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BASSOON
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Twos or Threes: Cello: Instrumental Work
Cello
Mimram Music
Sixteen well-known tunes for two or three cellos arranged for Grades 0-2 by Fion...
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Sixteen well-known tunes for two or three cellos arranged for Grades 0-2 by Fiona Hedges.
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Adam Carse: Two Short Pieces For Cello And Piano: Cello: Instrumental Work
Cello
Stainer and Bell
Two Short Pieces For Cello And Piano
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George Dyson: Two Short Pieces For Cello and Piano: Cello: Instrumental Work
Cello
Stainer and Bell
Two Short Pieces For Cello and Piano
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Marian Hellen: Pops For Two - Cello: Cello: Instrumental Work
Cello
Kevin Mayhew
30 Great tracks for Cello-Featuring a host of well-known TV and film theme tunes...
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30 Great tracks for Cello-Featuring a host of well-known TV and film theme tunes(from The Addams Family and Eastenders to James Bond and Star Wars plus many other favourites) Pops for Two is arranged for the early grades and will appeal to players ofall ages. So bows at the ready grab a friend and have some duet fun!
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Péter Eötvös: Two Poems to Polly: Cello: Instrumental Work
Cello
Ricordi
Two Poems to Polly
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Sonata (LARCHER THOMAS)
Cello
Schott
for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voi...
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for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle
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Josef Suk: Meditation on the Old Czech Hymn St. Wenceslas: String Quartet: Part
Cello
Barenreiter
for String Quartet op. 35a-Josef Suk played second Violin in the Bohemian String...
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for String Quartet op. 35a-Josef Suk played second Violin in the Bohemian String Quartet. Since 1914 the ensemble was obliged to perform the Austrian national anthem at the opening of every concert. Suk decided to supplement this obligatory piece with a work inspired by the ancient sacred Bohemian St. Wenceslas hymn. The hymn?s message a plea for the well-being of the Czech people directed at their patron saint was immediately understood by the audience.The Bohemian String Quartet performed this single-movement Meditation for the first time on 27 September 1914; the premiere of the version for string orchestra followed on 22 November 1914 played by the CzechPhilharmonic. That same year the piece was published by Fr. A. Urbánek together with arrangements for Piano and Organ.This first Urtext edition prepared by the Sukscholar Zdenek Nouza is published in two scorings one for string quartet and another for String Orchestra (BA9584). The orchestral version differs in some details and has an added part for Double Bass.First Urtext editionInformative trilingual Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editorTwo versions published in two separate editions
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Per Nørgård: Sonata For Solo Cello No.2 'In Due Tempi': Cello: Instrumental Work
Cello
[Sheet music]
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Intermediate/advanced
Wilhelm Hansen
Sonata For Cello No.2 - In Due Tempi is the second of Per Nørgård's four sonat...
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Sonata For Cello No.2 - In Due Tempi is the second of Per Nørgård's four sonatas for cello solo consisting of Solo intimo (1953) and Solo in Scena (1980). ''Solo in scena' was composed in 1980 as a second and complementary movement to my one-movement cello piece of 1953 »Solo intimo«. The two works form a two-movementsonata 'in due tempi' the two movements uniting after 27-years. Each movement can also be performed separately.' Per Nørgård
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Karen Khanagov: My Very Best Christmas Cello Edition: String Ensemble:
Cello
[Sheet music + Audio access]
Mel Bay
The seventeen Christmas songs in this volume arranged in comfortable keys can ...
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The seventeen Christmas songs in this volume arranged in comfortable keys can be used for players at different levels and for all kinds of occasions. All three editions (Violin Viola and Cello) include two parts foreither solo or duet performance and Piano accompaniment. The three books are all compatible so that ensembles may mix and match parts as desired. Suzuki groups may particularly enjoy these arrangements. The audio providesthe piano accompaniments alone. It can be used for back-up improvisatory play-along or for pleasant listening by itself. Includes two 24-page pull-out parts for Cello I and Cello II and access to online audio.
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Henri Dutilleux: Trois Strophes Sur Le Nom De Sacher: Cello: Instrumental Work
Cello
Heugel
Written on the occasion of Paul Sacher’s birthday this 3 Strophes Sur Le...
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Written on the occasion of Paul Sacher’s birthday this 3 Strophes Sur Le Nom De Sacher features three Cello pieces composed by Henri Dutilleux and reviewed by Mstislav Rostropovitch. It was first performed in an audition by the latter in 1982. Henri Dutilleux composed the first part of this volume for the celebration and added the final two pieces later in 1976. The whole set requires the lowest strings of the Cello to be turned lower: G string to F sharp and C string to B flat. A quotation from Bartok’s piece 'Music for Strings Percussion and Celesta' can be noticed atthe end of the first verse. For upper-advanced / experienced players. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes a Piano sonata two symphonies the Cello concerto 'Tout un monde lointain' (A whole distant world) the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night).
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3 Strophes Sur Le Nom De Paul Sacher Violoncelle Seul (DUTILLEUX HENRI)
Cello
[Sheet music]
Heugel
Par DUTILLEUX HENRI. Written on the occasion of Paul Sacher's birthday, this 3 S...
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Par DUTILLEUX HENRI. Written on the occasion of Paul Sacher's birthday, this 3 Strophes Sur Le Nom De Sacher features three Cello pieces composed by Henri Dutilleux and reviewed by Mstislav Rostropovitch. It was first performed in an audition by the latter in 1982. Henri Dutilleux composed the first part of this volume for the celebration and added the final two pieces later in 1976. The whole set requires the lowest strings of the Cello to be turned lower: G string to F sharp and C string to B flat. A quotation from Bartok's piece 'Music for Strings, Percussion, and Celesta' can be noticed atthe end of the first verse. For upper-advanced / experienced players. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. His work also includes a Piano sonata, two symphonies, the Cello concerto 'Tout un monde lointain' (A whole distant world), the Violin concerto 'L'arbre des songes' (The tree of dreams) and the string quartet 'Ainsi la nuit' (Thus the night)./ Répertoire / Violoncelle Solo
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Cello & Piano 2: Cello: Instrumental Album
Cello
EMB (Editio Musica Budapest)
Two volumes entitled Cello Meets Piano edited and published by Árpád Pejtsik ...
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Two volumes entitled Cello Meets Piano edited and published by Árpád Pejtsik were issued many years ago by the Könemann Music Budapest. The first edition was quickly sold out and no further editions followed. EMB has undertaken to issue a new edition entitled Cello & Piano with the content unchanged. The two volumes contain a selection from 200 years of music. Eight Baroque sonatas are included apart from the famous D minor one by Corelli there are some that are appearing in a modern edition for the first time in 300 years. In addition to cyclical works (Haydn: Sonatina Mozart: Divertimento Vivaldi: Concerto)and sets of variations (Beethoven Tartini) there are many shorter pieces as well not only the famous minuets by Boccherini Mozart and Beethoven but also works published for the first time here. Virtuoso pieces are represented by Goltermann's Etude-caprice and Jenkinson’s Dance of the sylphids the lighter kind include Joplin's Ragtime. Book II Contents: 1. Aldrovandini G. A. V.: Sonata2. Bella Domenico dalla: Sonata 3. Boni Pietro Giuseppe Gaetano: Sonata Op. 1 No. 5 4. Passionei Carlo: Sonata 5. Bach Johann Sebastian: Air BWV 1068/II 6. Tartini Giuseppe: L'arte del arco 7. Haydn Joseph: Sonatina Hob. XI:101 5 108 8. Albrechtsberger Johann Georg: Scherzando 9. Boccherini Luigi: Minuetto 10. Mozart Wolfgang Amadeus: Divertimento from KV 487 11. Beethoven Ludwig van: Andante con variazioni WoO 44b 12. Schubert Franz: Ave Maria Op. 52 No. 6 13. Mendelssohn-Bartholdy Felix: Lied ohne Worte Op. 19 No. 4 14. Schumann Robert: Schlummerlied Op. 124 No. 16 15. Goltermann Georg: Étude-caprice Op. 54 No. 4 16. Tchaikovsky P. I.: Chanson triste Op. 40 No. 2 17. Dvorák Antonín: Appassionato Op. 75 No. 3 18. Massenet Jules: Air de Ballet (Scene pittoresque)
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Kaija Saariaho: Spins And Spells: Cello: Instrumental Work
Cello
[Sheet music]
Chester
For solo Cello.'The title evokes the two gestures which are at the origin of the...
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For solo Cello.'The title evokes the two gestures which are at the origin of the work: on the one hand the pattern which I call 'spinning tops' turning around on the one spot or undergoing changes and on the other timeless moments centred on the sound colour and texture.The entire piece unfolds either around or between these two gestures. I chose to re-tune the instrument in order to personalise the harmonic writing: the fifths arereplaced by structures favouring major sixths and minor thirds.Challenged by this scodatura the sonority of Spins and Spells reminds me of the music and the instrumental colours of another age far older than those ofthe cello that we know although seen and transformed again through my own universe.' - Kaija Saariaho
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Anders Nordentoft: Impetuoso: Cello: Instrumental Work
Cello
Wilhelm Hansen
Two Movements For Cello Solo-Impetuoso - Two Movements For Cello Solo was compos...
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Two Movements For Cello Solo-Impetuoso - Two Movements For Cello Solo was composed by Anders Nordentoft in 2014. Premiered by Zoë Martlew on Oct. 27 2017 at Butchart Recreation Centre University of Aberdeen.
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Gabriel Fauré: Complete Shorter Works for Cello: Cello: Instrumental Work
Cello
[Sheet music]
Peters
This volume contains all Fauré’s single-movement cello pieces two of the...
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This volume contains all Fauré’s single-movement cello pieces two of them published here for the first time. Also included as an appendix is a little-known sight-reading etude for two cellos.
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Joe Maroni: 101 Easy Songs for Cello: Cello: Mixed Songbook
Cello
[Sheet music]
-
Beginner
Mel Bay
The purpose of this Cello songbook is to provide the beginning Cello player with...
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The purpose of this Cello songbook is to provide the beginning Cello player with a repertoire of 101 familiar and easy to play tunes written for Cello. All the songs are written specifically for Cello utilizing dynamics expression markings and articulations. Key signatures for the songs are in a comfortable range suitable for the beginning Cello player. This songbook is an ideal supplement to any elementary Cello Method book. Most of thesongs are appropriate for performance at concerts recitals and contests. Private teachers will assign one or two of the songs from this book at each lesson. The songs will help the beginning Cello student to develop fingeringtechnique rhythm reading ability and confidence.
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Mooney Rick - Position Pieces Book 2 - Cello
Cello
Alfred Publishing
Position Pieces for Cello, Book 2 fills the pedagogical gap between the first ...
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Position Pieces for Cello, Book 2 fills the pedagogical gap between the first book of Position Pieces and the two Thumb Position for Cello books in that it covers the fifth, sixth, and seventh positions. Position Pieces for Cello, Book 2 systematically introduces ways to find the correct location of each position and also to understand the various finger patterns required. As with Mr. Mooney's other books, this is accomplished in an enjoyable and creative manner through the use of cello duets. With titles like Surfing Cellos, Jumping Flea, and The Happy Certified Public Accountant, these pieces are really fun for students to play! This book will prove to be an indispensable tool for intermediate level cello students.
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Julius Klengel: Concertino Nr.1 C-Dur Op.7: Cello: Instrumental Work
Cello
Breitkopf & Härtel
für Violoncello und Klavier-Julius Klengel (1859-1933) was a German cellist mo...
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für Violoncello und Klavier-Julius Klengel (1859-1933) was a German cellist most famous for his etudes and solo pieces written for the instrument - he ultimately composed hundreds of pieces for the Cello including four Violoncello concertos two double Cello concertos Cello quartets a Cello sonata as well as numerous caprices etudes and other technical pieces. Unfortunately the majority of his compositions for Cello are rarely remembered however this piece stands out for its value to developing cellists – it is a wonderful brief introduction to the concerto form. The diverse three movements of the Concertino in C Major give the student pleasure whilst onlyinvolving the 6th and 7th positions at the higher register (but no thumb positions). With a total performance time of approximately 20 minutes this concerto is perfect for intermediate to advanced cellists (Grade 6-8).
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Paul Tortelier: Cello Book 2 Cello and Piano.: Cello: Instrumental Work
Cello
[Sheet music]
Chester
Tortelier's Cello Book Two covers twelve more Classical and folk pieces arranged...
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Tortelier's Cello Book Two covers twelve more Classical and folk pieces arranged for Cello in first position with accompaniment for second Cello or Piano. Contains classics from masters like Bach Mozart andSchubert and traditional tunes from France Norway and Israel. Edited and arranged by the French cellist and composer Paul Tortelier.
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Take The Lead Plus. Pop Hits
Cello
[Sheet music + CD]
I.M.P.
Eight great flexible arrangements in two parts, for Bass Clef Instruments, inclu...
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Eight great flexible arrangements in two parts, for Bass Clef Instruments, including Cello, Trombone and Bassoon with specially recorded arrangements. The CD includes full backing tracks, professionally arranged and recorded. The Book contains carefully selected and editied Bass Clef arrangements for two parts in score format. Compatible with other editions in the series. / Pop
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Boulez P. - Anthemes 1 - Violoncelle
Cello
Universal Edition
Pierre Boulez wrote two pieces for solo violin, called ?Anthèmes? I and II. Thi...
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Pierre Boulez wrote two pieces for solo violin, called ?Anthèmes? I and II. This is the first and shorter of the pair and was composed in 1991 for the Yehudi Menuhin Violin Competition. Taking inspiration from childhood memories of Catholic church services, Boulez created a piece of two distinct sonic worlds, in seven short parts, ending with a ?col legno battuto?, characteristic of Boulez?s witty humour. This arrangement is a direct transposition for cello of the original violin piece. It is not known who produced it but it is known that Boulez heard this version and approved of it.
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Anthèmes 1 (BOULEZ PIERRE)
Cello
Universal Edition
Par BOULEZ PIERRE. Pierre Boulez wrote two pieces for solo violin, called “Ant...
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Par BOULEZ PIERRE. Pierre Boulez wrote two pieces for solo violin, called “Anthèmes” I and II. This is the first and shorter of the pair and was composed in 1991 for the Yehudi Menuhin Violin Competition. Taking inspiration from childhood memories of Catholic church services, Boulez created a piece of two distinct sonic worlds, in seven short parts, ending with a “col legno battuto”, characteristic of Boulez’s witty humour. This arrangement is a direct transposition for cello of the original violin piece. It is not known who produced it but it is known that Boulez heard this version and approved of it./ Répertoire / Violoncelle
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Antonio Vivaldi: Complete Sonatas For Cello: Cello: Instrumental Work
Cello
Wiener Urtext
The nine sonatas for Cello and Basso Continuo by Antonio Vivaldi are among the m...
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The nine sonatas for Cello and Basso Continuo by Antonio Vivaldi are among the most famous Cello works of the Baroque era. Thanks to their moderate technical demands the pieces are an integral part of music lessons as well as of private music-making. But even for the professional early music scene they form a focus of the Cello repertoire. The new edition of the Wiener Urtext Edition serves the needs and demands of all three target groups alike providing a reliable musical text which is no longer based on the unauthorized first Paris edition by Le Clerc & Boivin but on a copy from Naples revised by Vivaldi himself as well as on two othermanuscripts associated with the composer from the Bibliothèque Nationale in Paris and the music library of the Counts of Schönborn at Wiesentheid. Apart from the solo part the edition comprises a Piano (Harpsichord) score with realized Basso Continuo which should be very welcome to pupils and amateurs. An unrealized Basso Continuo part has been added for the professional Continuo player in which the figures of the first Paris edition has been included. Even if they do not trace back to Vivaldi himself they bear witness to the contemporary Basso Continuo practice and can serve as a guide for the execution of Vivaldi's unfigured Bass part. More detailed information on the performance practice is provided in the notes on interpretation by Gerhart Darmstadt which are based on contemporary sources.
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Shinichi Suzuki: Suzuki Cello School 2 (Revised): Cello: Instrumental Tutor
Cello
Alfred Publishing
Suzuki Cello School Vol 2 Cello Part Revised Edition. Book and CD. Features th...
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Suzuki Cello School Vol 2 Cello Part Revised Edition. Book and CD. Features the pieces - Long Long Ago; May Time; Minuet No 1; Minuet No 3; Chorus from Judas Maccabaeus; Hunters' Chorus; Musette from English Suite; March in G; Theme from Witches' Dance: Tonalisation - the Moon over the Ruined Castle; The Two Grenadiers; Gavotte; Bourree. This title contains pieces featured on the Trinity College London Grade 4 Cello Syllabus 2016-2019.
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John Minnion: Cellos for Christmas: Cello: Instrumental Album
Cello
[Sheet music + Audio access]
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Easy
Schott
20 Christmas carols for one or two cellos. This book contains a selection of 20 ...
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20 Christmas carols for one or two cellos. This book contains a selection of 20 Christmas carols in easy arrangements for one or two cellos with optional second part. The accompanying audio files for download contain all the carols arranged for two cellos with piano accompaniment. The piano accompaniments are also given as play-along tracks. Suitable for children as well as adults.
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Mark Tanner: French Baguettelles: Cello: Instrumental Album
Cello
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Easy
Spartan Press
Favourtie French Melodies-In creating these dozen arrangements I am unashamedly ...
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Favourtie French Melodies-In creating these dozen arrangements I am unashamedly cherry-picking from a long and rich seam of French music. I feel confident that younger players and those relatively new to the cello will enjoy my selection. Forgive my tongue-in-cheek title for the book French Baguettelles (I'm half French so I don't feel too guilty!) for the music herein has more than a hint of garlic about it. Although there are certainly serious overtones to one or two pieces there is a healthy dollop of silliness to lighten the mood. Apart from Sur la Pont d'Avignon which was reportedly written in the 15th century Frère Jacques which was a popular 18th century song and Tambourin which wasin all probability also written in the 18th century (Gossec did however live well into the 19th century) all of the pieces come from composers who lived in the Romantic period. Ravel and Debussy were of course known for their impressionistic colours though for the most part it is the accompaniments which reveal this characteristic most fully. I have endeavoured to keep the piano parts playable by mere mortals conscious of the fact that cello teachers may not possess a virtuosic piano facility but may nevertheless wish to turn their hand to accompanying pupils for concerts festivals exams etc. Many of the pieces were originally written for the piano either in its solo capacity (Ravel's Pavane Pour une Infante Défunte Chabrier's Idylle Satie's Gymnopedie 1 Debussy's La Fille aux Cheveux de Lin) or in duet form (Fauré's Berceuse from 'Dolly Suite'). Three orchestral pieces Bizet's L'Arlésienne Offenbach's Can-Can and Saint-Saëns's Danse Macabre lend a welcome dramatic overtone to the book while Franck's exquisite Panis Angelicus originally conceived as a choral piece rounds off the selection admirably. In the main it is the cello's capacity for lyricism that has steered my choice of music so really open up your sound and enjoy yourself with these ageless melodies.I wish you bonne chance!Baguette: a thin loaf of
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Suzuki Cello School Vol.2 (revised) + Cd
Cello
[Sheet music + CD]
Alfred Publishing
Suzuki Cello School Vol 2, Cello Part, Revised Edition. Book and CD. Features th...
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Suzuki Cello School Vol 2, Cello Part, Revised Edition. Book and CD. Features the pieces - Long Long Ago; May Time; Minuet No 1; Minuet No 3; Chorus from Judas Maccabaeus; Hunters' Chorus; Musette from English Suite; March in G; Theme from Witches' Dance: Tonalisation - the Moon over the Ruined Castle; The Two Grenadiers; Gavotte; Bourree. This title contains pieces featured on the Trinity College London Grade 4 Cello Syllabus 2016-2019.
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Mats Lidström: Rose Only and Lamento: Cello: Instrumental Album
Cello
CelloLid.com
2 Pieces For Cello and Piano-Two pieces for cello and piano written by Mats Lids...
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2 Pieces For Cello and Piano-Two pieces for cello and piano written by Mats Lidström as a young man. Dedicated to his father and to the memory of his cello teacher the pieces come with one ambition: to write as melodically beautiful as possible.
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