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John
BASSOON
Choral SATB
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John Duggan: Ave Verum (Novello New Choral Series): SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
'Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of...
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'Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of his father John Rowntree director of music at Douai Abbey in the UK. My aim was to write a piece both short and simple suitable for regular liturgical use. There are of course many wonderful settings of this text already not least those by William Byrd and Edward Elgar both of which I sang as a boy. In this instance I felt their presence as a fellowship and having their music in my head while writing I was encouraged rather than daunted. In fact if you listen with this in mind you may hear a phrase or two in homage to the great masters.' - JohnDugganAn inspiring selection of new works from a range of contemporary composers the Novello New Choral Series offers pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles.Born in 1963 John Duggan was a chorister at Westminster Cathedral and studied music at Oxford. While still a boy he dreamed of writing in the great European choral tradition of Victoria Tallis and Palestrina. His vocal music has delighted both singers and audiences across Europe and the United States and he composes regularly for film and dance. He has composed for a number of choirs including Commotio Westminster Cathedral Choir the Hildegard Choir and Sospiri and has written commissions for the Edington Music Festival Crossover Intergenerational Dance Group Oxford Youth Dance and The Oxford-Grenoble Association. John regularly performs as a singer and choral director and works as a recording engineer and producer. He has recently been appointed as a Creative Arts Fellow at Wolfson College Oxford.
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John Tavener: Coplas: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Chester
John Tavener's Coplas composed in 1970 for unaccompanied SATB Choir.'Coplas is...
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John Tavener's Coplas composed in 1970 for unaccompanied SATB Choir.'Coplas is a short anthem for voices and tape. It belongs to a much larger work called 'Last Rites' which I have beenthinking about for about a year. It is based on the mystical idea of St. John of the Cross which obsesses me - 'the more I live the more I must die.' Hence the deliberately static nature of Coplas.In once sense Coplas is aprolonged decoration of the 'et sepultus est' cadence from the Crucifixus in Bach's Mass in B minor. In another sense I think of it not so much as my music but a way of listening to Bach's music.' - JohnTavener
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John Tavener: There Is No Rose: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
Commissioned by the Northern Illinois University Choral Department Eric A. John...
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Commissioned by the Northern Illinois University Choral Department Eric A. Johnson Director of Choral Activities and the Lynne M. Waldeland Endowed Fund for Choral Music. First performance on 2nd December 2007 at NorthernIllinois University by the Northern Illinois University Choir conducted by Eric A. Johnson D.M.A.
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John Purifoy: Hosanna in Excelsis!: Mixed Choir a Cappella: Vocal Score
Choral SATB
[Vocal Score]
Brookfield Press
Uses: Palm Sunday General WorshipScripture: Psalm 24:7-10; Matthew 21:1-9; John...
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Uses: Palm Sunday General WorshipScripture: Psalm 24:7-10; Matthew 21:1-9; John 12:12-15With its majestic opening and conclusion that frame a contrasting legato middle section this new work fromJohn Purifoy is an excellent choice for Palm Sunday either as a processional/call to worship or as an anthem. Accompany with piano or organ or enhance the presentation with the optional brass and timpani parts. Score and parts(tpt 1-2 tbn 1-2 timp) available as a digital download.
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The Novello Shakespeare Choral Collection
Choral SATB
Novello & Co Ltd.
Music played an enormous role in the works of William Shakespeare, while his own...
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Music played an enormous role in the works of William Shakespeare, while his own sonnets, poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection, inspired by the 400th anniversary of the Bard's death in 2016, is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities, this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear.The collection features some beautiful settings that have well and truly stood the test of time, such as Thomas Arne's Blow, Blow, Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More, Ladies, Gary Carpenter's Lo, Here, The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass.Not only this, the Shakespeare Choral Collection boasts several works that were specially commissioned, including John Joubert's Be Not Afeard, Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil, I Haste Me To My Bed. Some pieces have never appeared before in print, such as those by Kevin Olsen, Bernard Hughes and John Gardner. These songs truly are a joy to perform, with some relatively simple arrangements that are purely fun to sing, while some more complex settings that will be thoroughly rewarding for choirs and audiences alike.A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection, which would work as a wonderful concert programme on its own, or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating introduction by editor David Wordsworth, and notes describing each piece.Words written by indisputably the greatest writer in the English language can only be matched with music by composers of talent and renown such as these. The Novello Shakespeare Choral Collection is an essential anthology of stunning settings of beautiful words which will be performed and enjoyed for many years to come. / Choeur Mixte (SATB)
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Ave Verum
Choral SATB
Novello & Co Ltd.
' Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday o...
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' Ave verum was commissioned early in 2011 by Edward Rowntree for the birthday of his father, John Rowntree, director of music at Douai Abbey in the UK. My aim was to write a piece both short and simple, suitable for regular liturgical use. There are, of course, many wonderful settings of this text already, not least those by William Byrd and Edward Elgar, both of which I sang as a boy. In this instance I felt their presence as a fellowship and, having their music in my head while writing, I was encouraged rather than daunted. In fact, if you listen with this in mind, you may hear a phrase or two in homage to the great masters.' - John Duggan An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Born in 1963, John Duggan was a chorister at Westminster Cathedral and studied music at Oxford. While still a boy, he dreamed of writing in the great European choral tradition of Victoria, Tallis and Palestrina. His vocal music has delighted both singers and audiences across Europe and the United States, and he composes regularly for film and dance. He has composed for a number of choirs including Commotio, Westminster Cathedral Choir, the Hildegard Choir and Sospiri, and has written commissions for the Edington Music Festival, Crossover Intergenerational Dance Group, Oxford Youth Dance and The Oxford-Grenoble Association. John regularly performs as a singer and choral director and works as a recording engineer and producer. He has recently been appointed as a Creative Arts Fellow at Wolfson College, Oxford. / Choeur SATB
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Cory Johnson: At Morning's Twilight: Mixed Choir a Cappella: Vocal Score
Choral SATB
[Vocal Score]
Pavane Publishing
The new Jonathan Talberg Choral Series features advanced music of distinction fo...
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The new Jonathan Talberg Choral Series features advanced music of distinction for festival use. Dr. Talberg (Cal State Univ. Long Beach) is one of the new names on the guest conducting circuit with an ear for excellence. CoryJohnson uses the choral instrument masterfully to express the spiritual poetry of Rumi.
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Nico Muhly: St John’s Service: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
St Rose Music Publishing
Johannis Cantabrigiense-Nico Muhly's Third Service (Magnificat & Nunc Dimittis)...
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Johannis Cantabrigiense-Nico Muhly's Third Service (Magnificat & Nunc Dimittis) is a work for SATB Choir and Organ Accompaniment. Commissioned by the Master and Fellows of St John's College Cambridge it was first performed by St John's College Choir on 29th May 2016. A full performance lasts around 7.5 minutes. 'The American composer Nico Muhly has often spoken of his love of the early English church music which he sang as a choirboy and his recent choral works include a Third Service composed for St John's College Cambridge. (Given his love of music by Thomas Weelkes we can perhaps hope for at least six more.) This setting though has nothing to do with the early English repertoire and is in a bold modern idiom more akin to Tippett's famous setting for St. John's. The Organ plays a varied and independent role throughout sometimes with dynamics that are quite different to those in the voice parts. The Organ part is sometimes written on two staves without further comment and it's not entirely clear what is required between pages 3 and 4 where three staves become two. The vocal parts include some modest vocal effects and there are Soprano and Alto solos in the Nunc dmittis. The Gloria of the Nunc is a varied repeat of the Magnificat Gloria together with a subtly reworked conclusion to match the general mood of the movement. - Geoffrey Webber Choir & Organ MagazineÂ
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John McCabe: Psalm-Cantata: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
Reduction For Satb/Organ-John McCabe's Psalm-Cantata arranged for Soprano Bari...
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Reduction For Satb/Organ-John McCabe's Psalm-Cantata arranged for Soprano Baritone SATB choir and Organ by Iain Farrington.This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman who gave the first performance on 16th March 2013 at St. John’s SmithSquare London.'I’ve wanted to write a choral/instrumental piece based on texts from the Psalms for a very long time so this commission from the English Baroque Choir and their music director Jeremy Jackman (to whom the work is dedicated) was a wonderful opportunity to put this idea into practice. I decided to write a kind of latter-day equivalent to the Bachcantatas with two soloists (soprano and baritone). The texts are derived from a variety of Psalm sources: some in Latin some in English a meditation by Savonarola and a Henry Vaughan poem.' - John McCabe
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John Rutter: What Sweeter Music: SATB: Score
Choral SATB
Oxford University Press
Full score-John Rutter's What Sweeter Music for SATB and organ or string orches...
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Full score-John Rutter's What Sweeter Music for SATB and organ or string orchestra  The string accompaniment is available on hire and for sale.John Rutter was born in London in 1945 and studied music at Clare College Cambridge. His compositions embrace choral orchestral and instrumental music and he has edited or co-edited various choral anthologies including four Carols for Choirs volumes with Sir David Willcocks and the Oxford Choral Classics series. From 1975 to 1979 he was Director of Music at Clare College and in 1981 he formed his own choir the Cambridge Singers. He now divides his time betweencomposition and conducting and is sought after as a guest conductor for the world's leading choirs and orchestras.
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Jonathan Martin Victor C. Johnson: In Moments of Quiet: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
Uses: Communion General Scripture: I Kings 19:1-15 Isaiah 40:11 John 10:28 A...
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Uses: Communion General Scripture: I Kings 19:1-15 Isaiah 40:11 John 10:28 Acts 17:27 I John 4:18 This delicate worship anthem is a call to reflection wrapped in a winsome melody and elegant harmonies. Finding the voice of God as we learn to listen beyond the clamor and noise of the world is the essence of this lovely offering. Easily learned vocal parts allow for great attention to be paid to the expressive elements of the score and a restrained piano accompaniment brings a calming peace over the whole.
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John Rutter - Blow Blow Thou Winter Wind - Vocal Score
Choral SATB
SATB, Piano
-
Easy
Oxford University Press
John Rutter Blow, blow, thou winter wind Vocal score Forces or Category: SATB ...
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John Rutter Blow, blow, thou winter wind Vocal score Forces or Category: SATB (with divisions) & piano/small orchestra Orchestration: 2fl, hp, harpsichord, strings John Rutter Anniversary Edition for SATB (with divisions) and piano or small orchestra This setting of a song from Act II of Shakespeare's As You Like It was originally published as part of John Rutter's cycle of six choral settings with small orchestra When Icicles Hang.
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John Tavener: Tavener The Mother Of God: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Chester
This work was commissioned by the Verbal Arts Centre to mark the opening of its ...
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This work was commissioned by the Verbal Arts Centre to mark the opening of its new building at Mall Wall and Stable Lane. 'W.B. Yeats is one of the greatest poets of the twentieth century. He wrote The Motherof God in between two of his most magnificent poems - Byzantium and Vacillation. The words alone inspired this setting. I read them several times and then the music came to me fully grown.' - JohnTavener
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John Tavener: They Are All Gone Into The World Of Light: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Chester
Composer's Note'The words of this piece are taken from the poem They are all gon...
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Composer's Note'The words of this piece are taken from the poem They are all gone into the world of light by Henry Vaughan. The music came to me after attending the beautiful and moving funeral of MarianneYacoub wife of the eminent heart surgeon Sir Magdi Yacoub who has been such a great support to me over many years.'            - JohnTavenerThey Are All Gone Into The World Of LightThey are all gone into the world of light!And I alone sit ling’ring here;I see them walking in an air of glory Whoselight doth trample on my days:My days which are at best but dull and hoary Mere glimmering and decays.Dear beauteous Death! the jewel of the just Shining nowhere but in the dark;Could man outlookthat mark!And into glory peep.Either disperse these mists which blot and fillMy perspective still as they pass:Or else remove me hence unto that hill Where I shall need noglass.            - Henry Vaughan
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John Tavener: The Lamb: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate
Chester
The Lamb is John Tavener's setting of William Blake's poem for unaccompanied SAT...
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The Lamb is John Tavener's setting of William Blake's poem for unaccompanied SATB (Soprano/Alto/Tenor/Bass) choir. John Tavener's mesmerising choral work The Lamb hasbeen a firm favourite since its composition in 1982. Audiences love the beautiful simplicity of the words and the lush harmonies that the different Vocal parts create. The piece was composed by Tavener in just oneafternoon and was dedicated to his nephew's third birthday. Although the piece is unaccompanied a Piano accompaniment is included for rehearsal purposes. This particular piece is challenging yet rewarding with divergent almost discordant parts in the first verse as the poem asks ambiguous questions. During the second verse however the song breaks into an uplifting harmony as the poem resolves to an epiphany. When performed well TheLamb is quietly atmospheric and a joy to hear. So for something special for your four-part choir to perform John Tavener's The Lamb is a hauntingly pretty piece that is sure to leave youraudiences speechless.
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John Lennon: Imagine: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Hal Leonard
It is now impossible to imagine a world without Imagine an enduring hymn of so...
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It is now impossible to imagine a world without Imagine an enduring hymn of solace and promise that has carried us through extreme grief and continues to provide hope all around the world up to this day.The immortal song was the best selling single of the solo career of John Lennon the co-founder of the most commercially successful band in the history of popular music the Beatles; a legend who hardly needs any introduction. Since its release in 1971 the song has sold more than 1.6 million copies just in the UK and has been recorded and performed by dozens of artists including Madonna Stevie Wonder Elton John and DianaRoss.As part of the Pop Choral Series John Lennon’s signature song has been arranged for SATB a cappella choir by Roger Emerson. Named one of the 100 most-performed songs of the 20th century and played just before the New Year's Times Square Ball drops in New York City since 2005 Lennon’s plea for world peace remains relevant and timeless a guaranteed audience favourite.
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When You're Good to Mama (KANDER JOHN / BEALE CHARLES (Arr)
Choral SATB
SATB, Piano
[Sheet music]
Faber Music Limited
Par KANDER JOHN / BEALE CHARLES (Arr.). John Kander and Fred Ebb created a numbe...
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Par KANDER JOHN / BEALE CHARLES (Arr.). John Kander and Fred Ebb created a number of 20th-century show classics, including Cabaret and Kiss of the spider woman, but Chicago! is perhaps their greatest and best-loved show of them all. Mama Moreton sings When you’re good to Mama to indicate to the prison inmates how the world really works. She is deeply cynical, knows the ways of the world and controls the purse strings of the prison, but she also turns out to be compassionate – a mother figure to the other inmates. This song requires sassy singing and good communication skills; to convey the double meanings, use careful timing, facial expression and, for the more daring, staging too! This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3 part choirs (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes et Piano
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We Both Reached for the Gun (KANDER JOHN / BEALE CHARLES (Arr)
Choral SATB
SATB, Piano
[Sheet music]
Faber Music Limited
Par KANDER JOHN / BEALE CHARLES (Arr.). Chicago! is perhaps the greatest and bes...
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Par KANDER JOHN / BEALE CHARLES (Arr.). Chicago! is perhaps the greatest and bestloved creation of writing team John Kander and Fred Ebb. In We both reached for the gun, Roxie is accused of killing her violent lover and Flynn’s argument is that they both ‘reached for the gun’ at the same time – Roxie had no choice but to kill him, or she would have died. In the staging, Roxie is portrayed as Billy’s mechanical puppet, which is why the music has a certain mechanical, even clockwork quality to it. This is a patter song, full of long streams of words, so take care not to go too fast. This piece is part of the Faber Choral Singles series, offering a selection of beautifully crafted arrangements in a diversity of musical styles. From Broadway, pop and folk to spirituals, gospel and original works, the series is arranged for 3 part choirs (soprano, alto and a combined male-voice part) providing flexibility for any choir. Complete with straight-forward piano accompaniments supporting the vocal lines, the Faber Choral Singles series guarantees the perfect repertoire for every occasion – so get exploring and get singing! / Choral Music / Répertoire / Voix Mixtes et Piano
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John Duggan: The Angel Gabriel: Children's Choir: Vocal Score
Choral SATB
SATB, Keyboard
[Book]
Novello & Co Ltd.
Children's Chorus/Optional SATB Chorus/Piano- The sheet music of The Angel Gabri...
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Children's Chorus/Optional SATB Chorus/Piano- The sheet music of The Angel Gabriel by renowned composer John Duggan is arranged here for Children's Chorus with Piano Accompaniment. Also included is an optional Vocal part for SATB Chorus. The Angel Gabriel is a beautiful Christmas choral piece based on the folk carol 'The Angel Gabriel From Heaven Came'. John Duggan's unique setting brings a subtle beauty to this piece through his arrangement for Children's Chorus. The innocence of the children's voices will inject new meaning into the words while the understated Piano Accompaniment will enhance the Vocalpart. Duggan has also included an optional part for SATB Chorus so if you have access to an adult and children's choir the effect will be magical. What better way to celebrate the season at a Christmas concert than with the divine sound of a children's choir and a Piano singing this soaring arrangement of The Angel Gabriel?
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John McCabe: Psalm-Cantata: SATB: Score
Choral SATB
[Partitions]
Novello & Co Ltd.
Orchestral Version-John McCabe's Psalm-Cantata (Orchestral Version). Full score ...
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Orchestral Version-John McCabe's Psalm-Cantata (Orchestral Version). Full score for Soprano Baritone SATB choir and small Orchestra.This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman who gave the first performance on 16th March 2013 at St. John’s SmithSquare London.'I’ve wanted to write a choral/instrumental piece based on texts from the Psalms for a very long time so this commission from the English Baroque Choir and their music director Jeremy Jackman (to whom the work is dedicated) was a wonderful opportunity to put this idea into practice. I decided to write a kind of latter-day equivalentto the Bach cantatas with two soloists (soprano and baritone). The texts are derived from a variety of Psalm sources: some in Latin some in English a meditation by Savonarola and a Henry Vaughan poem.' - John McCabe
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John McCabe: Psalm-Cantata: SATB: Vocal Score
Choral SATB
[Vocal Score]
Novello & Co Ltd.
Orchestral Version-John McCabe's Psalm-Cantata (Orchestral Version). Vocal score...
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Orchestral Version-John McCabe's Psalm-Cantata (Orchestral Version). Vocal score for Soprano Baritone and SATB choir.This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman who gave the first performance on 16th March 2013 at St. John’s SmithSquare London.'I’ve wanted to write a choral/instrumental piece based on texts from the Psalms for a very long time so this commission from the English Baroque Choir and their music director Jeremy Jackman (to whom the work is dedicated) was a wonderful opportunity to put this idea into practice. I decided to write a kind of latter-day equivalent to the Bachcantatas with two soloists (soprano and baritone). The texts are derived from a variety of Psalm sources: some in Latin some in English a meditation by Savonarola and a Henry Vaughan poem.' - John McCabe
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John Tavener: The Martydom Of St. Stephen: SATB: Score
Choral SATB
Chester
John Tavener's The Martydom Of Saint Stephen for Solo Horn Double SATB Choir an...
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John Tavener's The Martydom Of Saint Stephen for Solo Horn Double SATB Choir and Organ. Commissioned by the Metropolitan and Cathedral Chapter of St. Stephen’s Cathedral Vienna. First performed on 16thMarch 2015 at St Stephen’s Cathedral Vienna by the Cathedral Choir conducted by Markus Landerer. Vienna's iconic gothic cathedral is dedicated to the first Christian martyr and the Metropolitan and Chapter chosewith discrimination and imagination when they asked John Tavener to write this work setting the account of the stoning of St Stephen from the Acts of the Apostles. The choral writing is far from difficult and rich double-choireffects from staggered entries singing the same music creates an impressive sense of the numinous. Tavener fans will not be surprised that the composer suggests that extra male voices might be required. The virtuoso horn part marked 'ferocious - wild and violent' is directed to be played from a gallery and suggests the hail of stones and hatred directed at the saint. The organ mostly offers brief interjections and chordal support until the last 18bars a lullaby(?) for the saint who 'fell asleep in the Lord' as he was being stoned. John himself went to his final sleep not long after composing this majestic work: Eternal memory! - Organists' Review
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René Clausen: Johnny Has Gone for a Soldier: SATB: Vocal Score
Choral SATB
[Vocal Score]
Schirmer
Craig Hella Johnson Choral Series-This English folk song also commonly sung thr...
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Craig Hella Johnson Choral Series-This English folk song also commonly sung throughout the American Revolutionary War tells the unfortunate eternal story of soldiers going off to war leaving loved ones at home. René Clausen artfully uses the sopranoSax to establish the sad melancholy emotion of the text while the voices reflect the emotions of those left behind.
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John Joubert: O Eternal God: SATB: Vocal Score
Choral SATB
SATB A Cappella
[Vocal Score]
Novello & Co Ltd.
John Joubert's O Eternal God arranged for SATB choir unaccompanied. Commissioned...
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John Joubert's O Eternal God arranged for SATB choir unaccompanied. Commissioned by Nicholas Fisher for the Choir of Gloucester Cathedral in celebration of the composer’s 90th birthday on 20 March 2017 and dedicated to the memory of Michael Perham (died 17 April 2017) bishop and liturgist. 'John Joubert continues to produce choral gems'. Choir & Organ December 2017
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John Duggan: La Ballade De Jesus Christ: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
Novello New Choral Series- La Ballade de Jésus Christ is an arrangement of a Fr...
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Novello New Choral Series- La Ballade de Jésus Christ is an arrangement of a French carol from the seventeeth century or earlier. The tune is well known as the hymn Let all mortal flesh keep silence from The English Hymnal and this arrangement was commissioned in 2007 by the Oxford choir Sospiri for their CD of Christmas music Videte Miraculum. The text a miniature morality tale has a simple almost childlike quality to it and this is reflected in the shimmering harmonies and soft fleeting dissonances presenting the story as a bitter-sweet fairy tale.The Novello New Choral Series is an inspiring selection of new works from a range ofcontemporary composers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Born in 1963 John Duggan was a chorister at Westminster Cathedral and studied music at Oxford. Whilst still a boy he dreamed of writing in the choral tradition of Victoria Tallis and Palestrina. His vocal music has delighted both singers and audiences across Europe and the USA. He has written for a number of choirs including Commotio Westminster Cathedral Choir the Hildegard Choir and Sospiri and has received commissions from the Edington Music Festival Crossover Intergenerational Dance Group Oxford Youth Dance and The Oxford-Grenoble Association. He composers regularly for film and dance and performs as a singerand choral director whilst working as a recording engineer and producer.
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John Rutter: Still Still Still: Mixed Choir: Vocal Score
Choral SATB
SATB divisi, A Cappella
[Vocal Score]
-
Easy
Oxford University Press
John Rutter's Still Still Still for SATB choir (with divisions) unaccompanied....
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John Rutter's Still Still Still for SATB choir (with divisions) unaccompanied.This festive arrangement of a traditional German carol features an English text translated and adapted by John Rutter. The first two verses are sung by soloists (or alternatively by a semi-chorus) over a background of choral hums before all singers come together in the final verse.
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Returning From The Tomb (CASKEN JOHN)
Choral SATB
[Sheet music]
Schott
For Choir (Satb). Par CASKEN JOHN. This Easter anthem by British composer John C...
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For Choir (Satb). Par CASKEN JOHN. This Easter anthem by British composer John Casken is an expert example of contemporary choral writing and would be ideal for amateur choirs looking for exciting new repertoire./ Répertoire / Choeur Mixte SATB
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John Woolrich: Far From Home.: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
-
Intermediate
Faber Music Limited
This lullaby for large unaccompanied SATB chorus was commissioned by the Crouch ...
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This lullaby for large unaccompanied SATB chorus was commissioned by the Crouch End Festival Chorus in 1993. John Woolrich interweaves various folk texts in his lilting musical setting which juxtaposes the peacefulness of sleep with moments of anxiety and tension for the parent whose son is far from home.The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of contemporary composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.
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