Par SIBELIUS JEAN. Editeur(s) d'origine: Gärtner, Hermann/ Répertoire / Violon et Orchestre

E Minor Op. 64. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn?s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere - the ?child prodigy? Joseph Joachim - and Hubert Leonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard. The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David - now we know that he also gave some to Leonard. The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. That the young violinist made a positive impression on the composer is confirmed in the latter?s correspondence following their joint performance. The editor of this revised edition of the Mendelssohn Violin Concerto, Clive Brown, is an acknowledged expert on Romantic performance practice. This study score complements the full score and orchestral parts (BA 9099), the piano reduction of the 1844 version (BA 9099-92), the piano reduction of the 1845 version (BA 9099-90), as well as the brochure ?Performance Practices in the Violin Concerto op. 64 and Chamber Music for Strings of Felix Mendelssohn Bartholdy? (BA 9060)./ Répertoire / Violon et Orchestre

Le Concerto pour violon et 12 instruments à cordes est dédié au violoniste et chef d'orchestre hongrois Tibor Varga. Dès sa première exécution en Allemagne, à l'église Saint-Sauveur (Erlöserkirche) de Detmold, le 6 juin 1982, l'oeuvre eut un accueil d'une faveur exceptionnelle. Le caractère de cette composition la différencie d'une façon très nette et toute nouvelle du type habituel du concerto à l'époque. / Violon Et Orchestre

Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Oistrach, D. -Weismann, W./ Répertoire / Violon et Orchestre

Par SIBELIUS JEAN. Editeur(s) d'origine: Gärtner, Hermann/ Répertoire / Violon et Orchestre

Par SCHUMANN ROBERT. Editeur(s) d'origine: Riedel, Christian Rudolf/ Répertoire / Violon et Orchestre

Par SCHUBERT FRANZ. Editeur(s) d'origine: Hermann, Friedrich/ Répertoire / Violon et Orchestre

Par STAMITZ CARL. Editeur(s) d'origine: Hellmann, Diethard/ Répertoire / Violon et Orchestre

Par MENDELSSOHN-BARTHOLDY FELIX. Editeur(s) d'origine: Unger, Hermann/ Répertoire / Violon et Orchestre à Cordes

Vl 2. Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Eisen, Cliff/ Répertoire / Violon et Orchestre

Par HAYDN FRANZ JOSEF. Editeur(s) d'origine: Bernstein/Zehetmair/ Répertoire / Violon et Orchestre

Par SCHUMANN ROBERT. Editeur(s) d'origine: Draheim, Joachim/ Répertoire / Violon et Orchestre

Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Waldersee, Paul/ Répertoire / Violon et Orchestre