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Xylophone (2)
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CD only (2)
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Fiddle (2)
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K7 Vidéo (2)
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Symphony #4 F Minor (VAUGHAN WILLIAMS RALPH)
Orchestra
Eulenburg
Par VAUGHAN WILLIAMS RALPH. Durée: 34', Format: ETP small/ Répertoire / Orches...
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Par VAUGHAN WILLIAMS RALPH. Durée: 34', Format: ETP small/ Répertoire / Orchestre
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Symphony #6 E Minor (VAUGHAN WILLIAMS RALPH)
Orchestra
Eulenburg
Par VAUGHAN WILLIAMS RALPH. Durée: 35', Format: ETP small/ Répertoire / Orches...
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Par VAUGHAN WILLIAMS RALPH. Durée: 35', Format: ETP small/ Répertoire / Orchestre
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Symphony No. 3 Op. 78 (SAINT-SAENS CAMILLE)
Orchestra
[Score]
-
Intermediate/advanced
Barenreiter
Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] ...
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Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre
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Saint-saens Camille - Symphonie N°3 Op.78 - Score
Orchestra
[Score]
Barenreiter
Saint-Saëns, Camille Symphony no. 3 in C minor op. 78 - Study score to suppleme...
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Saint-Saëns, Camille Symphony no. 3 in C minor op. 78 - Study score to supplement the full score and performance material on sale - Based on ?Camille Saint-Saëns ? Complete Edition of the Instrumental Works? - Detailed Foreword (Ger/Eng/Fr) ?In this work I gave everything I had to give. [?] What I did here I will never do again?. (Camille Saint-Saëns) Camille Saint-Saëns was justifiably proud of his Symphony No. 3 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth, this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. This study score is based on ?Camille Saint-Saëns ? Complete Edition of the Instrumental Works?, Volume I/3.
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Beethoven, Ludwig Van : Symphony Nr. 3 Eb major `Eroica`, Op. 55
Orchestra
[Study Score / Miniature]
Schott
So he too is nothing more than an ordinary man. [...] he will place himself abov...
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So he too is nothing more than an ordinary man. [...] he will place himself above everyone else and become a tyrant!' is what Beethoven is said to have shouted full of rage when Napoleon had declared himself emperor, and supposedly tore the title page of Symphony No. 3 headed 'Bonaparte' to pieces. Despite his anger, however, the work was again headed 'Bonaparte' when he wanted to publish it in 1804. But it was the first edition of 1806 which finally bore the title of Sinfonia eroica. Symphony No. 3 was Beethoven's first work in which he had come to terms with his progressing deafness and left the boundaries of the musical conventions far behind. / Préface : Max Unger / Partition /
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Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 (MARTINU BOHUSLAV)
Orchestra
[Sheet music]
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The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnat...
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The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre
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Giulio Cesare in Egitto HVW 17 (HAENDEL GEORG FRIEDRICH)
Orchestra
[Sheet music]
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Par HAENDEL GEORG FRIEDRICH. ?Giulio Cesare in Egitto? is by far Handel?s most f...
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Par HAENDEL GEORG FRIEDRICH. ?Giulio Cesare in Egitto? is by far Handel?s most frequently performed opera owing its success not least to its subject matter, one of the best known love stories in world history. Already during Handel?s lifetime the popular work was often staged and therefore adapted by Handel for each of the performance conditions. The editor Hans Dieter Clausen has succeeded in editorially defining and practically presenting these adaptations ? essentially four versions ? on the basis of a meticulous study of the sources within the framework of the ?Halle Handel Edition?. The new edition allows for a performance of each of the four versions. The version of 1725 is particularly noteworthy because Handel newly devised the role of Sesto for the famous tenor Francesco Borosini. The libretto shows the Roman dictator Cesar in a friendly light. He instructs his enemy, the Egyptian tyrant Tolomeo, how to treat adversaries: he reconciles the widow and son of his enemy Pompeo who was murdered by Tolomeo: he is generous and just, hands on, but also diplomatic, thoughtful, aware of the limits of his power, and susceptible for art and nature. However, the actual protagonist of the opera is Cleopatra. In a masterly way Handel develops her character musically. In his extensive Foreword Hans Dieter Clausen not only decribes the genesis, historical background, reception and the edition of the opera, he also examines the musical and dramaturgical reworking of individual numbers in ?Giulio Cesare?. Handel was such an expert in adapting arias for new purposes and other characters that he did not only meet the needs at hand but often the new version surpassed the original. In this way, the reader gains, in passing, a well-founded insight into Handel?s work methods when designing and redevising his characters. The detailed Critical Commentary includes information on the comprehensive and highly complex source situation as well as on individual editorial decisions./ Répertoire / Chant et Orchestre
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Symphony In F Major Hob. I:89 (HAYDN JOSEPH)
Orchestra
G. Henle
Par HAYDN JOSEPH. According to his dating of the autograph, Haydn composed the S...
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Par HAYDN JOSEPH. According to his dating of the autograph, Haydn composed the Symphony no. 89 in F major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work, the G-major Symphony no. 88, for the violinist Johann Tost, who sold it to the Parisian publisher Sieber. In both works, Haydn continues the compositional achievements of the Paris symphonies: mastery of orchestration, richness of musical ideas and details, and an idiosyncratic, multicoloured use of the wind section (which still makes do without Clarinets). In contrast to the buoyant G-major symphony, the F-major symphony possesses a ratherpastoral, sweet character, which in parts can nevertheless soar to dramatic heights. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future. / Friesenhagen, Andreas / Répertoire / Orchestre
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Masses
Orchestra
Barenreiter
Le Complete Vocal Works Johann Pachelbel est connu aujourd'hui comme un composit...
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Le Complete Vocal Works Johann Pachelbel est connu aujourd'hui comme un compositeur de musique d'orgue et d'un célèbre canon instrumental qui comporte fréquemment dans les programmes de concert et des catalogues d'enregistrement. Cependant, la même chose peut être dite de seulement quelques-uns de ses compositions vocales. Tout au plus, les motets apparaissent parfois dans la musique d'église répertoire. Les arias de Pachelbel , des concertos vocales et magnificat à grande échelle ont reCu peu d'attention jusqu'à présent .Musiciens d'église et musicologues ont longtemps souhaité une édition critique de ces travaux importants , qui survivent dans le manuscrit de Pachelbel et ont été en grande partie composé de ses principaux lieux de travail , Erfurt et Nuremberg. Comme toujours avec ces entreprises , de nouvelles découvertes sont à prévoir en ce qui concerne le corpus d'oeuvres , du matériel source et le contexte des travaux. Cela concerne non seulement la belle musique, mais plutôt un approfondissement de notre compréhension de Pachelbel comme un personnage clé entre traditions méridionales et centrales allemandes , et la reconnaissance d'une oeuvre qui a tous été trop souvent poussé dans l'ombre par le puissant Bach. / Orchestre
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Bach, Johann Sebastian : Brandenburg Concertos 4-6
Orchestra
[Study Score / Miniature + CD]
Schott
The more you read, the more you hear!
The Eulenburg Audio Sco...
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The more you read, the more you hear!
The Eulenburg Audio Score Series contains the orchestral world's treasures from the baroque, classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length.
Eulenburg Audio Score is the new way to hear, read and understand music. / Partition CD /
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John Williams Highlights (Full Orchestra
Orchestra
[Score and Parts]
Hal Leonard
John Williams a continué son succès comme le doyen des compositeurs de film av...
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John Williams a continué son succès comme le doyen des compositeurs de film avec de la musique, les films Harry Potter aventureuses, le thème touchant par intérim et les mélodies inspirants, puissants de The Patriot. Ce medley de vitrine est exceptionnelle de programmation pour tout public. / Orchestre
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Symphony #2 C Major Jv 51 (WEBER CARL MARIA VON)
Orchestra
Eulenburg
Par WEBER CARL MARIA VON. Durée: 19', Format: ETP small/ Répertoire / Orchestr...
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Par WEBER CARL MARIA VON. Durée: 19', Format: ETP small/ Répertoire / Orchestre
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Mozart W.a. - La Clemence De Titus Kv 621 - Fac-simile
Orchestra
[Score]
Barenreiter
Mozart, Wolfgang Amadeus La clemenza di Tito K. 621 Facsimile of Mozart's auto...
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Mozart, Wolfgang Amadeus La clemenza di Tito K. 621 Facsimile of Mozart's autograph score The Seven Great Operas in Facsimile Editions of Mozart?s Autograph Scores ?Idomeneo?, ?Die Entführung aus dem Serail?, ?Le nozze di Figaro?, ?Don Giovanni?, ? Così fan tutte ?, ?Die Zauberflöte ?, ?La clemenza di Tito? ? Mozart?s seven great operas, his brilliant contribution to music theatre and world culture, are unequalled in their depth of human characterisation and musical expression. Through happy coincidence, all seven opera scores have survived almost complete in Mozart?s manuscript. The Packard Humanities Institute (PHI, Los Altos , California ) has now embarked on producing a facsimile edition of the seven autograph scores. Mozart scholars, libraries and of course all lovers of Mozart?s stage works now have the opportunity of acquiring these priceless manuscripts in flawless reproductions. At the same time, all risks about preserving Mozart?s legacy for the world of music are taken care of. The Packard Humanities Institute (PHI) charitable foundation, known for its philanthropic programmes in the arts and sciences, has forged an ideal cooperation for the Mozart project. Under the scholarly direction of an editorial board (Ulrich Konrad , David Packard, Wolfgang Rehm , Christoph Wolff; General editor Dietrich Berke) the International Mozarteum Foundation Salzburg and the libraries where Mozart?s manuscripts are held are working together with the Packard Humanities Institute. The production of the volumes is exquisite, for the digitalization of the manuscripts has been undertaken using the latest technology, which allows for an astounding level of authenticity and precision in detail. The printing follows the uncompromisingly high standards demanded by the edition. All seven volumes include essays on the history of literature and ideas by Hendrik Birus , Hans Joachim Kreutzer and Robert Miller as well as musicological introductions by leading Mozart scholars in German and English. The facsimile edition will be distributed by Bärenreiter- Verlag . - consolidation of Mozart manuscripts held in different places - highest level of precision in reproduction and authenticity of colour through use of the latest technology - unique offer thanks to project sponsorship by the Packard Humanities Institute (Los Altos, California) Precision in reproduction thanks to cutting edge technology In preparing the manuscripts for reproduction, equipment was used in line with the highest technical standards currently available. Mozart?s original manuscripts of the seven operas are held by several libraries. For five of the operas, the different acts have even ended up in different libraries following World War II. Thus, the autograph of Act I of ? Così fan tutte ? is in the Jagiellonian Library in Kraków and the second act in the Staatsbibliothek zu Berlin ? Preußischer Kulturbesitz . In order to achieve a uniformly high level of precision in reproduction and authenticity of colour both within a work and for all seven editions, the use of the same technical equipment in all the different places was a prerequisite. Specialist from the Salzburg firm ? Kirchberger Photography? were employed, were provided with the latest equipment by the Packard Humanities Institute and also given special additional training in the modern technology by specialists in the USA. Proofs of each edition were compared with the original in each location and improved until the likeness could not be bettered in all details. Mozart?s music and text notation is reproduced extremely clearly, and even those places where Mozart corrected or had rubbed out marks he had already made, appear in these editions in a previously unmatched transparency.
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Sinfonia N. 8 (HENZE HANS WERNER)
Orchestra
[Study Score / Miniature]
Schott
Music Of Our Time. Par HENZE HANS WERNER. ‘My Sinfonia No. 8 is not at all tra...
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Music Of Our Time. Par HENZE HANS WERNER. ‘My Sinfonia No. 8 is not at all tragic or moody like the Seventh. It is a summer piece and is based on three moments from Shakespeare’s A Midsummer Night’s Dream‘, writes Hans Werner Henze. This, however, is all we get to know from the composer regarding the work’s reference to Shakespeare’s comedy. On closer examination of the three-movement symphony it turns out that the first movement is a fantasia on Oberon’s order to Puck to search for the magic flower. In the second movement, Henze apparently set the love scenes between Titania and Bottom to music. Ultimately, the final movement shines gracefully and peacefully as if everything that had happened before had only been a dream. - Hans Werner Henze/ Répertoire / Orchestre
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Mozart, Wolfgang Amadeus : Symphony nr.41 C major `Jupiter` KV 551 + CD
Orchestra
[Study Score / Miniature + CD]
Schott
The more you read, the more you hear!
The Eulenburg Audio Sco...
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The more you read, the more you hear!
The Eulenburg Audio Score Series contains the orchestral world's treasures from the baroque, classical and romantic repertoire. Each of the 50 volumes consists of a clearly-presented and authoritative score, an informative preface detailing the biographical and creative background, and a Naxos CD containing the work in full length.
Eulenburg Audio Score is the new way to hear, read and understand music. / Partition CD /
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Tchaikovsky P.i. - Lac Des Cygnes Et Belle Au Bois Dormant - Suites De Ballets - Full Score
Orchestra
Dover Publications
More than a century after the debuts of these classic ballets, audiences thrill ...
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More than a century after the debuts of these classic ballets, audiences thrill to their captivating melodies, magnificent orchestration, and romantic atmosphere. This convenient compilation features the full scores of Swan Lake and The Sleeping Beauty, reprinted from authoritative editions. Instrumentation.
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Chamber Music I
Orchestra
Schott
La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz...
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La renommée de Carl Maria von Weber repose principalement sur , Der Freischütz '. Le succès sans précédent de cet opéra a éclipsé tous ses autres travaux et a contribué à leur chute croissante dans l'oubli. Certaines oeuvres telles que , Preciosa ' , Oberon ', et , Euryanthe ', les ouvertures , concertos en solo et sonates pour piano , des lieder et Chamber Works jouissait d'une grande popularité et ont été largement connu en Allemagne et à l'étranger aussi tard que la deuxième moitié de la 19e siècle . Cependant, toute chance d'une renaissance de Weber influents etoeuvre considérable a été gaspillé dans les années 1920 , quand une édition complète - commencé par Hans Joachim Moser et avec les contributeurs potentiels, dont Wilhelm Kempff , Hans Pfitzner , Max von Schillings, Fritz Stein et Richard Strauss - a échoué après le troisième volume.Depuis , il ya eu de nombreuses tentatives pour relancer une édition complète des oeuvres de Weber , mais comme ce genre de projet , il aurait fallu la collaboration de chercheurs des deux côtés de la frontière inter -allemande, la situation politique après 1945 n'était pas propice à une telle entreprise . Négociations approfondies ont conduit aux premières étapes tangibles dans les années 1980. L'intention , dès le début , était de placer l'oeuvre de Weber dans son contexte, et de ne pas séparer sa production musicale de son travail influent comme un écrivain , critique et organisateur dans le domaine musical , mais de publier ses compositions avec ses lettres, journaux intimes et autre production littéraire comme le meilleur moyen de documenter la fertilisation croisée entre ses activités musicales , littéraires et pratique. / Score
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Symphony #4 D Minor Op. 120
Orchestra
Eulenburg
A late starter in music? After the 1841 premiere which was anything but promisin...
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A late starter in music? After the 1841 premiere which was anything but promising, Schumann did not deal with his Fourth Symphony and put the finishing touches to it until 10 years later. One of its most remarkable features is its structure. The individual movements - none of which is really completed - shall follow each other without a break, thus leading to a great one-movement structure. The work is pervaded by common thematic, rhythmic and harmonic connections. In 1841, such an approach to the symphonic form was still unusual. In the second half of the 19th century, however, it was widely applied. / Orchestre
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Carmen Suite I
Orchestra
Eulenburg
'Carmen ' est l'un des opéras plus populaires et les plus souvent jouées à tr...
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'Carmen ' est l'un des opéras plus populaires et les plus souvent jouées à travers le monde. Première mondiale a été un flop. Néanmoins, l'opéra gagné très rapidement l'acceptation à tous les grands théâtres, apportant dans son sillage des arrangements d'innombrables de certains par / Orchestre
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Two Liszt Transcriptions (HOLLIGER HEINZ)
Orchestra
[Study Score / Miniature]
Schott
Music Of Our Time. Par HOLLIGER HEINZ. / Répertoire / Orchestre
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Symphony #104 D Major, 'salomon' Hob. I: 104
Orchestra
[Study Score / Miniature + CD]
Eulenburg
Quiconque lit, écoute plus. Qui veut vraiment comprendre une composition, utili...
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Quiconque lit, écoute plus. Qui veut vraiment comprendre une composition, utilisation de la partition de l'étude. Les complexités d'une composition sont uniquement sur le score. La Eulenburg audio + score série excelle dans un format facile à lire et prêt / Orchestre
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Symphony #100 G Major 'Military' Hob. I: 100
Orchestra
[Study Score / Miniature + CD]
Eulenburg
Quiconque lit, écoute plus. Qui veut vraiment comprendre une composition, utili...
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Quiconque lit, écoute plus. Qui veut vraiment comprendre une composition, utilisation de la partition de l'étude. Les complexités d'une composition sont uniquement sur le score. La Eulenburg audio + score série excelle dans un format facile à lire et prêt / Orchestre
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Sinfonia Concertante In Es Für Violine, Viola Und Orchester (MOZART WOLFGANG AMADEUS)
Orchestra
[Sheet music]
Barenreiter
for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no refere...
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for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ; Symphonie concertante his special attention. On April 5, 1778, he wrote to his father: ; Now I shall write a sinfonie concertante for flute wendling, oboe Ramm, Punto horn, and Ritter bassoon. Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels, Le Gros, contrary to his promise, did not include the mentioned ; sinfonie concertante in his program. Mozart had no reason to compose any more for this genre in Paris. After Mozart's return to Salzburg, he might have been eager to introduce the new genre there, especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time. - Urtext of the New Mozart Edition - Full score & parts (BA4900), study score format 22. 5 x 16. 5cm (TP176), violin, viola and piano reduction (BA4900-90) available for sale/ Répertoire / Orchestre
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Carmen Suite #2
Orchestra
Eulenburg
Carmen' is one of the most popular and most frequently performed operas across t...
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Carmen' is one of the most popular and most frequently performed operas across the globe. Its world premiere was a flop which the composer Bizet did not live to see. Nevertheless, the opera very quickly gained acceptance at all major theatres, bringing in its wake countless arrangements of some particularly beautiful music numbers.It was, in all probability, Bizet's close friend and fellow student Ernest Guiraud who brought 12 numbers of the opera together to form two orchestral suites. After the first Carmen Suite which unites the most beautiful instrumental settings, the second suite with arrangements of the best-known vocal pieces is now available as well. The musical text is based on our new scientific edition of the opera edited by Robert Didion. / Orchestre
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Eulenburg Audio+Scores - Boxed Set
Orchestra
[Study Score / Miniature + CD]
Eulenburg
The 'Eulenburg Audio Score' series contains the orchestral world's greatest musi...
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The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument
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Symphony G Major Hob. I:88 (JOSEF STOIBER FRANZ)
Orchestra
[Score]
Barenreiter
Par JOSEF STOIBER FRANZ. This edition clarifies a performance aspect of Haydn’...
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Par JOSEF STOIBER FRANZ. This edition clarifies a performance aspect of Haydn’s Symphony in G major that has long been misunderstood: in m. 1 of the second movement (Largo) the viola, violoncello and several wind instrument parts are marked “solo”, indicating that they play important motifs or themes and ought to stand out. Contrary to other editions, the “solo” marking in the violoncello should not be construed as indicating a solo instrument with the remaining cellos doubling the basses. Rather, the cellos should play as a section so as to stand out all the more clearly. Continuing the collaboration between Bärenreiter and the Henle publishing company in large-scalechoral works, operas and symphonies, this edition is based on the Henle Complete Edition of the “Works of Joseph Haydn ”. The complete performance material for several “Sturm und Drang” symphonies and all of the London and Paris symphonies is now available from Bärenreiter. Based on the Henle Complete Edition of the “Works of Joseph Haydn ” Orchestral parts in a large format (25. 5 cm x 32. 5 cm) Full score & performance material available for sale (BA10980)/ Répertoire / Orchestre
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Symphony Nr. 91 E-Flat Major Hob. I:91
Orchestra
Barenreiter
This four-movement work with a slow introduction is Haydn's last symphony for 's...
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This four-movement work with a slow introduction is Haydn's last symphony for 'small' orchestra, i.e. without trumpets and timpani.However it has long passages for solo violoncello and is also scored for two bassoons.The editor of this edition recommends a performance with low horns (additionally included in the wind set) to prevent the musical character of the 'Andante? from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works, operas and symphonies, this edition is appearing, based on the Henle Complete Edition of the 'Works of Joseph Haydn?.The complete performance material for several of Haydn's 'Sturm und Drang? symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the 'Works of Joseph Haydn?- Orchestral parts in a large format (25.5 × 32.5 cm) / Conducteur
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Considering Icarus (RATKJE MAJA S) (RATKJE MAJA S)
Orchestra
[Score]
Wilhelm Hansen
Par RATKJE MAJA S. K.. William Butler Yeats once wrote a poem titled To a Friend...
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Par RATKJE MAJA S. K.. William Butler Yeats once wrote a poem titled To a Friend Whose Work has Come to Nothing (1931). In 1960, the American poet Anne Sexton wrote the following poem, as a part of her first published work, Bedlam and Part Way Back. I see it as an encouraging advice to reach the sun. If you never tried, you'll never know. I thought it fitted very well to the trombone concerto and the soloist's determined will to make the music fly. / Date parution : 2023-03-11/ Répertoire / Orchestre
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