Sacred was originally part of a Mass setting in which the composer combined the traditional Latin Mass movements with elements from the Sámi yoik tradition other Norwegian folk music and traditional Finnish music. This version for upper voices was recorded by Cantus on their album Northern Lights and is very approachable for choirs of all abilities. There are no words only ‘yoik syllables’ with no meaning for which a pronunciation guide is included. Fjellheim’s distinctive and approachable musical language which many will recognise from the use of his music at the opening of Disney’s Frozen will appeal to both singers andaudience.

John Leavitt graces us with a new more accessible edition of an early music classic. Jacob Arcadelt's early sacred music has a serenity and a purity of sound and mood that is enhanced in this arrangement for treble voices. Thisedited arrangement is sung a cappella and is also available for SATB choirs. This is a marvelous choice for winter or Christmas concert contest or festival; or for exposure to some of the great music of the sixteenth century.

The sophistication and intimacy of this Johnny Mandel/Dave Frishberg song offer opportunities to explore the depth of the lyrics with attention to diction and phrasing for a superb vocal jazz or concert choir showcase.

The poem by Yeats that serves as the text for this Ron Kean piece has been set by many fine composers. Ron's approach is unique bringing in overtones through whirlies to add an ultra-spiritual dimension to the impact of the work. Ron's vocal writing is always careful pulling lines into one another with suspended results. Singers simply love to sing them because everyone is equally important. Selected for the Iris Levine Treble Chorus Series this piece fits any general program for advanced treble high school college and community choir. Medium.

from Wicked-Now available in an expressive unaccompanied setting this ballad from the musical Wicked takes on deep and emotional meaning with solo vocal lines and the full range of the choir. A powerful reminder of the importance of the friends in our lives.

Originally set for mixed voices with piano (HMC2409) this piece has become one of the most popular works in the Hinshaw catalog. It's energy has been a hit for both adult and high school choirs. Here Peter Anglea sets the piece for 4 part treble voices-a wonderful new addition for treble choirs.

A mother's love for her daughter as she grows up is expressed in this poem by Jenice Meagher Cutler. Debra Scroggins' musical setting lives up to the title. The tenderness and emotion are deep and the warmth of the cello onlyadds to the sentiment. Excellent for treble choirs high school and older.

One of the most enduring pop hits of the 1970s is now available in all voicings and with an option for live instrumental accompaniment! It's the perfect pop/jazz feature or tongue-in-cheek encore piece for concert choirs.

The Moses Hogan arrangement of this spiritual is an absolute showstopper and has electrified audiences since its debut in 1996. Now men's and women's choirs can experience the same excitement with these new adaptations. Duration: ca. 2:15

from Cinderella-Originally from the Rodgers & Hammerstein musical State Fair this beautiful ballad was recently included in the revival of Cinderella. Arranged with an expressive piano accompaniment this setting is ideal for concert and community choirs from high school through adult.

Women's advanced high school and college choirs will love this musical interpretation of the inspirational text painting the awakening world of all creatures in dance-like rhythms. The extra effort needed for this enlivening work will reward you with a beautiful concert experience! Duration: ca. 5:30.

The SSA/SATB arrangement of this Carly Simon song as arranged by Craig Hella Johnson has been sung and enjoyed by hundreds of thousands. Now skillfully adapted and arranged by Emily Crocker both men's and women's choirs can now experience this vibrant concert-pop work. The ranges and parts have been carefully scored for the most successful results.

Ron Kean uses a text by William Butler Yeats and appropriately dons it with an Irish musical dressing. The flute is really not an optional addition. You are easily transported to the region through this character piece that dances and flourishes in the land it celebrates. A delightful fugal section bounces with a dum didle dee text eventually emerging into a colorful and thoughtful singing section. For advanced high school and college choirs. Medium to difficult.

This Filipino or Visayan folk song is about joy and love. George Hernandez conductor of the Saringhimig Singers from San Francisco has captured the native flavor in this rousing arrangement. Selected for the Ron Kean Multicultural series high school and college choirs will love it. Also available in SATB divisi P1286. Medium difficulty.

Gustav Holst Songs From The Princess Op.20 for female voices SSAA. Words written by Tennyson.Sweet and lowThe splendour fallsTears idle tearsO swallow swallowNow sleeps the crimson petal