lyric. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Lyrique

Coloratura Arias for Soprano-Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translationsWith these book/CDpackages that match the standard aria collections edited by Robert L. Larsen any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it showing flow of the language and the mood. The second version is a slow deliberate lesson allowing time for the student to repeat each line. These experienced language coachesadapt the ?R? in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations.The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian Pierre Vallet for French Irene Spiegelmanfor German Kathryn LaBouff for English Yveta Synek Graff for Czech and Gina Levinson for Russian. Companion to 50483986 Coloratura Arias for Soprano.

A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProgramme Note: 'This work was commissioned as a possible companion piece to Mozart?s Exsultate Jubilate and the decision was quickly made to write something as a complete contrast. The poems chosen one anonymous from the early 16th century the other two by the famous Scottish poet William Dunbar [1460? 1513?] describe the promise of salvation after life?s dark passage. Each of the three poems echo this thought: ?In celum ther is joy with Thee? ?A short torment for infinite gladness? and ?Since erdly joy abides never Work for the joy thatlastès ever?. Thus in each poem the poet can overcome the fear of his inevitable death with the certainty of salvation: this work also has its ?dark? moments but the overall mood is one of calmness and peace. As with the words there are several musical motives that link the three songs. The musical motive for the refrain ?Terribilis mors conturbat me? in the first macaronic poem [also a salute to Mozart since the Exsultate is in Latin] returns a little higher and more despairingly in each verse until the last verse where it is played a whole octave higher. This motive reappears [played mostly by the oboes] in the last song but now the pitch of each repeat goes in reverse that is from high to low. The famous motive of the Gregorian chant Dies Irae [representing death] is used to accompany the prayer of the second song. A musical motive for the joy of Paradise appears in the second song ?A free choice given to Paradise or Hell?. There is also a ubiquitous 3-note chordal cluster which is used to illustrate the words: sometimes as a colour and

Brian Elias 'Peroration' arranged for solo Soprano.Peroration was written in 1973 in response to a commission from Jane Manning to whom the work is dedicated. It was stimulated by a few lines from Robert Browning’s‘Dominus Hyacinthus de Archangelis’ (The Ring and the Book). The poem recounts the trial of a certain Count Guido Francdeschini who murdered his adulterous wife and his daughter to preserve his honour. The extracted lines fromthe conclusion of Count Guido’s defence are in the form of peroration. The use of Latin words and phrases so immediately followed by the English as to give the impression of simultaneous translation gave the composer the ideafor the musical form namely two almost simultaneous parts. The first and last sections of the piece contain a third part which acts as a kind of commentary. The different parts move between the English and Latin freely.

With companion recordings online-With companion CDs. This outstanding series is an encouragement to beginning singers in preparing a vocal solo. Songs have been carefully chosen for each voice type after consulting many official state contest repertoire lists. All the songs for instance are on the Texas list. The series will be useful to any novice singer not just limited to those preparing an actual contest solo. Each volume contains 10 songs: 5 art songs in English an African-American spiritual 2 songs in Italian a song in German and a song in Spanish. There are new editions and engravings of all songs. Biographical information is included on each composer. Interpretive suggestions are givenfor each song and the preface on Learning a Song is especially instructive. Each companion CD includes beautiful performances of all the songs by a professional singer and excellent accompaniments by pianist Laura Ward. Also on the CD are pronunciation guides in Italian German and Spanish. Soprano Book Contents: Didn't My Lord Deliver Daniel · Do Not Go My Love · El tra la la y el punteado · I Attempt from Love's Sickness to Fly · It Was a Lover and His Lass · Lachen und Weinen · Nel cor più non mi sento · Se tu m'ami · Solveig's Song · 'Tis the Last Rose of Summer.

Repertoire Collection, Bd. 3: Dramatische Koloratur. / Date parution : 2019-09-06/ Recueil / Soprano Dramatique - Colorature

Antologia Critico-Tecnica per gli studenti di canto-This didactic anthology is ideal for those young singers who have assimilated the basic concepts of vocal technique and feel that they are ready to undertake a conscientious study of the vocalizzo. The volume is composed of three sections (Preparatory Course; Course of medium difficulty; Course of higher difficulty) that deal with the fundamental aspects of tecnique and performance. Also available. a complete edition (ER 00294300). The CD contains: a) examples of soprano vocal extension b) examples of tenor vocal extension c) examples of cadenzas - passi di agilità for soprano d) examples of cadenzas - passi di agilità for tenor.

Description G. Schirmer Opera Anthology - Arias For Soprano Carefully chosen arias to anticipate the needs of singers, teachers and coaches for years to come. Songlist Ach, Ich Fühl's (Die Zauberflöte) [Mozart, Wolfgang Amadeus] Adieu, Notre Petite Table (Manon) [Massenet, Jules] Ah Je Rise De Me Voir (Faust) [Gounod, Charles] Ah Je Veux Vivre (Romeo Et Juliette) [Gounod, Charles] Batti, Batti, O Bel Masetto (Don Giovanni) [Mozart, Wolfgang Amadeus] Bester Jungling (Der Schauspieldirektor) [Mozart, Wolfgang Amadeus] Caro Nome (Rigoletto) [Verdi, Giuseppe] Deh Vieni, Non Tardar (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Donde Lieta Usci (La Boheme) [Puccini, Giacomo] Dove Sono I Bei Momenti (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Elle A Fui, La Tourterelle (Les Contes D'Hoffman) [Offenbach, Jacques] Fair Robin I Love (Tartuffe) [Mechem, Kirke] Je Dis Que Rien Ne M'epouvante (Carmen) [Bizet, Georges] Kommt Ein Schlanker Bursch Gegangen (Der Freischutz) [Weber, Carl Maria Von] Mi Chiamano Mimi (La Boheme) [Puccini, Giacomo] Monica's Waltz (The Medium) [Menotti, Gian Carlo] O Mio Babbino Caro (Gianni Schicchi) [Puccini, Giacomo] O War Ich Schon Mit Dir Vereint (Fidelio) [Beethoven, Ludwig Van] Porgi Amor (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Quando M'en Vo Soletta (La Boheme) [Puccini, Giacomo] Saper Vorreste (Un Ballo In Maschera) [Verdi, Giuseppe] Signore Ascolta (Turandot) [Puccini, Giacomo] Stridono Lassu (I Pagliacci) [Leoncavallo, Ruggiero] Sul Fil D'un Soffio Estastio (Falstaff) [Verdi, Giuseppe] The Black Swan (The Medium) [Menotti, Gian Carlo] The Silver Aria (The Ballad Of Baby Doe) [Moore, Douglas] Tu Che Di Gel Sei Cinta (Turandot) [Puccini, Giacomo] Un Bel Di (One Fine Day) (Madama Butterfly) [Puccini, Giacomo] V'adoro, Pupille (Giulio Cesare) [Handel, George Frideric] Vedrai Carino (Don Giovanni) [Mozart, Wolfgang Amadeus] Willow Song (The Ballad Of Baby Doe) [Moore, Douglas]