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Violin and Viola
BASSOON
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Sinfonia Concertante In Es Für Violine, Viola Und Orchester (MOZART WOLFGANG AMADEUS)
Orchestra
[Sheet music]
Barenreiter
for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no refere...
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for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ; Symphonie concertante his special attention. On April 5, 1778, he wrote to his father: ; Now I shall write a sinfonie concertante for flute wendling, oboe Ramm, Punto horn, and Ritter bassoon. Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels, Le Gros, contrary to his promise, did not include the mentioned ; sinfonie concertante in his program. Mozart had no reason to compose any more for this genre in Paris. After Mozart's return to Salzburg, he might have been eager to introduce the new genre there, especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time. - Urtext of the New Mozart Edition - Full score & parts (BA4900), study score format 22. 5 x 16. 5cm (TP176), violin, viola and piano reduction (BA4900-90) available for sale/ Répertoire / Orchestre
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Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 (MARTINU BOHUSLAV)
Orchestra
[Sheet music]
Barenreiter
The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnat...
(+)
The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre
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Con Te Partiro - Time To Say Goodbye (CAPPELLARI ANDREA)
Orchestra
-
Easy
Carisch
Cappellari Andrea (Arr). Par CAPPELLARI ANDREA. Arrangement and Orchestration by...
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Cappellari Andrea (Arr). Par CAPPELLARI ANDREA. Arrangement and Orchestration by Andrea Cappellari. Full score and 20 parts: 1) C Instr. (Flute) / 1) Bb Instr. (Clarinet) / 2) C Instr. (Flute, Violin) / 2) Bb Instr. (Clarinet, Soprano Sax., Trumpet) / 3) C Instr. (Violin) / 3) Bb Instr. (Clarinet, Soprano Sax., Trumpet) / 4) C Instr. (Violin) / 4)tr. (Alto Sax.) / 5) C Instr. (Violin, Viola) / 5) Bb Instr. (Clarinet) / 5) Eb Instr. (Alto Sax.) / 6) C Instr. (Violin / Viola) / 6) Bb Instr. (Clarinet) / 6) Eb Instr. (Alto Sax.) / Guitar / Piano 1 / Piano 2 / Bass, Cello, Bassoon / Cymbals, Bass/ Triangle, Snare drum / Four Hands Piano ad libitum. Performance possibile also without Piano. / Niveau : Facile / Pop & rock / Recueil / Ensemble Variable
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Timbres Espaces Mouvements Ou 'La Nuit Etoilee' Partition Orchestre In 8 Ph307 (DUTILLEUX HENRI)
Orchestra
[Sheet music]
Heugel
Par DUTILLEUX HENRI. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouve...
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Par DUTILLEUX HENRI. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoileé is a work for Orchestra, also named “The Starry Night” after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestraof Washington and is dedicated to Charles Münch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while thelack of Violins and Violas epitomises for the quiet and motionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nébuleuse (Nebula) and 2. Constellations, which are divided by a Cello interlude. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoilee is a work for Orchestra, also named ; The Starry Night after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestra of Washington and is dedicated to Charles Munch. This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while the lack of Violins and Violas epitomises for the quiet andmotionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars. It is divided into two parts: 1. Nebuleuse (Nebula) and 2. Constellations, which are divided by a Cello interlude. Henri Dutilleux was internationally acclaimed for his work, winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, among many others. His work also includes a Piano sonata, two symphonies, the Violin concerto 'L'Arbre Des Songes' (The Tree Of Dreams) and the Cello concerto 'Tout Un Monde Lointain' (A Whole Distant Word)./ Répertoire / Orchestre
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Concerto Luminoso Op. 80 #4 L'Eté (BACRI NICOLAS)
Français
Orchestra
[Sheet music]
Chant du Monde
Cello, Oboe, Viola, Violin and Orchestra. Par BACRI NICOLAS. / Répertoire / Orc...
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Cello, Oboe, Viola, Violin and Orchestra. Par BACRI NICOLAS. / Répertoire / Orchestre
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Smetana, Bedrich : Má vlast (My Country)
Orchestra
[Sheet music]
Barenreiter
The first performance of ?Má vlast? as a six-part symphonic cycle took place on...
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The first performance of ?Má vlast? as a six-part symphonic cycle took place on 5 November 1882. With the founding of the Czech Philharmonic in 1896 this work received a far greater reception. Since 1952 the music festival ?Prague Spring? has opened with this complete cycle.
This edition is based on the ?Study Edition of the Works of Bedrich Smetana?, vol. 14, supplemented by an up-to-date detailed foreword about the genesis and history of the work by Marta Ottlová.
Contents
Vy?ehrad / Vltava (The Moldau) / ?árka / Z Ceských luhu a háju (From Bohemia?s Woods and Fields) / Tábor / Blaník
? New foreword by Marta Ottlová (Cz/Eng/Ger)
? Urtext based on the ?Study Edition of the Works of Bedrich Smetana?
Detailed instrumentation: Piccolo flute, Flute (2), Oboe (2), Clarinet (in B-flat) (2), Bassoon (2), Horn (4), Trumpet (2), Trombone (3), Tuba, Kettledrum, Triangle, Cymbals, Concert drum, Harp (2), Violin (2), Viola, Violoncello, Double bass / Classique / Partition / Broché /
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Divertimento G Major Hob. II:9 For 2 Oboes, 2 Horns, 2 Violins, 2 Violas And Basso Continuo
Orchestra
G. Henle
/ Musique De Chambre Avec Instruments A Vent
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Concerto Amoroso, Op. 80, #2 Le Printemps (Po)
Français
Orchestra
[Sheet music]
Chant du Monde
Solo for Oboe or Violin. Par BACRI NICOLAS. The title only appears frivolous to ...
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Solo for Oboe or Violin. Par BACRI NICOLAS. The title only appears frivolous to those who have lived little. With the passage of time, the seasons that pass, the differences in quantity and quality of light, of temperature and weather, become of ever greater importance in the meaning of our individual existence. This transformation follows the path of our lives and often mimes in front of our very own eyes, incredulous and wondrous, events that we can only experience once in a lifetime: our birth, our blossoming, our aging and our death. Such a subject could well take up ten years of my life. This was the case. Nevertheless, everything started very innocently with a proposition from my friend François Leleux to write him a double concerto that he could play with Natalia Gutman, initially named ‘Musica Concertante’. It was with this second proposition from François for another double concerto, this time with Lisa Batiashvili, that the idea came to me for a cycle of four concertos with, each time, a different instrument from the string quartet to join the oboe. The automnal colours of the cello are a perfect match for the retrospective nature of the first completed concerto in the cycle. ‘concerto nostalgico, l’automne’, whilst the love and the first child of the Leleux-Batiashvili couple could only bring Spring to mind, hence the ‘Concerto amoroso, le printemps’, was born. When Jean-Marc Bador asked me to be an associate of the Ensemble Orchestral de Paris for two years, it was quite naturally that I thought of completing this cycle for François Leleux, with winter ‘Concerto tenebroso’, created in January 2010 with Lise berthaud playing the viola. All that remained was for me to conclude, with a work that reunited all four protagonsits. It was summer, the ‘Concerto luminoso’, which took on this role’./ Répertoire / Orchestre
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Tunes For Teens 1
Orchestra
Doblinger
/ Orchestre
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Tunes For Teens 1
Orchestra
Doblinger
/ Orchestre
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