F. Bläs.Quint.. Par PLACHETA HUGO. Fl Ob Klar Hr Fg/ Répertoire / Musique de Chambre

A pioneering set of Urtext editions.String editions include an Urtext solo part and a second part with fingering as well as performance markings.Each edition offers a preface on performance practice aspects pertaining to the respective works.A separate text booklet includes pioneering texts on general issues of performance practice in the 19th century as well as on specific issues with regard to Johannes Brahms? chamber music.Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offertoday?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an additional part including fingering and bowing based on the practices of Joseph Joachim and his colleagues. These markings especially draw on publications of the sonatas edited by Joachim?s pupils Leopold Auer and Ossip Schnirlin as well as those by Brahms? associate Franz Kneisel. A similar approach has been used for the Violoncello sonatas drawing on performance markings by Robert Hausmann (for whom Brahms wrote the Sonata in F major) Hugo Becker with whom Brahms performed it and Julius Klengel who was also close to his circle.

Né dans le village de marque dans le Haut-Palatinat, Max Reger (1873 1916) a été enseigné par le célèbre théoricien de la musique Hugo Riemann. Après avoir terminé ses études et travaille en tant qu'interprète et compositeur indépendant à Wiesbaden, il a déménagé à Weiden, en proie à des crises personnelles et, éventuellement, à Munich. Pour mieux se faire connaître sur la scène musicale, il avait certaines de ses oeuvres plus petites insérées dans le magazine d'Musikzeitung Neue. C'est comment son Romanze G-Dur pour violon et piano a été publiée en Novembre 1901, un beau travail occasionnel, idéal pour des leçons de musique ou comme un rappel tranquille après un concert, également dans un arrangement pour alto et piano. / Violon Et Piano / 6 pages / niveau : Intermédiaire / Partition

Born in the village of Brand in the Upper Palatinate Max Reger (1873 1916) was taught by the renowned music theoretician Hugo Riemann. After finishing his studies and working as a freelance performer and composer in Wiesbaden he moved to Weiden beset by personal crises and eventually to Munich. To make himself better known in the musical scene he had some of his smaller works inserted in the magazine Neue Musikzeitung. This is how his Romanze G-Dur for violin and piano was published in November 1901 a beautiful occasional work ideal for music lessons or as a tranquil encore after a concert also in an arrangement for viola and piano.