12 trio sonatas. These were moulded after Corelli’s Sonata da Chiesa and have four movements: slow-fast-slow-fast. The sonatas long thought to stem from the late 1730s are now believed to have first been published by the composer in approx. 1729. The main sources are the three part-books from the original edition of 1729.This first ever Urtext edition edited by the Bach and Telemann scholar Klaus Hofmann is taken from the Telemann Musical Works. Thecontinuo realizations are by the editor. First ever Urtext editions of these sonatasCharming works of easy to moderate technical difficultyStraight forward clear continuo realizations
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Johann Sebastian Bach: 2 Sonatas For Violin G Bwv 1021 E Min Bwv 1023:
Violin, Basso continuo
[Sheet music]
Barenreiter
About Sonatas in G major E-minor Fugue in G minor(BWV 1021 BWV 1023 BWV 1026...
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About Sonatas in G major E-minor Fugue in G minor(BWV 1021 BWV 1023 BWV 1026) By Johann Sebastian Bach (1685-1750) arranged by Meniker Zvi edited by Andrew Manze Peter Wollny. Score; Set of Parts; Urtext Edition for violin and basso continuo. Published by Baerenreiter-Ausgaben (German import). (BA.BA5167) ISBN M006466214. Baroque. 9x12 inches. First critical edition of a work firmly attributed to Bach: the G minor Fugue BWV 1026 Figured bass realization by Zvi Meniker Two violin parts: an Urtext part and a part marked with fingering and bowing suggestions by Andrew Manze Continuo part with bass figures This new edition supersedes the earlier performance edition ofsonatas BWV 1021 and 1023 published in the New Bach Edition. Like other volumes recently issued in revised editions - Sonatas and Partitas for Violin (BA 5116) Partita for Flute (BA 5187) and Six Sonatas for Violin and Obbligato Harpsichord in one volume (BA 5240) and in two volumes (BA 5118-19) - these two sonatas have been re-evaluated on the basis of newly unearthed sources. The Fugue BWV 1026 long considered spurious appears here for the first time in a scholarly-critical edition that places Bach's authorship above reproach
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Schott Violin Library
Violin, Basso continuo
Schott
The Schott Violin Library contains eleven varied Baroque sonatas for violin and ...
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The Schott Violin Library contains eleven varied Baroque sonatas for violin and basso continuo. Including both popular sonatas by Corelli, Vivaldi, Handel and Telemann and lesser known, charming compositions by Dall? Abaco, Pepusch and Finger. Suitable for violinists of intermediate standard. Some of these works can be played entirely in first position, others require only a few position changes and the sonatas by Dall?Abaco, Kirchhoff, Vivaldi and Handel require more fluent shifts between the first three positions. / Violon Et Basse Continue
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Franz Benda: 6 Sonaten: Violin: Instrumental Album
Violin, Basso continuo
G. Henle
’Gallant’ and ‘sensitive’ by no means implies boring ...
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’Gallant’ and ‘sensitive’ by no means implies boring and old-fashioned. Proof of this is given by Franz (František) Benda the Bohemian Paganini of the 18th Century. Not only was his life extremely colourful andsuccessful but so were his musical compositions that were primarily for the Violin. They are great examples of his compositional ability and mastery of the Violin. Our highly praised Urtext edition with six selected sonatas fromthe master’s different creative periods including four first publications will provide a rich experience for all those violinists who are prepared to step off the usual beaten track. Your efforts will be rewarded!
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Sonate In E (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
e-Moll. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for viol...
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e-Moll. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni und Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. For the source of the first edition of the E minor Sonatathe second version of the work was used. Pisendel composed this version in around 1716, when he accompanied the Crown Prince of Saxony on a trip to Italy./ Répertoire / Violon et Basse Continue
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Sonata La Follia D Minor Op. 5/12
Violin, Basso continuo
Schott
La Follia - The Folly - is one of the most famous variation themes in music hist...
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La Follia - The Folly - is one of the most famous variation themes in music history. Composed by the father of modern 18th and 19th century violin technique, it is presented in this edition, based on Corelli's first edition. / Violon Et Basse Continue
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6 Sonaten (HASSE JOHANN ADOLF)
Violin, Basso continuo
[Sheet music]
Carus Verlag
Par HASSE JOHANN ADOLF. With the exception of his opera sinfonia, the present fi...
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Par HASSE JOHANN ADOLF. With the exception of his opera sinfonia, the present first edition of the Six Violin Sonatas by Johann Adolf Hasse is the only instrumental work by this composer whose authorship can be verified through his handwritten entries in a manuscript copy. The composer gave these pieces a profile completely tailored to the instrument, a fact which places them in sharp contrast to those compositions which can be played by various melody instruments./ Répertoire / Violon et Basse Continue
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Sonate In Es (BIBER HEINRICH IGNAZ FRANZ)
Violin, Basso continuo
[Sheet music]
Carus Verlag
Tonalité : Es-Dur - Horn, Paul (Arr.) -. Par BIBER HEINRICH IGNAZ FRANZ. Stylis...
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Tonalité : Es-Dur - Horn, Paul (Arr.) -. Par BIBER HEINRICH IGNAZ FRANZ. Stylistically, this anonymous sonata for scordatura violin, which has been preserved in the holdings of the Dresden Court Orchestra, points to the southern German-Austrian school of violin, and it shows the high level of the art of violin playing in Germany in the late 17th and early 18th centuries. A contemporary, handwritten note on the cover of the music refers to Heinrich Ignaz Franz Biber and there are actually amazing similarities to works by this composer which would suggest that he indeed composed the work. However, a definitive clarification of this question must remain open./ Répertoire / Violon et Basse Continue
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Sonate In D (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...
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D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
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Sonate In D (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...
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D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel‘s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
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Sonate In D (PISENDEL JOHANN GEORG)
Violin, Basso continuo
[Sheet music]
Carus Verlag
D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violi...
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D-Dur. Par PISENDEL JOHANN GEORG. Two sonatas by Johann Georg Pisendel for violin with basso continuo accompaniment have been handed down to us and have now been published for the first time by Carus. Pisendel was the famous concert master of the Dresdner Hofkapelle, which was one of the leading orchestras in the first half of the 18th century. Since he was the leading violinist of his time in Germany to whom renowned composers such as Vivaldi, Albinoni and Telemann Werke dedicated pieces, these two sonatas, written for Pisdendel?s own chosen instrument, present a challenge to performers as well as a valuable enrichment to baroque violin literature. The D major Sonata is based on the opening and closingmovements of the solo parts from the D major Violin Concerto, which Pisendel had written on the occasion of the dedication of the Catholic Church of the Court in Dresden, in 1751./ Répertoire / Violon et Basse Continue
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Johann Baptist Georg Neruda: Sonate a-moll für Violine und Basso continuo:
Violin, Basso continuo
G. Henle
Sonata in a minor for Violin and Basso continuo-There has been increased general...
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Sonata in a minor for Violin and Basso continuo-There has been increased general interest in the Bohemian composer Johann Baptist Georg Neruda (c. 1711 1776) over the past few years especially due to his frequently played trumpet concerto. A respectedviolinist and longstanding member of the Dresden Court Orchestra he did however mainly compose for the Violin. The substantial and technically quite demanding Violin Sonata in a minor was published for the first timeever in 1982 as part of Henle's edition ?Bohemian Violin Sonatas? (HN 334). Henle are now proud to present it in a practical single edition with a new preface as well as an additional unmarked part.
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Sonate A Violino E Basso, Op. II (VIVALDI ANTONIO)
Violin, Basso continuo
[Score and Parts]
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Intermediate/advanced
Ricordi
Edizione Critica A Cura Di Federico Maria Sardelli - Ril. Brochure. Par VIVALDI ...
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Edizione Critica A Cura Di Federico Maria Sardelli - Ril. Brochure. Par VIVALDI ANTONIO. Antonio Vivaldi’s second published collection is fundamental to an understanding of the leap he took, at the end of the first decade of the eighteenth century, from provincial obscurity to Europe-wide fame. This edition asks and answers the hardquestions surrounding its exact date, its choice of dedicatee and its Venetian context. Through analysis of the two different printing techniques employed - movable type and engraving - and through comparison of the sources, it has proved possible toreconstruct the context in which the opus achieved publication and establish what its truly innovative aspects were; the edition sheds light on the reception of the work, listing the huge number of composers who derived or appropriated musical ideasand solutions from it. This second published collection by Vivaldi, for too long unjustly neglected by critics and performers, may be considered a manifesto for the new musical language invented by Vivaldi for chamber music, which took shape atalmost the same time as his other great manifesto, that for the new-style solo concerto, shortly afterwards to emerge as the collection entitled L’estro armonico. RV 27, 31, 14, 20, 36, 1, 8, 23, 16, 21, 9, 32 / Niveau : Intermédiaire à Avancé / Classique / Date parution : 1905-07-07/ Répertoire / Violon et Basse Continue
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Canon And Gigue In D: Violin: Score and Parts
Violin, Basso continuo
[Sheet music]
G. Henle
Johann Pachelbel born in Nuremberg in 1653 a generation before Bach is one of...
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Johann Pachelbel born in Nuremberg in 1653 a generation before Bach is one of Southern Germany?s most important post-Reformation organ composers. His compositions were already widely known at the time. The most popular worktoday is probably the canon with ensuing gigue in D major. The canon - according to the source ?a 3 Violinis con Basso c.? - is built up over an ostinato bass whose two bar fi gure is repeated a total of 28 times. The followingshort gigue is also in a strict contrapuntal style. It is not known when the work was composed. As with most of his other chamber music works Pachelbel might have composed it during his time in Thuringia between 1677 and 1695.This pleasing work is also popular with amateur ensembles.
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Giuseppe Tartini: Sonate in G-Moll Teufelstriller: Violin: Instrumental Work
Violin, Basso continuo
Barenreiter
The “Devil’s Trill” Sonata is the most famous of the Violin so...
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The “Devil’s Trill” Sonata is the most famous of the Violin sonatas of Giuseppe Tartini (1692–1770). In the new scholarly-critical edition it holds many a surprise in store. For the first time all available contemporary sources have been consulted to produce an edition closely approximating Tartini’s lost autograph. The solo part offers several ossia passages and alternative articulation marks and the score have been given an eminently playable realization of the continuo part offering ample scope for improvisation. Also for the first time this edition includes a separate part for violoncello or violone.Adetailed preface sheds light on the genesis and subsequent reception of this sonata. There is also a critical report discussing and evaluating all sources used and providing explanations of a number of important passages including the famous trill itself.
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Georg Friedrich Händel: Sonatas - Volume 2: Violin: Instrumental Work
Violin, Basso continuo
[Score and Parts]
Peters
George Frideric Handel's Sonatas - Volume 2 written for solo Violin and Piano ...
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George Frideric Handel's Sonatas - Volume 2 written for solo Violin and Piano accompaniment. Includes the works Sonata in A major for violin and continuo HWV372 Op. 1 No. 14 Sonata in D major for violin and continuo HWV371 Op. 1 No. 13 and Sonata in E major for violin and continuo HWV373 Op. 1 No. 15.
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12 Sonate Per Violino E Basso Continuo
Violin, Basso continuo
Schott
La présente publication des oeuvres complètes de Pietro Antonio Locatelli (169...
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La présente publication des oeuvres complètes de Pietro Antonio Locatelli (1695-1764) se veut une édition critique, rendant les oeuvres du compositeur disponible en conformité avec les recherches les plus récentes et les techniques actuelles de musicologie de montage et de la présentation. Le oeuvre complète de Locatelli, qui a survécu et a été authentifié est ici recueillie, évalués et présentés - tandis que toute corruptions textuelles, de quelque nature, ont été éliminées.Chaque volume comprend une introduction historique en anglais et en italien, en fournissant les informations concernant les oeuvres respectives, le texte musical lui-même, les versions antérieures, le cas échéant et un commentaire critique en italien. Cette édition critique des oeuvres complètes fournira une base solide pour la performance de la musique de Locatelli, qui avait une grande influence sur la technique du violon et le galant style du début du XVIIIe siècle.L'édition complète comprend 10 volumes : les Volumes 1-8 contiennent l'Op. I à VIII publication... / Violon Et Basse Continue
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Georg Philipp Telemann: Six Sonatinas for Violin and Continuo: Violin:
Violin, Basso continuo
[Sheet music]
Amadeus Verlag
Nach dem Erstdruck 'Sei Suonatine per Violino e Cambalo' von 1718-The edition is...
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Nach dem Erstdruck 'Sei Suonatine per Violino e Cambalo' von 1718-The edition is part of the Trinity syllabus 2007 (grade 4 & 6)
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Sonate C-Moll (TELEMANN GEORG PHILIPP)
Violin, Basso continuo
[Sheet music]
Breitkopf & Härtel
Par TELEMANN GEORG PHILIPP. Editeur(s) d'origine: Hinnenthal, Wilhelm/ Répertoi...
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Par TELEMANN GEORG PHILIPP. Editeur(s) d'origine: Hinnenthal, Wilhelm/ Répertoire / Violon ou Hautbois et Basse Continue
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Terrain
Violin, Basso continuo
Peters
Commissioned by the Gulbenkian Foundation/Ars Musica Brussels / Violon Et Instru...
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Commissioned by the Gulbenkian Foundation/Ars Musica Brussels / Violon Et Instruments Divers
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Giovanni Paolo Cima T. Cecchino: Three Early Italian Sonatas: Violin:
Violin, Basso continuo
[Sheet music + CD]
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Easy
Fentone Music
for violin & basso continuo
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6 Sonates A Violon Seul Et Basse - Ier Oeuvre
Violin, Basso continuo
Anne Fuzeau Productions
Paris, l'Auteur, (s.d. = 1760)Six sonates pour violon et basse continue / Violon...
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Paris, l'Auteur, (s.d. = 1760)Six sonates pour violon et basse continue / Violon Et Basse Continue / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
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3 Pieces (WOLFF CHRISTIAN)
Violin, Basso continuo
Peters
Par WOLFF CHRISTIAN. Violin and Viola - Durée: c. 12 min / Contemporain / Rép...
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Par WOLFF CHRISTIAN. Violin and Viola - Durée: c. 12 min / Contemporain / Répertoire / Violon et Instruments Divers
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Starry Night
Violin, Basso continuo
Peters
/ Violon Et Instruments Divers
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Durations III
Violin, Basso continuo
Peters
/ Violon Et Instruments Divers
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