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VIOLIN - FIDDLE
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Pop
Violin
[Sheet music + CD]
Schott
Wind Of Change (Scorpions) gives its name to this new volume, joining other top ...
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Wind Of Change (Scorpions) gives its name to this new volume, joining other top titles of absolute rock veterans like Metallica (Nothing Else Matters) and The Beatles (From Me To You).For film music fans, the volume contains the ballad It Must Have Been Love (Roxette) and the melancholic song Mad World by Gary Jules.The arrangements are written specially for the violin so they are easy to play and sound impressive. / Violon
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Ellington Duke - Duke Ellington For Strings - Violin 1
String Quartet: 2 violins, viola, cello
[Solo Part]
Alfred Publishing
This quality folio contains 16 of the best from America's premier jazz band comp...
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This quality folio contains 16 of the best from America's premier jazz band composer, arranged for string quartet up to string orchestra. Great for recitals, concerts, receptions, parties, and encores. Contents: Caravan * Creole Love Song * Day Dream * Don't Get Around Much Anymore * Do Nothin' Till You Hear From Me * I Let a Song Go Out of My Heart * I Got It Bad (And That Ain't Good) * I'm Just a Lucky So and So * In a Sentimental Mood * It Don't Mean a Thing (If It Ain't Got That Swing) * Mood Indigo * Satin Doll * Solitude * Sophisticated Lady, Prelude to a Kiss, Take the A Train.
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Jouni Kaipainen: String Quartet No. 6 The Terror Run : String Quartet: Score
String Quartet: 2 violins, viola, cello
Wilhelm Hansen
Jouni Kaipainen's String Quartet No. 6 'The Terror Run' Op. 92. Commissioned by...
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Jouni Kaipainen's String Quartet No. 6 'The Terror Run' Op. 92. Commissioned by the BBC Radio for the Proms concerts 2010. Dedicated to the Meta4 Quartet. Parts available: WH31197A Programme note: My former experience in writing string quartets has made me used to the idea that a piece of mine in this genre lasts close to half an hour and consists of several movements with different characters. This time the commission clearly stated a duration of 12 minutes and this naturally brought about lots of thinking and orientating. Eventually I luckily found out that I actually can alter mybasic “string quartet philosophy” so that such a short piece became an existing option. In the music itself there is nothing very much to explain. The quartet is for the most part quite lively flowing music in fast tempi. In the very beginning there is something haunting in the atmosphere but soon joyful for the most part delicately light at times maybe also “dance-like” characters take over. But in terms of dramaturgy the music has a tendency to grow more weighty and harsh and these quasi-violent elements gradually threaten the sunny unproblematic flow. Closer to the end we come to a point where nothing is easy anymore. This brings about a slow section of quite different nature and after that the former hilarious swing tries to make a comeback – but does not really succeed. The run goes on but the overtones are now more shadowy and the mood on the scary side. The subtitle comes from the novel The Camomile Lawn (1984) by Mary Wesley of which Ken Taylor made a wonderful TV series adaptation for Channel 4 (1992) where a marvellous casting of great actors supports the colourful beautiful and delightful story. In this novel young Sophie (gorgeously played by the 10-year-old Rebecca Hall) has eagerly waited for her older cousins to arrive to her aunt’s house at the
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101 HIT SONGS - VIOLON
Violin
Hal Leonard
This massive collection will keep instrumentalists busy with 101 pop hits to lea...
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This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include: All About That Bass - All of Me - Brave - Breakaway - Call Me Maybe - Clocks - Fields of Gold - Firework - Hello - Hey, Soul Sister - Ho Hey - I Gotta Feeling - I Will Remember You - Jar of Hearts - Love Story - 100 Years - Roar - Rolling in the Deep - Royals - Say Something - Shake It Off - Smells like Teen Spirit - Uptown Funk - When You Say Nothing at All - and more.
All About That Bass
All Of Me
Amazed
Apologize
Bad Day
Bad Romance
Beautiful
Beautiful Day
Beautiful In My Eyes
Because I Love You (The Postman Song)
Believe
Brave
Breakaway
Breathe
Butterfly Kisses
Call Me Maybe
Candle In The Wind 1997
Change The World
Chasing Cars
The Climb
Clocks
Countdown
Cruise
Cryin\'
Die A Happy Man
Dilemma
Don\'t Know Why
Drift Away
Drops Of Jupiter (Tell Me)
Fallin\'
Fields Of Gold
Firework
Foolish Games
Forever And For Always
Friends In Low Places
From A Distance
Genie In A Bottle
Get Lucky
Hello
Here And Now
Hero
Hey, Soul Sister
Ho Hey
Hold On, We\'re Going Home
Home
The House That Built Me
How Am I Supposed To Live Without You
How To Save A Life
I Finally Found Someone
I Gotta Feeling
I Kissed A Girl
I Swear
I Will Remember You
Jar Of Hearts
Just The Way You Are
Let It Go
Lips Of An Angel
Little Talks
Losing My Religion
Love Song
Love Story
More Than Words
Need You Now
No One
100 Years
The Power Of Love
Rehab
Roar
Rolling In The Deep
Royals
Save The Best For Last
Say Something
Secrets
Shake It Off
She Will Be Loved
Smells Like Teen Spirit
Something To Talk About (Let\'s Give Them Something To Talk About)
Stacy\'s Mom
Stay
Stay With Me
Stronger (What Doesn\'t Kill You)
Tears In Heaven
Teenage Dream
Thinking Out Loud
This Love
A Thousand Years
Till The World Ends
Uptown Funk
Viva La Vida
Waiting On The World To Change
We Belong Together
We Can\'t Stop
We Found Love
What Makes You Beautiful
When You Say Nothing At All
Yeah!
You Raise Me Up
You Were Meant For Me
You\'re Beautiful
You\'re Still The One
You\'ve Got A Friend In Me
/ Partitions variété - pop - rock / Variété internationale / Cordes / HAL LEONARD
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Poul Ruders: String Quartet No.4: String Quartet: Parts
String Quartet: 2 violins, viola, cello
Wilhelm Hansen
Set of parts for String Quartet No.4 by Poul Ruders dating from 2012. Score ava...
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Set of parts for String Quartet No.4 by Poul Ruders dating from 2012. Score available: WH31600 Programme Note: It might be of interest for some to note that a gap of only six months separates the writing of my second and third quartets (1979) but a 33 year interval stands between the third and the present piece String Quartet No. 4.Which is in five movements and is about nothing but itself. The first movement 'Adagio - Presto alla breve - Adagio' is an overture of sorts lifting the lid as it were on the odd bit of what happens later on in the other movements.A portal into:The second movement 'Vivo scherzando' which is just that: a short (2 minutes only) fast and jocular piece leading up to the next movement: 'Adagio sognante' a slow and hushed dream-world paving the way for the pièce de resistance of the entire quartet: 'Presto alla breve' a ferociously fast tour de force for the four players who with that one under their belts can lean back a little (but only a little) and put the whole thing gently to bed in the fifth and final movement: a simple 'Adagio'. Off the record: my first string quartet (1972) has been withdrawn and is no more a fact that renders the numbering of the subsequent quartets a matter of personal conviction. Poul Ruders November 2012
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Antonín Dvo?ák: Streichquartett Nr. 5 f-Moll op. 9: String Quartet: Parts
String Quartet: 2 violins, viola, cello
Barenreiter
Streichquartett-Dvo ák?s String Quartet No.5 in F minor of 1873 represents mus...
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Streichquartett-Dvo ák?s String Quartet No.5 in F minor of 1873 represents musically speaking a fundamental re-orientation of the composer. It has nothing that reminds one of his excessive admiration for the music of Wagner and Liszt. Instead Dvo ák re-establishes contact with the classical String Quartet tradition.The autograph score once in the possession of Dvo ák?s heirs is no longer accessible. This edition is based on the posthumously printed edition of 1929.
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Drew Beisswenger Roy Andrade: Appalachian Fiddle Music: Fiddle: Instrumental
Violin
Mel Bay
Featuring 43 Fiddlers and 188 of Their Tunes. Appalachian fiddle music, based on...
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Featuring 43 Fiddlers and 188 of Their Tunes. Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
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Weeg: Violinist's Guide To Fiddling: Violin: Instrumental Album
Violin
-
Easy
Mel Bay
Not your typical fiddle-tune book these tunes range from variations of regular ...
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Not your typical fiddle-tune book these tunes range from variations of regular tunes to obscure Scottish polkas classical duets gypsy fiddle tunes Cajun tunes and even two or three original tunes with many in third andfifth position.Uncompromising care was taken in the transcription of these pieces and virtually nothing was simplified. There are several classical Piano pieces trimmed down to violin solos and duets Americana and eventhe author?s own variations on ?Carnival of Venice.?Included is an extensive section on playing back-up Fiddle to another instrument dwelling on chord patterns double-stops bowing patterns ?shuffles ? and all manner ofaccompaniment and all Fiddle tunes have chord symbols included.
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Poul Ruders: String Quartet No.4: String Quartet: Score
String Quartet: 2 violins, viola, cello
Wilhelm Hansen
String Quartet No.4 by Poul Ruders dating from 2012. Programme Note: It might b...
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String Quartet No.4 by Poul Ruders dating from 2012. Programme Note: It might be of interest for some to note that a gap of only six months separates the writing of my second and third quartets (1979) but a 33 year interval stands between the third and the present piece String Quartet No. 4.Which is in five movements and is about nothing but itself. The first movement 'Adagio - Presto alla breve - Adagio' is an overture of sorts lifting the lid as it were on the odd bit of what happens later on in the other movements.A portal into: The second movement 'Vivo scherzando' which is justthat: a short (2 minutes only) fast and jocular piece leading up to the next movement: 'Adagio sognante' a slow and hushed dream-world paving the way for the pièce de resistance of the entire quartet: 'Presto alla breve' a ferociously fast tour de force for the four players who with that one under their belts can lean back a little (but only a little) and put the whole thing gently to bed in the fifth and final movement: a simple 'Adagio'. Off the record: my first string quartet (1972) has been withdrawn and is no more a fact that renders the numbering of the subsequent quartets a matter of personal conviction. Poul Ruders November 2012
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David Stoll: Fools By Heavenly Compulsion No.3: String Quartet: Score and Parts
String Quartet: 2 violins, viola, cello
[Sheet music]
Novello & Co Ltd.
Fools By Heavenly Compulsion - String Quartet No.3 is a work by David Stoll for ...
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Fools By Heavenly Compulsion - String Quartet No.3 is a work by David Stoll for String Quartet. The work is divided into three movements Nothing Storm and Never taking their titles and imagery from Shakespeare's 'King Lear'. This is the score and parts for this work a full performance of which lasts around 20 minutes. Commissioned by the Bingham String Quartet with funds from the Ralph Vaughan Williams Trust Stoll wrote it in the winter of 2001-2.
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Antonín Dvo?ák: String Quartet no. 5 Op. 9: String Quartet: Study Score
String Quartet: 2 violins, viola, cello
Barenreiter
Dvo ák?s String Quartet No.5 in F minor of 1873 represents musically speaking ...
(+)
Dvo ák?s String Quartet No.5 in F minor of 1873 represents musically speaking a fundamental re-orientation of the composer. It has nothing that reminds one of his excessive admiration for the music of Wagner and Liszt. Instead Dvo ák re-establishes contact with the classical String Quartet tradition.The autograph score once in the possession of Dvo ák?s heirs is no longer accessible. This edition is based on the posthumously printed edition of 1929.
17.00 GBP - Sold by Musicroom UK
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Classic Rock for Two Violins: Violin Duet: Instrumental Album
2 Violins (duet)
Hal Leonard
Easy Instrumental Duets-23 classic rock songs: Bang a Gong (Get It On) · Can'...
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Easy Instrumental Duets-23 classic rock songs: Bang a Gong (Get It On) · Can't Fight This Feeling · Carry on Wayward Son · Cold As Ice · Come on Eileen · Come Together · Crocodile Rock · Down on the Corner · Every Little Thing She Does Is Magic · Free Fallin' · Hurts So Good · The Joker · Livin' on a Prayer · Maggie May · Mr. Roboto · Money for Nothing · One More Night · Peace of Mind · Reeling in the Years · Smoke on the Water · Summer of '69 · Uptown Girl · You're the Inspiration. Please note: this book can be played with the cello title in the series.
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Cheryl Frances-Hoad: The Forgiveness Machine: Piano Trio: Score and Parts
Piano Trio: piano, violin, cello
Cadenza Music
Cheryl Frances-Hoad's The Forgiveness Machine for Piano Cello and Violin. 'The ...
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Cheryl Frances-Hoad's The Forgiveness Machine for Piano Cello and Violin. 'The Forgiveness Machine was commissioned by the Phoenix Piano Trio as part of their Beyond Beethoven Project. My work is very closely modeled on the second movement of Beethoven’s Archduke Trio and comprises a set of loosely structured variations many of which are motivically very similar to Beethoven's. This work is dedicated to the memory of my grandmother Christina Hoad. I received this commission in the last months of her life and would often sit in the room listening to the Archduke on my headphones while she rested. Beethoven’s music to me atthat time had an almost transcendental quality to it temporarily permitting an escape from the reality and inevitability of my Nan’s illness. It was this quality of serenity beauty and dignity that I tried to emulate in my work. The title is taken from an art work by Karen Green: the Forgiveness Machine was made after the death of her husband David Foster Wallace and encourages members of the public to write down on a piece of paper what they want to forgive/be forgiven for before feeding it to the machine which sucks up the piece of paper and shreds it (the artwork is some seven foot long). Whilst in my case there is nothing to forgive it was the feeling of catharsis that many people reported after interaction with this artwork that struck a chord with me and had tremendous relevance to this work.' - Cheryl Frances-Hoad
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BACH J.S. - DREI SONATEN UND DREI PARTITEN FUR VIOLINE SOLO BWV 1001-1006 - VIOLON
Violin
Barenreiter
Without any doubt J.S. Bach?s cycle of the three Sonatas and Partitas BWV 1001-1...
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Without any doubt J.S. Bach?s cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated that there was ?nothing more accomplished in order to become a good violinist? than his father?s works. The cycle reflects the entire harmonic and polyphonic musical universe of Bach?s time, so masterfully composed that it can be rendered within the limited framework of but a single instrument the violin.
The new publication of the Sonatas and Partitas BWV 1001-1006 (BA 5256) constitutes a complete revision of our older edition (BA 5116). The musical text has been edited by Peter Wollny and represents the most up-to-date state of research as published in the New Bach Edition Revised (NBArev), volume BA 5937-01. The edition is mainly based on Bach?s unusually clear autograph which is considered among the most beautiful manuscripts by the composer. All relevant secondary sources have been taken into consideration in order to clarify ambiguities. These include five contemporary copies, including one by Anna Magdalena Bach, and four manuscripts from the late 18th and early 19th centuries.
The musical text has been newly engraved with a clear and generous layout, whereby page turns and pagination have been retained from the previous edition. This allows the straightforward navigation between a copy of the previous and this new edition. The detailed Preface (Ger/Eng) provides information on the genesis of the Sonatas and Partitas, their context and the sources.
Sonata 1 g-Moll, BWV 1001
Partita 1 h-Moll, BWV 1002
Sonata 2 a-Moll, BWV 1003
Partita 2 d-Moll, BWV 1004
Sonata 3 C-Dur, BWV 1005
Partita 3 E-dur, BWV 1006 / Partitions classique / Cordes / Violon / BARENREITER
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Helen Grime: To See The Summer Sky (Violin/Viola): Violin & Viola: Score and
Violin, Viola (duet)
Chester
To see the summer sky for Violin and Viola falls into four movements. The first ...
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To see the summer sky for Violin and Viola falls into four movements. The first movement opens with the two instruments sounding almost as one playing very high glassy harmonics. Gradually an expressive viola solo emerges withboth instruments descending to their lower ranges. A livelier quasi scherzando solo for violin accompanied by viola pedal notes leads to a chorale like passage the violin at the top of its range whilst the viola is at itslowest. The movement ends with the two instruments coming together once again on a unison Bb and fades away almost as it has begun but this time in the husky lower registers.The second movement is much faster and openswith a downward flurry for both instruments. A continuous pizzicato line for viola is interrupted by more violent passages in the violin. The two instruments come together in a dance-like passage before the roles are reversed.Finally an ecstatic melody surfaces in the viola and is later continued in the violin before the movement closes with the spiky figures of its opening the two instruments ending in unison.The third movement encompasses isthe most delicate and still music of the piece. After a very tranquil opening an expressive violin melody is accompanied by a gentle rocking figure in the viola. Tentative at first intensity and speed gather until the violinreaches stratospheric heights. Both of the instruments play at the extremes of their registers before moving to common ground for a more lively textural passage. This is followed by a passionate reminder of the movement’s opening gradually fading away to nothing.The piece ends with a Moto Perpetuo. The instruments begin by dovetailing a single line which develops into two strands before a more violent section appears punctuated by strident doublestops. Both instruments have slightly manic solo episodes before the movement quickly dies away in the single line of its opening
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Wolfgang Amadeus Mozart: 'Wunderkind' Sonatas Volume 3 K.26-31: Violin:
Violin and Piano
G. Henle
für Klavier und Violine-In autumn 1765 Mozart?s family was in Holland not leas...
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für Klavier und Violine-In autumn 1765 Mozart?s family was in Holland not least at the request of Princess Caroline von Nassau-Weilburg. The fame of the prodigy Wolfgang Amadeus had already reached her so that she ?had an extraordinary desire to seethis child? (according to Leopold Mozart). The Sonatas for Piano K. 26 31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were naturally dedicated to the princess. An earlycopy which has nothing to do with Mozart was consulted by the New Mozart Edition as a primary source alongside the first edition. Our Urtext edition revises the musical text deleting the misleading additions from thissource.With marked and unmarked string parts.
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Metallica: Metallica: Violin Solo: Backing Tracks
Violin
[Sheet music + Audio access]
Hal Leonard
Violin Play-Along Volume 70-The Violin Play-Along series will help you play your...
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Violin Play-Along Volume 70-The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music listen to the demonstration tracks to hear how the Violin should sound and then play along using the separate backing tracks. The purchase price includes online access to audio for download or streaming.This volume features eight songs by the heavy metal band Metallica including \'Enter Sandman\' \'Fade to Black\' \'For Whom the Bell Tolls\' \'Moth into Flame\' \'Nothing Else Matters\' \'One\' \'Orion\' and \'The Unforgiven\'.
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Max Reger: Klarinettensonate Opus 107: Violin: Instrumental Work
Violin and Piano
G. Henle
Clarinet Sonata op. 107-When Reger submitted his Clarinet Sonata op. 107 for pri...
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Clarinet Sonata op. 107-When Reger submitted his Clarinet Sonata op. 107 for printing he remarked: 'You immediately notice that the work was originally for clarinet (viola) but that it can also be played by violin and piano.' He wrote the violin parthimself adjusting it to suit the needs of the violin. Even before the first performance of the original for clarinet he had tried out the work with a violinist. 'Should the critics claim once again that it is incomprehensible -then these gentlemen are simply first class asses. The work sounds very good is intimate chamber music and not difficult to play together.' There is nothing more to be said.
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Pablo de Sarasate: Romanza Andaluza Op. 22 No. 1: Violin: Score
Violin and Piano
G. Henle
When composing his Spanish Dances (HN 1370) the composer and violin virtuoso Sa...
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When composing his Spanish Dances (HN 1370) the composer and violin virtuoso Sarasate united existing material folk songs and songs by well-known composers with his own uniquely charming musical language. The two Dances op.22 ?Romanza andaluza? and ?Jota Navarra? were completed in 1878 during Sarasate?s first concert tour through Scandinavia. After their initial performances the lyrical ?Romanza? soon outstripped its brilliant sister piece inpopularity and thereafter it was one of Sarasate?s compositions that he played most often himself. Since then this piece has lost nothing of its charm and it is now available as a stand-alone edition in the Henle catalogue.
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Hey Jude: String Ensemble: Score & Parts
String Quartet: 2 violins, viola, cello
[Score and Parts]
Hal Leonard
Nothing says classic like a Beatles anthem...instantly engaging.
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Mat Marucci: Drum Rudiments: A Simple Approach: Snare Drum: Study
Piano, Violin, Bandoneon, Guitar, Double bass
Mel Bay
The drum rudiments are the language of drummers. They are to us what scales and ...
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The drum rudiments are the language of drummers. They are to us what scales and chords are to the other instruments. Understanding the rudiments allows the drummer to communicate with other drummers and also have the ability tointerpret terminology and rhythms that are so often seen in music and music publications. This book is designed for drummers of all levels who would like knowledge of the snare drum rudiments but haven’t had the advantage ofstudying them formally. It is a quick simple approach that can be learned by any drummer who can do single strokes and double strokes [strokes using the stick rebound]. While this method is not meant to be a substitute for thetraditional way of learning the drum rudiments which I totally recommend one of the advantages of it is that it is a fast easy alternate method that will give an understanding of the how the rudiments are played and shouldsound. If nothing else this book will improve the drummer’s overall technique and playing. After studying the approach described it will be an easy transition to take the study of the rudiments further learning to play themin the traditional way and apply them to the drumset.
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Johann Sebastian Bach: Drei Sonaten und drei Partiten: Violin: Instrumental
Violin
Barenreiter
Für Violine Solo BWV 1001-1006. Without any doubt J.S. Bach?s cycle of the th...
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Für Violine Solo BWV 1001-1006. Without any doubt J.S. Bach?s cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated that there was ?nothing more accomplished in order to become a good violinist? than his father?s works. The cycle reflects the entire harmonic and polyphonic musical universe of Bach?s time, so masterfully composed that it can be rendered within the limited framework of but a single instrument ? the violin. The new publication of the Sonatas and Partitas BWV 1001-1006 (BA 5256) constitutes a complete revision of our older edition (BA 5116). The musical text has been edited by Peter Wollny and represents the most up-to-date state of research as published in the New Bach Edition ? Revised (NBArev), volume BA 5937-01. The edition is mainly based on Bach?s unusually clear autograph which is considered among the most beautiful manuscripts by the composer. All relevant secondary sources have been taken into consideration in order to clarify ambiguities. These include five contemporary copies, including one by Anna Magdalena Bach, and four manuscripts from the late 18th and early 19th centuries. The musical text has been newly engraved with a clear and generous layout, whereby page turns and pagination have been retained from the previous edition. This allows the straightforward navigation between a copy of the previous and this new edition. The detailed Preface (Ger/Eng) provides information on the genesis of the Sonatas and Partitas, their context and the sources.
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101 Hit Songs: Violin Solo: Instrumental Album
Violin
[Sheet music]
Hal Leonard
For Violin-This massive collection will keep instrumentalists busy with 101 pop ...
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For Violin-This massive collection will keep instrumentalists busy with 101 pop hits to learn and play! Songs include All About That Bass All of Me Brave Breakaway Call Me Maybe Clocks Fields of Gold Firework Hello Hey Soul Sister Ho Hey I Gotta Feeling I Will Remember You Jar of Hearts Love Story 100 Years Roar Rolling in the Deep Royals Say Something Shake It Off Smells like Teen Spirit Uptown Funk When You Say Nothing at All and more.
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César Franck: Violin Sonata In A: Violin: Score and Parts
Violin and Piano
G. Henle
revised edition of HN 293-Whilst some late works by César Franck have received ...
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revised edition of HN 293-Whilst some late works by César Franck have received criticism the Sonata For Piano and Violin In A Major of 1886 found a friendly reception among critics and public from the outset. This work isdedicated to Eugène Ysaÿe who was attracting much attention at the time with his flawless Violin technique. Ysaÿe was so inspired by the Sonata that he promised 'I will play this masterpiece wherever I can find anartistically-minded pianist'.Nothing has changed to the present day regarding the work's continuing popularity but it was time to revise Henle's previous edition to reflect the latest research. In the intervening period ithas been shown that Franck was actively involved in reading the proofs for the printed edition meaning that the first edition which contains many differences from the autograph has become the basis for this new one.The markings of the Violin part of Henle's edition are by Yehudi Menuhin; Daniel Hope has undertaken the changes required by the revised musical text.
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Robert Lowry Daniel Mattix: The Blood of Jesus: String Quartet: Part
String Quartet: 2 violins, viola, cello
Fred Bock Music Company
Using the words of Robert Lowry's beloved hymn Nothing But the Blood Daniel Mat...
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Using the words of Robert Lowry's beloved hymn Nothing But the Blood Daniel Mattix has created new music and arranged it in a choral setting. The piano accompaniment works well but the string quartet version is truly the best. The minor tonality and the phrasing of the melodic lines both carry the strong emotions of the piece. At the end we even hear a touch of the original hymn smuggled into the closing phrase. Easy to Medium for communion or Lent.
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Violin Lullabies
Violin and Piano
Carl Fischer
Following the birth of her first child, violinist Rachel Barton Pine went lookin...
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Following the birth of her first child, violinist Rachel Barton Pine went looking for a collection of lullabies written for violin and piano. After finding nothing in existence, she set about gathering sheet music and recording her own versions with pianist Matthew Hagle. This new collection celebrates the beauty of new life and parenthood with familiar tunes and new discoveries by composers such as Brahms, Ravel, Fauré, and Gershwin. Meticulously edited, these are short and elegant while remaining compositionally sophisticated, perfect for intermediate or advanced violinists. As an additional resource, the collection contains downloadable piano accompaniments and tracks performed by Matthew Hagle. / Violon Et Piano
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