17 Graded Solos for Alto Saxophone and Piano. Sounds Classical est une collection de solos de difficulté croissante, sélectionnés spécifiquement pour les saxophonistes débutants. Ces pièces couvrent quatre siècles du répertoire classique, de Susato à Sullivan, et se prêtentparfaitement à l’étude comme à une interprétation en concert. / Niveau : Facile à Intermédiaire / Recueil / Saxophone Alto et Piano

15 Easy Classical Solos, de Philip Sparke, est un ouvrage qui s'adresse aux jeunes musiciens, maîtrisant un peu plus d'une octave. 15 Easy Classical Solos a été conCu pour être joué en corrélation avec les séries Artist et/ou Master Level de la collection / Saxophone Alto Et Piano

Classics faciles pour la jeune joueur rassemble 12 normes de la musique classique (Beethoven, Brahms, Chopin, Mozart, Offenbach, Schubert, etc.). Sur le CD-ROM inclus, sont enregistrées les versions intégrales et les accompagnements des pièces. Une version papier des accompagnements de piano est jointe au recueil. / Saxophone Alto Et Piano / 44 pages / niveau : Facile - Elémentaire / Partition + Cd

What Else Can I Play? Alto Saxophone Grade 3 makes learning more fun with carefully selected and arranged supplementary repertoire for today's young player. Each piece offers suggestions and guidelines to breathing, dynamics and tempo together with technical tips, performance notes and a simple piano accompaniment.  Each book in the What Else Can I Play? series presents carefully graded pieces with a variety of musical styles ranging from classical and jazz through to showtunes and popular songs. This series will bring enthusiasm to learning your instrument and provide an entertaining alternative for those pupils who are working towards, or have recently completed exams. / Instrumental Music, Methods & Tutors / Recueil / Saxophone Alto et Piano

25 tangos by the revolutionary tango musician and composer Astor Piazzolla, arranged for alto saxophone and piano. These crowd-pleasing tangos borrow from classical, jazz, and Latin traditions. The collection includes Piazzolla's most famous tangos, Libertango and Oblivion.
Artisane 1 from A Midsummer Night's Dream
Ausencias (The Absent)
Chanson de la Naissance (Song of the Birth) from Famille d'artistes
Dansée (Dance) from A Midsummer Night's Dream
Duo I from A Midsummer Night's Dream
El Viaje (Voyage)
Fracanapa
La Chanson Du Popo (The Song of Popo) from Famille d'artistes
Libertango
Los Sueños (Dreams)
Milonga from A Midsummer Night's Dream
Milonga for Three
Milonga Picaresque
Mumuki
Nuevo Mundo (New World)
Oblivion
Ouverture from A Midsummer Night's Dream
Psicosis (Psychosis)
Sensuel (Sensual) from A Midsummer Night's Dream
Sentimental from Famille d'artistes
Sin Rumbo (Aimless)
Street Tango
Tango Final from Famille d'artistes
Todo Fué (It All Was)
Vuelvo Al Sur (I'm Returning South) / Partitions classique / Bois / Saxophone / BOOSEY

Here is a fine collection of elegant classical masterpieces by Glück, Rachmaninov and Schubert, paired with compositions by their living counterparts David Morgan, Subaram Raman and Brian Scott Taylor. These timeless works highlight the tonal beauty, sonority, color and expressive qualities inherent in the saxophone. Listen and study the complete versions, then take center stage and play the solo parts. Includes free downloads of the piano accompaniment score for your performance needs. / Saxophone Alto

The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Janet Way, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 saxophonist and creates the perfect package for teaching, exam preparation and performance. Each volume contains:19 pieces and short studies, each complemented by a useful practice and performance tipgrade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercisesbrand new sight-reading activitiesnewly-commissioned aural awareness tasksa piano accompaniment bookletPackaged with a CD of full performance demonstrations, piano backing tracks, and grade-appropriate aural awareness resources. Janet Way is an experienced performer and teacher. She is a tutor for the LRAM woodwind teaching course at the Royal Academy of Music, and has worked as a mentor and diploma examiner for the Associated Board of the Royal Schools of Music. She is founder and director of the internationally-acclaimed Oxford Flute Summer School. / Saxophone Alto Et Piano

Par SAMITZ NICO. Nico Samitz has been composing for chamber ensembles since his school days. For over ten years he has been writing works in a wide variety of genres for the ?BlechReiz BrassQuintett? ensemble, in which he himself plays trumpet and piano. His field of expertise ranges from classical pieces to jazz and meditative music?and even to pop-oriented compositions. While honing his skills in ear-training and composition at the Mozarteum, Salzburg, Nico became acquainted with a wide repertoire of works as a trumpet player with the Munich Symphony Orchestra, The Munich Philharmonic Orchestra, and the Bavarian State Opera, all of which have influenced his writing style. The driving force behind his creative work is a winning combination of passion, the fun of music-making and a desire to express, through the medium of music, feelings that are difficult to put into words. Like many of his works, Nico composed The Joy of Freedom for the ?BlechReiz BrassQuintet?. The catchy tune is reworked in a variety of styles throughout the entire work, giving it the quality of a true ?earworm?. / Date parution : 2023-07-31/ Répertoire / Saxophone Alto et Piano

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

Par KEMBER JOHN. Play Ballads offers the intermediate saxophonist the inspirations of some of the greatest exponents of the ballad form. It includes pop classics such as Elton John's Your Song and Lionel Ritchie's Hello alongside original compositions by John Kember. This volume gives the young saxophonist the opportunity to play well known tunes at a relatively early stage. These well known and popular pieces are ideal for end of term concerts and performances. The solo alto saxophone part is also included on a separate insert. / Niveau : Assez Facile / Recueil / Saxophone et Piano

Now you can become the featured session saxophonist on six classic Charlie Parker tracks, transcribed and arranged exclusively by saxophonists for saxophonists! The book contains note-for-note topline transcriptions; chord symbols; a breakdown and analysis of each solo, containing essential hints and tips; biographical notes on the artist and a discography. The CD contains both complete performances of each piece as well as s slowed-down version to practise with.

Par MOZART WOLFGANG AMADEUS. / Classics / Date parution : 2020-10-15/ Recueil / Saxophone Alto Solo et Piano

Par BIZET GEORGES. / Classics / Date parution : 2020-10-15/ Répertoire / Saxophone Alto ou Ténor et Piano