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VIOLIN - FIDDLE
Violin and Piano
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Saxhorn en Sib en Clé de Sol (6)
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Xylophone or Marimba or Vibrap… (6)
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Violon 2 (5)
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Ukulélé Soprano (5)
2 Flûtes à Bec (5)
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Choeur Mixte et Orchestre (5)
Oboe and Orchestra (5)
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2 Trompettes Sib, 1 Cor, 1 Tro… (4)
Quatuor à Vents variable (4)
S, A, A, T, B, Choeur Mixte A … (4)
Instrumentation Flexible (4)
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5-Part Flexible Band and Opt. … (4)
Quatuor à Cordes, Violoncelle… (4)
Flûte Traversière, Cordes et… (4)
Flûte Traversière Clarinette… (4)
Trompette, Trombone et Basse C… (4)
Violoncelle, Contrebasse et Pe… (4)
Flute, Oboe, Piano (trio) (4)
Solo S (T), Flûte à Bec F1 (… (4)
Guitar and Bass Tablatures, Ch… (4)
Flûte A Bec Soprano Et Flûte… (4)
Quatuor de Cordes (4)
4 Cellos (4)
Solo T, 2 Violons et Basse Con… (4)
Basson, Violoncelle et Piano o… (4)
Quintette à vent et Percussio… (4)
Violon, Piano, Guitare Basse e… (4)
Hautbois et Harpe (4)
Plectrum Orchestra (4)
Voix, piano (4)
Piano, Piccolo, Flûte Travers… (4)
3 Parties Solo, Choeur Et Orch… (4)
Orgue et Flûte à Bec Soprani… (4)
2 Violons, 2 Altos et 2 Violon… (4)
Flute, Viola and Piano (4)
Clarinet (band part) (4)
Violoncelle, Contrebasse, Bass… (4)
Trio à Cordes et Piano (4)
Hautbois, Ensemble de Cordes e… (4)
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Violon Principal et 13 Cordes (4)
Solo S, 2 Violons et Basse Con… (4)
Handbells (4)
Choeur Mixte A 3 Voix, 2 Violo… (4)
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How Far Can You Go (IGUDESMAN ALEKSEY)
Violin and Piano
Universal Edition
Par IGUDESMAN ALEKSEY. Either of these pieces, for advanced players, would make ...
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Par IGUDESMAN ALEKSEY. Either of these pieces, for advanced players, would make an exceptionally unusual and entertaining concert item. The writers, Aleksey Igudesman and Hyung-ki Joo, have stunned audiences, critics and fellow musicians worldwide with their combined musicianship and hilarious antics. They have now applied their skills and written these pieces specifically for the competition 'Feast of Duos' but they are equally suitable for any concert performance. Performers are warmly encouraged to ignore or elaborate on the theatrical suggestions provided in favour of any ideas of their own and can perform their creations with good wishes from Aleksey Igudesman and Hyung-ki Joo. Funny, entertaining pieces that are nonetheless finely crafted musical creations in themselves Performance notes and acting cues are provided whilst performers may make changes and find their own interpretation Each piece can stand alone as a concert item/ Recueil / Violon et Piano
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Craig Duncan: Solo Pieces For The Beginning Violinist: Violin: Instrumental
Violin and Piano
[Sheet music + Audio access]
-
Easy
Mel Bay
Teacher and recording artist Craig Duncan has penned yet another excellent solo ...
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Teacher and recording artist Craig Duncan has penned yet another excellent solo collection for the Violin student. These solos are well within the capabilities of the beginning Violin student playing in first position. The compositions feature works by Bartok Purcell Haydn von Gluck Handel Telemann Corelli Kabalevsky Beethoven Mozart C.P.E. Bach J.S. Bach and Dandrieu. These pieces are excellent for recitals or contests and can be used to teach important techniques. The Piano accompaniment is included in the book and also is available as an online download.
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Johann Pachelbel: Canon D: Violin: Instrumental Work
Violin and Piano
Peters
While Pachelbel has been most admired as a composer of organ works and Lutheran ...
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While Pachelbel has been most admired as a composer of organ works and Lutheran church music his Canon in D has long been one of his most celebrated compositions. It combines two time-honored compositional devices. The first of these is of course the canon a procedure whereby a melody in one part is strictly imitated by one or more other parts; a round (such as for example Frère Jacques) is a type of canon. The second device involves a short bass line (refeered to as a ground bass) that is repeated constandly over which the composer writes continuous variations. In its original form the work consists of an initial statement of an eight note ground bass followed by27 variations in strict canonic style for three violins above that bass. In addition to these four essential parts an appropriate harmonic background would have been improvised on harpsichord lute or organ. In the present arrangement Pachelbel's note values have been doubled for greater ease of reading and the work's canonic structure has been somewhat modified in order to make it more readily playable by violinists and pianists at an intermediate level. Since dynamics bowing indications articulations and slurs were not customarily provided by composer of the Baroque era the arranger and the editor have added them here as well as a metronome indication and a few cadential trills. Obviously these editorial additions should be regarded only as suggestions.
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Stephen Sondheim: Sondheim for Classical Players: Violin and Accomp.: Artist
Violin and Piano
[Sheet music + Audio access]
Hal Leonard
Violin and Piano with Online Accompaniments. This collection features intermedia...
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Violin and Piano with Online Accompaniments. This collection features intermediate-level arrangements for violin and piano accompaniment in a range flattering to the violin. The music has been edited with added dynamics, articulations and phrasing, making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano. Includes separate pull-out solo part. Songs include: Agony · Anyone Can Whistle · The Ballad of Sweeney Todd · Children Will Listen · Green Finch and Linnet Bird · Johanna · Night Waltz · Not While I'm Around · Pretty Women · Send in the Clowns · Sunday · With So Little to Be Sure Of. The price of this book includes a unique code that provides access to audio tracks online, for download or streaming. The tracks include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right - available exclusively from Hal Leonard.
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Unterhaltungs-konzert Band 2 - Violin And Piano
Violin and Piano
Schott
Große Erfolge Instrument : violin and piano Nombre de Pages : 80 Content : I...
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Große Erfolge Instrument : violin and piano Nombre de Pages : 80 Content : I. Albéniz: Tango in D - O. de la Cinna: Spanische Serenade - E. Elgar: Salut d'amour - P. Fahrbach: Im Kahlenberger Dörfel - E. Grieg: Solvejgs Lied aus Peer Gynt - E. Humperdinck: Abendsegen aus Hänsel und Gretel - K. Komzák: Volkslied und Märchen - K. Noack: Heinzelmännchens Wachtparade - J. Offenbach: Ausgelassne Fröhlichkeit, Marsch und Cancan aus Die schöne Helena - J. Rixner: Spanischer Marsch - A. Rubinstein: Melodie in F - Joh. Strauß: Leichtes Blut, Schnellpolka - Joh. Strauß: Liebeslieder, Walzer - G. Verdi: Freiheits-Chor der Gefangenen aus Nabucco
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5 Miniatures (CANAT DE CHIZY EDITH)
Français
Violin and Piano
[Sheet music]
Lemoine, Henry
Par CANAT DE CHIZY EDITH. Cinq miniatures, cinq petites pièces s'enchaînant le...
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Par CANAT DE CHIZY EDITH. Cinq miniatures, cinq petites pièces s'enchaînant les unes aux autres, suivant l'itinéraire proposé par ces cinq haikus : 1. Au clair de lune, je laisse ma barque pour entrer dans le ciel Kôda Rohan 2. Lucioles ! Lucioles ! dans la rivière les ténèbres coulent Chiyo-ni 3. Mille petits poissons blancs, comme si frétillait la couleur de l'eau Konishi Raizan 4. L'eau devient cristal, les lucioles s'éteignent. Rien n'existe Chyio-ni 5. Le grand jour blanc me dénude l'âme, feuilles mortes Watanabe Suiha Ces 'instants-poèmes' que sont les haikus où sont à la fois révélés l'immuable et l'éphémère m'ont suggéré une musique brève, fugitive, elliptique, dont le propos est surtout d'entrer en résonance avec l'univers poétique évoqué. Edith Canat de Chizy/ Répertoire / Violon et Piano
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Manuel de Falla: Canciones: Violin: Instrumental Album
Violin and Piano
[Sheet music]
Manual De Falla Ediciones
Canciones
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Jean-Jacques Werner: Canto Per Maria Hazistefani: Violin
Violin and Piano
[Sheet music]
Editions Musicales Transatlantiques
Canto Per Maria Hazistefani
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Juan Lamote De Grignon: Canco De Maria: Violin: Instrumental Album
Español
Violin and Piano
[Sheet music]
Unión Musical Ediciones
Canco De Maria
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Giuseppe Tartini: Il Meccanismo Dell'Arco: Violin: Instrumental Tutor
Italiano
Violin and Piano
Carisch
Il Meccanismo Dell'Arco
7.25 GBP - Sold by Musicroom UK
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Danse Du Caneton Bleu
Français
Violin and Piano
[Sheet music]
Billaudot
La référence GB2899 de l'éditeur Billaudot dont l'auteur célèbre est Espejo...
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La référence GB2899 de l'éditeur Billaudot dont l'auteur célèbre est Espejo César, qui a pour titre DANSE DU CANETON BLEU, a été écrite et composée pour Violon et plus particulièrement pour Violon Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violon Et Piano / Partition
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Arlesienne Suite N02/Violon Et Piano (BIZET / CANTRELLE)
Français
Violin and Piano
[Sheet music]
Choudens
Par BIZET / CANTRELLE. / Répertoire / Violon et Piano
20.90 EUR - Sold by LMI-partitions
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Melancolia (PERON CANO Carlos)
Français
Violin and Piano
[Sheet music]
-
Beginner
Bayard-Nizet
Par PERON CANO Carlos . / Niveau : 1 / Partition / Violon et Piano
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Wolfgang Amadeus Mozart: 'Wunderkind' Sonatas Volume 2 K.10-15: Violin: Parts
Violin and Piano
G. Henle
Leopold Mozart was only able to understand his son?s musical genius in terms of ...
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Leopold Mozart was only able to understand his son?s musical genius in terms of it being a God-given wonder: ?That my boy [...] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoeverhas not seen or heard it cannot believe it?. In 1764 Wolfgang composed six sonatas in London possibly after the model of Johann Christian Bach?s ?Opus 2? that can either be played as piano trios as violin sonatas or simplyon the piano. ?Royal? sources were consulted for the edition: the copy in the British Library bears the handwritten note: ?This Volume belongs to the Queen 1788?.With marked and unmarked string parts.
23.99 GBP - Sold by Musicroom UK
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Forme di Felicita (CAMPOGRANDE NICOLA)
Violin and Piano
[Sheet music]
Breitkopf & Härtel
Par CAMPOGRANDE NICOLA. For a long time after Romanticism had come to the fore, ...
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Par CAMPOGRANDE NICOLA. For a long time after Romanticism had come to the fore, it was generally agreed that Brahms somehow ?did not get it?: History and Progress ? it was thought - were proceeding along one clear path and Brahms ? who was composing sonatas and symphonies instead of nocturnes and symphonic poems ? had taken the wrong way. Almost one century later, Schönberg wrote an essay, Brahms, der Fortschrittliche ( Brahms, the progressive ), in which he explained that it wasn?t like that at all. Fully assuming the risk to appear somehow irreverent, I have to confess: Over the years, I came to the conclusion that the present ? and the future ? can be created only by loving the past. As Brahms had shown us, it is only by accepting the challenge of taking our heritage into our own hands, that we can create something new. We cannot avoid engaging with the past. Therefore, starting with my Sinfonia n. 1 , I began to flirt with such a strong and effective musical structure like the sonata form. I re-read and freely transformed it, because it is a sturdy and resilient structure, but also a theatrical and colorful one. For me, it is a happy structure. And I think that today more than ever we need something like this: We need to find places ? even imaginary ones ? where we can give happiness a form of its own. Nicola Campogrande, December 2020 / Date parution : 2022-10-12/ Répertoire / Violon et Piano
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The Seafaring Fiddler - Complete Edition: Violin: Instrumental Album
Violin and Piano
[Sheet music + CD]
-
Intermediate
Boosey and Hawkes
Complete Edition-22 Fiddle tunes from the golden age of sail featuring dance tu...
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Complete Edition-22 Fiddle tunes from the golden age of sail featuring dance tunes shanties (work songs) recreational ?forebitters? and composed melodies which give the landlubber?s take on the romance of the sea. Edward Huws Jones explains that ?during the heyday of sail the busiest sea-routes of all were the North Atlantic crossings especially between Liverpool and the American cotton ports; it was the heady mixture of African-American and Irish music which gave birth to the mid-century flowering of the sea shanty. Meanwhile English-speaking vessels were sailing to the Cape India Australia and many other far-flung destinations carrying a two-way traffic of song and dance.?Thetunes in this collection can all be played as unaccompanied Fiddle tunes which is how they would have been played in the days of sail. But as in other books in the Fiddler series the flexible format allows a wide variety of different combinations and ensembles. Suitable for intermediate and elementary standard performers.
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Andante E Polacca Per Violino E Pianoforte (TIRINDELLI PIER ADOLFO)
Violin and Piano
-
Advanced
Ricordi
a cura di - edited by Rina You. Par TIRINDELLI PIER ADOLFO. The edition of the A...
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a cura di - edited by Rina You. Par TIRINDELLI PIER ADOLFO. The edition of the Andante e Polacca for violin and piano published here was realised from an autograph manuscript held in the library of the Conservatory of Santa Cecilia in Rome. An inspired melodic vein, with a cantability typical of Late Romantic Italian compositions, characterises the piece, especially in the first part. The Polacca distinguishes itself for its virtuosity: rapid scales, brilliant bowings and open string passages keep the bowed-string player engaged during the second and longest part of the piece. The recovery of this composition has occurred during a period which gives particular importance to the rediscovery of works composed in Italy around the turn of the twentieth century, rarely performed in concert series, which can only be fully appreciated through their promotion and dissemination in the form of musical editions and recordings. / Niveau : Avancé / Répertoire / Violon et Piano
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Fantasy On Themes From The Opera 'Prince Igor'
Violin and Piano
Belaieff
Cette fantaisie repose sur les plus populaires et les plus belles mélodies de l...
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Cette fantaisie repose sur les plus populaires et les plus belles mélodies de l'opéra ' Prince Igor ' par Borodin, contenant les passages virtuoses et cantilenas expressives. Etant donné que le paramètre est assez facile à jouer sur le violon, le travail est non seulement approprié comme un morceau de concert mais également adaptés être utilisés dans la pratique de l'éducation. / Violon Et Piano
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Nigel Goldberg: Concertinio No1 In A Minor: Violin: Instrumental Work
Violin and Piano
[Sheet music]
-
Easy
Spartan Press
The violin pupil can be accompanied either by the violin teacher (as a violin du...
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The violin pupil can be accompanied either by the violin teacher (as a violin duet) or with piano. The optional alternative piano accompaniments are by Heidi Rolfe.'I can still remember the thrill I felt as a child of 8 when my violin teacher introduced me to my first concertino. Learning playing and eventually mastering the famous Küchler Concertino in D major made me feel privileged and grown-up as if I were joining a very special club.That was a long time ago yet for me concertinos still hold a distinctive place in the teaching repertoire. Having now taught the violin for the last thirty years and seen how happily my pupils respond to learningduets - that distinctive sense of enjoyment at playing with an adult the improvement of intonation and tone production the liveliness of the lesson - I have composed three new concertinos inspired by the duet form.Taking three great keys for the violin - G D and A minor I have endeavoured to combine emotionally engaging and technically educational music in the 'Olden Style'. Uniquely I have written a second violin part for the teacher to play alongside their pupil's part and there is also a piano accompaniment for use alternatively in concert settings.I very much hope that these concertinos prove as popular and as helpful as the series of duets in my previously published books Sounds of a Rainbow and that they ignite that sense of wonderment and purpose I experienced while playing the Kuchler all those years ago.'Nigel Goldberg
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Jones: Viennese Fiddler: Violin: Instrumental Album
Violin and Piano
[Score and Parts]
Boosey and Hawkes
Viennese music has become almost synonymous with Johann Strauss II and his great...
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Viennese music has become almost synonymous with Johann Strauss II and his great waltzes. But of course there were other luminaries: his father Johann Strauss I his talented brothers Josef and Eduard as well as their colleagues friends and rivals. This collection includes music by some of these; and apart from waltzes we have polkas (slow and fast) a couple of melodies from operettas and a march. The selection ranges from shorter eminently playable miniatures to a handful of more extended and challenging arrangements. The waltz kings were first and foremost fiddlers. They led their orchestras from the front instrument and bow in hand. As a young man JohannStrauss II used to practise his Violin in a full-length mirror so he would look every inch the part. They knew how to write for the Violin how to make it sing and dance and this helps to make the repertoire a perfect foil to the other volumes in this series. The arrangements in this collection can be performed as solos duets or trios or by larger ensembles. In fact here are all the resources to recreate a Viennese café orchestra! The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections you can create your own ceilidh barn dance jazz club Sarajevo street-café or Gypsy gathering. Some of this music is familiar some more exotic but all of it is absolutely authentic faithfully arranged and above all hugely enjoyable. Each title in the series is available in two formats: the Violin edition (with an optional easy Violin part and Guitar chords); or the complete edition which also includes both Keyboard and Violin accompaniments. Either format is hugely flexible which means the music can be played as solos duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style giving his own suggestions for a lively performance. And to help recreate the spirit of the music every book in the series is beautifully illustrated.
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Edward Mollenhauer: The Infant Paganini for Violin and Piano: Violin:
Violin and Piano
-
Easy
Barenreiter
Fantasia for Violin and Piano-Born in Erfurt the composer Edward Mollenhauer (1...
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Fantasia for Violin and Piano-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics and pizzicato.This showpiece (BA 10691) can be accomplished by young violinists who can play in first to third position and who are nearing completion of theSassmannshaus Early Start on the Violin volume 4.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves.On the Violin (BA 10692) the technical requirements call for first to fifth position. Violinists should have completed volume 4 of Early Start on the Violin in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.
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Violin Recital Album Volume 2: Violin: Instrumental Work
Violin and Piano
-
Easy
Barenreiter
13 Recital Pieces in First Position for Violin and Piano or Two Violins-New reci...
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13 Recital Pieces in First Position for Violin and Piano or Two Violins-New recital pieces for the tried and trusted Sassmannshaus Violin method.All pieces written in first position.With a second Violin part for duet performance.Available in freely accessible recordings on YouTube.These two collections give young students and teachers a rich selection of recital pieces either to complement the Sassmannshaus Early Start on the Violin method or to play independently from it. As all the pieces are written entirely in first position they can be used after just a few months of lessons.The Piano part may be played by the teacher or an advanced student. As an alternative the accompaniment can be played by a secondViolin.All the pieces are available in exemplary recordings on YouTube.From the contents of Volumes 1 and 2:Nursery rhymes folksongs but also less well-known gems as well as original pieces by the editors all precisely tailored to meet the needs of young students.Kurt Sassmannshaus the editor of a great many string editions in the Bärenreiter catalogue continues the tradition founded by his father Egon Sassmannshaus in the Early Start string methods. He developed these two new editions together with his wife Melissa Lusk and his son Christoph Sassmannshaus.Similar editions are in preparation for the Cello.
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