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Let It Be
BASSOON
Orchestra
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Fraternité (HENZE HANS WERNER)
Orchestra
[Study Score / Miniature]
Schott
Air pour l'orchestre. Par HENZE HANS WERNER. In October of 1997, I received an i...
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Air pour l'orchestre. Par HENZE HANS WERNER. In October of 1997, I received an invitation from New York Philharmonic Music Director Kurt Masur asking me to contribute a musical message for the coming millennium. Maestro Masur's letter read 'My dream would be to have you provide us with a work lasting from 10 to 15 minutes that could both stand on its own or perhaps be combined with musical messages with other composers which we might compile for a full evening's concert.' I welcomed the opportunity to bring one of six unique perspectives to this collective exploration of the meanings of the new millennium, and it is my hope that the Multi-Arts Production Fund will chose to support the New York Philharmonic's 'Messages for the Millennium' project. My Millennium Message, Fraternité, Air for Orchestra, can best be described as a quiet and placid work in which all the instruments of the orchestra are as one ... and sing in praise of harmony and peace. - Hans Werner Henze/ Répertoire / Orchestre
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Wolfgang Amadeus Mozart: Les Petits Riens Ballet Music KV 299b: Orchestra:
Orchestra
Eulenburg
Ballet Music-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusi...
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Ballet Music-Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.
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Bedrich Smetana: The Moldau And Other Works For Orchestra: Orchestra: Study
Orchestra
Dover Publications
In Full Score-This full-score miniature edition contains a treasury of orchestra...
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In Full Score-This full-score miniature edition contains a treasury of orchestral works by Czech composer Bed ich Smetana including 'The Moldau' and 'From Bohemian Fields and Groves' from M vlast ('My Fatherland') in addition to the Overture and three dances—'Polka ' 'Furiant ' and 'Dance of the Comedians'—from the opera The Bartered Bride.The works are reproduced here from authoritative editions complete with bar-numbered movements for easy reference. Affordable durable and portable this miniature score edition is ideal for study in the classroom at home or in the concert hall.Reprinted from authoritative editions.
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Felix Mendelssohn Bartholdy: Symphony No.4 In A Op.90 - Italian: Score
Orchestra
[Sheet music]
Barenreiter
In 1832 the Royal Philharmonic Society of London honoured the young German comp...
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In 1832 the Royal Philharmonic Society of London honoured the young German composer Felix Mendelssohn Bartholdy with several commissions. One of the works composed as a result was the A major symphony the ?Italian? based on Mendelssohn?s experiences in Italy in 1830 and 1831. The work was premiered in 1833 conducted by the composer.Today the Italian Symphony has a firm place in the canon of classical masterworks though at its premiere and both the following performances the work was not entirely positively received.Mendelssohn himself was unhappy with it. In 1834 he revised the last three movements but didnot complete this revision. To this day the early version of the ?Italian? is the one played everywhere whilst the revised version has remained to a large extent unknown. Bärenreiter?s critical new edition edited by Christopher Hogwood includes all the performance material for the complete version of 1833 together with the last three movements in the composer?s revised version. Conductors can now choose between the early and revised versions; the revised one includes the first movement from the early version.- A famous work for the Mendelssohn anniversary year in a new Urtext edition.- With the well-known early version and the composer?s revised version.- Includes an informative foreword in English and German.- With facsimile pages.- Full score & performance material (BA9094) available for sale.
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Lord Berners: A Wedding Bouquet (Full Score): Orchestra: Score
Orchestra
[Sheet music]
Chester
A Wedding Bouquet was the idea of Lord Berners who wanted Frederick Ashton to m...
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A Wedding Bouquet was the idea of Lord Berners who wanted Frederick Ashton to make a ballet pantomime out of one of Gertrude Stein's plays and who both wrote the music and designed the 'decor' and costumes. The name ofthe play was 'They must be Wedded to Their Wife' but this was thought too long for advertising and was changed to A Wedding Bouquet. Lord Berners went to visit Gertrude Stein in Bilignin and she liked the idea and he foundin her house a carpet which gave him the pattern for the backcloth for the ballet.The ballet was first spoken of as a choral ballet and the opera chorus did sing or chant the words at the early performances but it was entirelyunlike any other choral ballet before or since. The words explained the action introduced the characters made utterly irrelevant comments worked themselves into a frenzied rhythmical accompaniment or injected on occasional aptphrase that devastated dancers and audience alike. Not all of the words have ever been really intelligible but gradually the audience got to know certain phrases by heart and the ballet has a devoted public although inevitably ithas always been a rather special one and to this day there are people who detest the whole affair don't 'understand' it and think it an absurd waste of time and talent.
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Essential Elements Christmas Favorites for Strings: Orchestra: Book & CD
Orchestra
Hal Leonard
A collection of Christmas arrangements which can be played by the entire string ...
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A collection of Christmas arrangements which can be played by the entire string group or by individual soloists with optional CD accompaniment. Each song is correlated with a specific level in the Essential Elements Method books.Includes: Frosty the Snowman • A Holly Jolly Christmas • Jingle-Bell Rock • Jingle Bells • Let It Snow! Let It Snow! Let It Snow! • Rockin' Around the Christmas Tree • Silver Bells • The HanukkahSong • Up on the Housetop • We Wish You a Merry Christmas • White Christmas.Available for:00868010 Conductor with CD / $24.9500868011 Violin / $5.9500868012 Viola /$5.9500868013 Cello / $5.9500868014 String Bass / $5.9500868015 Piano Accompaniment / $10.9500868029 Opt. Percussion Accompaniment / $4.95
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Johannes Brahms: Quintet in b minor op. 115: Chamber Ensemble: Parts
Orchestra
G. Henle
Quintet in b minor op. 115-Brahms had in fact wanted to stop composing in 1890 ...
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Quintet in b minor op. 115-Brahms had in fact wanted to stop composing in 1890 but his encounter with the clarinettist Richard Mühlfeld inspired him so much that he produced several works in a row for him over a brief period of time. The melodious Quintet op. 115 has been popular with musicians and audiences alike since its premiere in 1891. Even prior to printing â?? and presumably with a view toward further dissemination of the work â?? an alternate version was written with viola instead of clarinet premiered by no less than Joseph Joachim and authorised by Brahms. The Henle Urtext edition revised according the text of the New Brahms Complete Edition thus also includes the alternate viola part. In abrief preface editor Kathrin Kirsch provides insight into the genesis of the work and discusses interesting variants of transmission in the Comments.
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William Walton: Volume 3 - Ballets: Orchestra: Score
Orchestra
[Score]
Oxford University Press
Hardback-The William Walton Edition: Volume 3 - Ballets presents new editions of...
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Hardback-The William Walton Edition: Volume 3 - Ballets presents new editions of the ballets The Wise Virgins (based on the music of J. S. Bach) and The Quest works Walton completed in the 1940s.The full score of The Quest reveals Walton's original orchestration for the first time. Also published for the first time are the recently discovered three numbers from The Wise Virgins which together with those of the Suite comprised the complete ballet.This volume includes re-set scores and has an extended preface explaining the fascinating history behind the works and a full textual commentary.
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Robert Simpson: Symphony No.9: Orchestra: Score
Orchestra
[Sheet music]
Faber Music Limited
Robert Simpson’s Symphony No.9 is a powerful experience. There is mystery...
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Robert Simpson’s Symphony No.9 is a powerful experience. There is mystery and a sense of concentrated intensity here carried in a single monumental movement driven by one basic pulse. Simpson composed this work for the Bournemouth Symphony Orchestra and it was first performed by them conducted by Vernon Handkley at Poole in Dorset On 8 April 1987. This item is the full conductor’s score containing full Orchestral score. 'There are few musical minds in the world capable of completing such a large and complex symphonic structure . . .' Paul Driver The Sunday Times 26 April 1987
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Franz Liszt: Hamlet - Symphonic Poem No. 10: Orchestra: Miniature Score
Orchestra
Eulenburg
Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musikth...
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Mit über 1.200 Titeln aus Orchester- und Chorliteratur Kammermusik und Musiktheater ist die Edition Eulenburg die größte Partiturreihe der Welt. Sie deckt einen große Teil der Musikgeschichte vom Barock bis zur klassischen Moderne ab und blickt auf eine lange Tradition zurück.
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Episodes Op. 23B
Orchestra
Simrock
Commandé par le théâtre d'Etat Oldenburg, ' Episodes ' pour orchestre complet...
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Commandé par le théâtre d'Etat Oldenburg, ' Episodes ' pour orchestre complet a été créés en 1962 et a été présentés comme un ballet intitulé ' Pas de deux '. La structure formelle de la composition est basée sur les cinq phases de la classique 'grand pas de deux', avec les deux premières sections Entrée et Adage étant Unis dans un mouvement. La matière musicale de base est définie par un mode de sept-note (tous les demi-tons dans la plage de la Trichrome C - fa dièse) qui varie en fonction de plusieurs façons dans les mouvements rythmiquement influencées. Cette musique, dans sa férocité et pithiness, se classe parmi les plus expressifs scores par Bertold Hummel, et ses représentations de théâtre et de concert visent également à captiver l'auditoire. / Grand Orchestre
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Franz Joseph Haydn: Symphony no. 91 E-flat major Hob. I:91: Orchestra: Score
Orchestra
Barenreiter
Urtext edition-This four-movement work with a slow introduction is Haydn?s last ...
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Urtext edition-This four-movement work with a slow introduction is Haydn?s last symphony for ?Small? Orchestra i.e. without Trumpets and Timpani. However it has long passages for solo Violoncello and is also scored for two Bassoons. The editor of this edition recommends a performance with low Horns (additionally included in the wind set) to prevent the musical character of the Andante from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works operas and symphonies this edition is appearing based on the Henle Complete Edition of theWorks of Joseph Haydn. The complete performance material for several of Haydn?s Sturm und Drang symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the Works of Joseph Haydn.- Orchestral parts in a large format (25.5 × 32.5 cm).- Full score & performance material (BA10978) available for sale.
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Ralph Vaughan Williams: Bucolic Suite: Orchestra: Study Score
Orchestra
Oxford Univertsity Press
This is the first publication of Ralph Vaughan Williams's early work for orchest...
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This is the first publication of Ralph Vaughan Williams's early work for orchestra Bucolic Suite which was completed in November 1900 and first performed by the Bournemouth Municipal Orchestra in March 1902. This attractive work is cast in four movements - Allegro Andante Intermezzo Finale - and already shows evidence of the composer's emerging musical style and sure grasp of orchestral techniques. This new edition has been carefully prepared from the original manuscript by Julian Rushton and comes with full textual commentary. This publication will be welcomed by all aficionados of Vaughan Williams's music.
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Nicolas Bacri: Concerto Amoroso 'Le printemps' (2005) opus 80/2
Français
Orchestra
[Sheet music]
Chant du Monde
Solo for Oboe or Violin-'The title only appears frivolous to those who have live...
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Solo for Oboe or Violin-'The title only appears frivolous to those who have lived little. With the passage of time the seasons that pass the differences in quantity and quality of light of temperature and weather become of ever greater importance in the meaning of our individual existence. This transformation follows the path of our lives and often mimes in front of our very own eyes incredulous and wondrous events that we can only experience once in a lifetime: our birth our blossoming our aging and our death. Such a subject could well take up ten years of my life. This was the case. Nevertheless everything started very innocently with a proposition from my friend François Leleux to write him a double concerto that he could play with Natalia Gutman initially named ‘Musica Concertante’. It was with this second proposition from François for another double concerto this time with Lisa Batiashvili that the idea came to me for a cycle of four concertos with each time a different instrument from the string quartet to join the oboe. The automnal colours of the cello are a perfect match for the retrospective nature of the first completed concerto in the cycle. ‘concerto nostalgico l’automne’ whilst the love and the first child of the Leleux-Batiashvili couple could only bring Spring to mind hence the ‘Concerto amoroso le printemps’ was born. When Jean-Marc Bador asked me to be an associate of the Ensemble Orchestral de Paris for two years it was quite naturally that I thought of completing this cycle for François Leleux with winter ‘Concerto tenebroso’ created in January 2010 with Lise berthaud playing the viola. All that remained was for me to conclude with a work that reunited all four protagonsits. It was summer the ‘Concerto luminoso’ which took on this role’.
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George Antheil: Ballet mécanique: Percussion: Study Score
Orchestra
[Study Score / Miniature]
-
Advanced
Schirmer
This publication for the first time presents the full score of George Antheil's ...
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This publication for the first time presents the full score of George Antheil's Ballet Mécanique as it was originally conceived. The work to prepare this edition was the result of a remarkable collaboration between a teamof editors musicologists engravers and other musicians. With the original Pianola parts transcribed for MIDI by Paul Lehrmann (who also gave the premiere of this version and subsequently recorded it) Antheil's composition canfinally be performed as he imagined it. The instumental arrangement is unusual including a minimum of four pianolas electric bells propellers and a siren!
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Leonard Bernstein: Fancy Free: Orchestra: Study Score
Orchestra
Boosey and Hawkes
Ballet-Bernstein’s first composition in the genre Fancy Free composed in...
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Ballet-Bernstein’s first composition in the genre Fancy Free composed in 1944 became extremely popular. The story of the ballet is fairly simple and was later reused by Bernstein in On The Town his popular first Broadway musical. The story devised by Jerome Robbins takes place in New York City where three sailors on shore leave meet three girls in a bar who they dance with and end up fighting over. They soon realize they were foolish to let the women become between their friendships.The music is based on a considerable number of popular styles of the day. At the beginning you hear Big Stuff a popular hit Bernstein later recordedas a single and made famous by Billie Holiday. Bernstein’s music is comprised of a fusion of different genres from Latin-American to Popular and Classical to Jazz all of which are footprints in his inimitable style.Available here as part of the Hawkes Pocket Score edition (No.1135) is the Study Score for Bernstein’s popular ballet Fancy Free.
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Symphony No.52 in C minor Hob.I:52 (HAYDN JOSEPH)
Orchestra
[Score]
Barenreiter
Par HAYDN JOSEPH. Only eleven of the over one hundred symphonies by Joseph Haydn...
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Par HAYDN JOSEPH. Only eleven of the over one hundred symphonies by Joseph Haydn are composed in a minor key. Written in the early 1770s, the Symphony Hob.I:52 in C minor bears some similarities to the slightly earlier Symphony in E minor Hob.I:44 (?Mourning?, BA 10988), not only because they both are composed in a minor key but also because they both feature a pair of horns tuned at different pitches. Haydn seems to have experimented with differently tuned horns inspired by an article in Johann Adam Hiller?s journal ?Musikalische Nachrichten und Anmerkungen? of July 1770, which suggested to tune the horns a minor third apart in order to expand the total horn range. While Haydn followed this recommendation just like that in the E-minor symphony, he chose to have the horns tuned a major sixth apart (high C and E-flat) in the outer movements of the C-minor symphony Hob. I:52, resulting in an unusual horn sound within the orchestral texture. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag. - Urtext of the Complete Edition ?Joseph Haydn Works? published by G. Henle Verlag - Orchestral parts in a large format (25.5 cm x 32.5 cm) / Date parution : 2022-11-08/ Répertoire / Orchestre
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Joseph M. Martin: A Celebration of Carols: Orchestra: Parts
Orchestra
Shawnee Press
Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light a...
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Uses: Advent ChristmasScripture: Luke 2From the composer of Tapestry of Light and The Winter Rose comes a new major work that is based on the traditional “Lesson and Carols”service. Filled to overflowing with beloved carols and original seasonal songs this cantata tells the story of Christ's birth adorned with beautiful arrangements and meaningful Scriptures. The work includes optional moments forcongregational participation handbell ringers and children's choir if desired. Stunning orchestrations and a full line of support products are available to support your presentation. Titles include: A Christmas Overture; OCome All Ye Faithful; A Prayer for Advent; People of Promise Arise!; Song of Hope and Joy; O Little Town of Bethlehem; My Soul Doth Magnify the Lord; Lullabies of Bethlehem; Angels We Have Heard on High; Carols for Seekers; LetChristmas Begin; A Christmas Trilogy. Available separately: SATB SAB iPrint Orch CD-rom Printed Orchestration (Score & parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1 2&3 Trombone 1&2 BassTrombone/Tuba Timpani Perc 1&2 Harp Piano Violin 1&2 Viola Cello Double Bass) iPrint Consort CD-rom iPrint Handbells CD-rom StudioTrax CD Listening CD 10-Pack Listening CDs Preview Pack RehearsalTrax CDs DigitalResource Kit. Duration: ca. 59:21 (full performance) ca. 48:37 (w/o opt. congregational anthems).
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Gustav Holst: Perfect Fool Ballet Music (Miniature Score): Orchestra: Miniature
Orchestra
[Sheet music]
Novello & Co Ltd.
Gustav Holst wrote the libretto and music for his opera The Perfect Fool over th...
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Gustav Holst wrote the libretto and music for his opera The Perfect Fool over the years 1918 to 1922. It had its premiere at in London the next year but mystified audiences and has been rarely performed since then. This five-movement suite of introductory ballet music is arranged separately as an Orchestral suite.The ballet music includes dances for the Spirits of Earth Water and Fire and Holst’s music evokes the moods of these beings delightfully.Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.
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Magnus Lindberg: Corrente No.2: Orchestra: Score
Orchestra
[Score]
Chester
Orchestral work commissioned by the BBC and premiered by the BBC Symphony Orche...
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Orchestral work commissioned by the BBC and premiered by the BBC Symphony Orchestra under the direction of Andrew Davis The Barbican Hall November 1992.Quoting Lindberg: 'After having written a Piano Concerto in 1991preceded by three works for different orchestral effectives (Kinetics Marea and Joy) I felt that I had come to an end with a certain musical expression and also compositional technique. All these works were based upon anextended chaconne principle with chord chains cycling around undergoing constant transformation and being articulated in a very gestural way. The musical paradox and evidently also the challenge was the discrepancy between abrick-like method expressed in a world of gestures (with all difficulties involved in conceiving music out of phrases) aiming at a continuity in terms of progression and development.After the Piano Concerto in the autumn of1991 I strongly felt that I couldn't continue in that direction anymore. I started to work on a project called Corrente for 16 players as a study for the full orchestra version entitled Corrente II.In order to bring theharmonic and rhythmic world closer to each other I abandoned the chaconne principle and based the harmony on different scale aggregates. By combining these scales and by filtering or by enhancing them with additional pitchesbased on more acoustically oriented views of the scales by considering them as partials of virtual fundamentals I was able to work in a rich harmonic world without actually having to do harmonic transformations and progressions.The rhythmic material was based on pattern figures with a rather kaleidoscopic approach of repetition and variation.By combining these pattern figures and scales aggregates I wanted to give the musical expression a 'narrative'sense of streams and directions moving around in different orchestral constellations.Corrente II for symphony orchestra is based on the same material as the piece for chamber orchestra. As the timbral palette and the mass
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Béla Bartók: Concerto for Orchestra: Orchestra: Study Score
Orchestra
G. Henle
With the ?Concerto for Orchestra ? Henle inaugurates a series of affordable stud...
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With the ?Concerto for Orchestra ? Henle inaugurates a series of affordable study scores based on the text of the Bartók Complete Edition. When Bartók received the commission to compose this piece from Serge Koussevitsky in May 1943 it meant not only financial support but also an important creative impetus for the gravely ill composer. By October the five-movement concerto which Koussevitsky enthusiastically dubbed ?the best orchestral work of the last 25 years ? was already complete. The first performances in the winter of 1944 45 were also very successful. Nevertheless Bartók was moved to set down an alternate ending which thecomposer who passed away in September 1945 would never be destined to hear. Bartók specialist Klára Móricz includes both versions in her edition and summarises the history and transmission of the ?Concerto for Orchestra? in a fascinating foreword. A brief commentary section provides information about the principles underlying the edition.
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Symphonic Extracts From The Conducting Score: Les Fêtes De L'Hymen Et De L'Amour
Orchestra
Barenreiter
Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate b...
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Rameau's 'Les Fêtes de l'Hymen et de l'Amour? was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as 'Zaïs?, 'Zoroastre? and 'Les Boréades?. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from 'Aruéris?, a scoring found nowhere else in his oeuvre.For the first time, this scholarly-critical edition of 'Les Fêtes de l'Hymen et de l'Amour? presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Académie Royale de Musique in 1748.- Milestone of French Baroque opera in performance practice orientated vocal score- With a brief foreword (Fr/Eng) containing salient information on the genesis of the work, the synopsis and the edition / Orchestre
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Otto M. Schwarz: Roller Coaster: Orchestra: Score & Parts
Orchestra
[Score and Parts]
Mitropa Music
A Symphonic Sketch-In this piece Otto M. Schwarz depicts a ride on a roller coa...
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A Symphonic Sketch-In this piece Otto M. Schwarz depicts a ride on a roller coaster. At the beginning the cars are pulled up by a chain. High above the ground the ride suddenly begins the steep descent with the loop the loop being accompanied by the screams of the passengers. Towards the end of the piece the ride becomes faster and faster and then finally comes to an abrupt end. The musical sketch Roller Coaster is especially suitable as an encore for your concerts. Climb on and let the ride begin!
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Otto M. Schwarz: Roller Coaster: Orchestra: Score
Orchestra
Mitropa Music
A Symphonic Sketch-In this piece Otto M. Schwarz depicts a ride on a roller coa...
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A Symphonic Sketch-In this piece Otto M. Schwarz depicts a ride on a roller coaster. At the beginning the cars are pulled up by a chain. High above the ground the ride suddenly begins the steep descent with the loop the loop being accompanied by the screams of the passengers. Towards the end of the piece the ride becomes faster and faster and then finally comes to an abrupt end. The musical sketch Roller Coaster is especially suitable as an encore for your concerts. Climb on and let the ride begin!
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Pyotr Ilyich Tchaikovsky: Sinfonia N. 4 Fa M. Op.36: Orchestra: Study Score
Orchestra
Dover Publications
In Tchaikovsky's symphonic output his Symphony No. 4 was a pivotal work. It ann...
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In Tchaikovsky's symphonic output his Symphony No. 4 was a pivotal work. It announced the composer as a major symphonist of his time overshadowing his previous less-than-distinguished efforts in this form and opened the way to his last major works: the haunting Fifth Symphony and the biographical Sixth the profound 'Pathétique.'Tchaikovsky's Fourth Symphony ? written in 1877 at the age of thirty-seven ? offers itself as an intensely personal statement. Dramatically shaped and brilliantly orchestrated it captures a theatrical quality and orchestral color that shaped the composer's symphonic fantasy Francesca da Rimini written just a year earlier. The Fourth opensunequivocally with the thrust of a brass fanfare ? the 'fate' motive that is to reappear in the last movement ? then flows with the effortless quality that characterizes Tchaikovsky's great generously melodious ballet scores. The second movement lingers over one of the composer's most poignant melodies and the third ? the Scherzo ? offers a delightful fantasy from this master orchestrator: the charming Pizzicato ostinato a unique moment in the entire orchestral literature.The symphony is reproduced here from the authoritative Breitkopf & Härtel edition with bar-numbered movements and ample margins at the bottom of each score page for notes and analysis. Ideal for study in the classroom at home or in the concert hall this affordable high quality conveniently sized volume will be the edition of choice for music students and music lovers alike.Reprint of the Breitkopf & Härtel edition.
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Chamber Music #6 Op. 46/1
Orchestra
[Sheet music]
Eulenburg
Les oeuvres de musique de chambre sont parmi les plus réussis de Hindemith oeuv...
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Les oeuvres de musique de chambre sont parmi les plus réussis de Hindemith oeuvres instrumentales des années 1920. Lors de la première mondiale de musique de chambre n o 1, le public a même exigé une répétition des troisième et quatrième mouvements. Mais le titre est trompeur: Les pièces individuelles plutôt porter concertante et le marquage solistes que s'incliner devant les traditions de musique de chambre. Musique de chambre n o 6 se concentre sur la viole d'amour qui, malgré son traitement virtuose, est contestée par quelques instruments individuels séparés de l'ensemble orchestral.Les scores sont basés sur le volume IV / 3 (PHA 403) de la Hindemith Complete Edition édité par Giselher Schubert. / Orchestre / 52 pages / Partition
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Symphony #4 Op. 120
Orchestra
Schott
The New Robert Schumann Edition (RSA) is intended as a historico-critical editio...
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The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann's work. / Orchestre
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Paul Hindemith: Chamber Music No. 5 op. 36/4: Orchestra: Miniature Score
Orchestra
Eulenburg
The chamber music works are among Hindemith's most successful instrumental works...
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The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of 'Chamber Music No. 1' the audience even demanded a repetition of the third and fourth movements.However the title of the series of works consisting of seven compositions altogether is misleading: The individual pieces rather have concertante soloistic features. No. 1 is characterised by 'instruments' like a can filled with sand and a siren as well as the rich use of percussion. The scores are based on Vol. IV/2 (PHA 402) of the Hindemith Complete Edition edited by Giselher Schubert.
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Symphony G Minor - Appendix A3 / Symphony Fragments Woo 29
Orchestra
Schott
The New Robert Schumann Edition (RSA) is intended as a historico-critical editio...
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The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann's work. / Orchestre
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Roberto Gerhard: Pedrelliana: Orchestra: Study Score
Orchestra
Boosey and Hawkes
Hawkes Pocket Scores HPS 1232-This is the first time that the complete has been...
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Hawkes Pocket Scores HPS 1232-This is the first time that the complete has been published since its compositiion. This is the Hawkes Pocket Score edition.
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