Score-Jaromir Weinberger's Polka And Fugue from the Opera 'Schwanda the Bagpiper'. Transcribed and adapted for band by Glenn C. Bainum.

Songs of the Bagpipe and Hornpipe-This delightful medley of timeless Scottish tunes speaks to the piper in all of us. Richly orchestrated and profuse with creative contrast it will be an exciting addition to your next concert appearance. Regarding preparation the ranges rhythms and mixture of styles are right on target for this level band and Piper’s Rhapsody is sure to become a favorite with your musicians. A study of Scotland’s culture and how the bagpipe and hornpipe are important would be appropriate. A find!

Suite from Hymn of the Highlands draws three expressive musical pictures of the Scottish highlands. The first movement Ardross Castle features solo passages for clarinet and bassoon and features a fascinating bagpipe melody. The second movement Alladale is a saxophone trio with an accompaniment featuring the percussion section. The final movement Dundonnell features two highly contrasting melodies a wild presto and the bagpipe melody first heard in the first movement.

Par HANNICKEL MIKE. Two melodies in the Scottish style meet head-on in this energetic new arrangement. Your students will love the “bagpipe sound” and rhythmic color of the Scottish “snap”. This arrangement can also be used with young bands as a lesson in the concept of counterpoint. Each of the two main themes is clearly stated on its own, but remarkable things happen when they are played together. Through skillful selection of themes and contrapuntal composition, Mike Hannickel does a masterful job of melding these contrasting songs into a unified and energetic adventure into the Highlands. Fun to play, and a great style study! / Niveau : 2.5 / Répertoire / Concert Band ou Harmonie

Two melodies in the Scottish style meet head-on in this energetic new arrangement. Your students will love the ?bagpipe sound? and rhythmic color of the Scottish ?snap?. This arrangement can also be used with young bands as a lesson in the concept of counterpoint. Each of the two main themes is clearly stated on its own but remarkable things happen when they are played together. Through skillful selection of themes and contrapuntal composition Mike Hannickel does a masterful job of melding these contrasting songs into a unified and energetic adventure into the Highlands.Fun to play and a great style study!

Scottish Dances is based on three Scottish traditionals: Cock of the North The Bonnie Bank's O'Loch Lomond and Marie's Wedding. I. Cock of the North's name is used for multiple things or events. For example for a locomotive to a famous it seems delicious liqueur and rallies to snowboard competitions. Furthermore is 'Cock O' the North ' a nickname of a famous Duke. (The 4th Duke of Gordon). In this composition Cock of the North (a Jig) is a traditional Scottish bagpipe tune regularly played on tattoos by Pipe Bands. Not infrequently the drummers sing the text. Auntie Mary had a canary Up the leg of her trousers While she was sleeping Iwas peeping Up the leg of her trousers. II. ' The Bonnie Bank's O'Loch Lomond ' is about a sad story that took place during an revolt against the British. In 1745 Bonnie Prince Charlie had to retreat. Two of his men were captured. One was convicted and executed while the other was released. The spirit of the executed soldier would arrive in Scotland via the 'low road' (underworld) before his companion who had still a long way to go. You'll take the high road And I'll take the low road And I'll be in Scotland afore ye But me and my true love will never meet again On the Bonnie Bonnie Banks of Loch Lomond III. In a Scottish wedding after the official ceremonies there is often danced. This is called a ceilidh. For this we use traditional Scottish music such as 'Marie's Wedding '. Mid dance we go back to the church where a lovely song in honor of the couple sounds. Marie's Wedding has been recorded by Van Morrison (among many others). Step we gaely on we go heel for heel and toe for toe Arm and arm and on we go all for Marie's wedding

This little concerto for clarinet was written for Peter Holligan a friend of its composer and the Fife Youth Concert Band (Scotland). The work was based on traditional Celtic music and consists of three movements. 1. Reel - a fast dance ending in an atmospheric but virtuoso cadenza. 2. Lament - a slow and melancholy song hinting at the sound of bagpipes. 3. A fast and virtuoso dance in 6/8 time with Irish influence. The work is a wonderful audience-pleaser and an absolute 'must' for all clarinet-players. The band too is called upon and by all means does have its part to play in the piece. Band grade 4 soloist grade 5. Dit Concertino voorklarinet werd geschreven voor Peter Holligan een vriend van de componist en de Fife Youth Concert Band (Schotland). Het werk is gebaseerd op de traditionele Keltische muziek en bestaat uit drie delen. 1. Reel - een snelle dans die eindigt in een sfeervolle maar virtuoze cadens. 2. Lament - een trage en melancholische melodie die het geluid van doedelzakken verbeeldt.3. Een snelle en virtuoze dans in 6 / 8 maatsoort met Ierse invloeden. Voor het publiek een heerlijk werk om naar te luisteren en een uitdaging voor de solist(e)! Het orkest ondersteunt deze om het tot een kleurrijk geheel te maken! Orkest graad 4 solo graad 5.

John Blanken has created a swinging arrangement of the famous Scottish traditional tune Scotland the Brave. The usual version with bagpipes is the best known and there is a similarity in Swingin’ Kilts owing to its long drone-like tones in the accompaniment. The theme has been rhythmically adapted but it is still easily recognisable. Swingin’ Kilts holds a challenge for every brass band. It makes demands in terms of timing and technique which give this work the bravura feel that will keep the audience as well as the musicians swinging in their seats.

Here’s a delightful folk song of Irish origin with a hint of nostalgia thrown in for good measure. It was probably once played on the Bagpipes and is definitely emulated that way in this arrangement.