Seule partition au monde à porter le numéro ISBN 9790045010355 cette partition dont le titre est KOL NIDREI, OP. 47 comporte des morceaux regroupés et composés par le compositeur Bruch Max.Son instrumentation exacte est Violoncelle Et Accompagnement Piano. Amateur ou passionné de Classique vous trouverez inévitablement votre bonheur dans la version papier de cette oeuvre. / Violoncelle Et Accompagnement Piano / Partition

Par MEREAUX MAX. 3’00’’ / Niveau : Débutant / Répertoire / Violoncelle et Piano

Par MEREAUX MAX. 4’35’’ / Niveau : Moyen / Répertoire / Violoncelle et Piano

Par MEREAUX MAX. 3’00’’ / Niveau : Préparatoire / Répertoire / Violoncelle et Piano

Par MEREAUX MAX. 3’00’’ / Niveau : Préparatoire / Répertoire / Violoncelle et Piano

In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and

Virtuose du violon, l'italien Antonio Vivaldi a été un des plus célèbres compositeurs de la période baroque. A travers cette partition SONATE VIOLONCELLE/PIANO vous retrouverez tout le talent de ce compositeur. Ecrite pour Violoncelle et plus précisément pour Violoncelle Et Piano cette partition a été éditée par les éditions Max Eschig sous le numéro ME00438800. / Violoncelle Et Piano / Partition

'As the title suggests my Serenata Notturna evokes the atmosphere of night music. Following a reflective opening where the pitch development outlines a twelve-note series the music gradually becomes more agitated developing into a kind of danse macabre eventually reaching a powerful climax. The music then subsides into a much more tranquil atmosphere and the previous dissonant material transposes itself into a simple melody (like a lullaby) uttered by the cello the outline of which both melodically and in terms of the accompaniment figuration has already been present in the piece since the beginning. Thus the turmoil of the first part of the work becomes transfiguredinto something much more peaceful - hence the quotation that prefaces the score: 'out of darkness cometh light'.'Edward Gregson

arranged for Cello (or flute or violin)-For Cello Flute or Violin and Piano Accompaniment.

Everyone wants to play carols at Christmas and not only on the keyboard. Here are 16 favourite carols in easy attractive arrangements for Cellists of elementary standard. The simple Piano accompaniments are designed for the parent or teacher of modest Keyboard skills.