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Bee
BASSOON
Soli, Mixted choir and accompaniment
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Missa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa In C (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Li...
(+)
Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part of an ensemble composition, which for centuries had been intoned in plainsong by the priest, had become liturgically acceptable. It was only a small and syntactically logical step for the word 'Credo' to be repeated before the individual articles of belief, thus strengthening the declaration of faith. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Benjamin Britten: The World Of The Spirit (Full Score): SATB: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Score]
Chester
This concert version has been prepared by Donald Mitchell for Soprano Alto Ten...
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This concert version has been prepared by Donald Mitchell for Soprano Alto Tenor and Baritone soloists 1 or 2 speakers SATB choir and Orchestra. The text has been compiled by R. Ellis Roberts.The first performance ofthis concert version was given on 27th June 1998 in the Snape Maltings Concert Hall as part of the Aldeburgh Festival by Janice Watson (Soprano) Catherine Wyn-Rogers (Mezzo-Soprano) Timothy Robinson (Tenor) Neal Davies(Baritone) and David Evans (Speaker) with the Joyful Company of Singers and the City of London Sinfonia conducted by Steuart Bedford.Orchestration is for 2 Flutes2 Oboes2 Clarinets in B flat2Bassoons4 Horns in F2 Trumpets in C3 TrombonesTubaTimppaniSuspended CymbalClashed CymbalsGongSide DrumBass DrumTambourineHarpOrganStrings
69.99 GBP - Sold by Musicroom UK
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
27.10 EUR - Sold by LMI-partitions
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
12.00 EUR - Sold by LMI-partitions
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
35.10 EUR - Sold by LMI-partitions
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Missa Solemnis In C (DITTERSDORF CARL DITTERS VON)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses...
(+)
Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movements in traditional contrapuntal church style as well solo parts with a modern, cantabile character. In addition, the Gloria includes a lengthy virtuosic violin solo, which also lends the work a concertante character [Dittersdorf was a professional violinist]. / Messe / Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarinet
6.20 EUR - Sold by LMI-partitions
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Leonard Bernstein: On The Town - Musical Comedy In 2 Acts: Opera
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Vocal Score]
Boosey and Hawkes
Musical comedy in 2 acts-On the Town has been a classic since its original Broa...
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Musical comedy in 2 acts-On the Town has been a classic since its original Broadway run in 1944. In addition to the theatrical staging the work also exists in a concert version.
70.00 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Mass In C Op.86: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...
(+)
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Violin II: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
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Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Wind Set: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
(+)
Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Full Score: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
(+)
Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
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Antonín Dvo?ák: Requiem Op.89 B.165 Chamber Version - Violin I: Mixed Choir:
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Standard choral work with a manageable reduced orchestration.A stylistically app...
(+)
Standard choral work with a manageable reduced orchestration.A stylistically appropriate as well as tried and tested arrangement.Compatible with Vocal score H 2924-90.Dvo ák?s Requiem for soloists choir and orchestra is one of the highlights within the international choral repertoire. Now Bärenreiter is presenting this work in an arrangement by Joachim Linckelmann with chamber Orchestra based on the full score from the Complete Edition of the Works by Anton n Dvo ák.The arrangement dispenses with all the brass instruments except for a single Horn; all that remains of the Percussion arethe Timpani; the Organ has also been taken out. The cor anglais and Bass Clarinet parts can be replaced by an Oboe and Clarinet (ossia staves in score and parts).This arrangement which judiciously reduces the richness of Dvo ák?s original orchestration makes the work available to a broader range of performers outside professional circles.
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Ludwig van Beethoven: Mass In C Op.86: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Barenreiter
Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score ...
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Features of the Barenreiter Urtext edition of Beethoven's Mass In C Major:Score with realisation of the Organ partBilingual Foreword (Eng/Ger) and Critical Commentary (Eng)Straight-forward Piano reductionFull score and performance material (BA9039) and Vocal score (BA9039-90) available for saleAmongst Beethoven’s sacred works are two settings of the Mass. The Mass In C Major was completed and premiered in 1807 and has been unjustly described as a preliminary step towards the great Missa solemnis. Yet it is a self-contained and for its time distinctly modernpiece of sacred music.Beethoven specialist Barry Cooper has drawn on a rich body of sources to suggests practical solutions to the work’s musical and interpretative problems. His in-depth study of the sources convinced him to include a fully realised Organ part in the score just as Beethoven envisioned it for the first printed edition. As stated in the original sources the parts for the soloists and choir are notated on joint staves to demonstrate that the soloists are also to sing the choral passages.This Barenreiter Urtext edition is rounded off with a foreword on the work’s genesis and a detailed critical commentary.
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L'Orfeo: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
Barenreiter
Monteverdi’s opera “L’Orfeo” based on the legend of Thr...
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Monteverdi’s opera “L’Orfeo” based on the legend of Thracian singer Orpheus and his love of Eurydice is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua.When an edition remains true to its sources this certainly does not mean that it is not also practical to use as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”.Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants not only between the two editions but also amongst the eight surviving copies are listed in the critical commentary.This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should however feel free to follow his own judgment. The notation has been when necessary adapted to suit modern practice for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower. Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practice Comprehensive critical commentary (Eng) in the score Idiomatic piano reduction
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Leos Janacek: Ewige Evangelium Ka: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
BARENREITER
Vecné evangelium / The Eternal Gospel Cantata for Solo Voices Mixed Chorus and...
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Vecné evangelium / The Eternal Gospel Cantata for Solo Voices Mixed Chorus and Orchestra Leoš Janácek’s great oratorio “The Eternal Gospel” for soprano tenor mixed chorus and orchestra is based on a medieval legend in which an angel announces the coming of the Kingdom of Love on Earth to a Cistercian monk Joachim of Flora. Janácek set the text as a dramatic scene with two characters. The chorus unfolds as a contrasting foil to the two main figures until the final climax when the people sing “Alleluia” and receive the message of the brotherhood of all creation. The Eternal Gospel occupies aspecial place in Janácek’s œuvre. The dream-like atmosphere and emotional force of this twenty-minute cantata cast an unusually powerful spell. It originated during a time of turmoil: Janácek wrote it in spring 1914 on the eve of the First World War and the première took place in Prague in February 1917. In 1924 Janácek revised the cantata yet again for a festive performance on the occasion of his seventieth birthday. The vocal score has been prepared by Leoš Faltus one of the two editors of the volume for the Janácek Complete Edition (series B/volume 4). - Urtext Janacek Complete Edition - Full score (BA6860) and vocal score (BA6860-90) available for sale - Performance material (BA6860-72) available for hire
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Wolfgang Amadeus Mozart: Missa In C Major K.259: Mixed Choir: Parts
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an im...
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Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale
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Wolfgang Amadeus Mozart: Missa in C major K.337: Mixed Choir: Score
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
[Sheet music]
Barenreiter
Missa solemnis-Mozart composed the Mass in C K.337 about one year after the Coro...
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Missa solemnis-Mozart composed the Mass in C K.337 about one year after the Coronation Mass K. 317; 'nel Marzo 1780 in Salisburgo' he wrote on the first page of his original score. And just as was the case with K.317 this work together with a new church sonata (K. 336/336) will have been intended for the Easter High Mass in Salzburg Cathedral. The formal instrumentation of the score with oboes solo bassoon trumpets and timpani (but without horns) only serves to strengthen such a supposition. What is striking about the work is the rigorously contrapuntal Benedictus which forms a stark contrast to the similarly unusual Agnus Dei in which a solo organ alternating with theconcertante wind instruments (oboe and bassoon) provides a framework for the coloratura-rich part of the solo soprano. Urtext of the “New Mozart Edition” Ideal for church services and concert performances Full score & performance material (BA4881) and vocal score (BA4881-90) for sale
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Wolfgang Amadeus Mozart: Missa In C Major K.259: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an im...
(+)
Organ Solo Mass-The Mass K.259 known as the Organ Solo Mass on account of an important organ passage in the Benedictus will have been written around 1775/76. On l7th May 1778 the Prince-Archbishop Colloredo consecrated his cousin Anton Theodor Count Colloredo-Mels und Wallsee Archbishop of Olmütz. The Prince of the Church had not commissioned a Mass for the consecration and had left the choice up to Leopold Mozart who assumed the office as Kapellmeister in that week. Leopold reported on this to his wife and son in Paris on 28th May 1778: 'l did the one of Wolfg [sic]: Mass with the organ solo: but the kyrie from the Spaur Mass; had it written and duly got the 6ducats.Urtext of the ?New Mozart Edition?Ideal for church services and concert performances Full score & performance material (BA4852) and vocal score (BA4852-90) for sale
4.50 GBP - Sold by Musicroom UK
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