BWV 248. Par BACH JOHANN SEBASTIAN. For this edition, Carsten Klomp has transferred the orchestral movement of the 1st cantata from Johann Sebastian Bach's Christmas Oratorio to the organ. It not only enables a performance with a reduced line-up, but also a tonally appealing and surprisingly coherent rendition of this wonderful music. The way the voices are distributed on the manuals and pedal and the balance between virtuosity and good playability ensure both proximity to the original score and an organ-appropriate implementation. Instead of a simple piano reduction on the organ, this version offers an independent performance option that allows the organ to be used in all of its facets and possibilities.The vocal parts (solos and choir) are identical to the edition of the original version (Carus 31.248/00), so that the piano reduction and choral score can be used.The single part for the organ was optimized for page turning, i.e. the choral parts were not printed, but the dacapo was always notated out. / Date parution : 2021-12-09/ Répertoire / Orgue

33 Chorale Settings. Par SCHEIDEMANN HEINRICH. Ces volumes contiennent des paramètres de chorale par Heinrich Scheidemann (c. 1595-1663). Scheidemann étudie avec Sweelinck à Amsterdam 1611-1614 et a travaillé comme organiste à l'église de St Katherine à Hambourg pour une bonne décennies de trois ans et demi de 1629. La nouvelle édition contient deux oeuvres nouvelles supplémentaires, les fantaisies de chorale ' Allein zu dir, Herr Jesu Christ ' et ' Ein feste Burg ist unser Gott '. Ils ont été initialement attribués à Franz Tunder, mais, basé sur les plus récentes recherches style-critique, doivent être attribuée à Heinrich Scheidemann./ Répertoire / Orgue

Bach: Complete Organ Works Vol. 1 Preludes and Fugues I - with CD-ROM - ed. by David Schulenberg As close as possible to Bach In his ?Preludes and Fugues,? Johann Sebastian Bach made decisive contributions to the development of this genre tradition. The importance of this work group in his own organ oeuvre is confirmed by the many transmitted sources: hardly any autographs, but all the more copies. The genesis of the works and the question of versions associated with it are described at length in the introduction. In his new edition, editor David Schulenberg occasionally makes a new evaluation of the transmitted sources. To do so, he based himself as faithfully as possible on the manuscripts that can be traced back to Bach or to his circle. Here the American Bach expert generally chooses one source as his principal one. Divergences from other sources are documented in the Commentary. On the whole, the new Urtext edition sometimes also emends some long-cherished readings of ornaments, voice leading and notation. Also printed in Volume 1 is, for example, the early version of the C major Prelude BWV 545 as well as the inserted Trio movement of the three-movement version of this work. As with the previously published volumes, the CD-ROM enclosed in Volumes 1 and 2 contains dubious works and secondary versions for comparison with the principal versions. This time, the CD-ROMs are completely in German and English and feature the English version of the Commentary.

Par REGER MAX. The seven chorale fantasias by Max Reger are among the most important of organ repertoire ? masterpieces blending chorale melody and programmatic music based on the text of the chorales. Published on the occasion of the composer's 150th birthday, this fundamentally revised Urtext edition, in two volumes, is edited by the internationally renowned organist and Leipzig professor of organ Martin Schmeding. As one of the most influential Reger interpreters, Schmeding not only includes the latest research, but also addresses the need for a contemporary interpretation of the chorale fantasias on modern organs. The edition includes all the original dynamic and agogic indications (including continuation lines to cresc., etc., which are missing in many modern editions), as well as all the original registration and manual indications. Martin Schmeding's new edition provides for the first time an original musical text that combines the requirements of a modern Urtext edition with the demands of a practical edition. / Date parution : 2023-08-12/ Recueil / Orgue

Organ Accompaniments. Par RUTTER JOHN. This companion volume provides organists with new, dedicated three-stave accompaniments to twenty-four of the twenty-eight choruses in the main Sacred Choruses volume. In every case, these organ transcriptions, made by John Rutter, are based directly on the original orchestral versions and willfacilitate church performances without orchestra. / Musique religieuse / Répertoire / Orgue

über Allein Gott in der Höh sei Ehr. Par SCHILLING HANS LUDWIG. Über 'Allein Gott In Der Höh Sei Ehr'/ Répertoire / Orgue

Edition : Paris, l'Auteur, R. Ballard, 1667Présentation de : Philippe Lescat : Catalogue de l'oeuvre de Guillaume-Gabriel NiversJean Saint-Arroman : L'utilisation du plain-chant / Orgue / 168 pages / niveau : 1 / Fac-Similés - Format: 22.5 X 31

Some of the finest songs ever inspired by the theme of love. Favourites such as 'Red Roses For A Blue Lady' and 'You Belong To My Heart'.

Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter?s new performing editions of Bach?s organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to ?Bach digital?. The present volume is an updated edition of Series IV, Volume 6 of the ?New Bach Edition? (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the ?Fantasia in C minor? (BWV 1121), the ?Fantasia in G major? (BWV 571), the ?Fugue in G major? (BWV 577) and the C major version of the ?Toccata and Fugue in E major? (BWV 566). On the other hand, the ?Prelude in G major? (BWV 568) as well as the alternative versions of the ?Fugue in C minor? (BWV 574a) and the ?Prelude in A major? (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its ?Bach? digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ? New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ? New contents reflecting the current state of source evaluations ? Links to sources in ?Bach digital? ? Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli

Par CHILLA KARL-PETER. Der dritte Band der erfolgreichen Reihe „Enjoy the Organ“ bietet konzertante Orgelmusik des 17. bis 20. Jahrhunderts, die auch auf kleineren Instrumenten darstellbar ist und bei begrenzten zeitlichen Übemöglichkeiten wirkungsvolle Klangergebnisseerzielt. Der vorliegende Band 3 enthält unter anderem: Juan Cabanilles, „Batalla Imperial I“; Johann Baptist Vanhal, „Sonatine F-Dur“; Robert Schumann, „Adagio“ aus op. 70; Gabriel Fauré, „Cantique de Jean Racine“ op. 11; Pietro Yon, „Humoresque“. Für hauptamtliche Kirchenmusiker ist die Sammlung als Anregung zu Improvisation und als Prima-Vista-Literatur verwendbar. - Für nebenamtliche Kirchenmusiker und Organisten - Sammlung leicht spielbarer konzertanter Orgelstücke - Auch auf kleineren Instrumenten wirkungsvoll darstellbarKarl-Peter Chilla war bis zum Jahre 2014 Probsteikantor in der Evangelischen Kirche in Hessen und Nassau. Er lehrt die Fächer Kinderchorleitung, Schulchorleitung, Liturgisches Singen sowie Hymnologie an der Hochschule für Musik und Darstellende KunstFrankfurt am Main./ Répertoire / Orgue

Un grand songbook avec 30 Classics de mariage, un indispensable pour tout organiste.Les chansons incluent: Air - Ave Maria - Bridal Chorus - Canon in D - I Love You Truly - Jesu, Joy of Man's Desiring - Ode to Joy - Panis Angelicus (O Lord Most Holy) - Sheep May Safely Graze - To a Wild Rose - Trumpet Voluntary - Wedding March / Orgue

Fantaisie sur un chant populaire basque. Par ROTH DANIEL. “The pretty Basque song “Iru erége”, which tells of the three wise men from the Orient travelling to Bethlehem to worship the baby Jesus, gave me the idea for a musical interpretation of this astonishing event (Gospel according to Matthew II, 1-12). In registering the work for the wonderful organ in Santa Maria del Coro I wished to pay homage to the great organ-builder Aristide Cavaillé-Coll, who died a century ago. The performer should aim to reproduce the wonderful sound qualities of that organ as closely as possible on the instrument available to them, or else find their own solutions in the spirit of this piece.” Daniel Roth/ Répertoire / Orgue

Une anthologie de quatre siècles en dix volumes. Edité par Robin Langley / Orgue / niveau : Intermédiaire / Avancé / Partition

Three Pieces. Par KIRCHNER VOLKER DAVID. These three effective pieces become successively more difficult as the composition changes from a meditative to an eruptive approach. The organist familiar with contemporary ‘soundscapes’ will find them a rewarding and interesting challenge./ Répertoire / Orgue

Une clinique de créatifs pour tous-organe technique sur les accords, enregistrement, effets spéciaux, en développement effectuant des compétences et organiser. Comprend une variété de pièces. / Orgue / Partition