J. B. Senaillé's Introduction And Allegro Spiritoso For Bassoon And Piano arranged by Howard Parker for Bassoon and Piano accompaniment. Originally scored for 4 solo parts for low brass instruments. Duration - 3 Minutes.

Unusually for him Davies starts his Bassoon Concerto not with slow music but with speed and brilliance: the opening is a Presto initiated by the strings and only at the entry of the soloist does the tempo relax to thatof a real introduction. Out of this grow a big dancing Allegro. The slow movement begins and ends with a simple song around fantastical ornamentation from the soloist. The finale is again a recitative and dance with a slow coda.The whole work is an immense show of stamina poetry and athleticism for the bassoon set against an orchestra coloured by low wind (alto flute clarinet in A bass clarinet contrabassoon horns).Bassoon part with pianoreduction of the orchestral score.

Scherzo Op.48 is a really lyrical piece for Wind Quintet (Flute Oboe Clarinet Bassoon Horn) which lasts around 2 minutes 30 seconds. The work starts Allegro Vivo with the main theme and some variations of this theme by each instrument then appear to end up on a final Animando. It reminds of music played to hold suspense during movies. This restless piece requires a good mastering of breathing techniques. This book features score and parts. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin conducting and composition as well as the GrandPrix de Rome. He composed several operas chamber works and ballets among others.

French composer and conductor Henri Tomasi (1901-1971) published Concerto for Bassoon in 1957. As with his other wind compositions Concerto for Bassoon was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoire and went on to become a high profile composerand conductor. Tomasi did not forget his Corsican routes often incorporating into his compositions themes of the songs he had learnt during the summers with his Grandmother. The Concerto for Bassoon is in three movements; 1) Andante and Allegro 2) Serenade Nocturne and 3) Final-Saltarelle. This Tomasi piece is suitable to advanced bassoonists providing an exciting alternative addition to the instrument's repertoire.

Avec la partition répertoriée sous l'ISMN M049501163 voilà tous les amateurs de Fac-Similé qui vont être comblés. Commandez cette partition musicale Devienne François de style Classique composée par 50116 dès aujourd'hui et dans moins de 7 jours, elle sera entre vos mains. / 2 Bassons / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7

Arrgt: Vireton Eric. Par MOZART WOLFGANG AMADEUS. Formation : Hautbois et Basson. Instrumentation : Hautbois, Basson. Niveau de Difficulté : 2/6 - Facile. Durée : '45'''. Style Musical : Classique. Catégorie : Arrangement. Compositeur : MOZART Wolfgang Amadeus. Arrangeur : VIRETON Eric / Niveau : Facile / Classique / Répertoire / Hautbois et Basson

Arrangeur: John Glenesk Mortimer. Par SENAILLE JEAN-BAPTISTE. / Niveau : Avancé / Répertoire / Basson et Piano ou Orgue