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BASSOON
Piano, Voice
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Lennox Berkeley: Low Lands Of Holland: Voice: Vocal Work
Piano, Voice
[Sheet music]
Chester
For Solo Voice and Piano.There are various versions of this anonymous ballad tha...
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For Solo Voice and Piano.There are various versions of this anonymous ballad that has its own traditionalmelody. Berkeley provided a folk-like setting in this song for Sophie Wyss (1897-1983) the Swiss sopranoliving in England who gave important premieres of Britten.Wyss and Berkeley gave the first performance in a BBC broadcast on 13 July 1947.He had already dedicated ‘Tant que mes yeux’ Op. 14 No.2/6 to her and withhimshe gave the first performance of that song as well as ‘Ode du premier jour de mai’ Op. 14 No.2/7 at the Fyvie Hall London on 20 February 1945. Those two songswere published performed and recorded but ‘The LowLands of Holland’ has beenneglected. It comes as close as Berkeley ever got to the English folk song tradition.This edition is based on the copyist’s score at the British Library and includes thecorrections thecomposer provided with it.
10.99 GBP - Sold by Musicroom UK
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Leos Janacek: The Diary of One Who Disappeared: Upper Voices: Vocal Work
Piano, Voice
[Sheet music]
Barenreiter
for Tenor Alto Three Female Voices and Piano-Janácek?s intimate chamber-music...
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for Tenor Alto Three Female Voices and Piano-Janácek?s intimate chamber-music drama about the passionate love of a simple farm boy for a beautiful gypsy girl is one of his great vocal masterpieces.This cycle of 22 songs for tenor (an alto and three female voices are added in three numbers) was composed on a setting of poems that were published anonymously. It was not until 80 years later that their author was identified as the regional poet and writer Ozef Kalda.The cycle also contains theatrical elements such as the alto entrance and exit cues and lighting effects. Composed in 1917-19 the ?Diary? was premièred in Brno in 1921 from a manuscript prepared by Gustav Homola.The same manuscriptserved as a basis for the first edition which was issued by the Brno publisher Oldrich Pazd rek in 1921 as well as for this current first Urtext edition.First Urtext edition with a detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editorSinging translations in German (by Max Brod) and English (by Bernard Keefe)Numbers IX to XI which include the alto and three female voices also available online
22.00 GBP - Sold by Musicroom UK
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Arthur Somervell: Shepherds Cradle Song In E Flat Major: Voice: Instrumental
Piano, Voice
[Sheet music]
Edwin Ashdown
The Shepherd’s Cradle Song was first published in 1918. It is presented h...
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The Shepherd’s Cradle Song was first published in 1918. It is presented here in the key of Eb Major for low Voices with Piano accompaniment. The text is taken from an anonymous lullaby originally written inGerman which is suitable for any Nativity or Christmastide occasion.Sir Arthur Somervell (1863-1937) was a British composer conductor and civil servant. He studied at King’s College Cambridge and the RoyalCollege of Music under Charles Stanford and Charles Parry. He later became an inspector at the Board of Education for which he received a knighthood. While he wrote several large operatic orchestral and choral works he is bestremembered for his chamber music and art songs.
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Giovanni Battista Pergolesi: Il prigionier superbo: Voice
Piano, Voice
Ricordi
Ed. critica di C. Toscani - Riduzione per canto e pianoforte-Based on the anonym...
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Ed. critica di C. Toscani - Riduzione per canto e pianoforte-Based on the anonymous recasting of a libretto derived in turn from La fede tradita e vendicata by Francesco Silvani (1705) Il prigionier superbo by Giovanni Battista Pergolesi was first performed on 5 September 1733 at the Teatro di San Bartolomeoin Naples. With this opera ? his second dramma serio for San Bartolomeo in less than two years ? the young composer (who had already acquired considerable professional stature in the city?s theatres churches and aristocratic circles) reprised aperennially popular subject centered around the dramatic conflict between filial piety and devotion to one?s betrothed. Inserted between the opera?s three acts were the intermezzi of La serva padrona which would soon go on to take all of Europe bystorm.The primary source for this edition is a manuscript copy of the score currently housed in the Conservatorio di Musica ?San Pietro a Majella? in Naples and prepared by Giuseppe Sigismondo who was quite probably working from the now-lost autograph.Two other significant manuscript copies of the score also housed in Naples (respectively in the Biblioteca Oratoriana dei Girolamini and the aforementioned conservatory) were consulted along with a number of manuscript copies of individual arias.
18.50 GBP - Sold by Musicroom UK
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Samuel Barber: Hermit Songs: High Voice: Instrumental Work
Piano, Voice
Hal Leonard
To poems translated from anonymous Irish texts of the eighth to thirteenth centu...
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To poems translated from anonymous Irish texts of the eighth to thirteenth centuries.
13.99 GBP - Sold by Musicroom UK
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8 Songs Op. 238 And 242
Piano, Voice
Peters
Texts: Anonymous, Hovhannes Toumanian, Avedis Isahagian / Voix Et Piano
20.89 EUR - Sold by LMI-partitions
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Elizabethan and Jacobean Song Books Forty Songs: Low Voice: Vocal Album
Piano, Voice
Stainer and Bell
Book 2-Edited by Edmund FellowesCONTENTSANONYMOUS: Willow Song (D - D)CAMPIAN T...
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Book 2-Edited by Edmund FellowesCONTENTSANONYMOUS: Willow Song (D - D)CAMPIAN Thomas: Follow your saint (D - D); When to her lute Corinna sings (B - D)DOWLAND John: Come again sweet love doth now invite (C - D); Sleep wayward thoughts (E flat - C); Sorrow stay (C - C)FORD Thomas: Fair sweet cruel (D sharp - D)JONES Robert: Now what is love (C - C)PILKINGTON Francis: Diaphenia like the daffdowndilly (C - C)ROSSETER Philip:
6.25 GBP - Sold by Musicroom UK
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Greenberg: An English Medieval And Renaissance Songs Book: Voice: Mixed Songbook
Piano, Voice
Dover Publications
This treasury of part songs and sacred music for one to six voices will delight ...
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This treasury of part songs and sacred music for one to six voices will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries the collection covers a broad range of moods. Approximately half the songs are secular some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs. Some of the music contained is printed for the first time. Edited by Noah Greenberg
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Aux Timides Anonymes
Français
Piano, Voice
Capte Note
/ Piano Et Chant
5.30 EUR - Sold by LMI-partitions
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