In 1920 Maurice Ravel was asked by his publisher Durand to contribute to an issue of La Revue Musicale dedicated to Claude Debussy. A supplement included the first movement of Ravel?s Sonata as well as works contributed by Debussy?s friends Stravinsky Satie Dukas Bartok and de Falla to name only a few. This 1st movement of Ravel?s Sonata of which the autograph is lost then developed into a large scale four movement chamber music work utilizing a more modern music vocabulary than found in almost any other Ravel composition. Bärenreiter?s scholarly-critical edition the first ever of this masterpiece presents the work in two performing scores. It contains anintroduction on the history of the work reflecting Ravel?s work and rehearsals with violinist Hélène Jourdan-Morhange and cellist Maurice Maréchal. Sources for this new edition include the engraved copy the personal autograph scores (with earlier versions of some passages) which were used to rehearse the work and the first edition scores with emendations by Jourdan-Morhange and Maréchal. Included in the appendix are the original fingerings by the performers which are not found in the first edition. They reflect how Ravel must have heard the work in rehearsals and as such are a document of early 20th century performance practice. First Urtext edition of this workTwo performing scores (format 25 5 x 32 5 cm)The violoncello part does not allow for page turns in the first movement; therefore the edition includes an additional violoncello part in small print presenting the entire first movement on a double page without a page turnInformative introduction to the genesis of the work (Ger/Eng/Fr)Critical commentary with facsimiles and appendices

Sonata for Violin and Violoncello-Following the intoxicating sounds of La Valse the smaller scoring and modern musical language of Sonata For Violin And Violoncello were a shock. Yet this pioneering work has now become a permanent fixture onthe concert stage.To help the players two performance scores are provided in which the other instrument’s part is also given. Both parts are included in a marked and an unmarked version.Sonata For Violin AndVioloncello was composed by Maurice Ravel between between 1920 and 1922.

Each of the solos in this collection has been carefully selected from the most popular of the great orchestral pieces and expertly arranged for the intermediate to advanced cellist with Piano accompaniment. The arranger Geoffrey Pratley has included performance notes for each piece.The 8 pieces in Great Orchestral Solos For Cello - Book Two includePiano Concerto No 2 and Swan Lake byTchaikovsky Symphony No 8 Le Soir and Symphony No 13 by Haydn Poet and Peasant Overture (Suppé) Sous les Tilleuls (Massenet) St Matthew Passion (Bach) and Tosca (Puccini).Pull-out part for Cello.

Partie de Violoncelle. Par GLASS PHILIP. Philip Glass?s Double Concerto for Violin, Cello and Orchestra was composed in the spring of 2010 as a commission from the Netherlands Dance Theater, premiered by the Hague Philharmonic (Residentie Orkest) conducted by Jurjen Hempel on April 22, 2010 with violinist Cecilia Bernardini and cellist Maarte-Maria den Herder. / Date parution : 2022-04-26/ Répertoire / Violon et Violoncelle

Par . 34 pop songs, movie hits, and classic standards arranged for violin and cello. Full scores and individual pull-out parts included. / Date parution : 2022-07-20/ Recueil / Violon et Violoncelle

Par HOLLIGER HEINZ. Here's proof, if you ever needed it, that contemporary music can be humourous. Want to hear Mendelssohn's Wedding March beefed up with Wagner's Tristan? And enjoy listening out for the well-known melody of 'Tea for two' in the escapades of 'Three for two'? The entertaining collection were composed individually, and for a variety of purpose - some were congratulatory messages for well-known fellow musicians such as Elliott Carter or Thomas Demenga, but some were just composed while waiting at a bus stop! Hence, the pieces can be played either as effective encore pieces./ Répertoire / Violon et Violoncelle