Clarinet and Piano. Par JOLLIFFE EDMUND. The composer has written extensively for film and television, and his gift for musical characterisation illuminates every bar of My Family and Other Animals. Here is a delightful human menagerie, a family circle with its typical variety of awkward and amiable relatives, beautifully portrayed in music of beguiling simplicity by Edmund Jolliffe. Technically, for beginners and early-grade players, there is an important lesson that musical expression is in essence the expression of personality, often from the most basic musical resources. Brother is a cool repeated phrase - a bit detached. Mum is a gentle lullaby, and Grandmother a soothing, dependable tune. Grandfather turns sweet too, but not before a spiky introduction. From his breezy melody Dad seems on his way elsewhere. Perhaps off to wash the car! / Niveau : Facile / Recueil / Clarinette et Piano

For solo Clarinet in Bb and Ensemble.Clarinet and Piano Reduction.Commissioned by the Tanglewood Music Center through the generous support of the Mervyn Geffen M.D. and Norman Solomon M.D. New CommissionsFund.First performance by Brent Besner Clarinet and fellows of the Tanglewood Music Center August 2010.1. With Vigour2. Free and Enigmatic3. CalmoThere is usually some sort of extra-musicalstarting point for my pieces and for the Clarinet Concerto this was ‘The Cracked Bell’ by Baudelaire. In a short space of time the work seemed to take over and move further away the original stimulus with the character andinteractive roles of the soloist and ensemble were suggested by the wintry evocative atmosphere of the poem.The piece opens with declamatory cadenza-like passages in the clarinet that are in turn commented on by theensemble. A more playful section where the clarinet line is very virtuosic leads to a long gently-unfolding melody in the ensemble that begins in the depths of the bass register and gradually gets much higher. Virtuosicclarinet lines interject against the accompaniment and both pursue their own course until culminating in a high impassioned melody for the clarinet coloured by fast-moving passage work in the higher registers of ensemble. Themovement ends with the ‘call and response’ lines of its opening.The second movement opens with an extended solo for the clarinet in its haunting chalumeau register. With each rising phrase the clarinet line gets higheruntil the ensemble enters in unison. The movement becomes much faster and energetic from this point with brisk fleeting lines for soloist and ensemble.The third movement is the most reflective of the three. It opens witha flute solo leading to the solo clarinet line and makes much of the poignant singing style which is so characteristic of the instrument. A melancholy falling passage in the ensemble becomes a recurring feature before the

piano reduction with solo part-Carl Maria von Weber (1786-1826) the great German romantic composer was after Mozart the first master to write distinguished works for the solo clarinet. They include two compositions with piano accompaniment: the Grand Duo Concertant and Theme and Variations; two compositions for clarinet and string quartet: the Clarinet Quintet and a set of Variations; three works for clarinet and orchestra: the Concertino and two Concertos.The Clarinet Concerto No.2 In E Flat Op.74 is a lively and majestic piece which truly explores the sonorities and technical capabilities of the instrument? the opening two notes of the solo Clarinet part span an interval of three octaves showing off the range and compass of the instrument! This is a tremendous work for solo Clarinet and Orchestra arranged here for B flat Clarinet with Piano accompaniment and edited by Eric Simon.The solo Clarinet in B flat part is also included on a separate insert.

Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising

arrangiert für Klarinette und Klavier-The Concerto for Clarinet and Orchestra was written in October 1791 about two months before Mozart's death and destined for Anton Stadler the famous clarinettist. The first movement exists in a sketch in G major for Basset Horn and Orchestra composed towards the end of 1789.This edition has been published in two versions: in the original in A for Clarinet in A and in a transposed version in B-Flat for Clarinet in B-Flat in order to comply with the popular request for that instrument. Available here is the version for Clarinet in A with Piano reduction by Ernest Roth and Clarinet arrangement by Frederick J. Thurston.

Sometimes referred to as the Stadler Quintet Clarinet Quintet KV 581 is Mozart's only completed Clarinet Quintet and was written in 1789 for the clarinetist Anton Stadler.   This idyllic flowing piece was originally written for basset Clarinet but is almost always played on a Clarinet in A or B-flat. It remains to this day one of the composer's most admired works.   The work is arranged here for Clarinet and Piano.  

Schumann's 3 Romances Op.94 is a collection of 3 beautiful miniatures available here for Oboe (or Violin) Clarinet (in B flat or A) with Piano Accompaniment. The version for Oboe (or Violin) has been edited by Pierre Pierlot and the version for Clarinet (in B flat or A) has been edited by Jacques Lancelot.The Oboe (or Violin) Clarinet in B flat and Clarinet in A parts are also included on separate inserts.

Composed in 1940 Geoffrey Bush’s Rhapsody For Clarinet And Strings has been transcribed here for Clarinet and Piano and is a great addition to the repertoire of both clarinettists and pianists. While enhancing cooperative skills between musicians it also presents plenty of opportunities for the soloist to show off their talent. Duration ca. 9 minutes.Geoffrey Bush was a British composer organist and scholar of 20th-century English music. His compositions include 5 operas 2 symphonies choral pieces such as his Christmas Cantata and many songs generally in the liederstyle.

arranged for Clarinet and Piano-Classical Highlights presents the best-known and most popular performance pieces of the classical repertoire in arrangements for clarinet and piano. Every clarinettist looking for a popular classic for teaching or performing purposes will make a find here.

Carl Davis' Clarinet Concerto was commissioned by the Greenwich Festival with the aid of the Arts Council Of Great Britain. The piece was first performed at the Royal Naval College in June 1984 as part of the festival. It is arranged here for Clarinet and Piano.

Jazzy Clarinet For Young Players 1 is an ideal introduction to the rhythms and syncopation for a variety of contemporary styles such as Rock Jazz and Pop. All six of the pieces here are in the bottom register with embellishment firmly rooted on basic chords so as to give a sound basis for more sophisticated improvisation later. Also this Clarinet book is perfect practice to enhance scales and arpeggios for examination purposes.

This creative collection of easy pieces is intended to open up the wealth of Romantic music to clarinettists in the early stages of their development. This volume includes well known and popular themes by the great composers of this era. The book concludes with short studies by Friedrich Demnitz - a famous clarinettist of the period.The pieces selected here have been sensitively arranged for clarinet and piano, so that they are satisfying and enjoyable to play. They are suitable for studying in lessons, as well as repertoire for recitals and concerts. Of course they may also be enjoyed when played at home, along with the accompaniment tracks on the CD. / Clarinette Et Piano

Par PEREZ CHOVI PASCUAL. Here\'s a rousing Pasadoble, which is a stately Spanish march style arranged for clarinet, piano, and optional castinets by Paula Corley, former Pedagogy Chair for the International Clarinet Association. Grade 3.5, Duration ca. 4\'. / Date parution : 2022-09-20/ Répertoire / Clarinette et Piano