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Cello, Piano
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The Piano Guys: The Piano Guys - LimitLess: Piano and Accomp.
Cello, Piano
Hal Leonard
The 2018 album by these popular YouTube instrumental stars is presented in this ...
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The 2018 album by these popular YouTube instrumental stars is presented in this matching folio of 13 songs arranged for solo piano/cello as performed by the Piano Guys. Songs include: DNA - Epiphany - First Dance - Flicker - In My Blood/Swan Lake - Limitless - A Million Dreams - Miracles - North Cape - Perfect - Rewrite the Stars - Something Just like This/Hungarian Rhapsody - Walking the Wire/Largo. Includes a separate pull-out cello part.
25.99 GBP - Sold by Musicroom UK
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4 Stücke (JUST FRANZ)
Cello, Piano
[Sheet music]
Hofmeister Musikverlag
Par JUST FRANZ. / Recueil / Violoncelle et Piano
16.60 EUR - Sold by LMI-partitions
(Seller in french langage)
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Gustav Holst: Invocation - Cello And Piano: Cello: Instrumental Work
Cello, Piano
-
Intermediate/advanced
Faber Music Limited
Invocation was composed in 1911 and first performed on May 2nd of that year in t...
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Invocation was composed in 1911 and first performed on May 2nd of that year in the Queen's Hall London by May Mukle with the New Symphony Orchestra conducted by Landon Ronald. The work received several performances with Piano accompaniment before 1914 but with the public success of The Planets it became one of many works that Holst never had time to revise or publish. A certain amount of editing of dynamics and phrasing has been necessary and the Piano reduction has occasionally been slightly adjusted to match the orchestral accompaniment more closely. The separate Cello part has been edited by Julian Lloyd-Webber.
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Gabriel Fauré: Papillon Op 77 Cello/Piano: Cello: Instrumental Work
Cello, Piano
G. Henle
for Violoncello and Piano-After the great success of his Élégie (HN 563) Faur...
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for Violoncello and Piano-After the great success of his Élégie (HN 563) Fauré?s publisher Hamelle urged him to write another similarly effective piece for cello and piano. Papillon was probably already composed in 1884 though it was only published in1898. Whereas Fauré just wanted to call it ?Piece for violoncello? his publisher insisted on a more evocative title and ultimately succeeded in giving it its present name (meaning ?butterfly?). But Fauré is said to have beenindignant remarking: ?Butterfly or dung fly use whatever you want?. The success of the work proved Hamelle right Papillon is today just as popular with cellists as the Élegie and is now available as a Henle Urtext edition.
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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Antonín Dvo?ák: Cello Concerto In B Minor Op.104 (Cello & Piano): Cello:
Cello, Piano
[Sheet music]
Barenreiter
Like every other great 19th-century solo concerto Dvorák?s famous Cello Concer...
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Like every other great 19th-century solo concerto Dvorák?s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák?s autograph score were actually written by the cellist Hanu? Wihan; but Bärenreiter?s edition now reveals that some details in the Orchestral parts are also in his writing showing just how closely the two musicians were working together.The editor Jonathan Del Mar has painstakingly examined all the surviving sources including two that have hitherto been either ignored or crucially undervalued in order to produce anauthoritative edition which restores for the first time since the original edition was published in 1896 - Dvorák?s final and definitive version of the solo Cello part. This differs in details in almost every bar from the version found in all other modern editions while hundreds of corrections have also been made to the Orchestral parts.- With Dvorák?s final and definitive version of the solo Cello part.- With hundreds of corrections in the solo Cello part as well as the Orchestral parts.- With hitherto unknown details regarding the collaboration between Dvorák and Wihan.- With Dvorák?s original Piano reduction.- With Feuermann's and Casals' alternatives to a passage in the first movement.- Full score performance material (BA9045) Cello & Piano (BA9045-90) & Facsimile (BVK1849) available for sale.
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Fantasy Pieces For Violoncello And Piano Op. 73
Cello, Piano
Wiener Urtext
Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. ...
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Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. 73 were first performed by his wife Clara and the clarinettist Johann Gottlieb Kotte. Initially entitled Soirée Pieces, the composer later had the works published under the name of Fantasy Pieces, thus establishing a connection with poetical aspects. The first edition published in July 1849 contained not only a clarinet part but also a violin and cello part. Since then, they have become an integral part of the Romantic repertoire for cello and piano. This edition is based on the text of the first edition as well as on subsequent corrections from Schumann's personal copy, with the extant composition manuscript serving as an important corrective. / Violoncelle Et Piano
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Jacques Offenbach: Fantaisies faciles fur Violoncello und Klavier: Cello:
Cello, Piano
Bosworth
Among the many works Offenbach wrote for the Cello is a series of operatic fant...
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Among the many works Offenbach wrote for the Cello is a series of operatic fantasies. Of these there is a set of six under the title Fantaisies faciles Op.69-74 published in 1853. The new edition herewith confines itself to just three of the pieces based on operas which remain in the repertoire today. The original printed editions have been revised with misprints corrected passages where the Cello and Piano parts differ made to correspond and questions in the music text settled by recourse to the original opera score.
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Reynaldo Hahn: Pieces For Cello: Cello: Instrumental Work
Cello, Piano
Leduc, Alphonse
For quite some time posterity remembered Reynaldo Hahn (1874-1947) for just a h...
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For quite some time posterity remembered Reynaldo Hahn (1874-1947) for just a handful of songs and the operetta Ciboulette overlooking the incredible diversity of a catalogue as eclectic as it is appealing. Yet his chamber music contains many little-known treasures: thus cellist Steven Isserlis in his preface hastens to hail the first modern edition of these two scores which he regularly plays in recital so much does their beauty enchant the audience. Published in 1911 the Two Improvisations on Irish Airs for cello and piano turn out to be the transcription of his first and third Preludes for piano four hands (1894). Thesefolk themes come from the collection Songs of Old Ireland published 12 years earlier by Charles Villiers Stanford: gracefully and tenderly The Little Red Lark unfurls a melancholic tune of which the regular foundation respects the breadth of phrase typical of folk songs; in The Willow-Tree the lover begs his beloved in vain to take him in her arms one last time before he lies down lifeless in the shade of the tree. Beyond this sensitive exploration of the Irish soul Hahn offers us a journey into the past: the Variations chantantes sur un air ancien develop a theme borrowed from Cavalli’s opera Xerse. In this aria (1660 version: Act IV sc. 6) Ambassador Periarco dreams of moving away from court intrigues to be able to taste the pleasures ‘to which the gods have destined him’. Reynaldo Hahn’s variations succeed in maintaining the sweet simplicity of this theme as noble as it is refined.
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Edward Elgar: Elgar's Treasures: Cello: Instrumental Work
Cello, Piano
[Sheet music + CD]
Fentone Music
for Cello and Piano-This fine collection of little masterpieces for cello and pi...
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for Cello and Piano-This fine collection of little masterpieces for cello and piano forms a showcase for the composer Edward Elgar. There is no great virtuosity needed to do justice to the melodious and sometimes ingenious music from ELGAR`S TREASURES. With the help ofthe accompanying CD - which can be used at home as well as for performances - you will gain an understanding of music. Content: Chanson de Nuit op. 15 no. 1 • Pleading op. 48 no. 1 • Speak Music! op. 41 no. 2 • In Moonlight (Alassio) op. 50 • Salut d´Amour op. 12 • Chanson de Matin op. 15 no. 2 • In Haven (Capri)(Sea Pictures op.37) • Nimrod (Enigma Variations op.36).
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Busoni F. - Serenata Op.34 - Cello And Piano
Cello, Piano
Faber Music Limited
Busoni was just sixteen years old when he wrote the extraordinary Serenata, and ...
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Busoni was just sixteen years old when he wrote the extraordinary Serenata, and the quality of the music is exceptional. The work draws inspiration from the serenade as love song, and the interplay between the warm, lyrical cello line countered by its bright and lively piano partner is highly effective. In preparing this new addition, cellist Lowrii Blake has consulted the original manuscript of this undeservedly neglected work.
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Mats Lidström: Lamenting Matthew Crawley: Cello: Score
Cello, Piano
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Advanced
CelloLid
For fans of the popular TV series Downton Abbey Christmas Day 2012 came to a sad...
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For fans of the popular TV series Downton Abbey Christmas Day 2012 came to a sad close as they witnessed the death of the well-loved character Matthew Crawley. This piece by Mats Lidström was composed in response to the shocking season finale and seeks consolation for what had just unfolded on the screen. Composed for Cello and Piano Lamenting Matthew Crawley also makes the perfect encore due to its romantic tone.
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Ferruccio Busoni: Serenata op. 34: Cello: Instrumental Work
Cello, Piano
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Intermediate/advanced
Faber Music Limited
Busoni was just sixteen years old when he wrote the extraordinary Serenata and ...
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Busoni was just sixteen years old when he wrote the extraordinary Serenata and the quality of the music is exceptional. The work draws inspiration from the serenade as love song and the interplay between the warm lyrical cello line countered by its bright and lively piano partner is highly effective. In preparing this new addition cellist Lowrii Blake has consulted the original manuscript of this undeservedly neglected work.
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Christmas Carols for violoncello
Cello, Piano
[Sheet music]
Carus Verlag
20 easy carols for winter, Advent and Christmas for 1-3 violincellos and piano. ...
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20 easy carols for winter, Advent and Christmas for 1-3 violincellos and piano. Par . What would Christmas time be without making music together? Advent, Christmas, and winter songs play an important role for all beginners on a melody instrument, because with these they can show off their progress on the instrument during the first year. And nothing is better suited to this than well-loved and popular Christmas classics.The volumes in our series for instrumental teaching, developed in collaboration with the Landesakademie für die musizierende Jugend in Baden-Württemberg, all contain 20 easy carols arranged in progressive level of difficulty. Experienced instrumental teachers have made a selection of carols for each instrument according to specific criteria. These can be mastered as part of music school lessons after just a few weeks and months. All the carols have been chosen and transposed so that the range and fingering combinations do not exceed the level of difficulty for the first three years of learning.The piano accompaniment is of moderate difficulty. For many of the carols, an ad lib upper or lower part is included which can also be played by instrumental pupils. The volumes are therefore suitable for individual as well as group tuition.The arrangements are based on the piano and instrumental books from the CHRISTMAS CAROLS project (Carus 2.403/03 und 2.404/03) which is part of the LIEDERPROJEKT, the charitable project to further singing with children. The books contain singing texts for all the carols, providing a full range of options for singing and playing together at Christmas.All the books include the printed music of the piano accompaniment. Digital playalong tracks are available for all the books.Further editions for flute, clarinet, alto saxophone, trumpet, violin, cello / Date parution : 2022-10-12/ Recueil / Violoncelle et Piano
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Max Bruch: Kol Nidrei Opus 47 for Violoncello and Orchestra: Cello: Instrumental
Cello, Piano
G. Henle
Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bru...
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Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bruch?s most famous compositions. The melancholy ?Adagio after Hebrew melodies? was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch by his own admission. The tenor Cello sound is the ideal medium for the voice of a Jewish cantor and thus to this day ?Kol Nidrei? offers every cellist a wonderful opportunity to make the instrument ?sing?. In this text based on the first edition of 1881 ?Kol Nidrei? appears for the first time in an Urtextedition substantiated by scholarly research for which not just the musical sources but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part.
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Edouard Lalo: Violoncellokonzert D Moll: Cello: Instrumental Work
Cello, Piano
G. Henle
Originally Édouard Lalo was meant to follow an officer's career but his mus...
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Originally Édouard Lalo was meant to follow an officer's career but his musical talent soon became apparent and so he decided to become a musician. Every cellist is familiar with his Cello Concerto in d minor whichis just as spirited as his 'Symphonie espagnole'.Many renowned virtuosi from Julius Klengel to Leonard Rose have published their own editions of the concerto. Henle's Urtext edition distances itself from all of theadditions made by other editors but it offers both an unmarked part and one with fingerings and bowings by the famous cellist Heinrich Schiff.
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Elgar's Treasures
Cello, Piano
[Sheet music + CD]
Fentone Music
This fine collection of little masterpieces for cello and piano forms a showcase...
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This fine collection of little masterpieces for cello and piano forms a showcase for the composer Edward Elgar. There is no great virtuosity needed to do justice to the melodious and sometimes ingenious music from ELGAR`S TREASURES. With the help of the accompanying CD - which can be used at home, as well as for performances - you will gain an understanding of music. / Violoncelle Et Piano
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Leonard Bernstein: West Side Story: Cello: Instrumental Album
Cello, Piano
[Sheet music + CD]
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Intermediate/advanced
Boosey and Hawkes
Instrumental Solos-Since its opening in 1957 the musical West Side Story has bee...
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Instrumental Solos-Since its opening in 1957 the musical West Side Story has been a hit on Broadway. Made into a successful film starring Rita Moreno Natalie Wood and Richard Beymer in 1961 this tale of star-crossed lovers caught between feuding New York gangs has been gripping audiences for decades.The arrangements in the West Side Story: Instrumental Solos series remain faithful to Bernstein's original score. In this edition the pieces have been idiomatically adapted for the solo Cello.This book features 10 of the best-known songs from the musical including Maria Tonight America I Feel Pretty and more.West Side Story:Instrumental Solos - Cello comes with an enhanced CD featuring Piano accompaniments for all tracks. Playable on both CD player and computer tempo adjustment software is also included for CD-Rom computer use only.
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Fingerprints: Cello: Instrumental Album
Cello, Piano
[Sheet music]
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Easy
Faber Music Limited
Expand your musical scope and your performance repertoire in new worlds of expre...
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Expand your musical scope and your performance repertoire in new worlds of expression with a special selection of 14 contemporary works all written by some of today's celebrated composers.Here's your chance to learn some music by real living composers - not just those only known by their surnames who dies long ago! The musical styles are diverse and exciting from elements of ragtime and dance to a sombre and gently sad melody and each piece features a full Piano accompaniment. ...Perhaps you might even be inspired to start composing some new music of your own!
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Solos for the Cello Player: Cello and Accomp.: Instrumental Album
Cello, Piano
[Sheet music + CD]
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Intermediate/advanced
Hal Leonard
This book/CD pack features the complete Piano score plus pull-out solo part. The...
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This book/CD pack features the complete Piano score plus pull-out solo part. The CD is playable on both your CD player and computer. It is enhanced so that when used in computers it has tempo adjustment software to aid inpractice.
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Five Romances (KILLMAYER WILHELM)
Cello, Piano
Schott
Par KILLMAYER WILHELM. ‘Humour plays a role, and my pieces are also an attempt...
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Par KILLMAYER WILHELM. ‘Humour plays a role, and my pieces are also an attempt to entertain people.’ Words not often associated with contemporary music, but Wilhelm Killmayer wants to place fun and seriousness side by side. Different tonal spheres are found in the “Impromptu” and the jaunty “Scherzo lento” which uses tap tones for example. The “Chorale” that follows allows the music to drift seamlessly into atonality. In the fourth romance ‘Im Schumannschen Ton’ (‘The Schumann Sound’), a diatonic melody is complicated so much that the ending distorts to the beginning, ‘just like man combines many different qualities’. In the concluding “Capriccio”, shifting time signatures and dynamic ?uctuations are combined in a virtuoso manner. A humourous piece which demands the purest concentration from the players./ Répertoire / Violoncelle et Piano
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Songs And Dances Op. 84
Cello, Piano
Belaieff
Un des instruments préférés du Tcherepnin était le violoncelle, pour lequel ...
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Un des instruments préférés du Tcherepnin était le violoncelle, pour lequel il a écrit environ dix oeuvres (par exemple, la Rhapsodie géorgien, autres oeuvres pour violoncelle et orchestre et plusieurs ensemble et pièces solos). Il a travaillé avec les violoncellistes tels que Paul Grümmer, Paul Tortelier, Pierre Fournier et Gregor Piatigorsky et pour cette raison, que ses oeuvres violoncelles semblent être particulièrement bien adaptés à l'instrument. Bien que Tcherepnine soulignaient la similitude entre le violoncelle et une voix de baryton, il a toujours fait justice à toute la gamme de l'instrument, même dans les positions de pouce plus élevées. Géorgienne, folk Tatar, russe et Kazakh a fourni l'inspiration de chants et danses opus 84. / Violoncelle Et Piano
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Kronik
Cello, Piano
Jobert
'Energique et ludique' est écrit au-dessus de la première note. Ca avance, san...
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'Energique et ludique' est écrit au-dessus de la première note. Ca avance, sans mémoire ou presque, chaque instant prenant sa source dans le précédent. Ca file comme une journée bien remplie. Il y a quelques brèches dans ce temps sans temps. Juste pour respirer un peu. A la fin c'est comme après une petite course, des traînées de temps qui court nous rattrapent. Violoncelle et piano construisent ici un même discours, il n'y a pas de préférence. Seuls les termes sont différents. Cela me vient peut-être de l'improvisation, où souvent - quand nous jouons en petit nombre - nous construisons ensemble un discours qui va dans le même sens mais avec des matériaux hétérogènes, car nous ne nous sommes pas concertés. / Violoncelle Et Piano
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Amazing Solos
Cello, Piano
Boosey and Hawkes
La musique dans ce livre est séduisante, parfois vraiment grande musique qui se...
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La musique dans ce livre est séduisante, parfois vraiment grande musique qui se trouve juste être simple. Aucun des pièces est simplement ' enseignement ' - presque al d'entre eux avait une vie réussie de leurs propres avant ils ont trouvé leur chemin ici - et ils ont été choisis pour leurs forces individuelles, purement musicales. Toutefois, le livre est plus qu'une collection de pièces remplit - les pièces qu'il compte près de graduée et très varié dans leurs demandes, afin que tout joueur qui travaille à travers eux auront la chance de consolider et de leur technique de Pologne. Ils sont aussi plus généralement variées dans le style. Ils donneront quelque plaisir inattendu et signpost certaines voies intéressantes et agréables qui pourraient autrement sont demeurées inexplorées. / Violoncelle Et Piano
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Csárdás Obstinée
Cello, Piano
EMB (Editio Musica Budapest)
L'arrangeur de ce travail, le compositeur bien connu hongroise vivant en Roumani...
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L'arrangeur de ce travail, le compositeur bien connu hongroise vivant en Roumanie, écrit: 'Cette pièce a toujours excité mon imagination, à partir de plusieurs points de vue. Tout d'abord, son nom. Le titre Deutsch, l'un opiniâtre, peut faire référence à son caractère ostinato, c'est près de programmes notion de Liszt, mais 'obstiné' le mot français est plus proche dans un sens à têtus. Il ya juste une nuance de différence, mais pour moi il est important, becau soi celui-ci suggère la description d'un type de comportement, l'état émotionnel du cadre intérieur d'un danseur de l'esprit abstrait en mouvements, exprimée dans les mouvements de danse, et ce n'est une interprétation fascinante. La démonstration de la résistance obstinée, mépris, au point d'épuisement, n'est pas un phénomène fréquent avec Liszt. Deuxièmement, au début des années soixante-dix l'Kocsis Zoltan a joué le morceau ici, en Transylvanie. / Violoncelle Et Piano
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Rotations
Cello, Piano
[Sheet music]
-
Advanced
Bote and Bock
Cela a influencé vient en première dans le même temps puissante et mystérieu...
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Cela a influencé vient en première dans le même temps puissante et mystérieuse oeuvre d'un compositeur qui a vécu près d'un siècle, mais votre propre style.'? Ils appartiennent à la vieille école à la nouvelle école au post-modernisme, je pense que c'est juste Mamlok: indépendante, créative et dissonante de l'intérieur.'Paul Hertelendy, Mercury Nouvelles, San Francisco, 1994 / Violoncelle Et Piano / 28 pages / niveau : Avancé / Partition
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90 Golden Years Of Irving Berlin (BERLIN IRVING)
Cello, Piano
[Sheet music]
I.M.P.
Par BERLIN IRVING. Une collection des plus célèbres chansons d'Irving Berlin, ...
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Par BERLIN IRVING. Une collection des plus célèbres chansons d'Irving Berlin, arrangé pour piano et voix, complete avec les paroles et les symboles de la corde. / Date parution : 2005-05-27/ Recueil / Violoncelle et Piano
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Instrumental Solos
Cello, Piano
[Sheet music + CD]
Alfred Publishing
/ Violoncelle Et Piano
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Justin Dello Joio: Due Per Due: Cello and Accomp.: Score and Parts
Cello, Piano
[Sheet music]
Edward B. Marks Music Company
A virtuosic showpiece in two movements: I. Elegia - to an Old Musician and II. M...
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A virtuosic showpiece in two movements: I. Elegia - to an Old Musician and II. Moto Perpetuo. The first movement draws inspiration from and is an elegy for Norman Dello Joio the composer's father. ca. 13 minutes. Advanced Level.
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