Arrgt: Michel Trux. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) Piano (optionnel) (1 partition) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 25 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : ANONYMOUS - Arrangeur : Michel TRUX / Niveau : Intermédiaire / Classique / Recueil / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Par TRUX MICHEL. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) Piano (optionnel) (1 partition) Caisse Claire (1 partition) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 1 mn 55 s - Style Musical : Classique - Catégorie : Composition Originale - Compositeur : Michel TRUX - / Niveau : Intermédiaire / Classique / Répertoire / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Arrgt: Eric Vireton. Par MOZART WOLFGANG AMADEUS. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 30 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Wolfgang Amadeus MOZART - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Arrgt: Eric Vireton. Par MOZART WOLFGANG AMADEUS. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 25 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Wolfgang Amadeus MOZART - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Arrgt: Eric Vireton. Par MOZART WOLFGANG AMADEUS. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 25 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Wolfgang Amadeus MOZART - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Arrgt: Eric Vireton. Par MOZART WOLFGANG AMADEUS. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 20 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Wolfgang Amadeus MOZART - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Arrgt: Eric Vireton. Par MOZART WOLFGANG AMADEUS. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 25 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Wolfgang Amadeus MOZART - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Arrgt: Michel Trux. Par RIMSKI-KORSAKOV NIKOLAI. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) Piano (optionnel) (1 partition) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 30 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Nikolaï RIMSKI-KORSAKOV - Arrangeur : Michel TRUX / Niveau : Intermédiaire / Classique / Répertoire / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Arrgt: Eric Vireton. Par MENDELSSOHN-BARTHOLDY FELIX. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 00 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Felix MENDELSSOHN - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Arrgt: Eric Vireton. Par MOZART WOLFGANG AMADEUS. Formation : Musique de Chambre, Orchestre - Instrumentation : Violons 1 (6 partitions) Violons 2 (6 partitions) Altos (4 partitions) Violoncelles (3 partitions) Contrebasses (2 partitions) - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 25 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Wolfgang Amadeus MOZART - Arrangeur : Eric VIRETON / Niveau : Intermédiaire / Classique / Répertoire / Violon 1 (6 parts) Violon 2 (6 parts) Alto (4 part

Six Pieces for Horn Violin and Piano by Hans Abrahamsen. Programme Note  My ’6 Pieces for horn violin and piano’ was written in 1984 as a commission from the Danish Radio for a concert where Ligeti’s Horn Trio should receive its Danish premiere played by Danish musicians. My trio is based on my work ’Studies for Piano’. While I wrote these studies I tried to ’conjure up’ instrumental parts inside the piano movement. When I received the commission for a horn trio I turned to six of the studies and deepened them by ’screening them’ so that their partsand moods appeared in a clearer way. Furthermore I changed the order of the movements so a new unity appeared beginning with a steadyly hesitating ’Serenade’ in slow-motion followed by the ’Arabesque’ which hardly gets started before it stops. Then ’Blues’ a melancholy melody and ’Marcia Funebre’ like a fossilized picture with a dramatic threatening outburst ending with a quiet but majestic melody in violin and horn a melody that disappears in the chords of the piano. Before the last movement ’For the Children’ is a large ’Scherzo misterioso’. Hans Abrahamsen

The second of the Quartets commissioned by the Naxos label was completed in January 2003. This work swings between nervous virtuosic energy to the serene calm of an extended Lento with exotic harmonies reminiscent of Bartok andis characterised by it's sharp and unpredictable contrasts. First performed by the Maggini Quartet on 11 July 2003 at the Pittville Pump Room Cheltenham as part of the Cheltenham International Festival. This is the set ofparts. A miniature score of the piece is available catalogue number CH66594.

Score and PartsStandard: ElementaryChristine Brown is a highly respected teacher and composer for young people and in her Chandos Suite for violin cello and piano she marries her wealth of practical experience in coaching elementary players in the art of chamber music with her distinctively tuneful way of writing for the three instruments. A wistful Prelude precedes a mysterious scherzo of plucked and bowed whole-tone scales. A Serenade gives all the players a chance to shine in cantabile melody before the pulsating rhythms of the final Dance bring the suite to a brilliant conclusion. The Chandos Suite is a worthy addition to Stainer &Bell's collection of classic piano trios for young musicians including popular works by Frank Bridge Adam Carse Cornelius Gurlitt and Peter Martin.

für zwei Hörner zwei Violinen Viola und Bass-It is hardly surprising that Beethoven did not write any more chamber music for winds after 1800. Following the change to middle-class musical culture demand declined for buoyant serenades and divertimenti intended for courtcircles – a genre that Beethoven had reservations about as it was. Composed in 1795 with no known occasion in mind his Sextet op. 81b is thus all the more remarkable standing out on account of the unusual virtuosity of thehorn parts. This edition is the first to provide the bass part as originally intended by Beethoven: for violoncello supported by a double bass. In addition to the original horn parts in E flat it also contains transposed parts inF.

Double Concerto in a minor op.102-The cellist Robert Hausmann had actually requested a Cello concerto - but Brahms paired the Cello with a Violin in his 'Double Concerto'. The unusual work has already been available as part of the newBrahms Complete Edition for several years.Using Brahms? original Piano reduction Johannes Umbreit has produced a playable Piano setting that optimally renders the colourfulness of the score. The fingerings andbowings for the string parts have been supplied by the experienced soloists Frank Peter Zimmermann and Heinrich Schiff. The orchestral parts based on the Complete Edition are available from Breitkopf & Härtel (PB/OB 16104).