Basson Et Piano - Lm010-French composer and student of Darius Milhaud Pierre-Max Dubois was born on March 1st 1930. Although not as popular as his teacher he was well respected and continued the musical ideas of Les Six of which Milhaud was of course a member into the second half of the twentieth century even winning the Prix de Rome in 1955. Dubois' music is a lot like that of Milhauds light hearted harmonic melodical and texturally unusual. Many of his works are for woodwind especially saxophone such as his Quartet for Saxophone in F which was premiered in 1962 or the Pieces characteristiques en forme de suite for alto saxophone and piano accompaniment.

La partition Scherzo de Dubois Pierre-Max a été composée pour Basson et plus particulièrement pour 4 Bassons. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Leduc. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / 4 Bassons / Parties

Par MEREAUX MAX. 2’30’’ / Niveau : Préparatoire / Répertoire / Basson et Piano

Par MEREAUX MAX. 2’06’’ / Niveau : Débutant / Répertoire / Basson et Piano

La référence GB3270 de l'éditeur Billaudot dont l'auteur célèbre est Dubois Pierre-Max, qui a pour titre 3 NOUVELLES BREVES, a été écrite et composée pour Basson et plus particulièrement pour Basson Et Piano. Cette partition musicale appartient à la catégorie Classique. / Basson Et Piano / Partition

Par MEREAUX MAX. 4’30’’ / Niveau : Elémentaire / Répertoire / Basson et Piano

Bassoon-Metamorphoses after Britten was written for Melinda Maxwell for UYMP's Signals volume of new music for Oboe. It was first performed by Melinda at York University on 24th November 2010.I - A MountainII -FixationIII - FlowersIV - Fountains Metamorphoses after Britten by philipvenables 'Metamorphoses after Britten arejust that: four miniatures each inspired by one of Benjamin Britten’s Six Metamorphoses after Ovid for solo oboe. Each movement over its short course transforms gradually from one thing to another ending with the exception ofFountains in a short cathartic coda. Some of the movements also take specific musical elements from Britten’s pieces.I very much viewed these pieces as musical Haiku and in that sense I hope they embody a sense ofpeace brevity and simplicity.The oboe version of Metamorphoses after Britten is dedicated to Melinda Maxwell.The saxophone version of Metamorphoses after Britten with an additional movement is dedicated to Vickiand Andrew Vaughan'      - Philip Venables