Brahms?s Clarinet Trio composed in 1891 was inspired by the exceptional musicality of clarinettist Richard Mühlfeld. As he did for his horn trio Brahms prepared a viola part as a possible alternative to the clarinet. Both scorings were rehearsed (the viola part being played by Joseph Joachim) prior to the premiere and publication of the work.Bärenreiter?s scholarly-critical edition prepared by Christopher Hogwood offers a foreword on the trio?s compositional process with comments on performance practice as well as a comprehensive critical commentary and facsimile excerpts of the manuscript.Viola part included as an alternative to the clarinetpartWith a detailed foreword (Eng/Ger) on the work?s genesis and performance Practice

Scored for clarinet, cello and piano Clarinet Trio (BH 12624) is in three movements, with a total duration of 20 minutes. The first movement, 'Ljud stort, ljud' (Sound big, sound), was commissioned in 2008 to celebrate the centenary of Svenska kulturfonden. 'Som det stilla vi söker' (Like the tranquillity we seek) and 'Slå våg, slå' (Crash wave, crash) were commissioned in the same year by the Bergen International Festival. Piano Trio (BH 12982) is the same work adapted by the composer in 2011-12 for violin, cello and piano.Note that the piano and cello parts are not interchangeable between the respective versions. / Clarinette, Violoncelle Et Piano

Trio (Op. 10) was composed c.1940 and first published in 1943. It is scored for Clarinet Cello and Piano. One of Frankel’s earliest works it is light and pleasing showing how the composer was first influenced by jazz and classical chamber music before he later turned to larger symphonic works and started experimenting with serialism. Benjamin Frankel (1906-1973) was a British composer and musician. He is best remembered for writing over one hundred film and television scores including The Man In The White Suit and The Battle Of The Bulge but he also wrote eight symphonies and many smaller works such as his ViolinSonata and Concerto which were written for Max Rostal.

Music for Clarinet in Bb, Cello and Piano. Par JOST CHRISTIAN. In this trio, as in most of his compositions, Jost has pictures and associations with true incidents, films and novels in his mind. What inspired him to write this piece was Joseph Conrad's novel 'Heart of Darkness' in which the protagonist Marlow says about the city of Brussels: 'In a few hours I arrived in a city that always make me think of a whited sepulchre.' In 'Sepulchral City', a work commissioned to mark the tenth anniversary of the Jerusalem Chamber Music Festival, however, the title refers to Jerusalem, the city of white tombs. The topic of Jost's trio is a travel into the soul and living spirit of a city, with no physical movement being needed to find the heart of impenetrable darkness: It lies within the city walls. In this respect, 'Sepulchral City' equals a compositionally unfolded funeral bell. Even the animated middle section rather has insisting than progressive power. At the end, the only thing to do is to inhale and exhale./ Répertoire / Clarinette en Bb, Violoncelle et Piano

Composed in 2008 Trio for the Clarinet Cello and Piano was written by the British composer Ed Hughes in memory of the distinguished musicologist and Berio expert David Osmond-Smith.Inspired by Osmond-Smith's passion for music this short work tries to capture the harmonic and polyphonic subtlety of Brahms' Intermezzos.