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Johann Sebastian Bach
BASSOON
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Soli, Mixted choir and accompa… (2563)
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Keyboard (64)
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2 Pianos, 4 hands (59)
Viola (57)
Solistes SAT, Choeur SATB, 2 F… (55)
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Trumpet (47)
Chant (47)
Orchestre de Chambre (Flûte Å (44)
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Solistes SATB, Choeur SATB, 2 … (43)
Voice solo (42)
2 Choeurs Mixtes (SATB Et SATB… (41)
Soli (ATB), Choeur Mixte (SATB… (40)
Viola, Piano (40)
Saxophone (39)
Wind ensemble (39)
CD (38)
Solistes SATB, Choeur SATB, 2 … (38)
Easy Piano (38)
Choral 3-part (37)
2 Guitars (duet) (37)
Solistes SATB, Choeur SATB, Fl… (36)
Solistes SATB, Choeur SATB, 4 … (36)
Choral 2-part (36)
Solistes SATB, Choeur SATB, Ha… (33)
Organ, Trumpet (duet) (33)
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Clarinet and Piano (31)
Conducteur (31)
Treble (Alto) Recorder (28)
Harpsichord and Strings (28)
Solistes SATB, Choeur SATB, 2 … (27)
Oboe (27)
Solistes SATB, Choeur SATB, Tr… (26)
Oboe, Piano (duet) (26)
Soprano, Basse, Choeur Mixte e… (25)
Recorder (25)
Solistes ATB, Choeur SATB, FlÃ… (24)
Trombone (24)
French horn (24)
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Solistes SATBB, Choeur SATB, 2… (24)
Soli (T (Evangelist), B (Jesus… (24)
Alto Saxophone (24)
Double Bass (24)
School Ensemble (23)
Soli (STB), Choeur Mixte (SSAT… (23)
Solistes SAB, Choeur SATB, 3 F… (23)
Soli (SSATB), Choeur Mixte (SS… (23)
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Alto Saxophone and Piano (22)
Piano, Vocal and Guitar (22)
2 Clavecins Et Cordes (21)
Violon, Alto et Basse Continue… (21)
Partition D'Orchestre In 16 Po… (21)
Violon, Cordes et Basse Contin… (21)
Soli (STB), Choeur Mixte (SATB… (21)
Solistes STB (SB/TB/SATB), Cho… (20)
Flute, Violin, Keyboard (basso… (20)
Orgue Et Orchestre (20)
Recorder Quartet (20)
Soli (SAB), Choeur Mixte (SATB… (20)
Brass Quartet: 4 trombones (20)
Violin, Viola (duet) (20)
Flute, Basso continuo (20)
Carte Postale (20)
Solistes SB, Choeur SATB, 2 Ha… (19)
Clarinet Quartet: 4 clarinets (19)
Harp (19)
Trombone and Piano (19)
Parties Supplémentaires (18)
Partie Séparée (18)
3 Clavecins Et Cordes (18)
Alto, Choeur Mixte et Orchestr… (18)
4 Guitars (Quartet) (18)
String Trio: violin, viola, ce… (18)
Violin, Cello (duet) (18)
Solistes SATB, Choeur SATB, (C… (17)
Solistes SATB, Choeur SATB, (a… (17)
Solistes SATB, Choeur SATB, 2 … (17)
Exemplaire Complet (17)
Solistes SATB, Choeur SATB, 3 … (17)
Solistes ATB, Choeur SATB, 3 T… (17)
Accordion (17)
Solistes SATB, Choeur SATB, (4… (17)
Soli (SAB), Choeur Mixte (SATB… (17)
Soli (SATB, Soprano Aussi Chor… (17)
Choral Unison (17)
Treble (Alto) Recorder, Basso … (17)
Brass Quartet (17)
Choeur SATB/SATB, 3 Trompettes… (16)
Solistes SATB, Choeur SATB, 2 … (16)
Solistes SATB, Choeur SATB, (C… (16)
Solistes SSATB, Choeur SSATB, … (16)
Choeur Mixte, Soprano et Orche… (16)
Soli (SB), Choeur Mixte (SATB)… (16)
Solistes SAB, Choeur SATB, Cto… (16)
Solistes ATB, Choeur SATB, 2 H… (16)
Soli (SATB), Choeur Mixte (SAT… (16)
Trompette et Quatuor à Cordes… (16)
Soli (AT), Choeur Mixte (SATB)… (16)
Saxophone ensemble (16)
Solo SATB, Choeur SATB, Hautbo… (15)
Solistes SA, Choeur SATB, 3 Tr… (15)
Double Choeur Mixte, Soprano e… (15)
Solistes TB, Choeur SATB, 2 Ha… (15)
Solistes SATB, Choeur SATB, Ba… (15)
Choeur Mixte (SATB) Et Instrum… (15)
Solistes STB, Choeur SATB, 3 C… (15)
Solistes TB, Choeur SATB, 2 Co… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Choeur SAATB, 2 Hautbois, Haut… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Tuba and Piano (15)
Soli (ATB), Choeur Mixte (SATB… (15)
Basse, Choeur Mixte et Orchest… (15)
Solistes SATB, Choeur SATB, 2 … (15)
Soli (T (Evangelist), B (Jesus… (15)
Solistes ATB, Choeur SATB, (Ct… (14)
Solistes STB, Choeur SATB, 2 C… (14)
Solistes SAB, Choeur SATB, 2 H… (14)
Solistes STB, Choeur SATB, Tro… (14)
Solistes SATB, Choeur SATB, 3 … (14)
Solistes ATB, Choeur SATB, 2 H… (14)
Travaux Pour Choeurs (14)
Solistes ATB, Choeur SATB, (Tr… (14)
Solistes SATB, Choeur SATB, 2 … (14)
Solistes SATB, Choeur SATB, (C… (14)
Soli (SATB), Choeur Mixte (SAT… (14)
Solistes STB, Choeur SATB, (Co… (14)
2 Choeurs Mixtes Et Orchestre … (14)
Bass guitar (14)
Solistes ATB, Choeur SATB, Tro… (14)
Choeur Mixte (SATB/SATB) Basse… (14)
Solo S, Flûte Traversière, 2… (14)
Solistes SATB, Choeur SATB, 2 … (14)
2 Saxophones (duet) (14)
Solistes SATB, Choeur SATB, (C… (14)
Alto, Ténor, Choeur Mixte et … (14)
Solistes ATB, Choeur SATB, 2 F… (14)
2 Violins, Piano (14)
Choeur SATB/SATB, ou Basse Con… (14)
Double bass, Piano (duet) (14)
Solistes ATB, Choeur SATB, Tro… (14)
Solistes STB, Choeur SATB, Cor… (13)
Solistes STB, Choeur SATB, Cor… (13)
Solistes SAB, Choeur SATB, 2 F… (13)
Choeur SATB/SATB (2 Hautbois, … (13)
3 Guitars (trio) (13)
Solistes SATB, Choeur SATB, Tr… (13)
Solistes SATB, Choeur SATB, Tr… (13)
Solistes SSATB, Choeur SATB, 3… (13)
Solistes SATB, Choeur SATB, 2 … (13)
Solistes ATB, Choeur SATB, 2 F… (13)
Solistes AT, Choeur SATB, Trom… (13)
Basse, Choeur Mixte (SATB) Et … (13)
Solo B, Choeur SATB /2 Hautboi… (13)
Soli (STB), Choeur Mixte (SATB… (13)
Solistes SATB, Choeur SATB, (C… (13)
Soli (SATB), Choeur Mixte (SAT… (13)
Solistes SAB, Choeur SATB, (2 … (13)
Solistes SATB, Choeur SATB, 2 … (13)
Solistes ATB, Choeur SATB, 2 H… (13)
Solistes ATB, Choeur SATB, Tro… (13)
Flûte Traversière, Cordes Et… (13)
Solistes SATB, Choeur SATB, 2 … (13)
French Horn and Piano (13)
Solistes SB, Choeur SATB, 2 Tr… (13)
Choeur SATB, 3 Trompettes, Tim… (13)
Solistes ATB, Choeur SATB, Hau… (13)
Trio (13)
Guitare, Violon, Alto (12)
Solistes AT, Choeur SATB, Cor … (12)
Flûte à Bec F1, Violon et Ba… (12)
Hautbois, Basson et Piano ou O… (12)
Choeur SSAM, (4 Instruments Co… (12)
Choeur SATB/SATB, (8 Instrumen… (12)
Solistes SATB, Choeur SATB, Tr… (12)
Flûte Traversière, Clarinett… (12)
Solistes ATB, Choeur SATB, (Ct… (12)
Solistes SATB, Choeur SATB, Co… (12)
Solistes SATB, Choeur SATB, 2 … (12)
Solistes SATB, Choeur SATB, (C… (12)
Solistes STB, Choeur SATB, (Ct… (12)
Solistes SAB, Choeur SATB, Cor… (12)
Solistes SAB, Choeur SATB, 2 H… (12)
Soli (SSTB) Et Orchestre Choeu… (12)
Solistes SATB, Choeur SATB, 2 … (12)
Solistes SB, Choeur SATB, 2 Ha… (12)
Clavecin (12)
Soprano voice, Piano (12)
Flûte Traversière, Violon et… (12)
Cor ou Hautbois et Trompette, … (12)
Ukulele (12)
Soprano, Trompette, 2 Violons,… (12)
Orchestra, Violin (12)
Recorder Ensemble (12)
2 Flutes (duet) (12)
Euphonium, Piano (duet) (12)
Violin, Basso continuo (12)
Solistes ATB, Choeur SATB, FlÃ… (11)
Solistes ATB, Choeur SATB, 2 H… (11)
Woodwind Quintet: flute, oboe,… (11)
Choeur SATB/SATB, 2 Hautbois (… (11)
Solistes SAT, Choeur SATB, 2 H… (11)
2 Cellos (duet) (11)
Choeur SSATB, 2 Clarines, 2 Vi… (11)
4 Parties Solo, Choeur Et Orch… (11)
Solistes SAT, Choeur SATB, 2 H… (11)
Solistes SATB, Choeur SATB, Tr… (11)
Solistes STB, Choeur SATB, 2 H… (11)
Choeur SATB/SATB, (2 HautboiSB… (11)
Piano and Orchestra (11)
Soli (AB), Choeur Mixte (SATB)… (11)
Solistes ATB, Choeur SATB, 2 H… (11)
Solistes SATB, Choeur SATB, Ha… (11)
Solistes ATB, Choeur SATB, 2 H… (11)
Saxophone and Piano (11)
2 Violins (duet) (11)
Piano Accompaniment (11)
Tenor voice, Piano (11)
Flute, Harpsichord (11)
Flute Quartet: 4 flutes (11)
Bass Trombone and Piano (11)
Solistes SATB, Choeur SATB, 2 … (10)
Solistes (STB), Choeur Mixte (… (10)
Soprano, Choeur Mixte et Piano… (10)
Solistes SATB, Choeur SATB, 2 … (10)
Basse, Choeur Mixte (SATB), Ha… (10)
Choeur SSATTB, 2 Trompettes, 4… (10)
Solistes SB, 2 Hautbois, Taill… (10)
4 Clavecins Et Cordes (10)
Orgue, 2 Hautbois, Cor Anglais… (10)
Solistes SAB, Choeur SATB, 2 F… (10)
Choeur SATB/SATB (8 Instrument… (10)
Clavecin, 2 Flûtes A Bec Et I… (10)
Solistes et Choeur SSATTB, 2 V… (10)
Viola and orchestra (10)
Choeur SATB/SATB, (Basse Conti… (10)
Tenor Saxophone (10)
Hautbois, Cordes et Basse Cont… (10)
3 Recorders (trio) (10)
Partition D'Orchestre (10)
Tuba (10)
Solo S, Choeur SATB, Hautbois,… (9)
Choeur SATB/SATB, (Instruments… (9)
Solistes ATB, Choeur SATB, Hau… (9)
Clavecin, Flûte Traversière,… (9)
Choeur SSATB, Violon, Orgue (C… (9)
2 Violons, Instruments A Corde… (9)
Tenor, Basse, Choeur Mixte Et … (9)
Solistes ATB, Choeur SATB, Tro… (9)
Solo S, Trompette, Instruments… (9)
Solistes STB, Choeur SATB, 3 T… (9)
Solistes SATB, SATB et Orchest… (9)
3 Parties Solo, Choeur Et Orch… (9)
2 Flûtes A Bec Alto, 2 Hautbo… (9)
Choeur SATB, 2 Litui (2 Cors),… (9)
Solistes SB, Choeur SATB, Haut… (9)
Baritone voice, Piano (9)
Solistes SATB, Choeur SATB, Fl… (9)
Accordion ensemble (9)
Solistes SAB, Choeur SATB, 2 H… (9)
2 Trompettes, Cordes Et Basse … (9)
2 Clarinets (duet) (9)
Bassoon, Piano (duet) (9)
Basse et Orchestre (9)
2 Euphoniums et Piano ou Orgue… (9)
2 Recorders (duet) (9)
2 Flutes, Piano (9)
Flute, Clarinet (duet) (9)
Flûte Et Clavecin (9)
Tenor Saxophone and Piano (9)
2 Trompettes Sib, 1 Cor, 1 Tro… (8)
Hautbois et Quatuor à Cordes (8)
Trompette, Cor et Piano ou Org… (8)
Piano Trio: piano, violin, cel… (8)
Hautbois, Violon (2 Violons) E… (8)
2 Trompettes Et 2 Trombones (8)
Soli (SSATB), Choeur Mixte (SA… (8)
Flûte Traversière, Violon et… (8)
Solistes SATB, Choeur SATB, (2… (8)
Choeur SSATB, (5 Instruments e… (8)
Flûte Traversière et 4 Clari… (8)
Hautbois, Violon, Instruments … (8)
Solistes STB, Choeur SATB, (Co… (8)
Solistes SB, Choeur SATB, Haut… (8)
Solistes TB, Choeur SATB, Flû… (8)
Choeur SATB et Basse Continue,… (8)
Choeur SATB (4 Instruments) et… (8)
Hautbois et 4 Clarinettes (8)
Guitare, Flûte Traversière A… (8)
Trompette, Trombone et Piano (8)
Clarinette et Quatuor à Corde… (8)
Alto, Basse, Choeur Mixte et O… (8)
Orgue, Soprano, Alto, Tenor, B… (8)
2 Violons Et Instrument(s) A C… (8)
Choeur SSATB, 2 Hautbois, 2 Vi… (8)
Trio à Cordes (8)
Quatuor Variable (8)
Organ and Brass Quartet (8)
Solistes SATB, Choeur SATB, Fl… (8)
Flûte Traversière et Quatuor… (8)
Flûte Traversière ou Violon)… (8)
Descant (Soprano) Recorder, Ba… (8)
Choeur Mixte (SSATB) Et Instru… (8)
Marimba (8)
Alto et Orchestre (8)
3 Clarinets (trio) (8)
Hautbois, Hautbois D'Amour et … (7)
Solistes (SATB), Choeur Mixte … (7)
Choeur SATB et Basse Continue (7)
Cor en Fa (7)
2 Hautbois, Cor Anglais et Bas… (7)
Flûte à Bec C2, F1, C1 et F … (7)
Solistes SAB, Choeur SATB, ou … (7)
Conducteur et Poche (7)
Flûte à Bec Alto ou Flûte T… (7)
Oboe, Clarinet, Bassoon (trio)… (7)
2 Hautbois, Hautbois D'Amour e… (7)
Hautbois, Cor Anglais et Basso… (7)
Soli (SB) Et Orchestre (7)
Solistes ou Choeur SATB, c.-f.… (7)
Ensemble à Vents (7)
Choral TTBB (7)
Soprano, Flûte Traversière e… (7)
Treble (Alto) Recorder, Piano (7)
Recorder, Piano (7)
2 Hautbois, Basson, 3 Trompett… (7)
Low voice, Piano (7)
Solo instrument and Organ (7)
Solistes (SATB), Choeur Mixte … (7)
High voice, Piano (7)
Alto, Cordes Et Basse Continue… (6)
2 Violins and Basso (6)
Choeur SATB, (4 Instruments et… (6)
4 Solistes, Choeur Et Orchestr… (6)
Soli, Gemischter Chor 1 & 2, … (6)
Guitar Ensemble (6)
Cordes Et Basse Continue (6)
Viole, Instruments A Cordes Et… (6)
Clarinet, Orchestra (6)
Hautbois D'Amour (Hautbois), I… (6)
String Quintet: 2 violins, 2 v… (6)
Trombone, Organ (6)
Solo A, 2 Flûtes Traversière… (6)
Soprano, Tenor, Choeur Mixte E… (6)
Soprano, Piano (6)
Trio Avec Piano (6)
Orgue Et Cordes (6)
3 Euphoniums et Piano ou Clavi… (6)
Oboe, Organ (6)
3 Solistes, Choeur Et Orchestr… (6)
4 Euphoniums (6)
Soli (STB) Et Orchestre (6)
Horn and Orchestra (6)
Solistes STB, Choeur SATB, (Ba… (6)
Solo Bar (Ms), Hautbois Da Cac… (6)
Concert band, Choral (6)
Biography (6)
Flûte à Bec ou Alto et Clavi… (6)
Ténor, Basse, Choeur Mixte et… (6)
Cello, String Bass (duet) (6)
Saxhorn en Sib (6)
Tenor Et Orchestre (6)
Baryton (6)
Choeur et Orchestre (6)
Ensemble Instrumental et Petit… (6)
Flûte A Bec Alto (6)
4 Cellos (6)
Clavecin et Instruments à Cor… (6)
Ténor et Orchestre (5)
Cornet and Piano (5)
Saxophone Quintet: 5 Saxophone… (5)
Soliste, Double Choeur Mixte E… (5)
Viola da Gamba (5)
Formations Multiples (5)
Hautbois (Ou Violon) Et Orches… (5)
Choeur Mixte, Flûte A Bec (S/… (5)
Choeur SATB, (4 Instruments Co… (5)
2 Trumpets, Keyboard (piano or… (5)
5 Solistes, Choeur(s) Et Orche… (5)
Voice, Guitar (5)
5 Clarinettes (5)
5 Part Ensemble (5)
Choeur (SATB) et Brass Band (5)
Flûte Traversière Solo (5)
Melody line, (Lyrics) and Chor… (5)
Solistes STB, Choeur SATB, ou … (5)
5 Recorders (5)
3 Saxophones (trio) (5)
Bass Clarinet (5)
2 Violons, Alto, Violoncelle, … (5)
Tenor, Choeur Mixte Et Orchest… (5)
Solistes SAB, Choeur SATB, (2 … (5)
Musical course - Solfege (5)
Guitare Et Musique De Chambre (5)
4 Contrebasses (5)
Brass Quartet: 2 trumpets, 2 t… (5)
2 Flutes, Basso continuo (5)
Horn Ensemble (5)
Orgue ou Clavecin ou Harmonium… (5)
Clarinet Ensemble (5)
Bassoon (4)
Flûte Traversière, Basson et… (4)
Trompette et 3 Clarinettes (4)
Clarinette et Trio à Cordes (4)
Flûte Traversière et 3 Clari… (4)
2 Violons, Instruments à Cord… (4)
Flûte Traversière, Trombone … (4)
Trompette en Mib, Cor, Trombon… (4)
Soprano, Ténor, Choeur Mixte … (4)
Cor, Tuba et Piano ou Orgue (4)
Hautbois et 3 Clarinettes (4)
Flûte Traversière et Trio à … (4)
Flûte Traversière, Trompette… (4)
Voix, 3 Trompettes, Orgue Et T… (4)
Quatuor à Cordes ou Orchestre… (4)
String Trio: 2 violins, cello (4)
Hautbois et Trio à Cordes (4)
Solo T (S), Flûte à Bec F1, … (4)
Quintette à Cordes (4)
Choeur Mixte (SATB) Basse Cont… (4)
Quintette d'Anches Doubles (4)
C Trumpetor et Trompette Sib/C… (4)
Trompette ou Cornet, Euphonium… (4)
3 Parties Solo, Choeur Et Orch… (4)
Alto, Instruments et Piano (4)
Solistes STB, Choeur SATB, ou … (4)
Flute, Cello, Piano (trio) (4)
Double Choeur Mixte (4)
1 Ou 2 Guitare(s) (4)
Violon, 2 Altos et Violoncelle… (4)
Trompette, Tuba et Piano ou Or… (4)
Hautbois, Hautbois Da Caccia o… (4)
Flute, Violin and Violoncello (4)
Analyse (4)
Trompette et Trio à Cordes (4)
Ochestre à Cordes (4)
Cor en Mib (4)
Quatuor à Vents (4)
Trompette Sib 1 Cor en Fa 1 Tr… (4)
Alto, Violoncelle et Clavecin (4)
2 Flûtes à Bec Alto, Violon … (4)
Hautbois, Instruments à Corde… (4)
Violon, Violoncelle et Basse C… (4)
2 Trompettes (duo) (4)
Hautbois, Clarinette et Piano … (4)
4 Tubas (4)
2 Violons Et Orchestre (4)
Soprano, Hautbois et Piano (4)
Hautbois, Clavecin, Instrument… (4)
2 Recorders, Basso continuo (t… (4)
Pocket, Study conductor (4)
2 Gemischter Choren, Orcheste… (4)
Violon 2 (4)
Clarinette, Trompette et Piano… (4)
Clarinette, Trombone et Piano … (4)
Guitare, Flûte Traversière V… (4)
Clavier ou Orgue Electronique (4)
Voice and Orchestra (4)
Soprano, Instruments et Piano (4)
Piano, Guitar (duet) (4)
Ensemble A Vent (4)
Trompette ou Bugle ou Cornet o… (4)
2 Trompettes Sib 1 Cor en Fa 1… (4)
2 Violons Hautbois et Orchestr… (4)
Choeur D'Enfants (SA), Piano E… (4)
Clarinette, Basson et Piano ou… (4)
Choeur SSSATTB, 3 Trompettes, … (4)
2 Flûtes A Bec Alto, Clavecin… (4)
Cello, Guitar (duet) (4)
4 Bassoons (4)
Cor, Trombone et Piano ou Orgu… (4)
Hautbois 1 Clarinette en Sib 1… (4)
Hautbois, Instruments à Corde… (4)
Soprano ou Ténor et Piano (4)
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Johann Sebastian Bach: St Mark Passion BWV247: Mixed Choir: Score
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
[Sheet music]
Barenreiter
Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247):...
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Rezitative und turbae von Reinhard Keiser (1674-1739)-St Mark Passion (BWV 247): A reconstruction.Recitatives and turbae by Reinhard Keiser (1674-1739). Although all that survives of Bach's “St. Mark Passion” is Picander's libretto virtually all the arias and choruses can be reconstructed from “parody” versions. The original recitatives and turbae however are probably lost forever. Rather than rewriting these numbers “in Bachs's style” the editor Austin Harvey Gomme has added passages from Reinhard Keiser's setting of the Passion (a setting highly esteemed by Bach who performed it several times) thereby allowing this lost work to be performed in its entirety. A detailed prefacesheds further light on this unique reconstruction based on the New Bach Edition. Full score (BA5209) and vocal score (BA5209-90) available for sale Performance material (BA5209-72) available for hire.
58.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
5.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Parts
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
12.00 GBP - Sold by Musicroom UK
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 61 Nun Komm: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...
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Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Parts
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata BWV 78 Jesu der du meine Seele: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu ...
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Cantata for the 14th Sunday after Trinity-Jesu der du meine Seele BWV 78 (Jesu by Thy Cross and Passion)Cantata for the 14th Sunday after TrinityThe cantata Jesu der du meine Seele is one of the famous cycle of chorale cantatas which Bach wrote during the second year of his Leipzig appointment. It was probably performed for the first time on 10 September 1724 the fourteenth Sunday after Trinity in one of the principal Leipzig churches. The text is based on Johann Rist’s at that time widely known hymn of 1641. As in most of the cantatas of this cycle the corner-stones are provided by the first and last verses which appear in an unaltered form; whereas the middle verses were freelyremodelled as arias and recitatives.Urtext of the New Bach EditionPerformance material (BA10078) vocal score (BA10078-90) & study score format 22.5 x 16.5cm (TP1078) available for sale
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Parts
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Part
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata No. 21 - BWV 21: Mixed Choir: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My G...
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Cantata for the 3rd Sunday after Trinity-Ich Hatte Viel Bekümmernis - Lord My God My heart And Soul Were Sore Distrest BWV 21.Cantata for the 3rd Sunday after Trinity.The cantata ?Ich Hatte Viel Bekümmernis? dates from around 1713 and was probably performed for the first time that year in the Liebfrauenkirche in Halle. Its assigning to the third Sunday after Trinity probably only occurred the following year.With its large-scale structure and strong emphasis on biblical texts it was extremely popular in the 19th century and remains one of Bach?s best-known cantatas today.The cantata is published here with a Vocal score based on the New Bach Edition with an idiomatic straightforward Piano reduction by Martin Focke.- One of Bach?s best-known cantatas.- Urtext based on the ?New Bach Edition?.- Clear straightforward Piano reduction.- Study score (TP1021) Vocal score (BA10021-90) & performance material (BA10021) available for sale.
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Johann Sebastian Bach: Cantata BWV 80 Ein feste Burg ist unser Gott: Mixed
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Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mig...
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Cantata for the Feast of Reformation-Ein feste Burg ist unser Gott BWV 80 (A Mighty Fortress is our God)Cantata for the Feast of ReformationThere are practically no surviving original sources for Bach's great Reformation Cantata 'Ein feste Burg ist unser Gott'. It is possible that the original form of the Cantata was written in Weimar in 1715 to which Bach later made various additions and alterations to transform it into a Reformation Cantata for Leipzig. Although scholarly opinion as to the sources is divided there is no doubt that the opening chorus based on Martin Luther's chorale melody 'Ein feste Burg' is one of Bach's greatest achievements.Urtext ofthe New Bach EditionPerformance material (BA10080) vocal score (BA10080-90) & study score format 22.5 x 16.5cm (TP1080) available for sale
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Score
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
[Sheet music]
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Parts
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Vocal
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Magnificat in E-flat major BWV 243a: Mixed Choir: Part
Soli (SSATB), Choeur Mixte (SSATB) Et Orchestre
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Bach's original setting of the Magnificat in E-flat major written for Christmas ...
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Bach's original setting of the Magnificat in E-flat major written for Christmas vespers in 1723 includes four inserts placed at the end of the score to give a dramataic representation of the Nativity.Although the later D major version is most often performed today this earlier E-flat major version stands on its own merits with many attractive features which disappeared with the downward transposition. Urtext of the New Bach Edition.
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 130 Herr Gott Dich Loben Alle Wir: Mixed
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God w...
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Cantata for the Feast of St. Michael-Herr Gott dich loben alle wir (Lord God we praise Thee all of us) BWV 130Cantata for the Feast of St. MichaelComposed for Michaelmas 1724 Bach's cantata 'Herr Gott dich loben alle wir' belongs to the cycle of chorale cantatas which uses a hymn as perhaps various preachers also did to interptet the ideas of the Biblical texts. The hymn used here composed by Paul Eber in 1554 has twelve stanzas. Texts for two recitatives and two arias were written to go with each of stanzas 2 to 10. Bach used the first stanza as a processional and the last two stanzas were made into a concluding chorale withthe original text.- Urtext of the New Bach Edition
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Johann Sebastian Bach: Cantata BWV 91 Gelobet Seist Du Jesu Christ: SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et Orchestre
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christ...
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Cantata for Christmas Day-Gelobet seist du Jesu Christ BWV 91Cantata for Christmas DayThe cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of ?chorale cantatas? the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi.Urtext of the New Bach EditionPerformance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale
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Johann Sebastian Bach: Cantata BWV 172 Erschallet Ihr Lieder: SATB: Parts
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C m...
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Cantata for Whitsunday-Erschallet ihr Lieder BWV 172Cantata for Whitsunday (C major version)Erschallet ihr Lieder (BWV 172) is one of those early Bach cantatas which were often revived at Leipzig. The first performance of this work was given in Weimar 1714. Although only a few instrumental parts from this performance are extant it may be assumed that at that time the cantata already had the form familiar to us from its first Leipzig revival. It was given in C major (church pitch corresponding to D major in chamber pitch) and the first number was intended to be repeated at the end of the work.- Urtext of the New Bach Edition-Performance material (BA10172) vocal score (BA10172-90) and study score format 22.5 x 16.5cm (TP1172) available for sale
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