Luc Lévesque. Par LEONCAVALLO RUGGERO. / Niveau : Intermédiaire / Répertoire / Mandoline, Mandole et Guitare

Par PETIT JEAN-CLAUDE. / Niveau : Intermédiaire / Répertoire / Mandoline et Orchestre à Cordes

Luc Lévesque. Par VILADOMAT JUAN. / Niveau : Intermédiaire / Répertoire / Mandoline, Mandole et Guitare

Par HOUDY PIERICK. / Niveau : Intermédiaire / Répertoire / Mandoline, Alto, Violoncelle

POD-Set of parts (String Quartet) for Concerto For Mandolin And String Quartet by Anders Koppel (2016). Commissioned by and dedicated to Allan Sjølin. Score available: WH32872 / Solo Mandolin part: WH32872C

Pour Violon (Ou Flute Ou Hautbois Ou Mandoline). Par TARTINI GIUSEPPE. / Répertoire / Violon

8 Timeless Pieces Arranged for String Quartet-Vivaldi was a prolific composer very much a string composer but also responsible for a wide variety of other work. This selection includes extracts from The Seasons - arguably the composer's most well-known work as well as other less well-known vocal and instrumental music. The two extracts from the concerto for two mandolins and the concerto for two trumpets remind us that the composer did not restrict himself only to concertos for string instruments.

Saint-Saens' groundbreaking piece for solo Violin or Mandolin about the appearance of Death each year at midnight on Halloween summoning the dead with his violin.

The Contra Dance Encyclopedia is a handbook for musicians who want to play for contra dances. Music from American fiddle tunes to the Irish tradition are presented in sets suitable for playing for dances (as well as sessions concerts and other gigs). There is also an extensive section of tunes grouped into Reels Jigs and Waltzes that can be used. Included is a short history of contra dance as well as ideas on putting together a dance band.Instrumental and stylistic techniques for guitar mandolin whistle and fiddle are discussed as well as band dynamics and orchestration. •

For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists.

Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon

Par ANDREWS DREW. La première Jam série a été créée pour donner aux enfants et débutants de tous âges un livre de mélodies simples, communs à apprendre. Il s\'agit de standards \' Jam \' tunes dans les styles de musique Bluegrass Old Time. Tous les livres de cette série sont écrites dans les mêmes clés - ils peuvent tous être joués ensemble sans problème. Donc obtenir vos amis ou la famille qui jouent de guitare, violon, mandoline, banjo, ukulélé, dulcimer ou Dobro ensemble, de s\'emparer de ces livres et de commencer de brouillage. Improvisation - une autre idée derrière écrit la série Jam première était de fournir un certain nombre de mélodies qui étaient faciles à apprendre, mais qui sont aussi un grand pour commencer à travailler sur l\'improvisation. Chaque livres offrent la mélodie pour cet instrument particulier mais aussi des accords de back-up pour un autre instrument de vous accompagner. Chaque chanson est représenté en notation avec les symboles de la corde. Le CD qui l\'accompagne a deux pistes pour chaque chanson. Le premier jouant la chanson avec la ligne de la mélodie, la deuxième piste offre seulement la sauvegarde donc vous pouvez jouer la mélodie sur elle ou même impro... / Niveau : Débutant / Bluegrass - Improvisation / Recueil / Violon

Par SKY PATRICK. Au milieu de XIXe siècle, violoneux et éditeur Elias Howe de Boston, a publié son Howe 1000 turluttes et bobines qui s'est avéré être un livre innovateur. Maintenant, grâce à Mel Bay Publications, Inc. et spécialiste de la musique, rédacteur en chef Patrick Sky, Howe 1000 turluttes et bobines est une fois de plus mis en lumière pour la première fois en plus de 100 ans. Cet ouvrage de turluttes, reels, danses de sabot, contra danses, danses de fantaisie, hornpipes, des strathspeys, pannes, danses irlandaises, danses de Scotch et plus est approprié pour le violon ou fiddle, flute, guitare, mandoline, tinwhistle, enregistreur ou tout instrument triple. C'est un must pour violoneux ainsi que les historiens de la musique. / Niveau : Débutant à Intermédiaire / Fiddle Tunes - Songbooks / Recueil / Violon