Orchestral Accompaniment Score and Parts-Sunrise Mass is a spiritual extended work by Ola Gjeilo which uses the liturgical Latin text. Full Score and String Orchestra parts.The four movements bring us on a metaphysical journey from the heavens to earth from the echo of ?The Spheres? (Kyrie) to ?Identity & The Ground? (Sanctus) with its earthly themes. Neither expressly sacred nor secular this is an exquisite work for advanced high school level and beyond.Vocal Score: HL08501827

Stephen Bulla arranger for the White House Orchestra has set this spiritual in a swing style. This delightful crowd pleaser will help teach basic swing concepts to your beginning orchestra members.

Take your audience on a musical journey in this simplified melodic setting of the timeless spiritual Joshua Fit the Battle of Jericho. Cellos and basses are doubled throughout with very limited demands on the entire ensemble. Rehearsal piano part is included.

Based on the spiritual Little David Play Your Harp James Curnow combines an American orchestral style with contemporary harmonies and orchestration to craft an impressive movement for strings. Simple tempo and style changes addinterest and color to this wonderful work for student players.

based on Follow the Drinking Gourd-Freedom Rhapsody is a set of brief variations based on the spiritual Follow the Drinking Gourd. There are four sections to the composition marked The yearning to be free Anticipation Reflection and Celebration.

A beloved Appalachian folk song and spiritual that is perfect for historical study! This arrangement generally stays in 1st position and employs mainly standard rhythms with a great introduction to eighth-quarter-eighth rhythm. (2:30) / Orchestre A Cordes

String Trio Full Score-A set of three American spirituals arranged for string trio including “My Lord What a Morning” “Were You There” and “This Train is Bound for Glory.”. Songs selected to represent a variety of moods--soulful energetic mournful and rhythmic and present them in new ways through idiomatic string writing. Commissioned by Musica Harmonia.

Les tibe?tains utilisent le mot Dzong pour de?finir un monaste?re-forteresse,En effet, on voit souvent dans les images de ces hauts plateaux de l'Himalaya ces imposants ba?timents, recouverts de chaux blanche, surplombants ine?vitablement le village et lui donnant par la? me?me une impression de force, de se?curite? et d'e?ternite?, C'est e?galement une trace e?ternelle de sa spiritualite?,Ces ba?timents de 2 ou 3 e?tages sont une re?fe?rence a? la possibilite? pour chacun des villageois d'un cheminement spirituel quotidien,Quand Pierre Badol m'a sugge?re? la composition d'une pie?ce pour 2 Cors, Percussions et Orchestre a? Cordes, j'ai imme?diatement visualise? l'expression de cette puissance humaine sortie de terre a? co?te? des sommets environnants,Les deux Cors associe?s a? la Percussion refle?tent cette impression de force, ancre?e dans le sol, et presque immobile que de?gage l'architecture des Dzongs, malgre? les intempe?ries, nombreuses et violentes a? ces altitudes,J'ai de?libe?re?ment travaille? sur un continuum entre les deux instruments a? vents pluto?t que, comme cela peut s'entendre dans les oeuvres du passe?, dans une pre?occupation compositionnelle utilisant l'imitation, l'e?cho ou le jeu question/re?ponse,, / Orchestre A Cordes