By Erik Veldkamp. De Haske Play-along Book. Book and CD Package. Size 9x12 inches. 32 pages. Published by De Haske Publications.

Trombone

SKU: HL.48183756

Composed by Yves Demarle. Leduc. Classical. CD only. 30 pages. Alphonse Leduc #AL25977. Published by Alphonse Leduc (HL.48183756).

UPC: 888680859381. 9x12 inches.

“Born in Calais in 1946, Yves Demarle studied at the Paris Conservatoire where he won first prize for Trombone. He then went on to play with the Orchestre de Paris. His Flexibility for Tenor Trombone, therefore, is very well-informed. This volume is essential to trombonists who already have experience of the instrument. Flexibility for Tenor Trombone addresses use of the tongue in conjuction with the air column, and are to be practised alongside the student's usual technical studies. All exercises should be practised up to the seventh position and repeated until they can be played with perfect synchronisation between the lips, tongue and jaw. With detailed instruction in French, English, German and Spanish, Demarle's Flexibility for Tenor Trombone is essential to the progression of technique of all aspiring trombonists.&rdquo.

(Selected from the Vocalises of Marco Bordogni). By Giovanni Marco Bordogni (1789-1856). Edited by Alan Raph. Arranged by Joannes Rochut. For trombone. 68 pages. Published by Carl Fischer

Composed by Mike Svoboda / Michel Roth. Book. Published by Baerenreiter Verlag

by William Bay. For trombone. All styles. Level: Beginning. Chart. Fingering chart. Size 8.75x11.75. 4 pages. Published by Mel Bay Pub., Inc.

Trombone - Intermediate

SKU: AP.1-ADV14903

Composed by Fred Lipsius. Brass - Trombone and Baritone Method or Collection; Improvisation; Method/Instruction; Play-Along; Technique Musicianship. Advance Music: Playing Through the Blues. Blues. Book and CD. Advance Music #01-ADV14903. Published by Advance Music (AP.1-ADV14903).

UPC: 805095149036. English.

Playing Through the Blues: Trombone Edition is an intermediate-level reading book with accompanying CD (12 listening tracks; 12 play-along tracks) that contains very melodic, fun-to-play blues lines and riffs in various styles and feels. The keys and tempos are comfortable. It's an excellent tool for learning what jazz soloing is all about. You can also improvise over the play-along tracks using the chords for the tracks shown in the book.

Titles: Blues for Michael Brecker * On the Spot * Sus Sounds * Goin' Home * Funky Blue * Blues Ascension * Four in Three * Diggin' In * Nightfall * Medieval Blues * Tradin' Ones & Twos * Shuffle Them Blues.

Composed by Andrew D. Gordon. 100 Ultimate Blues Riffs Beginner Series. Blues. Book & digital audio. ADG Productions #ADG211. Published by ADG Productions

By Georg Philipp Telemann (1681-1767). Arranged by Ralph Sauer. For Unaccompanied Alto Trombone. Baroque Solo. Advanced. Booklet. Published by Cherry Classics

By Georg Philipp Telemann (1681-1767). Arranged by Ralph Sauer. For Unaccompanied Tenor Trombone. Baroque Solo. Advanced. Booklet. Published by Cherry Classics

For Trombone. Includes a high-quality printed music score and a compact disc containing a complete performance in split-channel stereo, with the soloist on the right channel; and a second performance in full stereo minus the soloist. Published by Music Minus One.

Chamber Music trombone

SKU: CF.W2687

For Trombone. Composed by Jean-Baptiste Arban. Edited by Alan Raph. SWS. Collection - Performance. With Standard notation. 32 pages. Carl Fischer Music #W2687. Published by Carl Fischer Music (CF.W2687).

ISBN 9781491150955. UPC: 680160908455. 9x12 inches.

This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trombone, edited by Alan Raph, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.
The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) willend. There are things which appear clear enough when stated verbally but which when writtendown on paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech norword can clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level ofperfection, should above all things, always try to hear good music well interpreted. Theymust seek out, among singers and instrumentalists, the most illustrious models, and by doingthis purify their taste, develop their sentiments, and bring themselves as near as possible tothat which is beautiful. Perhaps then the innate spark which may someday be destined todemonstrate their own talent, will reveal itself and render them worthy of being, in their turn,cited and imitated in the future.

By James D. Ployhar and Paul Tanner. For Trombone. Brass - Trombone and Baritone Method or Collection. Student Instrumental Course. Level: Advanced Intermediate. Book. 32 pages. Published by Alfred Publishing.