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Let It Be
BASSOON
Orchestra, Violin
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Orchestra, Violin
Barenreiter
E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto o...
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E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard. The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard. The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice. This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre
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Tzigane: Violin: Score
Orchestra, Violin
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...
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In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim Jelly D?Aranyi in concert in London. Following the performance Ravel spent the remainder of the evening requesting D?Aranyi to play numerous gypsy tunes on her violin probing her on the technical limits of the instrument. The result of this encounter is Ravel?s virtuoso classic ?Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano producing a sound similar to the rich overtones of the Cimbalon) the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel laterorchestrated ?Tzigane? and both versions remain a ?must? for music-lovers and aspiring violinists today. Jelly D?Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel?s masterpiece. It is published both in the orchestral version complete with full score and performance material as well as in the composer?s earlier version for violin and piano. All known sources including letters have been drawn on for the new edition; one of the available sources consulted for the first time was a copy of ?Tzigane? from the estate of Jelly D?Aranyi which is today part of a private collection. The version for piano and violin contains besides the Urtext part a second violin part as a facsimile with performance instructions by Jelly D?Aranyi. D?Aranyi?s alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D?Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.First scholarly-critical Urtext edition of the work Presented are both versions: for violin and orchestra and for violin and pianoIncludes Jelly D?Aranyi?s fingering
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Best Of Belwin: First Year Charts - Bass
Orchestra, Violin
Alfred Publishing
The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection o...
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The Best of Belwin Jazz: First Year Charts for Jazz Ensemble is a collection of twelve outstanding jazz ensemble arrangements for the young player. Each chart is written by experienced educational arrangers and composers in various styles and tempos: swing, Latin, ballad, waltz, holiday and pop. This collection is written for full instrumentation - five saxophones, three trumpets, three trombones, and four rhythm - but is designed to sound full and complete with reduced instrumentation of three saxes, two trumpets, one trombone and three rhythm. Optional parts are available for flute, clarinet, tuba, horn in F, and baritone T.C. The rhythm section parts offer suggestions for rhythms, piano voicings, and guitar chord frames. All solos are written out in improvised sections. The conductor's book includes full-length CD recordings of all titles. Titles include: Bill Bailey, Won't You Please Come Home, Birth of the Blues, Embraceable You, First Time Around, Gospel, Hot Chocolate, Jazzmin Tea, Jingle Bell Rock, Poco Loco, Splanky, Sunday Morning, TMI
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Violinkonzert (BERG ALBAN)
Orchestra, Violin
[Score]
Universal Edition
According to the Critical Complete Edition. Par BERG ALBAN. UE presents a new cr...
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According to the Critical Complete Edition. Par BERG ALBAN. UE presents a new critical edition of Berg's Violin Concerto, which seeks to correct errors which have been incorporated in the score since its first publication. Carefully researched, this new definitive score is now the most accurate. Published in oversize (11' x 13') hardbound format. Dur.: 22'-25'/ Répertoire / Violon et Orchestre
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Violin Concerto
Orchestra, Violin
Schott
My Violin Concerto is scored for a Classical-sized orchestra, with the addition ...
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My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the 'journey' of the piece.The work's straightforward formal scheme consists of three movements (roughly fast-slow-fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centres on a twofold search. First there is the ongoing pursuit to 'recapture' the simple melodic material stated by the solo violin - accompanied by the harp's bass register - during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue.The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabás Kelemen and the Hallé. The piece is dedicated, with admiration, to my friend Oliver Knussen. (Ryan Wigglesworth) / Violon Et Orchestre
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Michael Nyman: Concerto For Violin and Orchestra: Violin: Instrumental Work
Orchestra, Violin
Chester
The Violin Concerto was commissioned by Stiftung Schleswig-Holstein Musik Festiv...
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The Violin Concerto was commissioned by Stiftung Schleswig-Holstein Musik Festival. It was first performed by Gidon Kremer (violin) and the Schleswig-Holstein Musik Festival Orchester conducted by DennisRussell Davies at the Musikhalle Hamburg Germany on 29 August 2003. Interpolated within this one-minute-one-movement layout is a recurrent refrain where the soloist articulates one of the basic harmonic foundations of anumber of the one minute sections (six dominant 7ths - on E F sharp C A B D) in an undisguised Bachian fashion. The slow arpeggios in the later variants of the refrain not unexpectedly find themselves sharing a bed with theopening of Berg's Violin Concerto. Nyman has effectively adopted Berg's orchestral template with two exceptions - the omission of the alto Saxophone and replaced Berg's Percussion section with Marimba and Vibraphone mallet instruments which intertwine with the soloist in the Concerto. Alban Berg's Violin Concerto was dedicated to 'the memory of an angel' Manon Gropius. Nyman's Concerto was dedicated to the memory of DanielToscan du Plantier a friend and neighbour - in Nyman's words 'certainly no angel but a major figure in the recording and film industries'. Arranged for solo Violin and Piano accompaniment the duration of thiswork is approximately: 25 minutes.
28.99 GBP - Sold by Musicroom UK
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Wolfgang Amadeus Mozart: The Violin Concerti & Sinfonia Concertante K.364:
Orchestra, Violin
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Advanced
Dover Publications
Written in the year 1775, Mozart's lively violin concerti manifest the young com...
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Written in the year 1775, Mozart's lively violin concerti manifest the young composer's astonishing maturity and command of his craft. An incredible fluency of musical speech ? richness of texture and sheer beauty of melodic line pervade this music (Veims, The Concertos). Indeed, the concerti are the composer's earliest compositions that have maintained a secure position in the world's repertoire. Also a staple of the concert hall is the Sinfonia Concertante, K.364, composed in 1779, and scored for violin, viola, and orchestra. Undoubtedly the most significant work Mozart composed that year, the piece is distinguished by its symphonic sweep, advanced harmonies, and the beautiful slow movement, among Mozart's most moving creations. Now all six masterpieces are available in this convenient, inexpensive edition.
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Peter Maxwell Davies: A Spell For Green Corn - The MacDonald Dances: Violin:
Orchestra, Violin
[Sheet music]
Chester
A work for solo violin and orchestra commissioned by Donald McDonald for the 21...
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A work for solo violin and orchestra commissioned by Donald McDonald for the 21st birthday of the Scottish Chamber Orchestra and the 60th birthday of the composer. It was first performed in November 1993 in Glasgow by JamesClark and the Scottish Chamber Orchestra conducted by Maxwell Davies.The spell is one quoted by George Mackay Brown in his book An Orkney Tapestry: 'Let not plough be put to acre except a fiddle cross first the furrow.'Davies's dancing concerto imagines the fiddler following a route from field to field from dance to dance accompanied by a bunch of companions in the form of an orchestra. As the music goes on so it gets brighter and livelier moving from the dark colouring of clarinets bassoons and strings to full ensemble with prominent brass and (solo) tuned percussion as if the dancers as much as the fields were beginning to glow with new life.Score(miniature). Duration c. 20mins.
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Franz Joseph Haydn: Concerto For Violin In C: Orchestra: Score
Orchestra, Violin
Barenreiter
Hob Vii A 1-One of Haydn's most attractive concertos from the mid seventeenth ce...
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Hob Vii A 1-One of Haydn's most attractive concertos from the mid seventeenth century the Concerto For Violin In C has only recently been re-discovered. In this charming concerto the soloist is accompanied by a String Orchestra a scoring which can be easily mastered by amateur ensembles. This Urtext edition full score is taken from the Henle Complete Edition of the Works of Joseph Haydn.
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William Walton: Violin Concerto: Violin: Study Score
Orchestra, Violin
Oxford University Press
William Walton Edition-This edition of William Walton's Violin Concerto has been...
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William Walton Edition-This edition of William Walton's Violin Concerto has been off-printed from the William Walton Edition full score and combines the scholarship of the Edition (including an introduction by the editor) with the practical benefits of a study score format.Commissioned by Jascha Heifetz the work was completed in 1939 and premiered by Heifetz later that year. Walton revised the concerto in 1943 and it is this version which is presented in the current edition.
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The 10 Greatest Violin Concertos
Orchestra, Violin
Eulenburg
La série EULENBURG AUDIO + score combine avec plus de 80 titres, les chefs-d'oe...
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La série EULENBURG AUDIO + score combine avec plus de 80 titres, les chefs-d'oeuvre les plus importants de concert et de la littérature orchestrale, le rendant idéal pour les étudiants et les amateurs de musique classique le point de départ idéal pour entrer dans le monde de la lecture de partitions.En plus de l'image d'impression excellente en format convivial et préface détaillée en allemand et en anglais toutes les dépenses fournir un représentant, l'enregistrement complet sur CD directement! Avec les nouvelles top 10 des packages reCoivent chacun une collection complète du répertoire de la musique internationale à un avantage de prix attractif. / Violon Et Orchestre
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