Harpsichord, 2 Violins, Viola, Cello/Contrabass

SKU: CA.3230119

Composed by Wilhelm Friedemann Bach. Edited by Peter Wollny. Stuttgart Urtext edition. German title: Concerto Per Il Cembalo In D 41.C9. Set of Orchestra Parts. BR-WFB, C 9. Duration 17 minutes. Carus Verlag #CV 32.301/19. Published by Carus Verlag (CA.3230119).

ISBN 9790007138981. Key: D major. Language: all languages.

Score and parts available separately - see item CA.3230100.

Edited by Cheryl Friedman and Joel N. Eglash. For Piano/Vocal/Guitar. Transcontinental Music Folios. Softcover with CD. 66 pages. Transcontinental Music #993515. Published by Transcontinental Music

For Trombone. Classical (Laureate Master Classes with piano). Includes a high-quality printed music score annotated with performance suggestions and a compact disc with complete versions (with soloist) followed by piano accompaniments to each piece, minus the soloist. Published by Music Minus One

Violin - advanced to difficult

SKU: HL.49019054

Violin and Piano. Composed by Johanna Senfter. Edited by Wolfgang Birtel. Arranged by Friedemann Eichhorn. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Softcover. Op. 100. 48 pages. Schott Music #VLB122. Published by Schott Music (HL.49019054).

ISBN 9790001147828.

On 11 August 2011 it is fifty years since the death of the composer Johanna Senfter from Oppenheim who actually was a trained violinist for she had studied with renowned violinists at the Hoch Conservatory in Frankfurt. No wonder that she dealt with the solo violin repertoire her whole life long. Concert works with orchestral accompaniment as well as chamber music works were the results of her compositional endeavours, and she attended to both the large and the small form. Apart from sonatas deeply rooted in the Romantic tradition, Johanna Senfter also wrote '5 Stucke' Op. 100 for violin with piano accompaniment. They are five miniatures which combine to form a kind of sonatina, while nevertheless being quite equal to its big sister, the sonata, as regards playing and compositional technique. A musically demanding, yet rewarding work by the Reger pupil.

SSA choir (SSAA) - Level 3

SKU: CA.309980

Composed by Friedemann Gottschick and Minna Koch. Separate edition with choral collection. Sacred vocal music, Hymn settings, Fear and trust, Praise and thanks. Full score. Composed 1996. Duration 2 minutes. Carus Verlag #CV 03.099/80. Published by Carus Verlag (CA.309980).

ISBN 9790007175412. Key: E flat major. Language: German. Text: Krummacher, Cornelius Friedrich Adolf. Text: Cornelius Friedrich Adolf Krummacher.

Brass Quintet 2 Trumpets, Horn, Trombone, Tuba

SKU: SS.50010830

Composed by Stanley Friedman. Chamber Music. Score & Parts. Published by Seesaw Music Corp (SS.50010830).

Cello and Double Bass. Edited by Cesare Fertonani. String. Softcover. Ricordi #NR141566. Published by Ricordi

Trumpet & Organ

SKU: SU.24100240

For Trumpet & Organ. Composed by Stanley Friedman. Brass, Trumpet, Keyboard, Organ. Score & Parts. Subito Music Corporation #24100240. Published by Subito Music Corporation (SU.24100240).

Trumpet & Organ Duration: 15' Composed: 2011 Published by: Asher Rose Music.

Orchestra SATB vocal soli, SATB choir, 2 oboes/2 oboe d'amore, oboe d'caccia, [3 trumpets, timpani], 2 violins, viola, basso continuo - Grade 3

SKU: CA.3108013

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Klaus Hofmann. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal; Hymns by Martin Luther: Ein feste Burg ist unser Gott. German title: Ein feste Burg. Innovative practice aids, Sacred vocal music, Cantatas, Reformation day. Single Part, Viola. BWV 80. 12 pages. Duration 30 minutes. Carus Verlag #CV 31.080/13. Published by Carus Verlag (CA.3108013).

ISBN 9790007045371. Key: D major. Language: German/English. Text: Luther, Martin. Text: Martin Luther, Salomo Franck.

Bach's Reformation cantata, based on what is probably Martin Luther's most famous hymn, evolved over a period of several years. At the beginning was a Weimar cantata for Oculi Sunday 1716, now missing, which was based on the hymn with an instrumental quotation in the opening aria and with the final chorale. In the Leipzig years around 1730, Bach wrote a cantata for Reformation Day using this material. It began with the first verses of Luther's hymn in a simple four-part setting and also included the other verses. Later on, in the 1730s or 1740s, Bach replaced the introductory chorale movement with a chorale setting which was unique, spacious and motet-like in its style; this - uniquely in this respect - incorporated the choral writing in an instrumental canon for oboes and organ continuo. The powerful opening chorus is followed by recitatives and arias which reflect the full breadth of Bach's art of word painting and emotion. One of Bach's most magnificent cantatas, one of the greatest works in the history of music. In addition to the complete performance material the arrangements of movements 1 and 5 (with 3 trumpets, timpani as playing score) by Wilhelm Friedemann Bach are available (Carus 3108089). Score and part available separately - see item CA.3108000.

Petit Concerto. By Ferdinando Carulli. Arranged by Friedemann Riehle. Schott. 50 pages. Published by Schott.

(All-Access Guitar Instruction). By Troy Stetina. Instructional/Guitar/DVD. DVD. Hal Leonard #300219. Published by Hal Leonard