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Fairy Queen Score (PURCELL HENRY)
Conducteur
[Sheet music]
Novello & Co Ltd.
The Fairy Queen (Full Score). Par PURCELL HENRY. Purcell Society Edition #12. Th...
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The Fairy Queen (Full Score). Par PURCELL HENRY. Purcell Society Edition #12. The Fairy Queen In Full Score. The drama adapted from Shakespeare's A Midsummer Night's Dream . The work may be perfomed with a minimum of five soloists: Soprano I, Soprano II, Alto or countertenor, or Tenor, Tenor, Bass. The orchestral scoring consists of two recorders, two oboes, two trumpets, timpani, strings and continuo. Orchestral parts are available for hire from the publisher. Vocal Score available for sale. / Rép Classique / Répertoire / Conducteur
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Concerto Da Camera H 285 / Rhapsody-Concerto H 337 (MARTINU BOHUSLAV)
Conducteur
[Sheet music]
Barenreiter
Couverture Rigide. Par MARTINU BOHUSLAV. Replaces H 277 The two concertos contai...
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Couverture Rigide. Par MARTINU BOHUSLAV. Replaces H 277 The two concertos contained in this volume represent two different stylistic periods within Martinu's work. The 'Concerto da Camera” (1941) is the last of his works inspired by the Baroque concerto grosso. The 'Rhapsody-Concerto”, composed eleven years later (1952), was the first work of his so-called 'fantasia period”, marked by a more open sense of form and an expansion of tonality. The edition of the 'Concerto da Camera' shows, for the first time, the extend of Martinu's modifications to the work since its composition and publication, particularly on the solo violin part. The edition of the 'Rhapsody-Concerto” takes into account, among others, the discovery of previously unknown contemporary performance materials. This volume of the Bohuslav Martinu-Complete Edition (BMCE) is based on a wealth of text and music sources, in particular autographs and contemporary copies that were recognized by the composer and early performers of the works, as well as some first editions created in collaboration with Martinu./ Répertoire / Conducteur
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RACHMANINOFF S. - PIANO CONCERTOS 1, 2 & 3 - SCORE
Conducteur
Dover Publications
Just as Serge Rachmaninoff's piano virtuosity ranked him among the greatest pian...
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Just as Serge Rachmaninoff's piano virtuosity ranked him among the greatest pianists of the twentieth century, his compositions for piano and orchestra won him an important position among modern composers. Among the works that ensure his reputation are the first three piano concertos, reprinted here from the authoritative full-score Russian editions.
Rachmaninoff wrote the stirring Piano Concerto No. 1 in the years 1890–91, while he was still a young student at the Moscow Conservatory, and revised it nearly three decades later in 1917, when he began to devote his life mainly to his international career as a piano virtuoso. The immense and enduring success of the Piano Concerto No. 2, completed in 1901, has made this romantic work one of the most performed and recorded in the concerto literature and one of the most familiar compositions in all of music. The powerful and expressive Piano Concerto No. 3 was composed for a concert tour of America, during which Rachmaninoff appeared with great success as composer, pianist, and conductor. Like the first two concertos, it remains a repertoire favorite in concert halls around the world.
All three acclaimed works are reprinted in this finely made yet remarkably inexpensive Dover edition. Musicians and music lovers will find it a convenient single-volume source from which to study intimately three major works of the twentieth century.
Reprint of the State Music Publishers, Moscow, 1965 edition. / Partitions classique / Ensemble et orchestre / Conducteur / DOVER
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Horn Concerto [No. 2] In Eb Major K. 417 (MOZART WOLFGANG AMADEUS)
Conducteur
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's horn concertos: the Mozar...
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Par MOZART WOLFGANG AMADEUS. Wolfgang Amadeus Mozart's horn concertos: the Mozart expert Henrik Wiese edits the central work genre of Viennese classicism according to the current status of international Mozart research. Mozart wrote the Horn Concerto K. 417 - like the other works of this genre as well - for his horn-playing friend Joseph Leutgeb. The jokes which the composer made at Leutgeb's expense are wellknown. For example, he called the dedicatee a 'donkey” in the autograph, and, as Henrik Wiese evidences in his preface, Mozart also occasionally enjoyed a bit of tomfoolery with the soloist in the musical text as well. Otherwise the editor's task was anything but amusing. The main source - the autograph score - is incomplete: missing are the close of Movement I as well as the entire slow middle movement. For these two sections, Wiese used a copy of the score from the archive of the publisher Johann André. The unusual circumstance that Mozart generally left the horn part almost unmarked recurs in the Concerto K. 417 and was deliberately maintained in the Urtext edition./ Répertoire / Conducteur
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Krypton (Score)
Conducteur
[Score]
Faber Music Limited
Krypton refers to the exploding planet from which the infant Superman escaped. ...
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Krypton refers to the exploding planet from which the infant Superman escaped. A dark, microtonal soundworld is created with glissandi in the strings, trombones and siren. Two percussionists play antiphonal fire bells throughout the movement, as it evolves from a recurring solo motive in the cellos into ominous calls from the brass section. Gradually the movement builds towards an apocalyptic conclusion. / Conducteur
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Horn Concerto [No. 1] K. 412 (386B)
Conducteur
[Score]
Breitkopf & Härtel
The two-movement, incompletely transmitted Horn Concerto in D major K. 412 was l...
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The two-movement, incompletely transmitted Horn Concerto in D major K. 412 was long considered as Mozart?s first horn concerto - it is, however, his last, and was written between March and December 1791. Mozart undertook revisions in the autograph ? which contains the most important orchestral parts next to the entire solo horn part ? in order to adjust the work to the modest technical abilities of the planned soloist Joseph Leutgeb. Mozart revised and completed the first movement, eliminated lower notes in the solo part, rewrote difficult passages and expanded orchestral interludes to give Leutgeb additional breath rests. Mozart also made similar simplifications in the second movement as well, but his early death prevented the completion of the work.Robert D. Levin reconstructed both versions of the concerto on the basis of the autograph. Next to the version revised by Mozart (?post correcturam?), he now presents the original version (?ante correcturam?) for the first time in a musical text revised and supplemented according to rigorous philological criteria. / Conducteur
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2 Famous Processionals
Conducteur
[Score]
Alfred Publishing
A fine vocal chart of a wonderful standard treated as a moderate swing. Arranged...
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A fine vocal chart of a wonderful standard treated as a moderate swing. Arranged in two keys for flexibility, the low female key is C, and the vocal range is G below middle C to third line B. The high male key is F, and the range is middle C to top space E treble clef. Lead trumpet range is to written B above the staff. Includes a written-out tenor solo. / Conducteur
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BERLIOZ HECTOR - ROMEO ET JULIETTE - FULL SCORE
Conducteur
BARENREITER
Roméo et Juliette Op.17 Hol.73: Symphonie dramatique
For his third symphon...
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Roméo et Juliette Op.17 Hol.73: Symphonie dramatique
For his third symphony “Roméo et Juliette” (1839) Berlioz turned to his greatest literary passion, Shakespeare, drawing once again on his ownmost fervent experiences.
Berlioz’s discovery of Shakespeare in 1827 had been overwhelming not only for the dramatic force of the poetry and drama, but also because the leading actress of the company, Harriet Smithson,immediately won his heart. She later became his wife.
He began to think seriously about composing some kind of musical “Romeo and Juliet” but it was not realised until 1839. The symphony is scored fordoublechorus (to represent the two warring families), solo voices as secondary characters, with the lovers themselves represented by the orchestra.
Urtext of the New Berlioz Edition / Partitions classique / Ensemble et orchestre / Conducteur / BARENREITER
37.50 EUR - Sold by Woodbrass
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King Arthur Full Score (PURCELL HENRY)
Conducteur
[Sheet music]
-
Intermediate
Novello & Co Ltd.
King Arthur (Arr. Laurie). Par PURCELL HENRY. King Arthur was the only one of Pu...
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King Arthur (Arr. Laurie). Par PURCELL HENRY. King Arthur was the only one of Purcell's professionally produced operas to have been designed as a semi-opera - the others were all adaptations of earlier plays. Dryden made a real attempt to integrate the music into the drama, but since he ascribed to the dramatic conventions of the period which virtually confined music to allegorical or supernatural beings and thier worshippers, or servants, shepherds and similar characters, the main action mostly occurs in the spoken sections, and even the two singing characters, Philidel and Grimbald speak more than they sing. / Niveau : Intermédiaire / Rép Classique / Répertoire / Conducteur
76.70 EUR - Sold by LMI-partitions
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Nicholas Maw: Little Concert: Orchestra: Instrumental Work
Conducteur
[Sheet music]
Faber Music Limited
Written for Melinda Maxwell and the Orchestra of St. John's Smith Square to comm...
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Written for Melinda Maxwell and the Orchestra of St. John's Smith Square to commemorate the orchestra's twenty first anniversary. the happy surprise of his Little Concert. . . beneath the graceful long lines and jig-like spurts of a solo part expressly written for Melinda Maxwell Maw finds time and space enough to draw quite long-range implications from his basic motif of a semitone plus a major third and to insert some of his special densely poetic harmonies.Bayan Northcott The Independent 6 June 1988.Scored for Oboe solo two Horns two Violins Viola Cello and Double Bass.
15.99 GBP - Sold by Musicroom UK
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Malcolm Arnold: Concerto for 28 Players: Orchestra
Conducteur
[Sheet music]
Faber Music Limited
Edward Greenfield writes '. . .chamber music writ large often abrasive in an al...
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Edward Greenfield writes '. . .chamber music writ large often abrasive in an almost Stravinskian way. . .the emotional weight is borne by the central slow movement. . . The finale is a brisk march interrupted at one point by horn fanfares in which the second of the two trios hauntingly brings scrunching cluster-chords pianissimo.Gramophone December 1992
22.00 GBP - Sold by Musicroom UK
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Keyboard Concertos, Cembalo Concerto In B Flat Op. 13, #4
Conducteur
[Score]
Peters
/ Conducteur
31.30 EUR - Sold by LMI-partitions
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One, Two, Three... Jazzy !, Cl - Tp - Tb Solo
Français
Conducteur
[Score]
-
Easy
Martin, Robert
/ Conducteur / niveau : Or:2 / Partition
41.10 EUR - Sold by LMI-partitions
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Coffret Scores (BEATLES THE)
Conducteur
[Sheet music]
-
Intermediate
Novello & Co Ltd.
Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in f...
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Par BEATLES THE. In over one thousand pages, the complete music and lyrics, in full 'rock score' transcriptions, of all the 203 songs they wrote and recorded as The Beatles, plus nine by others which they covered on their early albums. All transcribed with separate staves for vocals, each guitar (in tab and standard notation) and all other instruments...the essential Beatles collection. / Niveau : Intermédiaire / Rép International / Recueil / Conducteur
153.10 EUR - Sold by LMI-partitions
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