A Spiritual Reflection is an African-American spiritual piece which has been beautifully arranged by Moses Hogan for SATB (divisi) a cappella. The song is based on I Am A Poor Pilgrim and Sometimes I Feel Like A Motherless Child and a piano accompaniment is scored for rehearsal purposes.

Selected for the Paul A. Smith Choral Series this Christmas spiritual features excellent writing for the a cappella choir with all the rhythm and vigor to bring the house down.

For SATB accompanied and unaccompanied Christmas Spirituals For Choirs is a fresh and inspiring collection of 12 new spiritual arrangements and original pieces in a gospel style for groups of every size and ability. All the best-loved spirituals are here whilst the new songs are sure to become tomorrow's 'classics'.

Spiritual-This suite of traditional spirituals was arranged by 2009 stellar award nominated pianist Joseph Joubert. The gospel styled arrangement is for mixed voices with a soloist and accompanied by_x000D_keyboard with optional flute or trumpet.

The heartfelt authenticity of these Appalachian-based spiritual songs shines in this new mini-collection arranged by Tom Fettke. Featuring three songs from the award-winning film Cold Mountain this collection contains singable settings of Great High Mountain Poor Wayfaring Stranger and I'm Going Home which offer a unique and transparent worship mood.

. . . for Choirs Collections-Spirituals For Choirs is an exciting collection of 20 specially commissioned arrangements for a cappella and accompanied SATB choir. The contents reflect the richness and diversity of the spiritual tradition including many much-loved favorites alongside exquisite discoveries that are less well known. Each piece is bursting with freshness and invention to provide singers with inspirational moving and above all enjoyable repertoire. With a mixture of large and small-scale pieces there???s something here for every choir whatever its forces or levels of expertise.

Uses: General memorial Lent healing servicesHere are two a cappella wonders great for choirs looking for a challenge! These well-crafted spirituals are joined together by the comfort they share in theirsimple yet profound words. Layers of beautiful harmony create a beautiful effect as the pieces unfold. Great additions to the spiritual repertoire!

These five spirituals for unaccompanied chorus despite the occasional appearance of complexity are basically simple: the harmony indeed is of the simplest possible. The apparent complexity arises primarily from the number of parts which are not however all real parts. These in fact seldom comprise more than the traditional four. Lines are frequently doubled at the octave rather in the manner of organ registration so that the chorus needs to be thought of as an organ-like body producing a homogeneous sound at many levels of the chords and melodies. Thus the numbers and even the kinds of voices needed to produce these chords and melodies in the most effective manner mustbe selected by the conductor from the whole body of the chorus according to the conditions of performance. Great latitude can be taken in this respect even to the extent of using low female voices for the high registers of written tenor parts or high male voices for the low registers of written alto parts etc.The only parts which are strictly differentiated are those marked Leader. These should be an individual voice standing out from the choir sufficiently to lead the singing both in the words and in the music. They need not be soloists engaged from outside.If the spirituals are performed in this way the apparent complexity of certain printed pages will disappear. Any reasonably sized chorus with four good leaders can produce the effect required.

Vocal score-African-American spirituals comprise one of the world's greatest and best-loved bodies of music appealing to performers and audiences accross all boundaries. The Oxford Book Of Spirituals is the first anthology to present a comprehensive survey of the genre's repertoire - it's principal composers themes and forms - in a way that is at once stylistically authentic historically meaningful and intended for practical use both in worship and in concert.

Favourite spirituals from the American tradition of male chorus singing in glee clubs at university. Arranged for SATB choir by Fenno Heath who sang in the famous Yale Glee Club in 1944 and returned to lead the group in1953.

Cette partition 64 Spirituals A Cappella éditée en 2011 a été écrite pour les amateurs de Chant. Ce sont les éditions Bärenreiter qui ont eu le privilège de pouvoir l'éditer. Elle est idéale pour tous les fans de Classique. / Chant / Partition

Gospel & Spirituals für gemischten Chor arrangiert von Matthias Pogoda. 6 lebendige Chorsätze stilgetreu notiert. Chorpartitur.

Uses: Lent Holy Week General SpiritualScripture: Genesis 28:15; John 8:12; Luke 24:32This traditional spiritual is given an authentic “bluegrass” treatment. Adroitly crafted withstellar part writing and interesting vocal textures this arrangement is a pleasant change of pace for Lenten worship gatherings general usage or even concerts. Truly unique! Available separately: SATB Bluegrass Combo (fiddle mandolin guitar bass) StudioTrax CD. Duration: ca. 3:02.