Pour Trio À Cordes Avec Récitant Ad Libitum. Par BRENET THERESE. / Répertoire / Trio à Cordes

Published in 1924 as 'revised and edited' by violinist Samuel Dushkin Maria Theresia Von Paradis' Sicilienne is the most famous of her works. Dushkin later claimed that he had discovered this piece as a keyboard work and had recast it for violin and piano but it is fairly certain that the piece was in fact composed by Dushkin. However the doubtful parentage of the piece had never dampened its popularity and it is still widely used today. Arranged for Violin or Cello with Piano accompaniment.

Instant no-frills arrangements of over 225 great blues numbers. Each song consists of melody line, chord symbols and lyrics (where appropriate). That's all there is to it! Just open the book and start playing.

Violin Play-Along Volume 81. The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music, listen to the audio to hear how the violin should sound, and then play along using the separate backing tracks. With the melody and lyrics included in the book, you may also choose to sing along. The online audio is accessed using the unique code printed inside each book. Includes: Dance of the Sugar Plum Fairy, Op. 71a · Hallelujah · (There's No Place Like) Home for the Holidays · I Wonder As I Wander · Mary, Did You Know? · Santa Baby · Shchedryk (Carol of the Bells) · Somewhere in My Memory.

Instrumental Play-Along-15 solo arrangements of huge hits by the Lads from Liverpool are included in this collection perfect for budding instrumentalists. It features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound. Songs include: All You Need Is Love Blackbird Day Tripper Eleanor Rigby Get Back Here There and Everywhere Hey Jude I Will Let It Be Lucy in the Sky with Diamonds Ob-La-Di Ob-La-Da Penny Lane Something Ticket to Ride Yesterday.

Par STORY MICHAEL. Movie Quartets for All is a versatile, educational, and fun series intended for like or mixed instruments to perform in any size group or combination of instruments. All books are in score format with each line increasing in difficulty from Grade 1 to Grade 3--4. Perfect for concerts with family and friends, recitals, auditions, and festivals. Available for brass, woodwinds, strings, and percussion. Titles: Hedwig's Theme * Over the Rainbow * And All That Jazz * The Magnificent Seven * Theme from A Summer Place * Eye of the Tiger * There You'll Be * Blues in the Night * The Pink Panther * You're a Mean One, Mr. Grinch * Parade of Charioteers * Hakuna Matata. / Ensemble Music, Miscellaneous, Scores / Recueil / Violon

Juliana Hodkinson's Is There Something You Can Tell Us for String Quartet.This ten minute piece was written for the Anima Quartet and was comissioned by SWR (South-West German Radio) for first performance at Theaterhaus Stuttgart on 7th June 2014 during the festival 'Lost & Found - Stimme. Text. Szene.'.The quartet's title and the titles of the individual movements are taken from Cynthia Troup's libretto 'Turbulence'.I Degrees of freedomII Hidden by an almost perfect balanceIII We are taught that it is out of reachIV For the real earth we do not know yet

Instrumental Play-Along-10 songs from the latest live action hit movie adaptation of the Disney classic Beauty and the Beast arranged for instrumentalists. Each book features online access to audio demonstration tracks for download or streaming to help you hear how the song should sound.Songs include Aria Be Our Guest Beauty and the Beast Belle Days in the Sun Evermore Gaston How Does a Moment Last Forever The Mob Song and Something There.

Zikmund Schul est né à Chemnitz en 1916 et mort dans le ghetto de Theresienstadt en 1944. Il est l'un des compositeurs qui ont été négligés lors de la réévaluation de la musique des soi-disant 'compositeurs de Theresienstadt'. En coopération avec le ' Theresienstadt Music Memorial Project ' à Tel-Aviv et le Mémorial de Yad Vashem, Bote and Bock publierez oeuvres tous conservés par l'étudiant de Hindemith et Hába Zikmund Schul en séquence lâche, avec les oeuvres d'autres compositeurs. Les travaux comprennent la musique de chambre pour les chaînes, oeuvres vocales et chorales et une fugue de piano. Le ' Duo ', écrit en 1943, est une des oeuvres du Schul plus vaste préservé et une des compositions plus importantes pour ce type d'ensemble du duo - une amélioration inestimable du répertoire. / Violon Et Alto

Five Pieces for Violin and Orchestra was commissioned by Frederick Grinke and completed on 20 December 1961. The BBC Symphony Orchestra with Frederick Grinke (violin) and conducted by the composer gave the first performanceon 31 July 1962 at the Royal Albert Hall London during the BBC Proms season.This work is so constructed that each piece is complete in itself and can be played separately while at the same time the whole set of fiveconstitutes a structural unit. A basic motif consisting of a rising semitone followed by a falling tone and its inversion plays an important part in every piece. Thus the first piece which is of a slow and meditativecharacter begins with this theme in the bass. It is also heard in the first entry of the solo part and thereafter every episode is in some way derived from it. The next piece a vigorous and strongly marked ‘allegro’ uses thesemitone of the original figure as its starting point. A second theme appears first on the horns and is later taken up by the solo violin while a third section has the initial idea as its accompaniment. Next comes an extendedscherzo in free form very closely based on initial motif. The fourth is a purely melodic piece containing allusions in its middle section to the basic figure. Here the strings only are used for accompaniment. In the firstsection violas and cellos are divided in the middle section and all the strings are used in the last which is otherwise an almost exact repetition of the opening. The Finale is a lighter movement than the others concernedmainly with giving the soloist material for display but not unconnected with what has gone before.

Par GAGNEUX RENAUD. Opus 52, duo pour violon et violoncelle (ecrit lorsque j'ai eu 52 ans !!), est une parenthèse dans ma production. C'est une fantaisie qui debute par l'utilisation de la tessiture commune aux deux instruments (4ème corde du violon, 1ère corde du violoncelle), traitee chromatiquement par 'frottements' sonores. S'ensuivent des series d'harmoniques naturels (sons etheres obtenus en effleurant les cordes à des endroits precis) et d'arpèges serres interrompus à deux reprises par des reminiscences de musiques populaires evoquant ces 'violoneux' jadisjuches sur un tonneau pour faire danser la foule. ' Renaud Gagneux Opus 52 a ete enregistre par Nathanaë lle Marie et Christophe Beau sur le CD 'Renaud Gagneux oeuvres pour cordes'/ Répertoire / Violon et Violoncelle

Serenade for Flute Violin and Viola in D major op. 25-What occasioned Beethoven to write a composition for such an unusual and yet sonorous group of instruments? Was it perhaps commissioned by a nobleman who played music with such a group and needed music? Whatever thereason behind it Opus 25 is one of Beethoven’s few chamber music works that did not have a Bass instrument. Despite the unusual combination of instruments Beethoven had no difficulty in finding apublisher for his serenade; shortly afterwards he even turned to the work again and revised an arrangement for Flute and Piano (Op. 41) which had been made by a third party. Our revised edition follows the musical text which willsoon be published in volume VI/1 of our new Beethoven Complete Edition.

When composing his Spanish Dances (HN 1370) the composer and violin virtuoso Sarasate united existing material folk songs and songs by well-known composers with his own uniquely charming musical language. The two Dances op.22 ?Romanza andaluza? and ?Jota Navarra? were completed in 1878 during Sarasate?s first concert tour through Scandinavia. After their initial performances the lyrical ?Romanza? soon outstripped its brilliant sister piece inpopularity and thereafter it was one of Sarasate?s compositions that he played most often himself. Since then this piece has lost nothing of its charm and it is now available as a stand-alone edition in the Henle catalogue.

Traditional Style Fiddle Sets With Guitar Tab-This book is a definitive documentation of Cape Breton-style fiddle music. Techniques specific to the style are touched on and many sets (groups of tunes - listening tunes dance tunes or a combination thereof - performed in aspecific order) are included. Presented are the melodies chords and guitar tablature. 120 pages.