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Flute alto et Piano
VIOLIN - FIDDLE
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Petite Suite - Flûtes A Bec Et Quatuor A Cordes
Français
String Quartet: 2 violins, viola, cello
[Sheet music]
Billaudot
La référence GB4478 de l'éditeur Billaudot dont l'auteur célèbre est Rauber...
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La référence GB4478 de l'éditeur Billaudot dont l'auteur célèbre est Rauber François, qui a pour titre PETITE SUITE - FLUTES A BEC ET QUATUOR A CORDES, a été écrite et composée pour Flûte à bec et plus particulièrement pour Flûte A Bec Et Piano. Cette partition musicale appartient à la catégorie Classique. / Flûte A Bec Et Piano / Partition
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Take The Lead - Rock 'n' Roll + Cd - Violin And Piano
Violin and Piano
[Sheet music + CD]
Faber Music Limited
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano...
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Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Rock 'n' Roll' features idiomatic arrangements of rock 'n' roll classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: Be-Bop-A-Lula; Blue Suede Shoes; Blueberry Hill; C'mon Everybody; Great Balls Of Fire; Jailhouse Rock; Let's Twist Again; The Green Door
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Eugene Goossens: Four Sketches Book 1: Chamber Ensemble: Instrumental Work
Flute, Violin, Piano
Chester
Eugène Goossens (1893-1962) was an English composer whose work was initially ...
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Eugène Goossens (1893-1962) was an English composer whose work was initially held in the same high esteem as contemporaries such as Walton but who has since faded into obscurity. He worked across the UK US andAustralia and helped lobby for the Sydney Opera House to be built. He was knighted in 1955. His music helped incorporate French impressionism into English Romantic music. His Four Sketches (Op.5) werewritten in 1913 scored for either Flute Violin and Piano or 2 Violins and Piano. There are all simple and delicate but lively and enjoyable perfect for any recital. Book 1 contains the first two sketches:Legend and Serande.
16.99 GBP - Sold by Musicroom UK
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Take The Lead. Jazz
Violin and Piano
[Sheet music]
I.M.P.
Now you can play as featured soloist on eight specially recorded Jazz arrangemen...
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Now you can play as featured soloist on eight specially recorded Jazz arrangements! 'Take the Lead' is an integrated series for piano, flute, clarinet, alto sax, tenor sax, trumpet and violin. In edition all the songs are at the same concert pitch, so all the instruments can play together. Each song is carefully slelected and edited, chord symbols are at concert pitch for use by piano or guitar. The CD contains full backing tracks, professionally arranged and recorded and full demonstration recordings help in learning the songs. / Date parution : 2005-05-27/ Recueil / Violon et Piano
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Niels Viggo Bentzon: Kvintet Opus 130: Chamber Ensemble: Score
Piano Quintet: piano, 2 violins, viola, cello
-
Intermediate/advanced
Wilhelm Hansen
Kvintet Opus 130 For Flute Violin Viola Violoncel and Piano by Danish compose...
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Kvintet Opus 130 For Flute Violin Viola Violoncel and Piano by Danish composer Niels Viggo Bentzon.
29.99 GBP - Sold by Musicroom UK
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Leclair J.m. - Concerto Op.vii N°5 - Violon (flute) Et Piano
Violin and Piano
CMBV
Présentation Jean-Marie Leclair est le plus éminent représentant de l?école...
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Présentation Jean-Marie Leclair est le plus éminent représentant de l?école française de violon du XVIIIe siècle. Cette nouvelle publication en partition des Editions du Centre de musique baroque de Versailles propose à tous les violonistes, mais aussi aux ensembles, spécialistes ou non de ce répertoire, de jouer ses concertos, véritables manifestes d?une virtuosité instrumentale au service du goût musical français. Jean-Marie Leclair naît à Lyon en 1697. A partir de 1722 il effectue plusieurs voyages dans le Piémont, où il sera en particulier l?élève de Somis qui lui transmet l?enseignement du fameux Corelli. Cette rencontre, déterminante pour le compositeur, lui fait embrasser une carrière de soliste. Sa virtuosité, toujours au service de la musique, bouleverse entièrement la pratique violonistique en France, créant une véritable école. De 1728, où démarre sa carrière au Concert Spirituel à Paris, jusqu?à son assassina en 1764, il n?aura de cesse d?écrire et de jouer, que ce soit pour son instrument ou dans des ?uvres ambitieuses. Ce concerto pour violon et orchestre op. VII n°5, probablement des années 1737, est en la mineur. En trois mouvements (Allegro, Largo, Allegro assai), il dure environ un quart d?heure. A la façon d?un concerto grosso, un ?Violino concertino? alterne la direction de l?orchestre et de larges passages solo. L?orchestre est constitué de deux parties de violons, une partie d?alto, une partie de basse et d?une basse continue. Généralités Période : baroque Genre : profane Contenu Introduction (langue) : français Musiques : Concerto pour violon et orchestre op.VII n°5
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Take The Lead - Latin + Cd - Violin And Piano
Violin and Piano
[Sheet music + CD]
Faber Music Limited
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano...
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Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Latin' features idiomatic arrangements of Latin classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: Bailamos; Cherry Pink And Apple Blossom White; Guantanamera; La Bamba; La Isla Bonita; Livin' La Vida Loca; Oye Mi Canto (Hear My Voice); Soul Limbo
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Take The Lead - Movie Hits + Cd - Violin And Piano
Violin and Piano
[Sheet music + CD]
Faber Music Limited
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano...
(+)
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Movie Hits' features idiomatic arrangements of classic film themes offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: You Can Leave Your Hat On; The Wind Beneath My Wings; Blue Monday; Star Wars (Main Title); Because You Loved Me; I Will Always Love You; (Everything I Do) I Do It For You; I Don't Want To Miss A Thing
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Take The Lead - British Isles + Cd - Violin And Piano
Violin and Piano
[Sheet music + CD]
Faber Music Limited
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano...
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Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead British Isles folk songs' is a collection of old favourites from all around the UK and Ireland. These simple, idiomatic arrangements give young players the opportunity to play well known tunes either as solo performances or as part of a group. With a choice of backing CD accompaniment or playing along with guitar or piano 'Take the Lead' offers both teacher and student ultimate flexibility.
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Take The Lead - Swing + Cd - Violin And Piano
Violin and Piano
[Sheet music + CD]
Faber Music Limited
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano...
(+)
Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Swing' features idiomatic arrangements of swing classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: Chattanooga-Choo Choo Ch'Boogie; I've Got A Gal In Kalamazoo; In The Mood; I Don't Mean A Thing (If It Ain't Got That Swing); Jersey Bounce; Pennsylvania 6-5000; A String Of Pearls
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Traditional Christmas Duets For Violin
2 Violins (duet)
[Sheet music + CD]
Santorella Publications
Arrangeur: Denise A. Gendron. Complete your Christmas Celebration with these tim...
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Arrangeur: Denise A. Gendron. Complete your Christmas Celebration with these timeless songs and carols, published by Santorella, that have been cherished through the ages. These beautifully rich arrangements for Violin can be played as a solo, duet or group performance and each edition includes a piano accompaniment CD. Traditional Christmas Duets for Violin by Denise Gendron, a nationally recognized director, author and educator, is the perfect collection for the holidays. This best selling Christmas series from Santorella Publications is also available in accommodating keys for Viola and Cello as well as a Brass and Reed edition written Trumpet, Clarinet, Flute, Alto Sax and Trombone. Angels We have Heard onHigh - Away in a Manger - Deck The Halls - First Noel - God Rest Ye Merry Gentlemen - Good Christian Men Rejoice - Good King Wenceslas - Hark! The Herald Angels Sing - It Came Upon a Midnight Clear - I Saw Three Ships - Jolly Old St. Nick - Jingle Bells - Joy To The World - Let There Be Peace On Earth - O Christmas Tree - Come All Ye Faithful - O Come Emmanuel - Little Town of Bethlehem - Silent Night - Star Of East - We Three Kings of Orient Are - We Wish You a Merry Christmas./ Recueil / 2 Violons
12.62 EUR - Sold by LMI-partitions
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Ian Wilson: Red Over Black (Unterwelt Part III): Piano Trio: Score & Parts
Flûte Traversière, Hautbois et Piano
[Score and Parts]
Ricordi London
For Flute/Alto flute Oboe/Cor anglais and Piano (2005/2011)
37.50 GBP - Sold by Musicroom UK
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Ian Wilson: Red Over Black (Unterwelt Part III): Piano Trio: Score & Parts
Flûte Traversière, Clarinette en Sib et Piano
[Score and Parts]
Ricordi London
For Flute/Alto flute Bb Clarinet and Piano (2005/2011)
28.99 GBP - Sold by Musicroom UK
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Six préludes (DEBUSSY CLAUDE / LOUVIER ALAIN (Arr)
Français
Flute and Strings Trio
[Sheet music]
Billaudot
Par DEBUSSY CLAUDE / LOUVIER ALAIN (Arr.). Pour l'adorateur de Debussy que je su...
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Par DEBUSSY CLAUDE / LOUVIER ALAIN (Arr.). Pour l'adorateur de Debussy que je suis depuis la plus rendre enfance, toucher à ces merveilles que sont les Préludes de Claude Debussy fut un cas de conscience. Le séduisant quatuor avec flûte, avec son trio à cordes, permet à un orchestrateur de métier d'infin ies nuances et dégradés : quatre instruments virtuoses, souvent polyphoniques, aux nombreuses irisations de timbre... Cependant, nous n'avons aucun modèle chez Debussy lui-même d'un tel travail, sinon son Quatuor à cordes (très antérieur) et sa Sonate pour flûte, alto et... harpe ! Sans ajouter une harpe (qui possède l'étendue du piano), impossible d'imaginer La Cathédrale Engloutie ou La Terrasse des audiences du clair de lune ... les résonances graves du piano, si poétiques, quasi magiques, ne pourraient être traduites par quatre instruments non résonants. J'ai donc dû choisir peu de Préludes, ne voulant pas trahir Debussy. Après une écoute intérieure très exigeante, et en me permettant, à la rigueur, quelques brèves octaviations de l'extrême-grave du piano, je me suis limité à six, trois dans chaque livre: 1er livre : - Des Pas sur la neige (n° 6) - La Sérénade interrompue (n° 9) - Minstrels (n° 12) 2e livre: - Bruyères (n°5) - Hommage à Sir Pickwick PPMPC (n° 9) - Canope (n° 10) Très vite, j'ai compris que partir du son-piano était une erreur; il valait mieux imaginer le Debussy des années 1910 orchestrant ces pièces pour une grande formation (du type Ibéria ou Jeux), puis réduire pour un petit orchestre de quatre instruments. D'où l'emploi de batteries (même à la flûte), de trémolos, de doublures étranges pour simuler les timbres absents, créer des illusions de polyphonie, si prisées des orchestrateurs français. J'espère n'en avoir pas abusé; j'ai essayé de mettre dans ces transcriptions toute l'imagination - tous les sons improbables - que Debussy aurait lui-même recherchés. Alain WlMER/ Répertoire / Flûte et Trio à Cordes
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Quartetto for Flute, Viola, Cello and Piano (PUGNI CESARE)
Flûte, Alto, Violoncelle et Piano
[Score and Parts]
Da Vinci Publishing
Par PUGNI CESARE. / Date parution : 2022-06-08/ Répertoire / Flûte, Alto, Vio...
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Par PUGNI CESARE. / Date parution : 2022-06-08/ Répertoire / Flûte, Alto, Violoncelle et Piano
29.86 EUR - Sold by LMI-partitions
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Piwit (Cor Solo, Flûte, Basson, Harpe, Piano, Vibraphone, Quatuor A Cordes)
Français
String Quartet: 2 violins, viola, cello
[Sheet music]
Martin, Robert
Appartenant à la catégorie Classique la partition Piwit (Cor solo, Flute, Bass...
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Appartenant à la catégorie Classique la partition Piwit (Cor solo, Flute, Basson, Harpe, Piano, Vibraphone,quatuor à cordes) Defaye Jean-Michel est éditée par la maison d'édition Robert Martin. Sa référence catalogue est SL10024. / Ensemble Instrumental / Partition
63.74 EUR - Sold by LMI-partitions
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Eugène Bozza: Aria: Violin: Instrumental Work
Violin and Piano
[Sheet music + Audio access]
Leduc, Alphonse
Pour Violon (ou Flûte) et Piano-Composer and conductor Eugène Bozza (1905-19...
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Pour Violon (ou Flûte) et Piano-Composer and conductor Eugène Bozza (1905-1991) was a pupil of Henri Büsser and Henri Rabaud at the Conservatoire de Paris and received the first Prix de Rome in 1934. It was during his stay the Villa Medici that he wrote his Aria Pour Saxophone Alto Et Piano – an adaptation of the third movement of Johan Sebastian Bach’s Organ Pastorale in F Major BWV 590 which was to tour the world. This nostalgia-imbued melody which expands over a regular meter has in turn been the subject of numerous transcriptions first for clarinet then for Violin (or Flute) and Piano. Éditions Leduc have chosen torepublish this last version with the added bonus of an audio version that should be of valuable assistance to all musicians!
12.99 GBP - Sold by Musicroom UK
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Georg Philipp Telemann: Suite in A Minor for Treble Recorder: Treble Recorder:
Flûte à Bec Alto ou Flûte Traversière), Cordes et
[Reduction]
Amadeus Verlag
Contains flute part and piano reduction
13.99 GBP - Sold by Musicroom UK
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Andante En Fa Majeur Pour Piano Mécanique Kv 616 Pour Flûte, Violon Et Alto
Flute, Violin, Viola
Zimmermann
/ Flûte, Violon Et Alto
14.43 EUR - Sold by LMI-partitions
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Michael Nyman: Drowning By Numbers: Chamber Ensemble: Score
Violin, Viola and Orchestra
[Study Score / Miniature]
Chester
Drowning By Numbers arranged by the composer from his sound-track for the film ...
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Drowning By Numbers arranged by the composer from his sound-track for the film by Peter Greenaway for Violin Viola and Chamber Orchestra. This work was commissioned by the London Mozart Players and first performedDecember 1998 at the Warwick Arts Centre. Duration 20 minutes. Full Score and parts are available on hire from the publishers. Instrumentation: Solo Violin Solo Viola 2 Flutes Oboe Cor Anglais 2 B Flat Clarinets 2 Bassoons 2 Horns in F 2 Trumpets in C Bass Trombone Piano Strings (8.6.4.4.2).
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Ludwig van Beethoven: Flotenserenade Op.25 Urtext: Mixed Ensemble: Score
Flute, Violin, Viola
[Study Score / Miniature]
G. Henle
Serenade for Flute Violin and Viola in D major op. 25-What occasioned Beethoven...
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Serenade for Flute Violin and Viola in D major op. 25-What occasioned Beethoven to write a composition for such an unusual and yet sonorous group of instruments? Was it perhaps commissioned by a nobleman who played music with such a group and needed music? Whatever thereason behind it Opus 25 is one of Beethoven’s few chamber music works that did not have a Bass instrument. Despite the unusual combination of instruments Beethoven had no difficulty in finding apublisher for his serenade; shortly afterwards he even turned to the work again and revised an arrangement for Flute and Piano (Op. 41) which had been made by a third party. Our revised edition follows the musical text which willsoon be published in volume VI/1 of our new Beethoven Complete Edition.
9.25 GBP - Sold by Musicroom UK
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Judith Weir: Blue-Green Hill: Ensemble: Score
Clarinet, Violin, Cello, Piano
Chester
Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard P...
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Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard Pittman Music Director) with support from the Ernst von Siemens Foundation for Music and members of the Boston Musica VivaCommission Circle:Ridgely DuvallMarilyn Bone KlossJohn and Elizabeth LoderFirst performance on 24th March 2013 at the Tsai Performance Center Boston Massachusetts by Boston Musica Viva conducted byRichard Pittman.Scoring:Flute (doubling alto flute in G)Clarinet in B flatViolinCelloPianoTransposed score
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Santa's Helper
Violin
[Sheet music + CD]
Santorella Publications
Remember fighting off the Sandman, desperately struggling to stay awake at the c...
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Remember fighting off the Sandman, desperately struggling to stay awake at the chance that you might catch a glimpse of Saint Nick. Every rustle or bump made you jolt from your quilted pod and race to the living room where the lit tree posed, draped in soft light. Still no Santa!It took all your energy to climb back into bed with your eyelids drawn and your body heavy. Tucked back in as best as you could with the sheets and pillows slightly disheveled, you dozed off while musical thoughts fill your groggy head. A wide, animated grin filled your face as you dreamt of chilly nights of caroling and warm, fire-lit sing-a-longs.Music has always been an integral part of the holiday season. As everyone knows, there is no better way to celebrate than with a song. Re-live your childhood memories and share your love of music this holiday season with Santa's Little Helper published by Santorella Publications.Santa's Little Helper for Violin isalso written as solos or duets in accommodating keys for Viola, Cello and Bass. This best selling Santorella Publication includes a piano accompaniment CD with lyrics, so the whole family can sing along.The Piano Accompaniment book for this Stringed Instrument Edition is sold separately. Santorella's Horn Edition is also available for trumpet, clarinet, flute, alto sax and trombone.. / Violon
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Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
Violin, Viola and Orchestra
Barenreiter
There is no reference to the origin occasion or a performance of the Sinfonia c...
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There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
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Wolfgang Amadeus Mozart: Sinfonia concertante in E-flat major K.364: Violin &
Violin, Viola and Orchestra
[Score]
Barenreiter
E flat major-There is no reference to the origin occasion or a performance of t...
(+)
E flat major-There is no reference to the origin occasion or a performance of the Sinfonia concertante in E-flat for Violin Viola and Orchestra K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ?Symphonie concertante? his special attention. On April 5 1778 he wrote to his father: ?Now I shall write a sinfonie concertante for flute wendling oboe Ramm Punto horn and Ritter bassoon?.Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels Le Gros contrary to his promise did not include the mentioned ?sinfonie concertante? in his program.Mozart had no reason to compose any more for this genre in Paris. After Mozart?s return to Salzburg he might have been eager to introduce the new genre there especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time.- Urtext of the New Mozart Edition- Full score
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New Tunes For Strings Vol.1
English
Violin
[Score]
Boosey and Hawkes
/ Violon, Violoncelle, Alto, Contrebasse Et Piano (Flexible)
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Robert Saxton: Eloge (Full Score): Soprano: Score
String Quartet: 2 violins, viola, cello
[Score]
Chester
Work for Soprano Flute Oboe Clarinet Horn Piano and String Quartet. Text by...
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Work for Soprano Flute Oboe Clarinet Horn Piano and String Quartet. Text by Saint-John Perse and Jules Superveille.
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Howard Shore: Lord of the Rings Instrumental Solos for Strings: Violin:
Violin
[Sheet music + CD]
-
Easy
Alfred Publishing
This book is part of a string series arranged for violin viola and cello. The a...
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This book is part of a string series arranged for violin viola and cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student and a carefully crafted removeable part complete with bowings articulations and keys well suited for the level 2-3 player. A fully orchestrated accompaniment CD is included. Each song on the CD includes a DEMO track which features a live string performance followed by the PLAY-ALONG track by itself. This book is also part of a Lord Of The Ringsinstrumental series written for flute clarinet alto sax tenor sax trumpet horn in F and trombone.
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Nonet (TULL FISHER)
Flûte Traversière, Clarinette, Basson, Saxophone A
[Set of Parts]
Boosey and Hawkes
for flute, clarinet, bassoon, alto saxophone, trumpet in C, trombone, tuba, perc...
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for flute, clarinet, bassoon, alto saxophone, trumpet in C, trombone, tuba, percussion and piano. Par TULL FISHER. / Répertoire / Flûte Traversière, Clarinette, Basson, Saxophone A
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