Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Publication Date: 1999 Series: Teoria e Didattica della Musica (Theoretical and Educational Texts) Pages: pp. 208 CONTENTS * Preface * Introduction * CHAPTER 1. TUNING AND TABLATURE Tuning - Tablature (French tablature - Italian tablature - Rhythm symbols - Fingering and other symbols) - Stringing and doubling - Tuning practice (Practical advice on tuning - Tuning problems) - Strings * CHAPTER 2. BASIC TECHNIQUES Posture and position of the lute - Right-hand position - Right-hand functions - Sound production (Positioning p - Forearm movement - Attack - Positioning i) - Alternating p and i - Finger articulation for polyphonic passages (Positioning p - Positioning i) - Preparatory exercises - Differences from guitar technique - Body control * CHAPTER 3. THE RIGHT HAND Forearm and accentuation - Fingering * CHAPTER 4. THE LEFT HAND General principals - Preparatory exercises - Avoiding stiffness - Differences from guitar technique - Hand coordination * CHAPTER 5. SCALES Right-hand scale technique (Forearm movement - Finger articulation - Integrating the two techniques) * CHAPTER 6. EXERCISES FOR TWO LUTES Exercises on a ground bass - Contrapuntal exercises - Articulation - Dances and ground basses * CHAPTER 7. SHIFTING LEFT-HAND POSITIONS Fundamental principals - Position changes using the same finger - Position changes by substitution - Position changes by jump * CHAPTER 8. EXERCISES FOR TWO LUTES WITH POSITION CHANGES * CHAPTER 9. RIGHT-HAND TECHNIQUE IN POLYPHONIC MUSIC p-i articulation - Positioning m - Rest stroke with p - Left-hand positions and movement - m-i articulation - Combining p, i and m - Easy pieces in two voices - Two-voice scales * CHAPTER 10. COUNTERPOINT Voice progression and intervals - The species - Florid counterpoint - Imitation - Syncopation - Suspension * CHAPTER 11. CONTRAPUNTAL PIECES IN TWO VOICES * CHAPTER 12. THREE VOICES The right hand - Combining chords and single notes - Repeated chords and monophonic passages - Arpeggios - Chords and counterpoint * CHAPTER 13. CONTRAPUNTAL PIECES IN THREE VOICES Technical aspects: three-voice scales, the barre - Contrapuntal pieces in three voices * CHAPTER 14. CHORDS OF FOUR OR MORE NOTES The ring finger (a) - Five- and six-note chords - Chords played with p * CHAPTER 15. IDIOMATIC LUTE COMPOSITIONS Chords and divisions - Characteristics of lute composition * CHAPTER 16. TRANSFORMATION OF LUTE TECHNIQUE DURING THE 16th CENTURY Evolution of right-hand position - Exercises for m-i alternation * CHAPTER 17. TECHNIQUE Scales (Full-length scales in all keys - Scales with divisions) - Speed - Left-hand legato and ornamentation - The barre (Preparatory exercises - Barre exercises) - Scales in two and more voices (Two-voice scales - Three-voice scales) - Polyphonic patterns - Right-hand exercises * CHAPTER 18. RENAISSANCE PERFORMANCE PRACTICE Interpretation (Rhetoric - Sound quality - Rhythmic inequality) - Ornamentation (16th-century sources - The first half of the 16th century - The second half of the 16th century - The first half of the 17th century - The Elizabethans) * CHAPTER 19. TEMPERAMENT Meantone temperament - Equal temperament

Music Minus One Flute Deluxe 2-CD Set-A 2-CD set brimming with wonderful music by Bach and Kuhlau. Bach's sonata is especially charming and a classic in the repertoire and the Kuhlau cleverly uses the sonorities of the two flutes. Includes a high-quality printed music score and two compact discs containing a complete performance with soloist then a second version with the accompaniment minus the soloist. Performed by Ervin Monroe 1st flute Accompaniment: Sam Baron 2nd flute Robert Conant harpsichord

with Piano Accompaniment-This compilation of 11 Flute solos from the legendary Rubank educational library now includes online access to:Full-performance and accompaniment-only audio tracksPDF Piano accompaniment filesPLAYBACK A multi-functional audio player that allows you to adjust tempo without changing pitch change keys and create practice loops - available exclusively from Hal Leonard.Contents: 'Albumleaf' (R. Wagner) 'Canzona' (Bertoni) 'Chanson Pastorale' (Koepke) 'Gavotta from Classical Symphony' 'Menuet from Platee' (Rameau) 'Menuetto from Eine Kleine Nachtmusik' (Mozart) 'Polovtsian Dance' (Borodin) 'Slumber Song'(???Schlummerlied???) (Schumann) 'Song of India' (Rimsky-Korsakov) 'Two Menuettos from Flute Sonata in C' (Bach) 'Villanella' (Koepke).

Easy Instrumental Duets-24 favorite melodies from top classical composers in easy duet arrangements for two instrumentalists are featured in this collection including Air on the G String • Blue Danube Waltz • Canon in D • Eine Kleine Nachtmusik • Hallelujah Chorus • Jesu Joy of Man's Desiring • Minuet in G Major • Ode to Joy • Pictures at an Exhibition • Sheep May Safely Graze • Trumpet Voluntary • William Tell Overture and more.Arrangements work for two flutes or can be used with the other woodwind titles from this series.

The first of the Two Pieces For Flute And Harp Or Piano Accompaniment “1. The Swans” is a lovely short piece composed by Henri Busser. Really melodious this piece is perfect to work on the flexibility of the tone and a good training to be able execute pieces more difficult. Written mainly in A key not often used by flautists and starting Andantino moderato the piece symbolizes the swans riding on a lake. It features an intro a main theme in [A] which comes back A tempo in [C] and a final Piú moderato finishing with a really high trill. Some difficulties such as the A key and the range usedon this piece will require an intermediate technique: difficulty is rated at 5°. This first piece is followed by the second one: “The squirrels”. Henri Busser (1872-1913) is a French classical composer and Organist. He was a professor at the Paris Conservatoire and a member of the Académie française. He wrote a ballet numerous operas and chamber music.

The second of the Deux Morceaux “2. Les Écureuils” is a lovely short piece composed by Henri Busser. Really different from the '1. The swans' this piece is much more cheerful and slightly faster. It is perfect to work on the flexibility of the tone and good training to be able execute more challenging pieces. Starting in D major the piece has a ternary form (ABA) with a beginning in Staccato a slower B part and the repeat of the initial theme for the end. The most difficult part of this piece will be found in the last two measures with really fast notes to play. It will be necessary to start toplay them at a slower tempo to get the perfect technique and then increase the speed. This work is preceded by “The Swans” with a difficulty rated at 5°. Henri Busser (1872-1913) is a French classical composer and Organist. He was a professor at the Paris Conservatoire and a member of the Académie française. He wrote a ballet numerous operas and chamber music.

Flute Play-Along Pack-Two quartets from two masters of the form Wolfgang Amadeus Mozart and Karl Stamitz. The Mozart KV370 quartet is often considered one of Mozart's greatest compositions. These two quartets were originally written for oboe and strings but are often played - as here - by flute because of their fine effect on that instrument. Both demonstrate a thorough command of the wind and string sonorities and they form perfect projects for the chamber-minded flutist. Includes a newly engraved music score printed on high-quality ivory paper and a compact disc containing a complete performance of the concerto in split-channel stereo with the soloist on the right channel and a secondperformance in full stereo minus the soloist. Accompaniment: Members of the Beaux Arts String Quartet

From two prolific flautists of all time Claude-Paul Taffanel and Philippe Gaubert's Complete Method of the Flute provides an essential and well-informed aid to Flute studies. With notes in French English German and Spanish this volume is highly accessible and versatile. The second volume of Complete Method of the Flute addresses a huge number of musical elements including tone articulation syncopation key signatures scales breath control ornaments and tonguing among many other aspects. Having been outstanding performers on the Flute as well as providing significant contributions to teaching ofthe instrument the pair saw the need for their detailed Complete Method of the Flute compiling it with their combined invaluable expertise. Considering that two great names are associated and that the compilation is packed full of technical exercises this study book makes for an irresistable purchase for aspiring flautists.

Funky duets & trios-The two Cool Flute books of duets and trios are a collection of fun-to-play pieces. They can either be played alongside the teacher or by two or three flautists of similar ability. Book 1 is for players of grade 1-3 standardwhilst Book 2 presents suitable challenges for players of about grade 4-6 standard.

3- und 4-stimmige Kanons. Par SCHMITZ MANFRED. Canons are fun and at the same time also help develop the ability to listen and play along, thus making them an important enhancement to musical training. With 109 pop style melodies in two volumes Manfred Schmitz work provides comprehensive and diversified material which can be flexibly implemented in teaching single pupils, for group lessons and for ensemble classes. The instruments violin, viola, violoncello and flute can thus stay „among themselves“ or play music together in all imaginable instrumental combinations. 3/4 part Particularly designed for performance in groups and ensembles, the demands grow with the addition of voices and the growing diversity of timbres. As withthe two-voiced canons, also the three and four-voiced canons can with the help of the universal versions be played in all thinkable combinations of instruments up to the various chamber music ensembles. / Niveau : Débutant à Intermédiaire / Contemporary - Solos / Recueil / Flûte Traversière

The purpose of this Flute songbook is to provide the beginning Flute player with a repertoire of 101 familiar and easy to play tunes written for Flute. All the songs are written specifically for Flute utilizing dynamics expression markings and articulations. Key signatures for the songs are in a comfortable range suitable for the beginning Flute player. This songbook is an ideal supplement to any elementary Flute Method book. Most of thesongs are appropriate for performance at concerts recitals and contests. Private teachers will assign one or two of the songs from this book at each lesson. The songs will help the beginning Flute student to develop fingeringtechnique rhythm reading ability and confidence.