This book is part of a String series arranged for Violin, Viola, and Cello. The arrangements are completely compatible with each other and can be played together or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. A fully orchestrated accompaniment CD is also provided. Each song on the CD includes a DEMO track, which features a live string performance, followed by the PLAY-ALONG track by itself. / Violoncelle Et Piano

The present volume contains a selection of very easy recital pieces for Violoncello and Piano which can be played in the first position after 1-2 years of Cello lessons. The selected pieces are original works from the Renaissance period to the present day: from the Baroque minuet the classical sonatina or the Romantic character piece to contemporary music and tango blues or pop. The pieces are suitable for individual group and chamber music lessons for practising on one's own and especially for the first auditions concerts or competitions. The accompanying CD contains a full version of each piece as well as the piano accompaniment for playing along. The recordingsare intended for orientation and for making it easier to learn to play the pieces – for what is already going around in one's head will also be 'in the fingers' much faster. The CD also contains separately the piano part of each piece for playing along. A musical journey through 500 years of Cello music!

for Cello and Piano-This fine collection of little masterpieces for cello and piano forms a showcase for the composer Edward Elgar. There is no great virtuosity needed to do justice to the melodious and sometimes ingenious music from ELGAR`S TREASURES. With the help ofthe accompanying CD - which can be used at home as well as for performances - you will gain an understanding of music. Content: Chanson de Nuit op. 15 no. 1 • Pleading op. 48 no. 1 • Speak Music! op. 41 no. 2 • In Moonlight (Alassio) op. 50 • Salut d´Amour op. 12 • Chanson de Matin op. 15 no. 2 • In Haven (Capri)(Sea Pictures op.37) • Nimrod (Enigma Variations op.36).

Instrument/Discipline : VioloncelleStyle/Genre : Musique de filmSupport : Livre + CDAuteur/Compositeur : WILLIAMS JOHNCe livre fait parti d'une série instrumentale arrangée pour flûte, Clarinette, Sax alto, Sax ténor, trompette; Cor en Fa et trompette. Les arrangements sont compatibles avec chacun et peuvent être joués en groupe ou en solo. Chaque livre contient une partie pour joueur de niveau 2-3, ainsi qu'un CD. Celui-ci inclus une piste démo pour chaque chanson ainsi qu'une piste playback pour s'exercer.Partitions pour violoncelle et piano.Inclus des photos du film en couleurs et N&B.Contenu :Star Wars (Main Theme); Jar Jar's Introduction; Augie's Great Municipal Band; Qui-Gon's Funeral; Duel of the Fates; Anakin's Theme; The Flag Parade; Across the Stars (Love Theme); The Arena; The Meadow Picnic; Battle of the Heroes; Cantina Band; The Throne Room; The Imperial March ( Darth Vadre's Theme); May the Force Be With You; Princess Leia's Theme

Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano

Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Niveau : Intermédiaire / Contemporary - Solos / Recueil / Violoncelle et Piano

Cello Time is a sequel to Colin Evans' Take a Cello and Basic Bass. Cellists who have moved on from the open string writing can now take up the challenge of these seven new pieces written for the first position.

Cello and Piano. Par SQUIRE WILLIAM HENRY. William Henry Squire's Gondoliera for cello and piano evokes the dreamy magic of Venice and the barcarolles of Chopin, Fauré, Liszt and Mendelssohn. Performers and audiences who enjoy the three 'Venetian gondola songs' in Mendelssohn's Lieder ohne Worte will certainly derive pleasure from Squire's illustration of the watery half-light of the lagoon at dusk or daybreak and the chiarascuoro of a contrasting, brighter middle section in G major. Though not challenged technically beyond an intermediate level of difficulty of around Grade 6, cellists ideally must project the melody with truly vocal poise and bel canto spirit in this short work that is a real treasure for amateur and professional players alike./ Répertoire / Violoncelle et Piano

Music through the Ages-These two volumes contain both original compositions and well-crafted arrangements that are presented in chronological order from the sixteenth century right up to the present day. pieces that feature on the ABRSM Cello syllabus at Grades 1 to 7 invaluable source of repertoire to explore for further study contrasting styles from Dowland to Grainger and from Couperin to Joplin arrangements that cover the note ranges and keys of the early grades As with most of the Time Pieces series students can cover all of their grade requirements from these versatile volumes.

Music through the Ages-These two volumes contain both original compositions and well-crafted arrangements that are presented in chronological order from the sixteenth century right up to the present day. Pieces that feature on the ABRSM Cello syllabus at Grades 1 to 7 Invaluable source of repertoire to explore for further study Contrasting styles from Dowland to Grainger and from Couperin to Joplin Arrangements that cover the note ranges and keys of the early grades As with most of the Time Pieces series students can cover all of their grade requirements from these versatile volumes.

This fine collection of little masterpieces for cello and piano forms a showcase for the composer Edward Elgar. There is no great virtuosity needed to do justice to the melodious and sometimes ingenious music from ELGAR`S TREASURES. With the help of the accompanying CD - which can be used at home, as well as for performances - you will gain an understanding of music. / Violoncelle Et Piano

The Finest Concert and Encore Pieces-Skilfully selected encore pieces add a special touch to a concert. No matter whether virtuoso masterpieces or reflective melodies: both can help to achieve perfect harmony in a successful concert. The well-known performer and cello educationalist Prof. Maria Kliegel has selected encore pieces for every occasion with works by Senaillé Chopin Schubert Tchaikovsky Saint-Saens Glasunov Debussy and of course David Popper (including 'Gnome's Dance' and 'L'Andalouse' from Op. 54). A treasure chest for every cellist!

The series ?Bärenreiter?s Concert Pieces? has now been expanded to include the three-movement Student Concerto Op.22 in arrangements for viola and cello previously published for violin (BA 8979). The concertos have been transposed making them ideal for beginners and young pupils. The series forms an ideal continuation of the Sassmannshaus 'Early Start' string methods but can also be used to supplement any other string tutor.Concise forewords by the renowned string pedagogues Kurt and Christoph Sassmannshaus introduce the works and point out the relevant playing techniques required.

In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and